Music

BTS’ Suga Shares ‘Disappointing News’ That His License Was Revoked After Intoxicated Scooter Ride: ‘I Am Deeply Sorry’

BTSSuga has apologized to fans after revealing that he was charged with a driving under the influence charge while riding his electric scooter. The 31-year-old K-pop star wrote a lengthy X post describing the situation in which he expressed his regret over the incident.

“I am deeply sorry and deeply sorry to have to come to you with disappointing news,” he wrote. “I rode an electric scooter home after drinking at a dinner last night. I thought it was a short distance and didn’t realize that you can’t ride an electric scooter while intoxicated, so I violated the road traffic laws.”

While the rapper did not specify when or where the incident took place, the South Korean star provided a description of the incident that he said resulted from his “careless and wrong actions.” In the statement he explained, “While I was parking my electric kickboard at the front gate of my house, I fell over by myself, and as a result of the breathalyzer test conducted by a police officer nearby, my license was revoked and a fine was imposed. No one was harmed or any facilities were damaged in the process, but this is my responsibility and I have no excuses, so I bow my head and apologize to everyone.”

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Suga still has a bit less than a year left on his alternative mandatory South Korean military service; he was deemed unfit for regular combat duty due to a 2020 shoulder injury.

According to The New York Times, the police officer in charge of traffic in the Yongsan district of Seoul where Suga is believed to live said that the star was found alone on the ground and was given a breathalyzer test at the police station, with is blood alcohol content above the 0.08 level that triggers license revocation.

BTS’ record label, BigHit, also issued a statement, saying, “We express our sincere apology for the incident involving BTS member Suga and his electric kickboard accident. We apologize for the disappointment caused by the artist’s inappropriate behavior. As a social service agent during his military service, he is prepared to accept any disciplinary actions from his place of work for causing a social disturbance. We will take greater care to ensure that such incidents do not happen again in the future.”

The post from Suga ended with him apologizing to “everyone who was hurt by my careless and wrong actions,” with a promise that in the future he will be “more careful in my actions to avoid this from happening again.”

Read Suga’s post below (translation provided by Google).

BAND-MAID & The Warning Talk New Collaborative Single ’Show Them’: Interview

Two all-women rock bands hailing from different countries — Japan’s BAND-MAID and Mexico’s The Warning — got together to record a collaborative single called “SHOW THEM,” due Wednesday (Aug. 7). The members of the two groups hit it off after first meeting at a U.S. music festival where both bands performed in 2022.

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In this rare chat with all the members of both bands — five from BAND-MAID and the three sisters from The Warning — in attendance, the women who continue to blast out hard rock for fans around the world spoke about their respect for each other’s music and the process of recording their new single together.

Your bands first met when you performed at the Aftershock Festival in California in 2022, right?

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Miku Kobato (Guitar/Vocals): Yes. We performed on the same day, and the members of The Warning found us and said hi while we were doing an interview there. They said, “Let’s do something together” and we were like, “We’d love to!” We hit it off and had a great time.

Daniela Villarreal Vélez (Guitar/Vocals/Piano): I’d wanted to meet BAND-MAID all day that day.

Paulina Villarreal Vélez (Drums/Vocals/Piano): BAND-MAID are great musicians and I’ve loved them for a long time.

AKANE (Drums/Percussion): That makes me so happy!

Kobato: We also became really curious about The Warning after our bands joined the lineup at the Aftershock Festival, po. I thought it was so cool how three sisters are in a band together, po.

MISA (Bass/Vocals): There’s a groove that can only come from sisters, isn’t there?

KANAMI (Guitar/Vocals): They’re so synchronized, on the same wavelength. It’s something we can’t imitate. 

Daniela: We’re very close and share a sisterly bond.

Paulina: We try to be aware of clearly separating our time as sisters from our time as band members, so I think there’s a good balance there. But we did just have a fight this morning. [Laughs]

Alejandra Villarreal Vélez (Bass/Vocals/Piano): We often clash when we’re composing. We each come up with a lot of different ideas, so sometimes we get into big arguments. [Laughs] But we fundamentally have a good relationship and make up quickly.

What do the members of The Warning find compelling about BAND-MAID?

