Music

With ‘Chiquis Sin Filtro,’ Chiquis Rivera Is ‘Ready to Talk About Things I Couldn’t Before’

Once again, Chiquis Rivera is opening a window into her life. But this time, the singer and TV personality, who has appeared with her family in several reality shows, does it through a documentary series titled Chiquis Sin Filtro, meaning Chiquis Without Filter, which premieres Friday (Aug. 16) on the Spanish-language streaming platform ViX.

“This time it’s not a reality show,” explains the two-time Latin Grammy-winning Mexican-American artist to Billboard Español. “It’s a look into my schedule, my personal life, my career, but I’ll also be taking you on a journey into my past.”

Her day-to-day activities as Janney Marín Rivera (her real name) — including the lead-up to her Diamantes Tour and even the preparations for her recent wedding to Emilio Sánchez — are part of the content she will offer her fans. For the first time, she’s speaking almost entirely in Spanish, something she had not done until now.

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“Today I feel more mature and ready to talk about things that before I could not and today I do publicly,” says the daughter of the late Mexican music star Jenni Rivera, whose siblings will also appear at times in the docuseries.

The first of 10 episodes will be available for free on ViX, with the following debuting every Friday through the ViX’s Premium plan, where the first two will premiere at the same time. Chiquis Sin Filtro is produced by JK Media Group and Busy Bee Productions, owned by the singer. Directed by Melissa Bidwell, the series is produced by Tuti Loor and Chiquis herself, who says she has been attentive to all the details.

Chiquis

Chiquis

ViX

Winner of Latin Grammy Awards for best banda album for Playlist (2020) and Abeja Reina (2022), Chiquis has been touring with her most recent album, Diamantes, for which she hopes to receive her third nomination in the category this year. “I feel like it’s the best thing I’ve done so far,” she says. “I feel very proud of this project. I’ve always liked to take risks musically. I’ve done it since the beginning of my career and now even more so. I like my voice; I like what I’m doing.”

The tour, which began on May 30 in El Cajón, Calif., and has made stops in U.S. cities including Houston, Atlanta and Indianapolis, will arrive for the first time at the Auditorio Nacional in Mexico City on Nov. 3.

“I have had the Auditorio in my sights for years, and when I performed up at the Lunario almost two years ago, I said ‘I want that venue,’” Chiquis said. “I didn’t think it would happen this year, but it did, and I’m a woman who likes to take risks and go for it.”

She continued: “It’s very important to me because it’s Mexico, and Mexico is obviously very important to my music, to my genre. So I’m preparing something definitely special that is still Diamantes Tour, but I want to have special guests singing with me songs that I haven’t performed [yet on the tour], add songs that my fans are asking me to this performance.”

Currently, Chiquis is also participating as a judge on TV Azteca’s talent show La Academia, which searches for the best voice among participants from Mexico and Central America.

“I’m having a great time. At first I didn’t know what to expect. I was a little nervous because I know it’s a very big responsibility. I didn’t want to hurt anyone’s feelings, I’m not that kind of person, but I like to be honest,” she says enthusiastically. “So far I feel very good. I feel content and happy to be part of these young people’s career and life who are looking to be singers. Seeing their growth every week inspires me and makes me feel proud of them.”

Watch the trailer for Chiquis Sin Filtro ahead of its Friday premiere below.



The 25 Greatest Pop Stars of the 21st Century: Honorable Mentions

In 2019, Billboard‘s staff revealed its picks for the greatest pop star of every year dating back to 1981 (the first year of MTV, essentially the birth of the modern pop era), with essays making the case for each as the biggest, brightest and most important star in their solar system that calendar year. For the last few years, we’ve also counted down our picks for the 10 greatest pop stars of the 12-month period, with each getting their own year-in-review tribute from one of our staffers. (Our picks for the No. 1 Greatest Pop Star of the Year this decade have included BTS, Bad Bunny and Taylor Swift.)

But with the quarter-century mark coming up, we decided it was a good time to zoom out a little bit on the whole last 25 years in pop stardom. And so this week, we begin our countdown of the 25 Greatest Pop Stars of the 21st Century: a list attempting to take stock of the pop stars who have been most important and most impactful in the U.S. over that timespan. We will be unveiling our list over the course of the next four months, unveiling one or two artists a week, along with our usual essays commemorating each artist — as well as additional articles focusing on different aspects of their careers and rounding up their chart achievements, and regular podcast and video discussions of our chosen stars’ careers and legacies. We hope it will all serve to properly celebrate the 25 artists who have most defined the pop music and pop culture of the first 25% of this century, and to help provide an accurate snapshot of how the sound, look and overall meaning of pop superstardom have evolved over that period.

