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Lil Jon Makes Surprise Appearance to Help Georgia Dems Nominate Kamala Harris for President: ‘DNC, Turn Down for What!’

Lil Jon transported the 2024 Democratic National Convention to Atlanta when he made a surprise appearance to share the Georgia delegates’ votes for Vice President Kamala Harris during the DNC roll call on Tuesday night (Aug. 20).

The roll call took on a new format this year, with DJ Cassidy introducing each state with its own song. The Georgia delegates took it one step further when their hometown hero turned up to share their 123 votes for Harris.

“Georgia, how do you cast your votes?,” the announcer asked, as Jermaine Dupri’s “Welcome to Atlanta” could be heard playing in the background. As the music shifted to DJ Snake and Lil Jon’s 2013 club banger “Turn Down for What,” the camera panned to the Atlanta rapper/producer walking down the stairs and letting out his signature “Yeahhhhh!,” which reverberated across Chicago’s United Center.

“Ladies and gentlemen, we are here tonight to officially nominate Kamala Harris for president,” Lil Jon hollered before rapping, “Fire up that loud, another round of shots/ DNC, turn down for what!”

Lil Jon made his way through the crowd — starting chants of “We’re not going back!” and “VP Harris!” — before ending on the floor with the Georgia delegates to officially cast their votes.

In addition the DJ Cassidy-led roll call and Lil Jon cameo, Patti LaBelle and Common also performed on day 2 of the DNC. LaBelle performed “You Are My Friend” for the night’s “in memoriam” segment, while Common performed “Fortunate,” switching up the lyrics to say “Be fortunate, y’all, for Kamala Harris.” Monday’s DNC day 1 included performances from Jason Isbell and Mickey Guyton, while James Taylor’s planned set was cut for time when President Biden’s remarks started much later than the schedule intended.

Watch Lil Jon’s surprise DNC appearance below:

LA LOM Make Billboard Chart Debut With ‘The Los Angeles League of Musicians’

Los Angeles-based trio LA LOM make their first Billboard chart appearance with debut album The Los Angeles League of Musicians, as the 13-track set launches at No. 5 on the Tropical Albums chart (dated Aug. 24).

“I know I wasn’t thinking about charts when we made the record,” Zac Sokolow, LA LOM’s guitar player, tells Billboard. “We’ve been really excited to have the opportunity to share our original music with people around the world, and we’re really happy to hear that the record is resonating with people.”

The Los Angeles League of Musicians was released Aug. 9 on Verve/VLG. That gives the label its first entry and top 10 on a Latin chart in over a decade, since Natalie Cole’s Natalie Cole En Español debuted at No. 1 on both, Top Latin Albums and Latin Pop Albums charts in January 2013.

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The Los Angeles League of Musicians (LA LOM is its acronym), opens at No. 5 on Tropical Albums with a little over 2,000 equivalent album units earned in the U.S. for the tracking week of Aug. 9-15, according to Luminate. Most of the album’s first week sum comprises traditional album sales, with a small amount of units through streaming activity. That equates to 358,000 official on-demand U.S. streams for the album’s songs.

On Tropical Albums, one unit equals one album sale, 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams for a song on the album.

With The Los Angeles League of Musicians, LA LOM banks its first entry on a Billboard chart and its first top 10 on any ranking.

Notably, it’s just the third album to debut in the top five on Tropical Albums so far in 2024, after Prince Royce’s Llamada Perdida (No. 2 start in March) and Marc Anthony’s Muevense (No. 4 debut in May). Further LA LOM marks the third top five debut by a group this decade, joining El Gran Combo de Puerto Rico’s En Cuarentena and Buena Vista Social Club’s Ahora Me Da Pena EP, both which achieved a No. 3 opening in April 2021 and May 7, 2022, respectively.

“We all have a background playing different styles of music that we heard around Los Angeles, the city we all grew up in,” Sokolow adds. “Everything from classic soul, rockabilly, country, jazz, to traditional music from Eastern Europe. When we play cumbia, we bring all these elements from the city to our music. The tropical/cumbia that’s most popular around LA is probably the pop cumbia style from Mexico you hear on the radio, but there are also some really great bands that play music influenced by the chicha from Peru, or the vallenato style from Colombia. We play our own style from Los Angeles.”

Thanks to LA LOM’s U.S. growing footprint, the group, composed of Zac Sokolow (guitar), Jake Faulkner (bass), and Nicholas Baker (drums/percussion), concurrently makes its debut on the Emerging Artists chart, at No. 18. The tally ranks the most popular developing artists of the week, using the same formula as the all-encompassing Billboard Artist 100, which measures artist activity across multiple Billboard charts.

