Music
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04/27/2025
Jelly Roll gave the biggest crowd he’d ever played to their money’s worth, with a cavalcade of starry cameos.
04/27/2025
Los Angeles police have released video from the shooting of author Jillian Lauren, the wife of a Weezer band member, during a chaotic backyard confrontation that culminated in a volley of gunfire.
Lauren’s wounds were not life-threatening in the April 8 shooting in the northeast Los Angeles neighborhood of Eagle Rock, where the 51-year-old wife of Weezer bass player Scott Shriner emerged from her home with a gun as city police and the California Highway Patrol searched the area for three people who fled a car wreck.
Lauren — listed by police as Jillian Lauren Shriner — was released on a $1 million bond on suspicion of attempted murder pending further investigation. She is scheduled to appear in court April 30.
Police released the excerpts from body camera recordings, surveillance video and audio of 911 dispatch conversations on Friday (April 25). The video clips show officers peering over a high wooden fence into a yard and shouting over the noise of a surveillance helicopter at a woman to put down her gun or risk getting shot. The fence obscures from the cameras what is on the other side.
“Ma’am, we’re trying to help you. Put the gun down,” a voice says. “You’re going to get shot. It’s the police.”
An officer indicates that the woman has cocked a gun — “Oh, she racked it” — immediately before the sound of at least six shots rings out.
In a separate segment of silent surveillance video from Lauren’s backyard, she can be seen exiting the home barefoot and carrying a pistol in her right hand. Another segment shows Lauren from behind, apparently raising a gun that is briefly visible. Dirt kicks up near her feet, and she turns and walks toward a doorway to the house.
Further body camera video shows Lauren lying prone in the middle of a residential road as police place handcuffs behind her back, while noting that she has a wound on her arm.
Lauren’s published works include two bestselling memoirs, 2010’s Some Girls: My Life in a Harem and 2015’s Everything You Ever Wanted.
Weezer is a Los Angeles-based band, beloved especially for their 1994 record unofficially known as the “Blue Album,” with songs including “Say It Ain’t So.” Shriner joined the band in the early 2000s.
HipHopWired Featured Video
The weekend is here and what better way to kick off it off than to get some new visual work from arguably the hottest female rapper in the game, Megan Thee Stallion, who you can always bet will be flaunting her amazing physical degree to turn up the heat whenever eyes are set on her.
Dropping off her latest video for “Whenever,” Megan shows the different skimpy work outfits you’d catch her in if she would’ve chosen to be a receptionist, cowgirl or even a chess piece. Needless to say Human Resources would’ve had to call her into their office.
Speaking of the weekend, The Weeknd continues to build some buzz for his upcoming flick Hurry Up Tomorrow and in his latest visualizer for “I Can’t Wait To Get There,” we catch Jennie Ortega picking up where his last video left off and driving off into the road while scenes from the film play throughout the entirety of the song.
Check out the rest of today’s drops including work from Russ, Premo Rice, and more.
MEGAN THEE STALLION – WHENEVER”
THE WEEKND – “I CAN’T WAIT TO GET THERE”
RUSS – “PENT UP IN A PENTHOUSE”
PREMO RICE – “SUCKA FREE”
TRAP DICKEY – “DAY SHIFT”
OMB PEEZY – “PEEKA BOO”
BIG SAD 1900 – “I EAT LOBSTER”
KING KYLE LEE & RNBFOEMOB – “AYYYY”
Lana Del Rey is kissing and telling in her new song “57.5.”
During her debut at the 2025 Stagecoach Country Music Festival in Indio, Calif., on Friday (April 25), the 39-year-old singer revealed in the song’s lyrics that she once locked lips with a major country star.
“I kissed Morgan Wallen/ I guess kissing me kind of went to his head,” Del Rey sang. “If you want my secret to success/ I suggest don’t go ATVing with him when you’re out west.”
