State Champ Radio

by DJ Frosty

Current track

Title

Artist

Current show
blank

State Champ Radio Mix

1:00 pm 7:00 pm

Current show
blank

State Champ Radio Mix

1:00 pm 7:00 pm


Music

Page: 118

HipHopWired Featured Video

CRT FRSH, Hip-Hop Wired’s playlist where we showcase music that we believe is “Certified Fresh,” is back again! With our latest update this week, we’ve added some songs you should know and other joints you need to know, so let’s get into it.

The CRT FRSH playlist is a labor of love. We don’t take payments, nor do we do favors. We only add joints to our playlist that fit the theme and vision we’re going for and don’t seek to waste the listener’s time. Further, we don’t stick to one lane of Hip-Hop. We believe that all aspects of the music should get some light, whether it’s young lions in the trenches or those hoping for that one shot to blow up to grizzled veterans puffing out their chests with lots more to say.

I want to explain how I approach curating the CRT FRSH playlist. Most importantly, I don’t segregate my Hip-Hop. Every form of music from the main cultural tree deserves a listen and a look. When I construct the playlist, I want to include all regions across the States and, when applicable, across the globe. I also want to entertain every fan of Hip-Hop, not just those who enjoy one segment of it. Now that we’ve got that out of the way, let’s get to it. — D.L. Chandler, lead curator for CRT FRSH

Welcome back to CRT FRSH, a collection of songs we feel should be on your radar if they aren’t already. With this week’s update, we did our best to put together a playlist that showcases the wide scope of great Hip-Hop music, although we’re sure to have missed some drops.

We open up the playlist with Mozzy’s “WHO WANT WAR” with a guest feature from Polo G, appearing on the Sacramento rapper’s new INTRUSIVE THOUGHTS album. CRT FRSH favorite Raz Fresco links again with Futurewave for their excellent Stadium Lo Champions album, and the track “Cyanide” is one of our top joints.

“Danger Danger” is a new track from Swizz Beatz from the Godfather of Harlem Season 4 original soundtrack, featuring verses from Jadakiss and Pusha T on the closeout. Mathematics, the longtime DJ and producer with the Wu-Tang Clan, delivered his new album Black Samon, the Bastard Swordsman, and the track “Mandingo” is a classic Wu banger featuring Raekwon, Inspectah Deck, Method Man, and a stong anchor verse from Cappadona.

From The Private Selection of Saba and No ID could very well end up being the album of the year for many, and “30seccchop” featuring Joseph Chilliams and a strong performance from Jane Deaux is just one of the heaters from the project. Ray Vaughn, one of Top Dawg Entertainment’s newest signees, delivered his new mixtape, The Good The Bad The Dollar Menu, and “EAST CHATT” features fellow TDE artist, Isaiah Rashad.

Salute to Young Thug, Future, Jack Harlow, Doja Cat, Half-Empty, Partly Vacant, SALIMATA, Khadijat, Larry June, 2 Chainz, The Alchemist, KenTheMan, Niontay, MAVI, Sideshow, Shoreline Mafia, Boldy James, V Don, Wiz Khalifa, DJ Quik, Domo Genesis, Smoke DZA, Dough Networkz, Graymatter, Coyote, Ab-Soul, Python P, 2 Eleven, Low The Great, MOLIY, Silent Addy, Skillibeng, Shenseea, LaRussell, Busta Rhymes, and Mike G Beatz.

Check out out in two more weeks for our next update. If you wish to be CONSIDERED for inclusion, email D.L. Chandler at: dchandler@bhmdigital.com.

—

Photo: Getty

HipHopWired Featured Video

CRT FRSH, Hip-Hop Wired’s playlist where we showcase music that we believe is “Certified Fresh,” is back again! With our latest update this week, we’ve added some songs you should know and other joints you need to know, so let’s get into it.

The CRT FRSH playlist is a labor of love. We don’t take payments, nor do we do favors. We only add joints to our playlist that fit the theme and vision we’re going for and don’t seek to waste the listener’s time. Further, we don’t stick to one lane of Hip-Hop. We believe that all aspects of the music should get some light, whether it’s young lions in the trenches or those hoping for that one shot to blow up to grizzled veterans puffing out their chests with lots more to say.