Further, the album takes LA LOM to its first appearance on Top Current Album Sales, where it arrives at No. 44.

“What you hear on the record is pretty close to the way we play live, but we always play the best when we are playing to a room full of dancers,” Sokolow concludes. “We’ve been pretty busy touring the last couple months and have dates coming up all over the world. Make sure to come see us when we make it to your town!”

Common & Patti LaBelle Perform at Night 2 of DNC 2024

The Democratic National Convention continued Tuesday night (Aug. 20) at Chicago’s United Center, and more music stars took the stage to celebrate Vice President Kamala Harris‘ presidential nomination.

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Patti LaBelle stepped onstage to deliver her 1977 hit “You Are My Friend” for the night’s in memoriam segment, singing the lyrics, “Your love has made me realize/ My future looks bright to me/ Oh, because you are my friend.” The icon previously performed Sam Cooke’s classic “A Change is Gonna Come” at the 2004 DNC. Most recently, she performed on the White House South Lawn for Biden’s Juneteenth concert.

Patti LaBelle performs during the second day of the Democratic National Convention at the United Center on August 20, 2024 in Chicago, Illinois.

Patti LaBelle performs during the second day of the Democratic National Convention at the United Center on August 20, 2024 in Chicago, Illinois.

Win McNamee/Getty Images

Common also took the stage at the DNC to perform his recently released Pete Rock collaboration “Fortunate,” switching up the lyrics at one point to tell the crowd: “Be fortunate, y’all, for Kamala Harris.” Common is also no stranger to a DNC performance, as he appeared virtually during the 2020 ceremony due to the global pandemic to join John Legend for a rendition of their best original song Oscar winner “Glory” from 2014’s Selma.

The DNC’s second night featured the theme “A Bold Vision for America’s Future,” and featured remarks from former President Barack Obama and former First Lady Michelle Obama; Harris’ husband, Second Gentleman Doug Emhoff; Vermont Senator Bernie Sanders and Illinois Governor JB Pritzker. Commentator Ana Navarro hosted the evening.

Harris took over the nomination from President Joe Biden, who spoke on the opening night of the DNC. Since then, surveys have shown that while Republican nominee Donald Trump was previously winning in several key battleground states, the polls are now shifting slightly in Harris’ favor, per New York Times/Siena College.

Watch LaBelle’s and Common’s performances below:





Jennifer Lopez Files for Divorce From Ben Affleck

Jennifer Lopez has filed for divorce from Ben Affleck after two years of marriage, according to People and first reported by TMZ.

The documents reportedly list the date of separation as April 26, 2024, but were filed on Aug. 20, which marks the two-year anniversary of their wedding ceremony in Georgia. Lopez and Affleck have yet to publicly announce their separation.

Lopez and Affleck first began dating back in 2002 after meeting on the set of Gigli, the first of two movies they would star in together (the second being Jersey Girl in 2004), before getting engaged. The couple delayed their planned 2003 wedding before calling it quits in 2004. Just a month after the couple officially tied the knot in Las Vegas, Bennifer celebrated their marriage in August 2022 in front of family and friends at their home in Riceboro on the Hampton Island preserve outside of Savannah, Georgia.

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The marriage marked Lopez’s fourth wedding, following Ojani Noa, Cris Judd and Marc Anthony. Affleck was previously married to Jennifer Garner.

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“I never thought that he and I would get back together,” Lopez told Billboard earlier this year of her relationship with the actor. “I just just couldn’t give up on idea that there was something amazing out there for me, even when it got really bad — and it did at times. I always believed deep, deep down to not give up completely. It wasn’t until I got to the point where I was really OK on my own and not having to be in a relationship when I feel like universe kind of opened up and said, ‘Well here you go.’”

She added of the duo sharing the astrological sign of Leo, “Let me tell you it’s fiery! It’s great, and it’s challenging. We are both very willful. If you know what Leos are like, you know we’re passionate. Oh my God, so passionate, the both of us. One of us gets on a tangent about something, it’s like, ‘Just sit down and let him have his moment.’ Or he needs to sit down and let me have my moment. We know each other in that way and we’re getting to know each other again, which is really beautiful too.”

Reports of trouble in the marriage began in the spring, when Affleck was notably absent from the Los Angeles and Mexico City premieres of Netflix’s Atlas, which J.Lo starred in. During a promo stop in Mexico City in May, a reporter asked, “Is your divorce with Ben Affleck real? These rumors?”

In video of the exchange, Lopez’s co-star Simu Liu jumped in and said, “Okay, we’re not doing that. Thank you so much guys, we really appreciate it. Thank you.” Lopez then looked at the the reporter and said, “You know better than that.”