The eyebrow-raising premiere of “57.5” came during the alt-pop star’s set on the Palomino stage at Stagecoach. According to the lyrics, the title nods to the singer’s monthly Spotify listenership, measured in millions. Just before premiering the track, Del Rey told festival-goers that it would be “the last time I’m ever going to say this line.”
It remains unclear whether Del Rey and Wallen ever shared a kiss, or when it supposedly occurred. Billboard has reached out to Wallen’s representatives for comment.
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Elsewhere in “57.5,” Del Rey crooned about having “a man” who “really loves me,” a sentiment seemingly referring to her husband, Jeremy Dufrene, whom she married in September 2024.
Dressed in a white gown and performing in front of a set designed to resemble a picturesque rural home at dusk, Del Rey’s Stagecoach set featured a duet with George Birge on his current hit “Cowboy Songs,” a cover of Tammy Wynette’s “Stand by Your Man,” and a singalong to John Denver’s “Take Me Home, Country Roads.”
In addition to debuting “57.5,” she also performed several new tracks from her forthcoming country-leaning studio album, which has yet to be titled or assigned a release date. The new songs included “Ride,” “Husband of Mine” and “Henry, Come On.” (Read Billboard‘s best moment from day one of Stagecoach 2025 here.)
The singer’s upcoming album will follow Did You Know That There’s a Tunnel Under Ocean Blvd, which peaked at No. 3 on the all-genre Billboard 200 in April 2023. To date, Del Rey has earned two top 10 hits on the Billboard Hot 100: 2013’s “Summertime Sadness” and her 2022 feature on Taylor Swift’s “Snow on the Beach.”
Justin Bieber is mourning the passing of his maternal grandfather, Bruce Dale.
On Saturday (April 26), the 31-year-old pop superstar shared a heartfelt tribute on social media honoring Dale, who died April 24 at the age of 80 at Rotary Hospice Stratford Perth, according to an obituary posted by W.G. Young Funeral Home in Stratford, Ontario.
“Papa , I always took all ur money lol,” Bieber wrote on Instagram alongside a throwback photo with his grandfather. “I remember u specifically telling me, gramma gave u an allowance of 20 dollars for the WEEK! I would always convince you to spend on snacks at the hockey game on Friday nights.”
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The “Sorry” singer also fondly recalled their shared moments. “Reluctantly you always gave it to me. Corn nuts, skittles, gum balls, chuck a puck, slush puppies … Shout out to the jr b referees Beatty, Fagon, Flanagan lmfao,” he wrote.
Bieber went on to remember Dale’s spirited presence at hockey games, saying, “My grandpa wasn’t shy in letting them know that they were being pieces of sh-ts.”
“I can’t wait to see u again soon in heaven,” he continued. “Until then I know ur watching down probly still heckling Beatty or Fagon for missing that cross check call in the corner there lmfao.”
Bieber concluded his emotional tribute with, “I will miss u. I will ache. And I’ll sit and let myself remember all of the wonderful times we’ve had.”
Dale, father of Bieber’s mom, Pattie Mallette, was a longtime supporter of his grandson’s career. He appeared in Bieber’s 2011 documentary Never Say Never and shared memories during a 2018 interview at the Stratford Perth Museum, which featured an exhibit dedicated to the pop star.
In addition to Justin, Dale’s obituary also mentioned the singer’s wife, Hailey, their son Jack Blues, Dale’s other children, and his wife, Diane.
Bieber’s paternal grandfather, George Bieber, passed away in 2021.
You can see Bieber’s full tribute to his grandfather Bruce on Instagram here.
From career milestones to new music releases to major announcements and those little important moments, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week.
RIAA Honors Selena Quintanilla
The tejano superstar was honored with an RIAA Lifetime Achievement plaque in recognition of 17 million certified units across her career, including 62x Platino Dreaming of You — marking the highest certified Latin album. The honor was presented at St. Jude Children’s Research Hospital on April 21, “paying tribute to the enduring impact of her music and cultural legacy,” according to a press release.