I want to explain how I approach curating the CRT FRSH playlist. Most importantly, I don’t segregate my Hip-Hop. Every form of music from the main cultural tree deserves a listen and a look. When I construct the playlist, I want to include all regions across the States and, when applicable, across the globe. I also want to entertain every fan of Hip-Hop, not just those who enjoy one segment of it. Now that we’ve got that out of the way, let’s get to it. — D.L. Chandler, lead curator for CRT FRSH

Welcome back to CRT FRSH, a collection of songs we feel should be on your radar if they aren’t already. With this week’s update, we did our best to put together a playlist that showcases the wide scope of great Hip-Hop music, although we’re sure to have missed some drops.

We open up the playlist with Mozzy’s “WHO WANT WAR” with a guest feature from Polo G, appearing on the Sacramento rapper’s new INTRUSIVE THOUGHTS album. CRT FRSH favorite Raz Fresco links again with Futurewave for their excellent Stadium Lo Champions album, and the track “Cyanide” is one of our top joints.

“Danger Danger” is a new track from Swizz Beatz from the Godfather of Harlem Season 4 original soundtrack, featuring verses from Jadakiss and Pusha T on the closeout. Mathematics, the longtime DJ and producer with the Wu-Tang Clan, delivered his new album Black Samon, the Bastard Swordsman, and the track “Mandingo” is a classic Wu banger featuring Raekwon, Inspectah Deck, Method Man, and a stong anchor verse from Cappadona.

From The Private Selection of Saba and No ID could very well end up being the album of the year for many, and “30seccchop” featuring Joseph Chilliams and a strong performance from Jane Deaux is just one of the heaters from the project. Ray Vaughn, one of Top Dawg Entertainment’s newest signees, delivered his new mixtape, The Good The Bad The Dollar Menu, and “EAST CHATT” features fellow TDE artist, Isaiah Rashad.

Salute to Young Thug, Future, Jack Harlow, Doja Cat, Half-Empty, Partly Vacant, SALIMATA, Khadijat, Larry June, 2 Chainz, The Alchemist, KenTheMan, Niontay, MAVI, Sideshow, Shoreline Mafia, Boldy James, V Don, Wiz Khalifa, DJ Quik, Domo Genesis, Smoke DZA, Dough Networkz, Graymatter, Coyote, Ab-Soul, Python P, 2 Eleven, Low The Great, MOLIY, Silent Addy, Skillibeng, Shenseea, LaRussell, Busta Rhymes, and Mike G Beatz.

Check out out in two more weeks for our next update. If you wish to be CONSIDERED for inclusion, email D.L. Chandler at: dchandler@bhmdigital.com.

—

Photo: Getty

HipHopWired Featured Video

CRT FRSH, Hip-Hop Wired’s playlist where we showcase music that we believe is “Certified Fresh,” is back again! With our latest update this week, we’ve added some songs you should know and other joints you need to know, so let’s get into it.

The CRT FRSH playlist is a labor of love. We don’t take payments, nor do we do favors. We only add joints to our playlist that fit the theme and vision we’re going for and don’t seek to waste the listener’s time. Further, we don’t stick to one lane of Hip-Hop. We believe that all aspects of the music should get some light, whether it’s young lions in the trenches or those hoping for that one shot to blow up to grizzled veterans puffing out their chests with lots more to say.

I want to explain how I approach curating the CRT FRSH playlist. Most importantly, I don’t segregate my Hip-Hop. Every form of music from the main cultural tree deserves a listen and a look. When I construct the playlist, I want to include all regions across the States and, when applicable, across the globe. I also want to entertain every fan of Hip-Hop, not just those who enjoy one segment of it. Now that we’ve got that out of the way, let’s get to it. — D.L. Chandler, lead curator for CRT FRSH

Welcome back to CRT FRSH, a collection of songs we feel should be on your radar if they aren’t already. With this week’s update, we did our best to put together a playlist that showcases the wide scope of great Hip-Hop music, although we’re sure to have missed some drops.

We open up the playlist with Mozzy’s “WHO WANT WAR” with a guest feature from Polo G, appearing on the Sacramento rapper’s new INTRUSIVE THOUGHTS album. CRT FRSH favorite Raz Fresco links again with Futurewave for their excellent Stadium Lo Champions album, and the track “Cyanide” is one of our top joints.