Mom + Pop Music Founder Michael Goldstone to Receive 2025 Seymour Stein Global A&R Award

Michael Goldstone, founder and co-owner of Mom + Pop Music, will receive the second annual Seymour Stein Global A&R Award from MUSEXPO and A&R Worldwide. The award will be presented during the International Music Industry Awards gala on March 19, 2025, at the conclusion of the 25th global edition of MUSEXPO, which is set to take place in Burbank, Calif.

This award holds special significance for Goldstone, who moved to Stein’s Sire Records in 2003. While at Sire, Goldstone’s signings included Regina Spektor, Tegan and Sara and The Veronicas.

Prior to Sire, Goldstone worked in various capacities (PR, marketing, artist development and ultimately A&R) at Chrysalis, MCA, PolyGram, Epic and DreamWorks.

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In May 2008, Goldstone left Sire to launch the indie label Mom + Pop Music Company together with Peter Mensch and Cliff Burnstein of Q Prime management. Goldstone and Mom + Pop Music co-owner Thaddeus Rudd were named to Billboard’s 2024 Indie Power Players list, where Goldstone said being indie means “Staying true to artistic integrity and collaboration. We deeply value the relationships that we’ve built with our artists and take pride in empowering creative freedom.”

The Seymour Stein Global A&R Award celebrates excellence in A&R worldwide, and the spirit of discovery in music. The award was created by Sat Bisla, president & founder, A&R Worldwide/MUSEXPO; Sire co-founder Richard Gottehrer; and Mandy Stein, Seymour’s daughter.

The inaugural recipient was Wendy Goldstein, president/chief creative officer of Republic Records. She received the honor on March 20, 2024, during a gala dinner on the final night of the four-day MUSEXPO conference.

Seymour Stein died in April 2023 at age 80. His signings — including MadonnaTalking HeadsThe RamonesThe PretendersDepeche Mode and The Cure — left an indelible mark on the music landscape. His dedication to the art of A&R made him a legendary figure in the music industry. This award seeks to celebrate and perpetuate his legacy.

Stein received the Ahmet Ertegun Award at the Rock and Roll Hall of Fame in 2005. In 2012, he received Billboard’s Icon Award at MIDEM. In 2018, he received a trustees award from the Recording Academy (alongside composer John Williams and the late concert promoter Bill Graham).

Taylor Swift Gives Behind-the-Scenes Look at Eras Tour in ‘I Can Do It With a Broken Heart’ Music Video

She’s a real tough kid, and Taylor Swift proved it with her new music video for “I Can Do It With a Broken Heart,” which arrived on Tuesday (Aug. 20), shortly after she wrapped up the European leg of her Eras Tour in London.

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The clip features the star in rehearsals for her massive, record-breaking tour, as well as performing and having fun on stage while her fans sing along. She’s also seen backstage with her dancers and crew, showing just how much work went into the tour.

Written and released after the 14-time Grammy winner embarked on the trek back in 2022, the song captures Swift hyping herself up to perform in front of tens of thousands of people every night while going through a painful breakup. “Breaking down, I hit the floor/ All the pieces of me shattered as the crowd was chanting, ‘More’/ I was grinning like I’m winning, I was hitting my marks/ ‘Cause I can do it with a broken heart,” she sings in the chorus.

“I Can Do It With a Broken Heart” marks the second song on TTPD to get the single treatment, following the Billboard Hot 100-topping “Fortnight” featuring Post Malone. Shortly after the album’s release on April 19, “I Can Do It With a Broken Heart” debuted at No. 3 on the chart.

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Swift’s Eras tour continues for its final dates in Toronto, Canada, starting on November 14 before wrapping up for good in Vancouver, Canada, on December 8.

Watch the “I Can Do It With a Broken Heart” video below.



LL Cool J Defends Excluding Jay-Z & DMX From Def Jam Mount Rushmore

LL Cool J caused a bit of a stir a couple weeks ago during an appearance on Shannon Sharpe’s Club Shay Shay.

The NFL Hall of Famer asked the Queens rapper turned actor who he would pick to be on Def Jam’s Mount Rushmore. Naturally, LL put himself on there, given that his debut single “I Need a Beat” and debut album Radio were the first official releases on the fabled rap label. He also picked groups Public Enemy and the Beastie Boys, and had Slick Rick round things out. Shannon Sharpe pushed back about leaving Jay-Z off, but had to remind him that the rapper was on the label “a thousand years later.”

His picks caused a bit of controversy online because some felt Jay-Z and DMX should’ve been on his list, however, the rap legend based his picks on the acts that helped build Def Jam from the ground up. While making an appearance on the Joe Budden Podcast, LL defended his reasoning.

