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During the third day of activities at 2025 Billboard Latin Music Week, the new stars of regional Mexican music discussed the changes the genre is experiencing as it captures global attention. During the panel “The Future of Regional Mexican Music,” presented by Walmart and moderated by Isabela Raygoza of Billboard Español, five of the talents revolutionizing the genre came together: Xavi, Netón Vega, Estevie, Oscar Maydón and Codiciado.
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Fusions have been one of the main factors driving the shift in sounds for the new generation. Netón Vega — who gained recognition as a composer of corridos tumbados — has experimented with trap and reggaetón, releasing his album Mi Vida Mi Muerte this year, which is nominated for eight Billboard Latin Music Awards. “The lyrics can be about romantic themes, like in my case, but the sounds of a song with charcheta are very different from those of an urban sound. That’s where creativity comes in, knowing how to use the voice and experiment with the rhythms,” explained the artist, who was born in La Paz, Baja California Sur.
Maydon, who rose to fame through his collaborations with Peso Pluma, Natanael Cano, Junior H, and Fuerza Regida, is also part of the corridos tumbados wave. Like his peers, he has had to adapt his music due to restrictions placed on the genre in some Mexican states. “We, as the new generation, grew up listening to things like trap. Before, with singers like Vicente Fernández, everything was different,” he said. “But now we can collaborate with anyone. In corridos, you have to be a bit more careful about how you say things, whereas in reggaetón and urban music, for example, you can be more open.”
The new faces of Mexican music have also grown up in the U.S., though they carry in their veins the heritage of the country in which their parents were born, inheriting those traditions and musical tastes. That is the case for Estevie, who is making waves with her unique style of performing danceable music. “In 2021, I listened to ‘Ay Papasito’ by Alicia Villreal and realized there wasn’t music like that, but with more modern beats, and that’s when I created my first cumbia called ‘Canela,’” she explained about the path she chose for her career.
For his part, Xavi, born in Phoenix and known for revolutionizing social media with his hit “La Diabla,” shared his formula for writing successful songs: “The most important thing is to reflect what comes from the heart; the message you convey through your music is what makes you connect with people,” said the artist, who has caught the attention of major stars like Grupo Frontera and, more recently, Manuel Turizo, for collaborations.
The most experienced participant on the panel, Codiciado — part of the generation that emerged in Tijuana during the pandemic that predates the corridos tumbados movement — shared valuable advice with his peers. “You must always believe in yourself. If you fall, you get back up,” said the artist, who is about to release his first album in three years. “A career is built by being genuine and working hard every day. The most important thing is to find what you can contribute to music and the industry. We can ride the waves and do well, but there’s nothing like stirring the waters.”
With over 30 years of history, Latin Music Week is the most important and largest gathering of Latin artists and industry executives worldwide. The event also coincides with the 2025 Billboard Latin Music Awards, set to air on Thursday (Oct. 23) on Telemundo and Peacock, where Bad Bunny will be honored as Top Latin Artist of the 21st Century.
Trending on Billboard Like Adele, Lorde has leaned into taking time off to live her life out of the spotlight between album releases. And, also like Adele, the “Man of the Year” singer has been fine with long gaps between those releases. But after the usual four-year gap between this Virgin and her previous LP, […]
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Following the death of founding KISS guitarist Ace Frehley last Thursday at age 74, the Morris County, New Jersey medical examiner’s office is conducting a series of exams to determine the rocker’s cause of death. According to TMZ, a rep for the examiner’s office said that though an autopsy was not performed on Frehley’s body, the guitarist know for his on-stage Spaceman persona is undergoing a toxicology screening as well as an external body examination to determine how he died; the final cause of death will not be announced until after the toxicology report is completed, which could take several weeks.
At press time a spokesperson for the medical examiner’s office had not returned Billboard‘s request for confirmation on the TMZ report.
Frehley’s family announced his death last week in a statement, writing, “We are completely devastated and heartbroken. In his last moments, we were fortunate enough to have been able to surround him with loving, caring, peaceful words, thoughts, prayers and intentions as he left this earth. We cherish all of his finest memories, his laughter, and celebrate his strengths and kindness that he bestowed upon others. The magnitude of his passing is of epic proportions, and beyond comprehension. Reflecting on all of his incredible life achievements, Ace’s memory will continue to live on forever!”
At the time, TMZ reported that Frehley had been on life support after suffering a brain bleed following a fall at home several weeks earlier. The rock star had canceled a planned performance at the Antelope Valley Fair in Lancaster, California, after suffering what at the time was described as a “minor fall … resulting in a trip to the hospital.” A statement on his Instagram at the time said Frehley was “fine, but against his wishes, his doctor insists that he refrain from travel at this time.”