Daniela: Japanese rock and the rock you hear in the U.S. and Mexico are the same genre but they sound completely different. That’s the main reason why I was drawn to BAND-MAID’s music. I also like the fact that they put a very high level of technique into their music.

Paulina: AKANE and I have totally different playing styles, so there were some phrases that were hard for me but I really enjoyed practicing them. BAND-MAID helped us grow and I appreciated that.

AKANE: Wow… I want to return those exact same words to you! [Laughs]

Alejandra: MISA also has a different style from mine, and I think her performance is awesome. I find it really amazing how she can combine parts where she plays with a pick and parts where she slaps in a song, and it’s so fascinating. Tell me how you can play like that. [Laughs]

Daniela: And of course, I think SAIKI and Kobato’s voices are really great, too. It must be the difference in language, but Japanese is unique in that the melody changes one letter at a time, and it’s really amazing how they can sing that so well. I got a lot of inspiration from the vocal side as well.

By the way, do you know why Kobato ends her sentences with “po”? [Translator’s note: Kobato has a signature way of speaking in Japanese, ending sentences with “po,” an onomatopoeia expressing the call of a pigeon. The kanji for Kobato is “little pigeon.”]

SAIKI (Lead vocals): Tell them why you say “po.” Tell them who you really are.

Kobato: I’m Kobato, meaning I have a little bit of pigeon in me, po. That’s why I end sentences with “po,” which is the sound a pigeon makes, po. 

Daniela: So it’s pigeonese. [Everyone laughs] I caught that just now. “Narimashita, po.”

Kobato: [Laughs] It feels like we’ve become a little closer again, po.

Let’s talk about your collaborative single, “SHOW THEM.” How did the production process go?

Kobato: KANAMI first came up with the foundation of the song. We started off by having the members of The Warning listen to it.

KANAMI: We wanted to venture out and make a song that would bring out new aspects of each band for this single, and that’s how “SHOW THEM” came about. Everyone in The Warning made changes to the demo I made. Then we made new suggestions in response to that, and repeated the process over and over again until the song was finished.

Daniela: When we heard the demo that KANAMI made, we were very surprised because it was completely different from the direction of our usual music. But we soon began to enjoy figuring out how to mix our own colors into it.

The lyrics are credited to Miku Kobato and The Warning.

Kobato: Yes, po. Since this was a collaboration between two all-women bands, we first discussed making the song about rising to the top together by depicting a strong female figure who can fight in the world.

Paulina: While we started off by sharing that lyrical concept, there were times we interpreted things differently because of the cultural differences between our countries. But when we came to Japan and worked on the lyrics together, it felt like we were on the same page. The nuances that Kobato was looking for became clear.

Kobato: By talking face to face, we were able to understand each other down to the smallest details, po.

Did you record the music together in Japan?

KANAMI: Yes. But we didn’t have much time, so BAND-MAID recorded beforehand and The Warning recorded later. I basically directed the performances, and the three of them were really great. We were done in no time.

Paulina: We didn’t actually play until after we arrived in Japan, but did a lot of mental rehearsals on the plane.

Alejandra: Yeah. We listened to the song over and over.

AKANE: My passion towards performing has really intensified through our collaboration with The Warning. I feel so pumped now and don’t know how to handle it. [Laughs]

Paulina: It was a great experience for us, too, and gave us tremendous motivation.

How did the vocal recording go?

SAIKI: It was my first time recording with another person, so everything was inspiring. I also discovered a lot of things by singing while listening to someone pronounce English really well up close.

Daniela: The melody and prosody are different from our usual songs, so everything was a challenge. But it was really fun to try something new!

SAIKI: The key was really high, too. We both did well!

KANAMI: I really like vocals that make an effort in a higher key, so I might have given them both a hard time. [Laughs] But the result was really satisfying so I’m happy about that.

Your bands became closer through this collaboration, so it’d be great if you could do something together again.

Kobato: Since The Warning came to Japan this time, we’d love to go to Mexico and do a show together next time, po!

Alejandra: Maybe next time we can work together on a song that we wrote the base for.

Daniela: I’ll lower the key a little bit then. [Laughs]

This interview by Hideyuki Mori first appeared on Billboard Japan

Rammstein Frontman Sues German Publication Over Alleged Misconduct Reporting

Rammstein frontman Till Lindemann is taking legal action against a German news outlet for their coverage of the sexual misconduct allegations that have followed him since last year.