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“I know DMX is supremely talented, used to kill the stage, sold a ton of records. I know Jay did a ton of stuff up there… I can name a zillion artists up there who did unbelievable shit up there. I’m very clear about that,” he said. “But I also know that when I walked into Rick Rubin’s dormitory, it was a f—king idea, bro, like you trying to talk to me about guys that are popular. I watched the sh—t when it was a f—king idea on a Post-It. It’s two different conversations.”

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Adding, “The world is talking about the most popular. That’s all they care about. Who’s the most popular, who’s the richest, who sold the most records, who was exciting. I get that, and I respect it, I love it. But that’s not what built the company, that’s what expanded the company at a different point.”

He also reminded detractors that his song “4,3,2,1” helped introduce DMX to a larger audience. “I introduced DMX to the world, you think I don’t love DMX?” he asked. “I put him on my song to introduce him to the f—king world. I put the guy on. You know what I’m saying?”

The full episode is a Patreon exclusive as of right now, but it should be more widely available soon.

Ghareeb Al Mokhles Is Elevating the Shelat Genre to New Heights

Under the embrace of the afternoon sun in Diriyah, a city known as the birthplace of the first Saudi state and a symbol of the Kingdom’s rich history, Billboard Arabia meets August cover star Ghareeb Al Mokhles for a photoshoot and an interview. In this captivating setting, Ghareeb’s enthusiasm and radiant smile reflect his deep connection to his roots. From the outset, it was clear that Ghareeb was fully at ease in this atmosphere, ready to share his insights into Shelat – a music genre known for its rhythms and vibrant melodies, with lyrics built upon colloquial Bedouin poetry.

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After the photo session, the artist moves to the interview location with a calm and composed demeanor. Ghareeb is calm albeit passionate about his work and the genre of music he performs. He proudly identifies as a son of “Najran” and a devoted Shelat enthusiast, passionately discussing his lifelong love for music. He credits his inspiration to his older brother Talal and iconic artists like Mohammed Abdu and Khalid bin Abdulrahman, fondly recalling his early artistic experiences, including performing national anthems and songs during his school years.

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As he shares these memories, it is clear that his deep-rooted connection to his heritage and his unwavering passion for Shelat continue to shape his artistic journey. Delving into the origins and essence of Shelat, Ghareeb explains that it is “an ancient folk heritage that has evolved into an artistic form distinct from conventional songs, marked by its Bedouin influences.” Traditionally, Shelat consists of poetic verses sung to specific melodies, often performed a cappella with echoes, originally by camel herders and during special occasions like weddings. Over time, this tradition expanded with the addition of music and instrumental arrangements, evolving into the Shelat genre we recognize today. “We’ve added rhythms and beats to it, we’ve added instrumentation.”

Ghareeb’s foray into producing Shelat began as an experimental project shared on social media in the mid-2010s. To his surprise, the overwhelmingly positive response and high demand for his work in this genre ignited a deeper passion within him. Reflecting on this, Ghareeb notes, “The audience’s enthusiasm fueled my passion for Shelat, turning it into a genuine talent. I fully embraced this art and continued to pursue it.”

Nearly a decade later, Ghareeb has established himself as a leading figure in the genre, amassing millions of views across various platforms. His 2021 release of the Shelat “Kheeba” (Disappointment) exemplifies this success, garnering nearly 240 million views on YouTube alone. He describes it as a defining moment in his career: “It marked a significant turning point for me. I was able to truly showcase my talents, and I’m deeply grateful for the success it brought. This Shelat song holds a special place in my heart, and each of my works has built upon the foundation laid by the previous ones.”

This success culminated in a record-breaking milestone, with his YouTube channel surpassing one billion views. Ghareeb credits this achievement to the widespread popularity of his Shelat, stating, “This figure reflects the audience’s appreciation of what I offer.”

Capitalizing on this record-breaking moment in the world of Shelat, we ask Ghareeb about his reaction to reaching his first million views, “It was an incredible joy,” he says. “I was in the south (of Saudi Arabia), eagerly waiting for that million. I stayed up all night.” This milestone has solidified Ghareeb’s status in the Shelat industry. Not only has he advanced the genre, infusing it with new musical and artistic dimensions, but he is also frequently cited on social media as a trailblazer in the field. His lyrics, known for their simplicity, are a key part of his appeal. During our conversation, Ghareeb emphasizes his commitment to choosing clear and straightforward lyrics to connect with a wider audience.