Less than two weeks later, Frehley’s team announced that he would be canceling all of his remaining appearances for this year “due to some ongoing medical issues.”
Frehley co-founded KISS in 1973 in New York along with singer/guitarist Paul Stanley, basist/singer Gene Simmons and drummer/singer Peter Criss. He remained a core member of the greasepaint rockers’ lineup through 1982 and later returned for the band’s blockbuster reunion tour in 1996, staying on through 2002.
The group known for their elaborate, glittery costumes, character makeup and bombastic rock anthems released some of its most successful albums during Frehley’s tenure, including 1977’s Love Gun and Alive II, both of which charted in the top 10 of the Billboard 200.
“We are devastated by the passing of Ace Frehley,” read a post from the band following Frehley’s death. “He was an essential and irreplaceable rock soldier during some of the most formative foundational chapters of the band and its history. He is and will always be a part of KISS’s legacy. Our thoughts are with Jeanette, Monique and all those who loved him, including our fans around the world.”
KISS will be honored at the 2025 Kennedy Center Honors taping on Dec. 7 — and airing Dec. 23 on CBS — with Frehley becoming be just the third person to receive the honor posthumously.
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Justin Bieber has been on our screens for more than half of his life. But starting Wednesday (Oct. 22) the “Daisies” singer promised that we’re about to see even more of him. Bieber made his debut on Twitch yesterday with a stream that included footage of the singer playing basketball, shooting pool with friends and teasing his upcoming Coachella dates.
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The live feed from a giant warehouse space decked out with a mini half-pipe, a recording studio, ping-pong table and lounge area — with a pack-and-play bed for son Jack Blues — included an extended bit where JB put up short jumpers while talking about focusing on his health and “friendships, relationships, the ability to connect with each other,” all cued to Partynextdoor’s “Come and See Me.”
Long stretches of the stream were taken up with Bieber’s crew wandering around the space or just chilling as the singer played DJ and cued up some favorite mellow R&B, including Leon Thomas’ “Yes It Is,” as they played a lengthy game of Horse on the court. At one point, Justin hit a long shot from near the foul line while seated in a chair. The action then moved to a pool table, with Bieber yawning as he prepared to chalk up his cue.
After the game, Bieber took control of the camera and provided the first bit of actual news in the otherwise action-lacked feed with a tease about his April 2026 Coachella headlining gig, the only concerts he’s booked so far following the release of his Swag and Swag II collections and his first full live shows since 2022.
“This is our space for the next few months, so excited,” Bieber said. “I’m gonna be putting on a hell of a show for you guys at Coachella. I can’t wait. So getting ready, getting the gang together, get inspired. So Beautiful.” Speaking directly to camera, Bieber promised that the Twitch stream will be live “pretty muchevery day,” encouraging fans to tune in. “It’s gonna be awesome.”
In addition to the singer hopping on his skateboard and working the half-pipe, the feed also included a section with a shirtless Bieber playing ping pong. While not playing around, Bieber has been busy lately dropping music videos and topping charts, including a visual for “Bad Honey” and a No. 1 spot on the Pop Airplay Chart with “Daisies,” which tied him with Bruno Mars for most leaders among solo males in the chart’s history.
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Courtney Barnett is back on our screens and behind the wheel once again with “Stay In Your Lane.”
The celebrated Australian singer and songwriter was the musical guest Wednesday (Oct. 22) on The Tonight Show Starring Jimmy Fallon, where she roused night owls with her new single.
“Stay In Your Lane” (via Mom+Pop Music) is a blast of ‘90s-leaning indie rock, and is Barnett’s first new material since the 2023 instrument LP End Of The Day and her first new lyrical piece since the 2021 album Things Take Time, Take Time, which cracked the Billboard 200 chart, debuted in the top 40 on the Official U.K. Chart, and impacted the top 10 in her homeland.
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“Gotta get this off my chest” she chants in the chorus, leading a full band. “This never would’ve happened if I stayed in my lane, stayed the same way.”
Watch Barnett’s late night performance of “Stay In Your Lane” below.
The Grammy Award-nominated Melbourne artist has been quietly revving up her full-scale return to the stage with a string of intimate shows at Levon Helm Studios and in Joshua Tree, and a date booked next month at Odeon Theatre in Hobart, Tasmania.
Barnett emerged in the 2010s as one of Australia’s finest indie exports. Her debut full-length album from 2015, Sometimes I Sit and Think, and Sometimes I Just Sit, peaked at No. 4 in Australia, and blasted into the top 20 in the United Kingdom and the United States, and won the Australian Music Prize, awarded to the best Australian album, regardless of critical success; along with a trio of ARIA Awards and a nomination for best international female at the BRIT Awards. Then, her solo follow-up from 2018, Tell Me How You Really Feel, cracked the top 10 in the United Kingdom, led several Billboard charts and peaked at No. 22 on the Billboard 200.