“The Recording Industry Association of America (RIAA) believes music can change lives, connecting generations and unifying those who speak different languages through shared emotion,” RIAA svp, state public policy & Latin music Rafael Fernandez Jr. said in a statement. “We have seen this as Latin Music in the US gains popularity as the fast-growing genre and through Selena’s legacy.This special moment with St. Jude Children’s Research Hospital ahead of Dia del Niño (International Day of the Child) reminds us of Selena’s passion for bettering the lives of children and encourages each of us to make an impact wherever we can.”
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Jimmy Humilde Goes to Harvard
The founder and CEO of powerhouse indie label Rancho Humilde was the keynote speaker for the event Into the Music, which took place at Harvard University last week. Organized by Harvard-Radcliffe Raza and NEON16, the West Coast-based executive shared his vision regarding Mexican music, Chicano identity, and the role of the Latin community in the United States.
“I didn’t go to college, but I totally understand the crucial role that academia fulfills in our society,” Humilde said during his speech, according to a press release. “As Latinos, we all have a responsibility in the fight for the recognition of our roots, our traditions, and our culture. It’s critical that more young people in our community access quality education at universities such as Harvard. That not only opens doors on an individual level, but it also makes us stronger as a community.”
Ivy Queen Teams Up With Wendy’s
Ivy Queen’s trailblazing trajectory in the industry has recently inspired Wendy’s latest campaign in Puerto Rico, which seeks to inspire authenticity. The reggaetón icon is the new voice of Wendy’s Presents the Breakfast Baconator with next-level ‘flow.’
“Ivy Queen represents a milestone in the world of urban music,” Wendy’s chief marketing officer Lizmarie Medina said in a statement. “She’s the undisputed ‘Queen’ who paved the way for other women and is recognized for her impact and legacy in the genre, for being ‘real,’ daring, and authentic, similar to what we do at Wendy’s. We break molds and make bold decisions in the face of industry challenges.”
Check out the commercial in Spanish here.
Noel Schajris at Barnes & Noble
As of May 2, Noel Schajris’ recordings will be available exclusively at Barnes & Noble throughout the U.S., including vinyl and collector’s CDs. According to a press release, the Argentine singer-songwriter becomes the first artist with an independent label to have national distribution at the bookseller.
“For me it is an immense honor to be able to present my album work alongside a brand like Barnes & Noble,” Schajris said in a statement. “To be able to bring these albums to those fans who love the physical product, the art, the booklets, the smell of the paper… that’s priceless. It’s a way to keep the essence of music alive as a tangible experience.”
2025 Latin Women in Music is a Wrap
The third annual Billboard Latin Women in Music took place Thursday (April 24) where Anitta, Belinda, Celia Cruz, Chiquis, Ha*Ash, Natti Natasha, Olga Tañón and Selena Gomez were honored for their groundbreaking careers and contributions to Latin music.
Watch the pink carpet livestream here and check out all things 2025 Billboard Latin Women in Music here.
04/26/2025
Returning favorites and pleasant surprises marked the highlights from Friday (Apr. 26) at the California country festival.
04/26/2025
The more you watch of Lana Del Rey supposedly going country, the more apparent how ridiculous any talk of her pivoting to any genre really is.
For 15 years now, LDR has essentially been a genre unto herself: a unique and borderline-illogical blending of obviously classic influences with some game-changingly modern sensibilities, one that mostly befuddled critics and radio and the charts early on, even as she was inarguably becoming one of the most important pop stars of her generation. She’s been wildly influential without ever being less than unmistakable; no matter what sonic, thematic or characteristic elements other artists may borrow from her, none of them would ever risk being taken for Lana herself. This is all to say: no matter what style of music she’s making, Lana Del Rey has one genre and that’s “Lana Del Rey.”