First, however — we must acknowledge that 25 is simply nowhere near a big-enough number to properly acknowledge all the pop stars who have dominated the charts and moved the culture since Y2K. So with that in mind, we’re starting off our rollout of this project with a quick unranked list of our Honorable Mention picks for the best of the rest: the 25 pop stars who were great enough to get strong consideration for our top 25, but ultimately just didn’t quite have either the stats, the impact, the longevity or the volume to elbow their way into our main list. We love ’em all just the same, and we couldn’t kick off this project in earnest without giving them their proper due first.

And we must also issue our obligatory reminder that unlike with our Year-End Charts, these Greatest Pop Stars are NOT mathematically determined by stats like chart position, streams or sales numbers. Those play a big part in our final rankings, of course — you can’t be one of the greatest pop stars of the century without great pop hits and great pop albums — but so do things like music videos, live performances and social media presence, and more intangible factors like cultural importance, industry influence and overall omnipresence. (And we’re measuring this over all 25 years of this century so far, so if you were only heard from at the beginning or the end of that period — or only had one or two big songs, albums or eras — that’s gonna significantly hinder your ranking here as well.)

Here are our 25 picks, presented alphabetically, for the closest-but-not-quite pop stars — the Nos. 26-50 Greatest Pop Stars of the 21st Century, essentially — and check back throughout the next few months as we count down our top 25, and officially name our Greatest Pop Star of the 21st Century this autumn.

Tyler, The Creator Blasts Artists Making ‘Meme Records’ Looking for Quick Payday

Tyler, The Creator has an issue with artists he feels are diluting rap music by making records with hopes of a quick payday rather than appreciating the art form.

The Grammy-winning rapper sat down with media personality/businessman Maverick Carter for an episode of Mavericks, and a teaser released on Tuesday (Aug. 13) saw Tyler getting candid about the state of hip-hop.

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“I don’t wanna seem like a hater. Sometimes I have hater energy ’cause I just think I’m that good,” he contested. “I love this art form so much bro and there’s so many n—-s out right now that aren’t musicians that are getting treated like musicians ’cause they make meme records.”

Tyler continued: “Publicly, they’ll be like, ‘I don’t give a f–k about music. I just do this s–t for money.’ It’s the Spider-Man meme of the next n—a when every publication is like, ‘Hell yeah, let’s put that out.’ You’re taking up space from n—-s like me.”

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Look for the proper context surrounding the conversation when the full episode of Mavericks arrives at 1 p.m. ET on Wednesday (Aug. 14) on SpringHill’s YouTube channel.



Elsewhere in the episode, a description taken from the trailer hints at Tyler admitting he owes Eminem an apology.

Tyler and Em were at odds after Tyler dissed the Detroit legend’s Shady XV compilation album on Twitter in 2014. Eminem issued a flagrant response years later on Kamikaze‘s “Fall” in 2018. “Tyler create nothing, I see why you called yourself a f—-t, b—h,” he raps.

Em regretted taking it that far during an interview with Sway following the album’s arrival. “I think the word that I called him on that song was one of the things where I felt like this might be too far,” Slim Shady said. “Because in my quest to hurt him, I realize that I was hurting a lot of other people by saying it. It was one of the things that I kept going back to and going, ‘I don’t feel right with this.’”

Watch the clip above.

Olivia Rodrigo Admits Some of Her Past Relationships Were ‘A Little Questionable’

Olivia Rodrigo is a 21st-century girl, alright. While having a heart-to-heart with fans at the first of four Guts World Tour shows at the Kia Forum in Inglewood, Calif., on Tuesday (Aug. 13), the pop star revealed that many of her past relationships didn’t exactly begin with a grand romcom meet-cute, but with a simple message on Instagram.

In a clip captured by a fan in the Los Angeles crowd, Rodrigo sits on the stage floor next to her guitarist and says, “I am a wizard at the art of Instagram DM.”

“I met so many people that I’ve dated on Instagram DM,” she continued. “Some of them [were] a little questionable, so maybe that’s not a good example.”

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The three-time Grammy winner went on to explain that she met her producer Dan Nigro through the same medium, which eventually led to the creation of her Billboard 200-topping albums Sour and Guts. “I don’t even know what the moral of this story is,” she added, laughing before diving into “Happier,” one of the first songs she and Nigro ever collaborated on.

Rodrigo is now dating actor Louis Partridge, with whom she first sparked dating rumors in October. They all but confirmed their relationship by having a PDA-filled moment at a Los Angeles gas station two months later. In June, the 21-year-old “Deja Vu” artist wished the Enola Holmes star a sweet “happy birthday” on Instagram, commenting, “Welcome to the 21 club angel boy!!!!”