A collaborative project with Kurt Vile, 2017’s Lotta Sea Lice, was another success story, reaching No. 5 in Australia, No. 11 in the U.K., and No. 51 in the U.S.
There’s no word yet on when that next, fourth solo studio album will see the light of day.
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Stadium shows, records set on the Billboard charts, awards. All of it, nice. But for Teddy Swims, the moment he knew he’d really “made it” was when he collaborated with The Wiggles.
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No lie. Swims is at the back-end of an action-packed tour of Australia and New Zealand, during which he performed at the NRL Grand Final, delivered a keynote at SXSW Sydney, and, yes, performed on stage with The Wiggles.
This morning, Swims stopped by Nova 100’s Jase & Lauren for a chat about the land Down Under, his tattoo obsession, and realizing his dream as an unofficial Wiggle.
The Wiggles joined Teddy Swims onstage during his concert at Sydney’s Qudos Bank Arena on Oct. 15, for a medley of “Rock-A-Bye Your Bear,” “Hot Potato” and “Fruit Salad.”
“Yeah, that was the coolest thing ever,” he remarks. “So, I reached out to them years ago when I first started coming up on Instagram, because they’re really my heroes growing up, and always wanted to collab with them. And so I reached out to them, like, ‘you’re my heroes. I love you’.”
Fortune smiled on Swims as he greeted the children’s entertainers backstage on the Today Show, ahead of the Oct. 5 rugby league finale.
“I met them in the hallway, and they were like, ‘you want to play ‘Fruit Salad’ with us?’ And I was like, ‘oh my god!’… I was absolutely starstruck.”
Swims played his cards right and asked The Wiggles to join him at a show, which they did.
“Oh dude, it was so sick,” he recounts. “We did this whole three song medley, and the whole band was involved. It was the coolest thing ever. I think it was, like, I even said it afterwards, that was my ‘made it’ moment for me.”
Swims has some serious runs on the board. He made history in July when “Lose Control” became the first song in the history of the Billboard Hot 100 to spend triple-digit weeks on the chart, as it reached its milestone 100th frame. The next best is Glass Animals’ “Heat Waves,” which logged 91 weeks on the tally in 2021-22.
The Atlanta-born singer’s blend of R&B, country and soul has seen him fly high on Australia’s charts, too. In January, Swims’ I’ve Tried Everything But Therapy (Part 2) opened at No. 1 on the ARIA Albums Chart, while “Lose Control” went to No. 4 on the national singles survey.
Speaking on Australian breakfast radio, Swims admitted he’s “running out of space” for new ink, but there are countless blank canvases among his pals.
“Right before my son was born,” he notes, “I was trying to take a couple months off the booze and so we’d always have kind of party after the show in the green room and stuff, there’s so many people. So I was like, instead of fighting the urge to drink, I could just pull the tattoo machine out and all the drunks would just let me tattoo them.”
Swims’ I’ve Tried Everything But Therapy Tour of Australasia continues tonight, Oct. 23 with the second of three dates at Melbourne’s Rod Laver Arena. Matt Corby is the support act and Frontier Touring is producing the trek, which ends Oct. 29 with a sold out concert at Perth’s RAC Arena.
Stream his Nova interview below.
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Swapmeet and 水中スピカ Suichu Spica are winners of the third annual Justin Cosby Music Prize, presented following their respective appearances at South by Southwest Sydney 2025.
Hailing from Adelaide, Swapmeet scoops the Justin Cosby best emerging artist honor, awarded to the local or international artist showing the most potential, a nod to their artistic merit and “export readiness.”
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“Since we announced Swapmeet on the lineup, the band attracted a significant amount of industry interest thanks to their quality songwriting and cohesive production,” explains SXSW Sydney head of music Claire Collins. “Throughout the week, they backed up the buzz with a compelling show, producing gorgeous indie anthems punctuated by a punk spirit. We can’t wait to see what they do next.”
Meanwhile, Kyoto, Japan math rock act 水中スピカ Suichu Spica collect the Justin Cosby best performance prize, recognition of an outstanding live effort at an official SXSW Sydney event.
Their “flawless live sets throughout the week were one of the true highlights of SXSW Sydney this year,” says SXSW Sydney music program manager Reg Harris. “Each show featuring a tight setlist filled with intricate guitar tapping, sparkling vocals, ever changing time signatures and cinematic crescendos.”