But of course, Lana did lean into The Stagecoach of It All while making her debut performance at the Indio, Calif. country festival on Friday (Apr. 25). Singing in a white dress in front of a set of an idyllic-looking rural house at dusk, she looked like she walked on stage straight from an old Loretta Lynn album cover. Early on, she brought out George Birge — himself a Saturday performer at the festival — to duet on his current hit “Cowboy Songs,” an extremely country radio-friendly song Del Rey says she can’t get enough of. (You can certainly imagine a Lanafied version of the chorus, though it was strange to hear her singing on such a zippy and muscular hook in 2025.) And of course, she invoked two all-time genre classics during the show by covering Tammy Wynette’s “Stand by Your Man” (“You can’t do this set without it”), and then closing the proceedings with a family singalong to John Denver’s “Take Me Home, Country Roads,” a recent entry into the LDR cover canon.
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But the new songs? Country-ish in their tempo and in some of their thematic content (and occasional lyrics about “all these country singers”), perhaps, but not in any way that feels at a remove from what she’s done her whole career: Lana has long centered the emotional abandon and cinematic sway of country in her songs. You could hear that even in some of the crowd-elating classics Lana performed in the midst of her Grand Ole Opry moment — tweak a couple lyrics and add some banjo and “Ride” is basically a The Chicks single; turn down the sex and turn up the sarcasm and “Video Games” could’ve been penned by Kacey Musgraves. Nothing about the stately balladry and gender-role explorations of songs like set-opening duo “Husband of Mine” and “Henry, Come On” felt without precedent in her catalog; she could have introduced them as deep cuts from Blue Banisters or Chemtrails Over the Country Club and many of her fans probably would’ve bought it.
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If there was a pronounced difference with Del Rey in Country Mode on Friday night, it was that she seemed… maybe more polite and unassuming than we’re used to her being? Watching her express her very sincere-seeming gratitude at being invited to Stagecoach, and about the size and passion of her Friday night crowd, it was very easy to forget that she was once a highly divisive figure in popular music, one prone to controversy in both her lyrics and public statements. There was no trace of any of that in the smiling, hostly, happy-to-be-here performer who took the stage on Friday night.
Well, almost none. If you missed a little of the unpredictability and ostentatiousness that characterized early-years Lana Del Rey– and still informed highlights from her work up until this decade — then you probably loved “57.5,” a shuffling new song referring to her number (in millions) of monthly listeners on Spotify, which also includes a bridge which begins with LDR proclaiming “I kissed Morgan Wallen” and going onto advise listeners against going ATVing with him. It takes a lot of “yes, really” to explain, but it was still probably the best of the new songs that she debuted: some real country s–t, but more importantly, pure Lana through and through, in a way no other artist or genre could ever totally capture.
Ella Langley received her first Academy of Country Music Award, for new female artist of the year, on Friday afternoon (April 25). While onstage for her set at Rock the Country in Knoxville, Tennessee, Langley received the news via a congratulatory video from Miranda Lambert, the winningest artist in ACM history.
It was hardly a surprise because Langley was the most-nominated artist for the upcoming 60th ACM Awards, with eight nods. None of the other nominees for new female artist of the year – Kassi Ashton, Ashley Cooke, Dasha and Jessie Murph – had more than that one nomination.
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“I’m here to tell you how proud I am of you for being the top nominated artist for the Academy of Country Music Awards this year,” Lambert said in the video. “You are my friend, first and foremost, a fellow dog rescue advocate, you are a co-writer, you are my soul sister in country music and a partner in crime. We are gonna celebrate so big in Dallas, Texas! They ain’t even ready!”
Lambert won in that same category in 2007 – one year after Carrie Underwood took the prize, and one year before Taylor Swift did. (A pretty good run, there.)
This was the second nomination in the new female artist of the year category for both Ashton and Cooke, which means they cannot be nominated in the category again. Dasha and Murph can be, due to the generous policy at both the ACM and CMA Awards whereby new artists can be nominated twice in the category.