The musician was previously linked to her High School Musical: The Musical: The Series co-star Joshua Bassett, the rumored subject of her breakout hit (and Billboard Hot 100 topper) “Drivers License.” Later, she was rumored to be dating Adam Faze followed by music producer Zach Bia.

Rodrigo has three more Guts shows this week at the Forum, followed by two more at the Intuit Dome in L.A. She’ll kick off the trek’s Asian leg in September before closing with a run of shows in Australia in October.

Watch Rodrigo tell her fans about her history with Instagram DMs below.

Machine Gun Kelly’s Way-Off First Pitch At Cleveland Guardians Game Was Strictly For the Fans

Throwing out a first pitch at a baseball game can be the best, or worst, day of a celebrity’s life. Some, like Mariah Carey and the Howard Stern Show’s Gary “Baba Booey” Dell’Abate, tank it so hard they become instant, and forever Mendoza lines for diamond disaster.

Then there’s Machine Gun Kelly. The Northern Ohio native capped his hometown charity weekend on Tuesday (August 13) when he was tapped to throw out the first pitch at the Cleveland Guardians’ home game against the Chicago Cubs at Progressive Field. Unlike 50 Cent’s disastrous attempt in 2014 that nearly took out a cameraman, or Snoop Dogg’s smoker in San Diego in 2016 that had velocity but was wildly off the mark, Colson Baker didn’t even try to get the ball into the catcher’s mitt.

Posted up on the mound in ripped, baggy jeans, a red Guardians jersey repping No. 22 first baseman Josh Naylor and black cap, MGK pretended like he was going to rip one right down the middle and went into what looked like a decent wind-up before sprinting to his right to lob a hard one up into the seats to the delight of the hometown crowd.

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Major League Baseball posted the special moment with the caption, “MGK with a unique first pitch [crying laughing emoji].” A video posted after the pitch showed the lucky fan in an MGK T-shirt who scrambled to get the ball holding it up to her phone to take an excited snap of the special moment.

MGK was all over his city this weekend for his MGK Day festivities, which included Friday’s Skate + BMXXing event at Crooked River State Park, followed by a game/trivia night at his 27 Coffee Shop and a movie night at Lago Veranda for a screening of his Life in Pink documentary. Saturday brought a charity softball game at League Park, the former home of the Cleveland Indians (the home team’s former name), and a performance with Nelly at the FWD Day & Nightclub.

Sunday’s events included a takeover of downtown’s streets with a huge bike rally on the way to a performance at his MGK Day Block Party, where he was joined by Blink-182 drummer Travis Barker, Jelly Roll and Tee Grizzley, followed by a service day at 27 Club Coffee on Monday and an anime night at Sora.

Watch MGK’s pitch below.

Tinashe Talks Summer of ‘Nasty,’ Feeling Validated & If She’d Want to Star in the Britney Spears Biopic

After spending four years rebuilding her confidence as an independent artist following her toxic split from RCA Records, Tinashe became open to partnering with a label once again and she signed with Ricky Reed’s Nice Life Recording Company last summer.

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Less than a year later, Nashe’s intuition paid off when she hit the jackpot with the release of her “Nasty” single in April, which is co-produced by Reed and arrived under exclusive license to Nice Life.

Tinashe appeared poised to usher in a new era of R&B when invading the scene in 2014 with Mustard’s Cali bounce alongside ScHoolboy Q for “2 On,” but she wouldn’t find her way back to the Billboard Hot 100 as a main billed artist until about a decade later with “Nasty,” which broke through in June.

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While some hits seemingly pop out of nowhere, “Nasty” had a rise that felt more organic — with the track exploding on social media platforms like TikTok thanks to a viral dance choreography that Tinashe herself leaned into. From Janet Jackson to Christina Aguilera and Rihanna, co-signs from legends that Nashe looked up to began to pour in one after the other.

Billboard “matched her freak,” with “Nasty” sitting at No. 69 on this week’s Hot 100 chart after reaching a No 61 peak — her highest on the chart since 2014. It’s also become a steady force at rhythmic radio as well (No. 3 on Rhythmic Airplay chart). The 31-year-old has become a people’s-choice contender in a robust Song of the Summer category this year with ladies like Chappell Roan, Charli XCX and Sabrina Carpenter also churning out major hits.

Moments like these aren’t always promised for artists. It’s a testament to Tinashe’s raw talent, relentless determination to stay the course and refusal to sacrifice artistic integrity. “Just having all this — I guess it’s like validation,” she tells Billboard over Zoom. “It just feels like I’m on the right track and doing the right things. It’s been an extra boost for this whole rollout, and it’s been fun.”