Also, Jamaica Moana is named as recipient of the Walk to Austin Award, presented for the first time in partnership with Johnnie Walker Black Ruby. As part of their victory spoils, the trailblazing Māori/Samoan rapper and songwriter will perform at SXSW 2026 in Austin, Texas.
A music industry panel selected Moana on the basis of exceptional creativity, originality and potential to connect with a global audience.
The Justin Cosby Music Prize is named in the memory of Inertia Music co-founder Justin Cosby, who died in June 2021.
The much-loved independent music executive was a regular attendee at SXSW and his meticulously-prepared spreadsheet planner was shared widely among the Australian industry professionals making the journey to Austin each year, notes SXSW Sydney organizers in a statement.
The judging panel comprises industry leaders from independent record labels, community radio, venues, festivals and local and international media.
The inaugural Justin Cosby Music Prize was awarded in 2023 to Otoboke Beaver (best performance) and Miss Kaninna (best emerging artist), and was last year presented to Voice of Baceprot and DEVAURA.
TEG produced the third-annual SXSW Sydney, which was presented Oct. 13 – 19 and featured a program heaving with 1,600 events and networking sessions, plus a music festival lineup with more than 300 performances.
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Since Jelly Roll arrived on the country scene over the past three years, he’s always put his wife Bunnie Xo and their relationship front and center at awards shows and on red carpets. But there was a time years ago when the hitmaker was struggling with substance abuse issues and their marriage wasn’t always picture-perfect.
During his appearance this week on the Human School podcast, Jelly Roll got candid with host Miles Adcox about one of his lowest points.
“I don’t talk about this publicly at all, but one of the worst moments of my adulthood was when I had an affair on my wife,” Jelly said. “Because it was the first time that I was like, ‘I really can’t get this right at all. I know I’m in love with this woman.’ It was just such a, just really, really, really blew me back.”
To get where they are now, Jelly said “I did a lot of work to repair that relationship, you know what I mean? The repair has been special. And we’re stronger than we could have ever been. I wish our story would have went in a way that it never had an affair, but – and I’m in no way glad it happened – but man, I’m proud of who we are today.”
Jelly Roll acknowledged that he was running with a much different crowd when he cheated on Bunnie, and among his friends at the time, abusing drugs and being unfaithful to your partner were par for the course.
“I was hanging around a bunch of people that were cheating on their wives,” he said. “When I was doing cocaine, I was hanging around a bunch of people that were doing cocaine. When I was drinking a lot, I was hanging around a lot of people that were drinking a lot.”
Since then, he’s dropped those friends, gotten clean and devoted himself to the marriage. When it comes to the friends he surrounds himself with now, Jelly said: “I wanted to be friends with people I wanted to be like.”
Jelly Roll and Bunnie Xo have been married since 2016 and they renewed their vows in 2023. They share two children from previous relationships and have been very public about their IVF journey, with plans to keep growing their family.
You can watch the full hour-plus Human School interview below, with the affair conversation starting around the 48:30 mark.
For a minute there, it seemed like Lil Yachty was actually leveling up his sound and speaking in comprehensible rhymes and sentences. But now it looks like the polarizing rapper is back to his “mumble rap” roots and giving his day-one fans the Yachty that they’re used to.
Dropping off some new visuals to “Endless,” Lil Yachty takes the viewer on a journey into himself as we travel into countless windows that feature the rapper in every last one doing what he does and rapping while dancing to his heart’s content. We’d be shocked if any of his fans can catch every one of his rhymes on the first listen.
On the flip side, Hit-Boy and The Alchemist give some Hip-Hop purists something they can understand, and for their Havoc-assisted clip to “Celebration Moments,” the three artists take to the streets of New York to do a meet-and-greet before taking in the bright lights of the City That Never Sleeps.
Check out the rest of today’s drops, including work from Curren$y, DJ Premier and Ransom, and more.
LIL YACHTY – “ENDLESS”
HIT-BOY & THE ALCHEMIST FT. HAVOC – “CELEBRATION MOMENTS”
CURREN$Y – “POV”
DJ PREMIER & RANSOM – “AMAZING GRACES”
ISAIAH FALLS & SIR – “BROWN SUGAH”
MONTANA 700 – “WHITE ONES”
JAMAL – “GODSPEED”
BHAD BHABIE – “HONEST”
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Photo: Getty
Trending on Billboard Monica isn’t a fan of sleepovers. Instagram entertainment account TheNeighborHoodTalk reposted a video of a single father expressing frustration with not being able to throw his daughter a slumber party because some of the other mothers weren’t comfortable having a male host. “When I found out why I couldn’t throw my daughter […]