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The controversy began in May 2023 when a female fan publicly accused Lindemann of misconduct, alleging she had been drugged at a pre-concert party in Lithuania.

Shelby Lynn, from Northern Ireland, told the BBC she was recruited and “groomed” for sex with the singer after a concert. Lynn claimed her drink was spiked at the show, but said she was not sexually assaulted.

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Lindemann denied the allegations, with lawyers calling the accusations “without exception untrue”.

Despite Lindemann and Rammstein’s firm denials of wrongdoing, the allegations led to serious consequences. Lindemann was dropped by his publisher, and the Berlin public prosecutor’s office launched an investigation.

The investigation was concluded and dropped in Aug. 2023.

The prosecutor’s office stated at the time, “The statements made by witnesses in the press reports have not been confirmed by the investigations.” Following this announcement, Lindemann briefly commented on social media: “I thank all those who have waited impartially for the end of the investigation.”

In Aug. 2024, Rammstein released a statement addressing the past allegations:

“Since last summer, we have been actively dealing with the accusations made against the band. We take this dispute very seriously, even if much of it is unfounded and excessively exaggerated. It is an inner process that will accompany us for a long time to come. Each of us does this in our own way and deals with it differently,” the statement read.

The band also expressed gratitude, saying, “At this point, we would particularly like to thank our families and loved ones for their unrestricted support and love; they too were hit hard by the allegations made and the media’s handling of them.”

“We thank our crew, our management, all our employees and everyone who has supported us and remained loyal along this journey. This massive stadium tour with this great show and this extraordinary stage has now come to an end after 135 concerts in 5 years with 6 million fans.”

“It’s not Rammstein. It’s not us. It’s not you. The path continues.”

Lindemann has now filed a criminal complaint against executives at the German publication Der Spiegel, with an Aug. 2 press release from Lindemann’s legal team revealing that he has filed a criminal complaint with the Hamburg Public Prosecutor’s Office against Der Spiegel’s executives, as per LoudWire.

The complaint alleges that the publication’s reporting included falsified documents and an attempt to commit trial fraud.

Kehlani Breaks Silence on Cult Allegations Amid Custody Battle

Kehlani has addressed allegations from their ex-partner, Javaughn Young-White, claiming the singer is involved in a cult that allegedly puts their 5-year-old daughter, Adeya Nomi, at risk.

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The accusations first surfaced when Young-White filed for full custody of Adeya on July 24, citing serious concerns for her safety.

Court documents obtained by Billboard reveal Young-White’s claim that “everyone else has bigger say-so when it comes to the upbringing of our daughter than I do.” He alleged that Adeya was “born in a home and not in a conventional setting like a hospital,” explaining why his name isn’t on the birth certificate.

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Young-White’s allegations escalated to accusations of Kehlani‘s involvement in what he termed a “cult.”

He claimed, “While Respondent is on tour, and our daughter is in the care of her fellow cult members, Adeya sleeps in the bed with, and is given baths by random adult members of the cult and she is often in the bedroom alone with some of these people.”

He even alleged being “physically restrained and threatened” when attempting to retrieve Adeya.

In response, Kehlani took to her Instagram Story on Aug. 6 to address the allegations head-on.

“What has been published in the media over the past 24 hours is incredibly hurtful, inaccurate, inappropriate, and simply untrue,” they stated.

“I strongly deny any claims that I have put my child in harm’s way or left my child alone with anyone deemed dangerous or unsafe. I also do not align with any of the allegations made against my former religious community that have been stated in the media.”

Kehlani then went on to address their commitment to Adeya’s well-being: “I have always taken great care to ensure that my child remains protected and safe at all times. My child and my commitment to motherhood have always been my sole driving forces in this life and will always remain so.”

“This is a legal, private, familial matter that will be handled accordingly, and I will now be taking space for my own personal well-being and, most importantly, for the well-being of my child. Thank you for your support and for respecting our privacy. I will not be commenting further and will let the legal due process take place,” the “After Hours” singer concluded.

Young-White then released a statement of his own, attempting to clear the air regarding the portrayal of his claims in the media.