With the added eyeballs from “Nasty,” Tinashe looks to capitalize on her momentum and welcome the new fans to her world with Quantum Baby, a 10-track project that arrives on Friday (Aug. 16).

Billboard enjoyed a laid-back conversation with Tinashe touching on just about everything going on in the ethos of Nasty Nashe. Check it out below.



When did you feel like “Nasty” was really taking off? Was it the dance that went viral on TikTok?

Yeah, I saw signs in a couple different interesting ways. A lot of my peers were reaching out to me and telling me that the song was dope. That doesn’t really happen every time I drop. I went to China and saw that the song was really big over there, and everyone was doing the choreography to the music video. I thought that was really interesting. Then I started seeing it get meme-ified and then TikTok happened. There were so many different signs along the way. 

Seeing it in real time felt so authentic. Was “match my freak” always a saying? 

No, it came straight from my brain. Straight from my noggin. I was driving and was just kinda freestyling and that’s kinda how I thought of it. I remember thinking after writing those lyrics, “I don’t think I’ve ever heard anyone say this before.” I just invented it. 

Do you feel like hits need a virality to them or a memeability to give them a boost compared to 10 years ago?

Yeah, I do. I think it can help, obviously, a lot. I think it has a big impact, but I also think it’s fickle. I wouldn’t put all my eggs in that basket. I think there’s plenty of cases of songs that blow up in a viral way that don’t connect to a real audience. I think it’s a piece of the puzzle and part of what makes it successful. 

Is that something you think about while creating?

I think it’s kinda dangerous to keep that in the front of your mind. I think it’s something to consider, but as soon as you start trying to cater your music to a 15-second snippet — once you chase things, period, the energy of chasing is not conducive to good creativity. It used to be chasing something that sounded like a radio hit and now it’s what’s cool on TikTok. Chasing anything isn’t wise.

Is “Nasty” the song of the summer?

Definitely, “Nasty” is the song of the summer. Without a doubt, to me. It’s the song of my summer. There’s been other songs too that are great, but “Nasty” is the one.

What was your reaction to the VMAs snubbing “Nasty?”

Disappointed but not surprised. I’ve never been nominated for an award, period. I did get nominated for a BET award once. Other than that, I’ve never been nominated. I definitely wasn’t counting on that. 

What was your thought process on the “Nasty” remixes getting Tyga and Chloe Bailey on two separate versions?

I was enjoying giving “Nasty” several identities and breathing life into the song in a way that felt like a true remix like you were gonna get a different version. In the way we did the DJ remixes and got different feelings for the songs, I felt it would be great when it came to the artists I collaborated with for them to also have a strong identity. Chloe made so much sense for the “Nasty” girl remix. She’s already got this powerful, feminine, sexy, fun energy and she’s so sweet. I thought that was perfect. Tyga, he was bringing a whole entire different man-ish more club and West Coast energy. It give it a whole other flavor. All of the excitement surrounding the song is so fun and seeing how many people it touched — whether it was legends like Christina [Aguilera], Janet [Jackson]. 



How much did it mean to you to meet Janet Jackson? I think back to your “How Many Times” with Future sampling her

I love Janet and I love Future and I love that song. That’s a whole circle moment for me for sure. She did her “Nasty” version and put in the “Nasty Girl.” Then I got to meet her and told her she’s a huge inspiration. It was really wholesome. 

You mention Christina, and I also saw Beyoncé and Missy Elliott show love.

All of those are really affirming for me. Missy Elliott is someone you look to for having impeccable taste and always being a tastemaker. I think her support means that it’s dope. Christina Aguilera was one of my “Big Three.” My “Big Three” growing up was Christina, Britney [Spears] and Janet [Jackson]. Beyoncé used it in a Sacred ad, and Rihanna used it in a Fenty Beauty ad. That’s amazing. All of the main girls have showed me love. That’s a great feeling. 

What do you hope to accomplish with Quantum Baby?

I think it’s just continuing to tell the story and getting people to know me. Obviously, hopefully “Nasty” has put a few new people on and brought them into the world. Hopefully, this project brings them deeper into the world that’s constantly evolving and genre-blending. 

What’s your label situation right now with Nice Life?

Going independent was a big turning point for me, and a game-changer in terms of how I perceived myself as a creative — and it helped me rebuild that confidence. Because I was able to rebuilt that confidence, I felt like I got to a place where I was more opened to working with another label. It was kinda like the perfect compromise. They’re independent and it’s more direct art. You can talk to the people involved and have close relationships with everyone on your team. It feels very artist-first. I didn’t have to make compromises, but [I] have the benefit of having extra team members to help make everything successful. 