Langley, 25, is also nominated for female artist of the year and in four categories for “you look like you love me,” her breakthrough hit featuring Riley Green. The sexy duet is nominated for single of the year, song of the year, music event of the year and visual media of the year. Langley is nominated as both artist and songwriter in the song of the year category and as both artist and director in visual media of the year.
“you look like you love me” reached No. 1 on Billboard’s Country Airplay chart, No. 7 on Hot Country Songs and No. 30 on the Billboard Hot 100. Langley co-wrote all of the songs on her debut album, hungover, which reached No. 11 on Top Country Albums and No. 49 on the all-genre Billboard 200.
Zach Top was presented with the award for new male artist of the year on Thursday. The ACM has yet to present the award for new duo or group of the year. The nominees are Restless Road, The Red Clay Strays and Treaty Oak Revival.
Langley will be celebrated for her win at the 60th ACM Awards, hosted by Reba McEntire. The show will stream live for a global audience on Prime Video and the Amazon Music channel on Twitch on Thursday, May 8, at 8 p.m. ET / 7 p.m. CT / 5 p.m. PT from the Ford Center at The Star in Frisco, Texas. A limited number of tickets are available for purchase on SeatGeek.
The ACM Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.
Comedians Gabriel “Fluffy” Iglesias and Jo Koy are playing SoFi Stadium in Los Angeles on March 21, 2026, officials with the stadium announced earlier this week.
Titled One Night Only, the show is produced by comedy promoter Icon Concerts and is anticipating a paid attendance of up to 55,000 fans.
“We’ve been wanting to do this show for a number of years but it wasn’t until recently that we’ve been able to make everyone’s schedule work,” explains Mike Bernal, vp of Icon Concerts. “Gabriel [Iglesias] is an L.A. hometown hero and Jo is nearby in Seattle and has a huge following in Southern California and sold thousands of tickets in the market.”
Bernal says initial presales have been strong, noting “they are selling evenly across all price points, which is what we like to see.” Ticket prices start at between $69 to $113 for the 500 section, $138 to $170 for the midlevel 300 section and $326 for floor seats.
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One Night Only will mark a rare feat in the live comedy business; in the last decade, only a handful of comedians have headlined stadiums, including, most recently, Iglesias, who headlined Dodger Stadium in 2022. In 2015, Kevin Hart performed before an audience of more than 53,000 fans in Philadelphia, and last year, comedian Nate Bargatze became one of the first comedians to sell more than 1 million tickets in a single year, earning $82 million from an impressive 148 shows.
Comedy is a bigger business than ever in the live space. The top 10 comedy tours generated a combined $397.3 million from 4.3 million fans last year, according to Billboard Boxscore. That’s up 52% from 2023, when the top 10 generated $260 million from 2.9 million fans.
Iglesias came in at No. 3 on Billboard’s Top Comedy Tours chart for 2024, grossing $42.8 million with 603,000 tickets sold from 124 shows. Koy ranked No. 10 on the chart, grossing $26 million from 83 shows in front of 368,000 fans.
“Since day one, I wanted to bring comedy to the stadium,” explains Adolfo Romero, vp of programming and booking for SoFi Stadium and Hollywood Park, which is home to a number of smaller venues, including a new Belgian spiegeltent built for CineVita, the cinema live experience first announced in December.
“We’re at a 750-person capacity in the spiegeltent,” Romero said. The complex also includes the 6,000-capacity YouTube Theater, which has played host to a number of comedy events, including the 2024 Black Comedy Festival.
“We want to make sure that when people go out to see comedy, it’s not just the Laugh Factory or in Hollywood,” says Romero, adding that he hopes One Night Only “showcases the stadium in a different way,” noting SoFi’s carefully designed sightlines and visual technology designed to enhance the live experience.
“Sound is really important to them, and we have the five levels of LED screen as well at the stadium [that] they can also use as part of the show,” Romero said. “Their production team is working with our team to ensure that the sound and the sidelines for fans coming in are going to be the best for comedy.”
Tickets for the show are now on sale at Ticketmaster.com.