Ghareeb Al Mokhles

Ghareeb Al Mokhles

Hayat Osama/Billboard Arabia

Each artist is distinguished by their unique use of color and thematic elements in their music and lyrics, and this is particularly evident in Ghareeb’s work. His standout tracks, such as “Kheeba” (Disappointment) and “al-Boad Motei” (Distance Is My Demise), vividly capture the themes of separation and sorrow that often follow farewells. In the interview, Ghareeb talks about his preference for “melodies and tranquility in melancholic compositions” and shares his deep-seated admiration for Khalid bin Abdulrahman’s work since childhood. When asked if his life was marked by sorrow, Ghareeb responds, “No, thank God. May God keep sadness away from us and you. I just have a deep affinity for melancholic moods.”

Contrary to the belief that Shelat is reserved for specific occasions or exclusive to Gulf listeners, Ghareeb explains that Shelat is versatile, performed across various settings, and resonates with audiences beyond the Gulf and the Arab world. Ghareeb elaborates on the multifaceted nature of Shelat encompassing a range of themes such as expressions of reproach and sorrow, tributes to distinguished camels, celebratory pieces for weddings, and renowned tribal Shelat that convey praise and pride at family events. He also makes note of his fan base spanning South Asia, including India and Southeast Asia, including Indonesia, underscoring the genre’s broad appeal.

The rising success of young Shelat artists like Ghareeb Al Mokhles signifies that this art form is far from a transient fad; it is a dynamic and evolving genre. Its increasing popularity is reflected in the growing streaming numbers and a steadily expanding audience, and the launch of Billboard Arabia’s Shelat chart.



Taylor Swift Welcomes Florence Welch to Perform ‘Florida!!!’ During Final London Eras Tour Show

From Florida to London! To celebrate the final night of her Eras Tour European leg at London’s Wembley Stadium on Tuesday night (Aug. 20), Taylor Swift welcomed a special guest onstage.

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For The Tortured Poets Department hit, “Florida!!!,” Swift surprised fans with her collaborator, Florence Welch of Florence + The Machine. The duo performed the track in coordinating white flowing dresses. “I need to forget, so take me to Florida/ I’ve got some regrets, I’ll bury them in Florida/ Tell me I’m despicable, say it’s unforgivable/ At least the dolls are beautiful, f— me up, Florida,” they sang together on the track.

In an interview with British Vogue earlier this year, Welch explained that she didn’t know the “scale” of Swift’s fame. “There’s the sort of bigness of [Taylor Swift the phenomenon], and then there’s the Taylor I spend time with in the studio, who is just the sweetest and most down to earth,” she told the publication

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She continued, “We had such a fun time. And then when it came out I was like, ‘Oh, s—!’”

Swift also previously explained the narrative that inspired “Florida!!!” during an interview with iHeartRadio. “‘Florida!!!’ is a song I wrote with Florence and the Machine, and I think I was coming up with this idea of like, what happens when your life doesn’t fit, or your choices you’ve made catch up to you,” Swift said.

She added that she’s a fan of Dateline and noticed how “people have these crimes that they commit, where do they immediately skip town and go to? They go to Florida.”

Fans React to Doja Cat & Joseph Quinn’s Years-in-the-Making Dating Rumors: ‘SHE GOT HIM’

Doja Cat and Joseph Quinn are painting the town red with their rumored new romance — with the pair stepping out in London holding hands over the weekend — and fans have a lot to say on the matter.

The public’s first sighting of the apparent couple came Aug. 17, when the rapper and A Quiet Place: Day One star took a romantic stroll through the city with their fingers locked, as captured in photos. The next day, a video surfaced of them again walking through London, this time with Quinn’s hand on Doja’s back.

The outings come a full two years after the “Woman” artist first professed feelings for the actor in a private message sent to his Stranger Things costar Noah Schnapp, who then got on Doja’s bad side by posting screenshots to social media. “Noah can u tell Joseph to hmu.” she’d written in the messages. “Wait no. Does he have a gf?”

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Shortly after Schnapp posted the DMs, Doja called him out on Instagram Live for being “so unbelievably, like, socially unaware and wack.” “That’s like borderline snake sh–,” she added at the time. “That’s like weasel sh–.”

The child star then apologized to the Grammy winner behind the scenes, and both moved on. Two years later, things clearly had a happy ending, with fans now taking to social media to congratulate Doja on playing the long game. “this gossip is so juicy TO ME bc i witnessed the doja cat tweets thirsting over joseph with my own eyes back in 2022,” one person tweeted.

“SHE GOT HIM,” another person wrote, sharing an old screenshot of Doja tweeting, “joseph quinn fine as sh–” in 2022 alongside the 2024 video of them walking through London.

See more reactions to Doja Cat and Joseph Quinn’s outing below.