I saw this story on Reddit going viral about you losing your ticket at a Charli XCX show and they found it and went in with your tickets. I guess you still got in after. Did you see this? Is it true?

Yes, that’s true and of course I saw it. I was like, “You little f–ker. I knew one of you motherf–kers had the ticket.” It was like retrace our steps so quickly. I knew one of those motherf–kers picked it up. Thank God they just let me in anyways. 

Were you looking around like, “Who has my ticket?”

Yes, I was. I was trying to make contact with everybody standing around because I was like, “I know one of you people.” I was right, clearly. 

What do you think about Charli XCX’s moment as well? It’s cool to see her breaking through again after putting in work for a decade-plus. 

It’s amazing, it’s inspiring, it’s exciting. I think it’s great. Any time you see somebody that’s been working really hard get the shine they deserve, we love it.

How was working with Kaytranada?

I love Kaytranada. We’ve worked together a handful of times. I feel like every time we work together it’s heat. We have a great vibe in the studio. He’s so cool and down to earth. It feels really natural. 

Did you ever reconnect with Chris Brown after his comments last year? 

I did not speak to him, because I just don’t think he listened to the context of the interview. 

We got a Britney Spears biopic coming. In an alternate universe, is Tinashe playing Britney?

I mean, listen, that would be great. I think I could give — I have a long history of studying Britney’s ways. I think I could hit the moves. 

You were into acting [growing up]?

Yeah, I did a ton when I was young. I did a bunch. I stepped away when I was 16 just to focus on music fully. I’d like to get back to it at some point, but it doesn’t feel like pressing like I need to do it today. Music is my main priority today. 

Are you still playing Warzone?

Yeah, still on the Call of Duty.

I went back to the last time I tweeted you. April 2020, “How does Tinashe have more Warzone wins than me on Call of Duty right now?”

I’m dead, that was the early days of [playing] all day. 

I loved Verdansk. That map is so much better than what we play now. 

I know, I am constantly like, “Bring back Verdansk.” They keep saying it. I’ll believe it when I see it. 

When you’re playing Call of Duty, what are you on? What’s your go-to gun?

PlayStation, PS5. I’m usually on the snipers. They call me SniperNashe. I love to hit a snipe. 

I feel like there’s a lot more girl gamers compared to when we grew up. Have you noticed that?

Yeah, I think it’s less taboo. 

Now it’s like everyone plays video games and streams. I just missed the boat by about five to 10 years here. 

It’s definitely a generational shift in just how people talk about it. There’s no way people weren’t playing before, but people were just more quiet about it. Once people started making money for playing video games, now it’s cool. 

What did you take from touring as an opener for Nicki Minaj, Katy Perry and Justin Bieber?

When you open for people, that’s another level of experience that you have to get because people aren’t necessarily there to see you. So it’s potentially harder to win over a crowd. That’s a good practice in learning how to put on a show that’s gonna engage people who aren’t your core audience. I think it’s really valuable to open for people and get that experience. Also just to build up your performance chops in that way. It’s part of the process. Playing your own shows is a lot easier when everyone’s singing your songs and excited to see you.

It seems like that’s a lost art. Now, I feel like people get one viral moment or hit and they’re thrown out there to the wolves. 

People skip steps. There’s no substitute for experience. That’s why all those things made me the performer I am today.

As a rap fan, did you enjoy the Drake and Kendrick Lamar beef?

I’m here for it. I loved it. I thought it was exciting just to see how much discourse was going on. It just reminded me of a blog era spirit. How quickly everyone was releasing things and it just felt free. It felt real and it wasn’t label politics or on some intricate timeline and rollouts. It was just raw so I love that. 

Who did you have winning?

You know we gotta go with the West Coast. We gotta go with K. Dot. 

What are some of your favorite style trends this year?

I love wearing boxer shorts. I love being comfortable. I love dressing like a tomboy. I love the big oversized and straight leg sweatpant. I love a super-wide leg jean. I love boxer shorts underneath both of those things. 

Are you really from Lexington, Kentucky? How long did you live there?

Three months. I don’t think I’ve been to Lexington since I was three months old. I do not claim that place, although they try to claim me. I don’t know s–t about that place.

Bruce Springsteen ‘Nebraska: A Celebration of Words and Music’ PBS Special Trailer Features Noah Kahan, Emmylou Harris, Eric Church

If you weren’t lucky enough to attend last September’s all-star tribute to Bruce Springsteen‘s beloved 1982 solo album Nebraska in Nashville, you’re in luck. The show, Bruce Springsteen’s Nebraska: A Celebration in Words and Music will air on PBS on August 31.