He accused TMZ of misrepresenting his words, stating, “That’s factually incorrect and I think it’s disgusting that TMZ would exploit a child’s image like that. Further, I have not been made aware of any court-ordered mediation as of writing this per the account of TMZ. Personally, I would love for TMZ to justify to me, the father, how they came up with this narrative.”

He continued, “The TMZ article sensationalized aspects of what was said while simultaneously breaching my confidentiality.”

“Further, the filing of my case was incomplete and did not have my authorization by error of counsel. I am no longer represented by the aforementioned counsel. There will be an amended filing soon which will illustrate the full range of my concern.”

Young-White insisted that he does not intend to vilify Kehlani, stating, “I do not need to paint an unfair image of my co-parent for my justifiable feelings to be respected by the court of law. This unfortunate trauma only increases the obstacles in ensuring my child’s well-being.”

“For now, I am hoping to clear the discrepancies made by TMZ. I hope to see a formal retraction and apology.”

Shirley Manson Updates Fans on Injury After Garbage Cancels Tour Dates


Garbage frontwoman Shirley Manson has provided fans with an update on the injury that led to the cancellation of the band’s 2024 tour dates.

On Aug. 7, Manson took to Garbage‘s Instagram to share more about her condition, following the band’s Aug. 1 announcement that all remaining 2024 performances would be scrapped due to an injury requiring surgery and rehabilitation.

In her post, Manson described her state upon returning home: “I returned home from tour an absolute hot mess. So broken that my poor husband had to push me through Heathrow and LAX airports in a wheelchair. I also had a dose of laryngitis and a massive cold sore on my lip.”

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Addressing concerns about her vocal health, Manson shared an image of her vocal cords, stating, “I was freaking out that I had somehow managed to damage my vocal cords on top of everything else but yesterday I was scoped and everything is as it should be.”

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“These are my vocal cords. My doctor said they were beautiful,” she added.

Manson did not initially reveal the nature of her injury when the band announced the cancellation of their shows.

In a statement posted to Instagram on Aug. 1, they said: “It is with great regret that we announce the cancellation of all our remaining dates for the rest of the year due to an injury that [frontwoman] Shirley [Manson] sustained on our recent tour in Europe that will require surgery and rehabilitation to correct.”

“This is not a decision that we have taken lightly, and we apologize to our amazing fans and supportive promoters,” they wrote. “We look forward to playing for you all again in 2025.”

Manson also took to her personal social media account to share her disappointment in having to cancel shows.

“No one is more crushed about this than I am. You know I would push through if I could,” she wrote in the caption accompanying the band’s announcement.

Among the impact dates were several high-profile festival appearances, including Ohana Fest in Dana Point, CA, and HFStival in Washington, DC. Liz Phair will now step in for the band at HFStival, while DEVO will be added to the bill for Ohana Fest.

Lauryn Hill & The Fugees’ Miseducation Anniversary Tour Quietly Canceled

A celebratory tour from Lauryn Hill and The Fugees scheduled to take place throughout the summer and fall has been canceled, according to Variety.

Per the publication, ticket holders received messages from Live Nation on Tuesday (Aug. 6) that reads, “Your event has been canceled. A refund will be on its way to your account soon.” At the time of publishing, no reason for the cancelation has been given.

The 21-date trek was set to kick off on Friday (Aug. 9) in Tampa, Fla., and stretch throughout the next few months, wrapping up on Oct. 22 at the Ziggo Dome in Amsterdam. The tour, which was scheduled to reunite Hill with The Fugees to celebrate the 25th anniversary of Billboard 200 No. 1 album The Miseducation of Lauryn Hill, was also to feature music from The Fugees’ No. 1 album The Score, with Hill’s son YG Marley as the support act.

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The Miseducation Anniversary Tour was previously postponed in November after Hill revealed that she was struggling with vocal issues. “As many of you may know, I’ve been battling serious vocal strain for the past month. I made it through each show by taking prescribed prednisone, but this can be detrimental to the body when taken in large amounts over long periods of time,” she wrote on Instagram at the time. “In order to prevent any long term negative affect on my voice and my body, I need to take time off to allow for real vocal recovery so that I can discontinue the medication completely.”

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Here’s When LISA & Rosalía’s ‘New Woman’ Collab Arrives

It’s official! LISA and Rosalía’s collaboration, “New Woman,” is arriving this month.