The first trailer for the special — which is available now on the subscription PBS Passport service — features footage of Noah Kahan singing an acoustic “Atlantic City” and musician/author Warren Zanes talking about the enduring legacy of the sparse album about dead-enders, law benders and no chancers struggling to rise above. “Bruce Springsteen’s Nebraska has stayed with me over decades,” says Zanes, who hosts the show and wrote a whole book about the album, 2023’s Deliver Me From Nowhere: The Making of Bruce Springsteen’s Nebraska.

The preview also features Emmylou Harris singing “The Price You Pay,” Lyle Lovett crooning “My Father’s House,” Lucinda Williams tackling another non-Nebraska classic, “Born in the U.S.A.” and Eric Church performing a touching solo version of the Born in the U.S.A. hit “Dancing In the Dark.”

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The special was taped during an intimate gig at Analog in Nashville’s Hutton Hotel on Sept. 19, 2023, with the musicians performing covers in between Zanes’ storytelling about the songs recorded in The Boss’ New Jersey bedroom. “I wrote a book about Nebraska because the recording stayed with me over decades,” Zanes said in a statement. “Every time there was trouble in my life I reached for Nebraska. When I started doing events around the book’s publication, I quickly realized the best of them had music. When I went to Nashville, I had a remarkable cast of musicians to help me tell this story.”

The show will also feature Harris’ take on the album’s title track, as well as Lovett singing “Used Cars” and the Lumineers’ covers of “Mansion on the Hill” and “State Trooper.”

Watch the Nebraska special preview here.

Chartbreaker: ‘Fisherrr’ Was No Viral Fluke, As Cash Cobain Declares, ‘I Am Here To Stay’

Cash Cobain is exhausted when he arrives at Billboard’s Manhattan office in late July. But that’s to be expected when chasing the momentum of a breakout hit like “Fisherrr.”

The rapper’s last few months have been a blur, from performing an impromptu park jam this April in New York’s Union Square after his Irving Plaza show was shut down (due to police concerns about crowd size) to featuring on his first Billboard Hot 100 entry in June to recently hitting the studio with Frank Ocean. Cash has quickly become a staple — and propellant — of hip-hop today, particularly in New York City.

The 26-year-old (born Cashmere Small) grew up in the Bronx listening to his grandparents’ Michael Jackson and Stevie Wonder CDs alongside Biggie Smalls, 50 Cent and Aaliyah and developed an early interest in music production. His mother bought him drum pads and Yamaha keyboards, while he taught himself how to incorporate samples into his trap and drill-inspired beats on a jailbroken version of FL Studio.

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As he carved out his sound, he was careful to avoid impersonating his biggest inspirations, telling Billboard earlier this year: “ I wanted to add my own flavor… I didn’t want to bite guys like Southside and Metro [Boomin].”

Cash Cobain photographed on July 25, 2024 in New York.

Cash Cobain photographed on July 25, 2024 in New York.

Elianel Clinton

The result is a style all his own, best known as sample drill. As the name suggests, Cash’s beats often incorporate other tracks in some capacity, whether he’s flipping Snoop Dogg and Pharrell’s “Beautiful” on Don Toliver’s “Attitude” — which peaked at No. 58 on the June 29-dated Hot 100 — or Ciara’s “Body Party” for his song of the same name with Chow Lee.

He’ll even snatch a sample out of thin air: “I can be in the elevator or watching a movie,” he says, “and if I like the song or hear a part that I can use, I’ll Shazam it.” Ironically, the music discovery app is also how Cash’s team realized “Fisherrr” was gaining traction.

His A&R at Giant Music, Daniel Byrnes, says they first noticed that Shazams for the song were taking off in New York and that it coincided with a spike on TikTok. “That’s when you know it’s time to go to radio,” says Byrnes. “We then hired [independent] radio plugger GOAT Troy Marshall and Shazam started going even crazier. Then [the song] broke the Top 100 Shazams in the country and it was No. 1 in New York for weeks. Nothing was touching it.” By May, “Fisherrr” debuted on Billboard’s R&B/Hip-Hop Airplay, Mainstream R&B/Hip-Hop Airplay and Rap Airplay charts, and it has since reached the top 10 on all three.

Cash was initially connected to Byrnes through his co-managers, William Foster, Glyn Brown and Makeda Tewodros. (The Bronx rapper started out independent, beginning his career under the guidance of Casanova and his 2x Entertainment label, but eventually decided to seek out new management around 2020.) And while his new team wasn’t focused on getting him a record deal at first, Byrnes jumped when the time was right. “[He] was just one of those people that was always there, continuously checking on us and checking on Cash’s growth,” Tewodros says.