The superstar duo took to Instagram to share the fun cover art for the track, featuring the two singers sitting in lawn chairs with racetrack-inspired outfits. The caption indicates that the song will be arriving on August 15 at 8 p.m. ET/5 p.m. PT.

See the post here.

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Earlier this week, LISA began teasing the collaboration. In a video posted to TikTok, a pink-haired LISA — whose face isn’t visible — shows off a star-shaped pendant around her neck. “Bangin’ it, bangin’ it, wanna crack these walls/ Bangin’ it, bangin’ it, wanna echo through the halls,” she sings over a mid-tempo, Y2K-inspired beat. “Pullin’ up, fresh face, brand new día.”

The teasers come a little over a month after the K-pop icon stepped into a new phase of her solo career outside of BLACKPINK with “Rockstar,” which debuted at No. 70 on the Billboard Hot 100 and No. 4 on the Billboard Global 200, as well as became LISA’s first-ever No. 1 hit on the Billboard Global Excl. U.S.

“Rockstar” also marked LISA’s first release since signing with RCA Records to support her solo endeavors, inking a deal in partnership with her own LLOUD company that will allow her to retain ownership of her master recordings. “I’m super excited to be joining the RCA family, and I am confident they are the best team to create a bigger movement in my solo career,” she said in a statement in April. “Looking forward to showing the world everything we have been preparing.”

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Drake Shares 100GB of Unreleased Content Including Collaborations With Young Thug, Latto & 21 Savage

Drake headed to the vault and unleashed 100GB of unreleased content for fans on Tuesday afternoon (Aug. 6).

The rap world awaited the 6 God’s next move and he returned with a sneak attack surprising fans with a plethora of behind-the-scenes content, unused album covers, clips from studio sessions and three new songs featuring Young Thug, 21 Savage and Latto.

Eagle-eyed fans peeped that Drake was following a random IG account titled Plottttwistttttt, which had some speculating on what the OVO boss had up his sleeve. The account was taken off of private and Drizzy posted the link and the subsequent leaked songs to his Instagram Story.

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100GIGSFORYOURHEADTOP is the title for the site which includes folders on top of folders of content. The top dossier features the three new songs titled “It’s Up” alongside frequent collaborators 21 Savage and Young Thug, the island-tinged “Blue Green Red” and the Latto-assisted “Housekeeping Knows.”

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Drake came out in defense of Thugger on their “It’s Up” collaboration as the YSL trial continues with no end in sight. “I can’t sleep at night with Thug at Cobb County Corrections/ I think he did enough reflectin’, I think my brother learned his lesson,” he raps.

For those expecting another response to Kendrick Lamar, these records don’t appear to be arrows sent in K. Dot’s direction. However, a photo with boxes inscribed with “No One Like Us – Euro 2024” is on the Plottttwistttttt IG.

There are plenty of hidden gems in the pile of photos and unreleased clips. One that’s picked up steam on social media finds Drake coming up with the hook to what eventually became Ye’s “Yikes” from his 2018 Ye album.

At the time, Hot 97’s Peter Rosenberg reported that Drake flew to Wyoming to work with West and was initially left off as a co-writer on “Yikes.”

There appeared to be a fracturing of the relationship between Ye and Drake’s camps following that early 2018 Wyoming link-up, which led to the Pusha T and Drizzy feud taking place a couple of months later in May.

Other clips include unreleased music, Drake possibly listening to “March 14” for the first time and tidbits such as his definition of “Hotline Bling,” which he debated having Future on.

Drake has made cameos on songs with Sexyy Red, Camila Cabello and Gordo in the months since the Kendrick Lamar feud, but hasn’t released any songs in an official capacity, and now has employed a purposeful leak strategy.

Listen to the three Drake songs below.

Offset Shares Photo of Son Wave Holding a Stack of Cash to His Ear

Offset’s two-year-old son has money on his mind.

The Migos rapper took to his Instagram Stories on Monday (Aug. 6) to share a photo of his son, whom he shares with Cardi B, kneeling on the ground while holding up a stack of cash to his ear. He followed it up with sweet photos with his baby boy, hanging out together and driving in a car.

See the Stories here.