Giant signed Cash in June 2023, and the rapper has leaned into his social media savvy since then, becoming notorious for previewing unreleased tracks on Instagram that he then deletes as the official release nears. “He’ll hide the song, or he’ll archive it after a day or two, and everyone’s like, ‘Where did it go?,’” Tewodros says. “Then they’ll start to chase for it.” Adds Cash: “I’m not the type to post a snippet and then you never hear it,” he says. “Nah, it’s going to be on the album.”

Cash Cobain photographed on July 25, 2024 in New York.

Cash Cobain photographed on July 25, 2024 in New York.

Elianel Clinton

The strategy is exactly how “Fisherrr,” which Cash started teasing on TikTok and Instagram in January, started to thrive. As Cash recalls, when he walked into the studio at the top of 2024, producers FckBwoy! and WhoJiggi were already cooking up the beat. “I cut it up,” he recalls. “The beat was taking too long to drop; I didn’t like that. I wanted it to drop right away.”

From there, he and Bay Swag “started going crazy” in the booth — humming some of the song’s bars as he remembers its creation. Over an intoxicating loop, Cash and Bay Swag go back and forth like a horny Jadakiss and Styles P, with easy-to-remember one-liners like, “And your ass fat, know you eat your rice and your cabbage too/She a savage too, I’m a savage too, it’s compatible.”

The song soon started bubbling on social media and in the streets thanks to a From the Block performance clip from its release day in February that went viral. A couple weeks later, when Brooklyn rapper Kareem Gadson (aka Reem) did “The Reemski” dance to the song — in which he dances like a cobra to the tune of a snake charmer — “Fisherrr” grew even larger. “Once Reem came out with the dance, it was over,” says Cash. Byrnes felt the same way, saying the team dropped their own marketing plans to focus on the dance. “You couldn’t plan for it to be that big,” says Byrnes in astonishment. “Everyone on social media was doing the dance.”

To capitalize on the song’s momentum, Cash came quickly with a remix in April, tapping his old friend and fellow Bronx rapper Ice Spice. “Shout out to Makeda, I know she wants her credit. She made it happen,” Cash says playfully. “There were some ideas and names thrown about and I think we all kind of unanimously agreed Ice made the most sense,” adds Tewodros. “It felt really New York, so we felt like this would be the best amplification for the song.”



The remix not only resonated with fans, but more importantly, with Cash himself. “I felt loved when I heard her verse. She had the whole flow, it was fire. She was on some Baddie Drill s–t.” Following its first full tracking week, “Fisherrr” debuted on Hot R&B/Hip-Hop Songs at No. 33.

Cash has been an opener for Ice during her stateside Y2K! trek since the end of July, and he’ll continue on the tour through August. And come Aug. 23, he’ll drop his sophomore album, Play Cash Cobain. “He’s in the zone,” says Brown. Everyone on his team shares a similar sentiment. “I saw him cook up a beat in a bowling alley parking lot and record it in like, 12 hours — and it sounds like another hit,” says publicist Sam Hadelman. “He’s making the best music of his life right now.”

“Straight sexiness. Back to back, play it out — no skips, sexy music,” Cash adds, previewing what fans can expect. “I just want to show y’all I’m really serious about this. I’m not no one or two hit wonder — I am here to stay.”

From left: Glyn Brown, Cash Cobain, Will Foster, and Makeda Tewdoros photographed on July 25, 2024 in New York.

From left: Glyn Brown, Cash Cobain, Will Foster, and Makeda Tewdoros photographed on July 25, 2024 in New York.

Elianel Clinton

A version of this story will appear in the Aug. 24, 2024, issue of Billboard.

Latto Announces Fall 2024 North American Sugar Honey Iced Tea Tour With Mariah The Scientist

On the heels of her third studio album, Latto is hitting the road for the Sugar Honey Iced Tea Tour this fall. Dates for the show were announced on Wednesday morning (August 14), along with the news that the rapper will be bringing fellow ATLiens Mariah The Scientist and Karrahbooo with her on the trek.

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Latto kicks off the 22-city North American leg on October 25 in Tampa Bay with stops in Nashville, Philly, Brooklyn, Cincinnati, Boston, Toronto, Detroit, Chicago, Dallas, Houston, Seattle, San Diego, Phoenix and Las Vegas before wrapping up in Denver on December 7.

CITI pre-sale tickets are currently on sale, while the general public on-sale begins on Friday (August 16) at 10 a.m. local time on Latto’s website.

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The Grammy-nominated artist delivered her Sugar Honey Iced Tea album on August 9 featuring guest appearances from CiaraCoco JonesHunxhoYoung NudyTeezo TouchdownMegan Thee Stallion and tour mate Mariah The Scientist.

“From 21 to 25, I feel like I became a woman,” she told Billboard. “Everybody used to tell me, ‘Oh, when you turn 25, something is going to change in your brain.’ I really feel like it did. I’ve had new relationships, I bought my first house, signed deals, fell out with people. Every year that I’ve been in the industry, I feel like I’ve reached more success, so there’s just more sh-t to talk about.”

Sugar Honey Iced Tea follows Latto’s 777, which reached No. 15 on the Billboard 200 in 2022. Latto has eight Billboard Hot 100 entries including top 10 hits like “Seven” (No. 1 with Jung Kook) and “Big Energy” (No. 3).

The 25-year-old added a bonus track to the album ‘s disc two this week. “Chicken Grease” samples Atlanta legend T.I.’s breakout hit “24’s.” The DJ Toomp-produced anthem was Tip’s first Hot 100 entry and reached No. 78 on the chart.

Find the Sugar Honey Iced Tea Tour dates below.

Oct. 25 — Tampa, Fla. @ Yuengling Center 

Oct. 27 — Nashville, Tenn. @ Nashville Municipal Auditorium 

Oct. 28 — Washington, D.C. @ The Anthem 

Oct. 29 — Philadelphia, Pa. @ The Met Philadelphia presented by Highmark

Oct. 31 — Brooklyn, N.Y. @ Barclays Center 

Nov. 1 — Cincinnati, Ohio @ The Andrew J Brady Music Center 

Nov. 3 — Bridgeport, Conn. @ Total Mortgage Arena

Nov. 4 — Boston, Mass. @ MGM Music Hall at Fenway 

Nov. 7 — Toronto, Ontario @ HISTORY 

Nov. 11 — Detroit, Mich. @ Fox Theatre 

Nov. 12 — Chicago, Ill. @ Byline Bank Aragon Ballroom 

Nov. 15 — Dallas, Texas @ South Side Ballroom 

Nov. 16 — Houston, Texas @ 713 Music Hall 

Nov. 17 — Austin, Texas @ Stubb’s Waller Creek Amphitheater 

Nov. 21 — San Diego, Calif. @ Cal Coast Credit Union Open Air Theatre 

Nov. 25 — Seattle, Wash. @ WAMU Theater 

Nov. 26 — Vancouver, B.C. @ PNE Forum 

Nov. 29 — San Francisco, Calif. @ Bill Graham Civic Auditorium 

Dec. 1 — Inglewood, Calif. @ YouTube Theater 

Dec. 4 — Phoenix, Ariz. @ Arizona Financial Theatre 

Dec. 5 — Las Vegas, Nev. @ Brooklyn Bowl 

Dec. 7 — Denver, Co. @ Fillmore Auditorium

BTS’ Jung Kook Sets Release Date for ‘I Am Still’ Documentary: Here’s When It Hits Theaters

Details of Jung Kook‘s highly anticipated solo documentary I Am Still are finally here, including the project’s release date in theaters worldwide.

According to a release, the film will capture the BTS star’s development as a solo artist, starting with the historic ascent of his single “Seven (feat. Latto)” to No. 1 on the Billboard Hot 100 in July 2023. Three months later, he dropped his debut album Golden, which peaked at No. 2 on the Billboard 200

“Delving into his creative process, unwavering work ethic and the unique challenges faced by a global superstar, the film presents exclusive, never-before-seen footage and interviews alongside electrifying concert performances,” reads the release. “This poignant portrait showcases Jung Kook’s unwavering dedication and artistic evolution.”

Directed by Junsoo Park and produced by Jiwon Yoon, Jung Kook: I Am Still is set to premiere Sept. 18, with limited screenings worldwide in over 120 countries and regions. Tickets go on sale August 21.

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The announcement comes a month after the 26-year-old singer’s label, BigHit, cryptically teased that I Am Still was “coming soon” to theaters, withholding any further details and sending ARMY spiralling. “WHAT IS THIS,” one person tweeted at the time, while another person wrote with disbelief, “WHAT DO YOU MEAN JUNGKOOK ON CINEMAS!?!?!?!?!?!?”

Jung Kook previously hinted that he was working on a documentary about his solo efforts in a November episode of Suchwita, the YouTube talk show hosted by his bandmate SUGA. “It follows the process from ‘Seven’ to my album,” he said at the time, according to the show’s English translation. “When you film with other members, the cameras aren’t all focused on you. But I always feel kind of pressured talking in front of a camera alone.”

The “3D” musician is also currently starring in a travel docu-series alongside bandmate Jimin on Disney+. Chronicling the friends’ trips through destinations in the U.S., South Korea and Japan, Are You Sure?! premiered Aug. 8 and will continue dropping episodes through Sept. 19.

See the Jung Kook: I Am Still announcement and movie poster below.