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The photo series comes just days after Cardi B filed for divorce from Offset for the second time since they tied the knot in 2017. According to Cardi’s rep, the divorce filing “is not based on any one particular incident, it has been a long time coming and is amicable.”

Cardi previously filed to legally end their marriage in September 2020. Within a month, however, Cardi revealed that the couple had sorted things out, and the case was dismissed in the early days of November 2020. 

Additionally, Cardi revealed that she’s pregnant with the estranged couple’s third child, following Wave and six-year-old Kulture. The rapper posted a pair of photos on Instagram revealing her baby bump while wearing a silky red gown and matching fur coat.“With every ending comes a new beginning! I am so grateful to have shared this season with you, you have brought me more love, more life and most of all renewed my power! Reminded me that I can have it all!” she wrote in the caption to her unborn child. “You’ve reminded me that I never have to choose between life, love, and my passion! I love you so much and can not wait for you to witness what you helped me accomplish, what you pushed me to do! It’s so much easier taking life’s twists, turns and test laying down, but you, your brother and your sister have shown me why it’s worth it to push through!”

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Two Dynasties, One Tradition: Majo Aguilar & Alex Fernández Announce Historic Joint Tour

Majo Aguilar and Alex Fernández will be in charge of uniting for the first time the two most important dynasties of ranchera music: the Aguilar and Fernández families.

Antonio Aguilar’s granddaughter and Vicente Fernández’s grandson have announced a tour together for the fall, which they have named Dos Dinastías, Una Tradición (Two Dynasties, One Tradition). In addition to the tour, they also announced a new collaboration, “Cuéntame,” which will be released this Thursday (Aug. 8).

“It is very common that in this type of concept there are egos or fights over credits,” Alex Fernández told Billboard Español. “Here everything will be equitable we have an excellent relationship and above all communication.”

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“Here no last name outweighs the other,” added Majo Aguilar. “It will be a show where we will take a little piece of Mexico to the United States, so that the public can feel the party and the joy of Mexican music, singing the songs of their idols Don Antonio and Don Vicente, as well as our own songs.”

The tour will kick off Oct. 25 in Savannah, Georgia and make stops in cities in Tennessee, North Carolina and California, with the first leg ending Nov. 30 in Redwood City. More dates will be announced in the near future, according to a statement.

As for the upcoming release, it is a heartbreak ranchera penned by Majo Aguilar that will also be the song that identifies the tour. “Tell me how it feels to know that you won’t touch my body/ And that no matter how hard you try our relationship is dead/ There’s no turning back,” goes a verse in Spanish.

The music video — which will serve as the intro to the show — was filmed in Monterrey, Mexico under the direction of Gil Cerezo, vocalist and creative director of the Mexican band Kinky, who has previously worked with Majo.

Although both artists manage their careers separately from that of their fathers — fellow Mexican music icons Antonio Aguilar, Jr. and Alejandro Fernández — their opinions on the concept have been very important to them.

“My dad told me that what we are doing is reviving something very wonderful in two very beautiful voices, which bodes a great success,” said Majo. Alex, for his part, shared the words of his famous father: “I am very happy with what you are doing, I am sure you will be very successful.”

Dos Dinastías, Una Tradición aims to bring traditional Mexican music to new generations.

“Subgenres such as [corridos] tumbados are good that they exist and do well, but it is important to defend tradition,” said Alex. To which Majo added: “I find the new movements that emerge in Mexican music very interesting, but I believe that we should not stop paying attention to our true roots, which are ranchera and banda music, we should not confuse one thing with the other”.

Below are the confirmed dates for Majo Aguilar and Alex Fernández’s Dos Dinastías, Una Tradición tour:

  • Oct. 25 — Savanna, Ga. — Convention Center
  • Oct. 26 — Clarksville, Tenn. — Empire Center
  • Oct. 27 — Wilmington, N.C. — Convention Center
  • Nov. 22 — Ventura, Calif. — The Majestic Ventura Theatre
  • Nov. 23 — Fresno, Calif. — Saroyan Theatre
  • Nov. 24 — Stockton, Calif. — The Bob Hope Theatre
  • Nov. 27 — Bakersfield, Calif. — The Fox Theater
  • Nov. 29 — Salinas, Calif. — The Fox Theater
  • Nov. 30 — Redwood City, Calif. — The Fox Theater