“Danger Danger” is a new track from Swizz Beatz from the Godfather of Harlem Season 4 original soundtrack, featuring verses from Jadakiss and Pusha T on the closeout. Mathematics, the longtime DJ and producer with the Wu-Tang Clan, delivered his new album Black Samon, the Bastard Swordsman, and the track “Mandingo” is a classic Wu banger featuring Raekwon, Inspectah Deck, Method Man, and a stong anchor verse from Cappadona.

From The Private Selection of Saba and No ID could very well end up being the album of the year for many, and “30seccchop” featuring Joseph Chilliams and a strong performance from Jane Deaux is just one of the heaters from the project. Ray Vaughn, one of Top Dawg Entertainment’s newest signees, delivered his new mixtape, The Good The Bad The Dollar Menu, and “EAST CHATT” features fellow TDE artist, Isaiah Rashad.

Salute to Young Thug, Future, Jack Harlow, Doja Cat, Half-Empty, Partly Vacant, SALIMATA, Khadijat, Larry June, 2 Chainz, The Alchemist, KenTheMan, Niontay, MAVI, Sideshow, Shoreline Mafia, Boldy James, V Don, Wiz Khalifa, DJ Quik, Domo Genesis, Smoke DZA, Dough Networkz, Graymatter, Coyote, Ab-Soul, Python P, 2 Eleven, Low The Great, MOLIY, Silent Addy, Skillibeng, Shenseea, LaRussell, Busta Rhymes, and Mike G Beatz.

Check out out in two more weeks for our next update. If you wish to be CONSIDERED for inclusion, email D.L. Chandler at: dchandler@bhmdigital.com.

—

Photo: Getty

Young Thug has spoken about his relationship with Gunna in a new interview with GQ. The Atlanta rap star finally breaks down everything from his rumored falling out with Rich Homie Quan to his lengthy and chaotic RICO Trial that kept him behind bars for over two years in GQ’s video cover story published Friday […]

New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard Latin and Billboard Español editors. Check out this week’s picks below.

Explore

See latest videos, charts and news

See latest videos, charts and news

Elena Rose, Camilo & Los Ángeles Azules, “Carteras Chinas” (Kira Records/Warner Music Latina)

Collaborating with Los Ángeles Azules is almost a rite of passage at this point: over the years, the cumbia institution has teamed up with a hefty catalog of both new and veteran artists, and this time, it’s Elena Rose who taps Los Ángeles and Camilo for “Carteras Chinas.” It’s a match made in heaven, as Rose and Camilo’s soothing vocals pair perfectly with Los Ángeles’ hip-swiveling cumbia tune. “There are so many fake things, there are more Chinese bags than people who love with their hearts, but that’s what you and I are for,” the pair sing in the song that celebrates real love. — GRISELDA FLORES

Boza, San Blas (Sony Music Latin)

Trending on Billboard

Boza is ending the month with the release of his new studio album, San Blas, home to nine tracks that best represent his current personal and musical stage. Mainly crafted by his longtime producer Faster, the set stays true to Boza’s signature reggae plena sound, but incorporates Afrobeat and amapiano rhythms — notably heard on his two collaborations, “Orión” with Elena Rose and “Todavía” with Greeicy. The former peaked No. 2 on the Billboard Latin Pop Airplay chart last year.

Lyrically, the Panamanian artist sings about falling in love (“energiaS”), letting go (“fluir”), and the life lessons along the way (“yaya”) — combining into a personal healing process. Moreover, the album’s name (as well the focus track) was inspired by Maná’s “En El Muelle de San Blas”: “I love the woman I’m with very much, and with this song I wanted to tell her that I’m only there for her, that I always want to show her off, to show everyone that I’m with an excellent woman, a beautiful woman,” he said in a statement. — JESSICA ROIZ

Juanes, “Una Noche Contigo” (Universal Music Latino)

Juanes delivers a magical bolero with his new single, “Una Noche Contigo,” marking his first release in two years. Fusing vintage soul, blues and rock influences from Otis Redding, Juan Gabriel, José José and The Beatles, the heartfelt track serves as a modern serenade that describes the magic of unexpected love: “I wasn’t looking for you/And I found you unintentionally/Among the people dancing/I approached without thinking.” The idea for this song began to take shape when producer Sebastián Krys introduced Juanes to a classic tune by Otis Redding. The Colombian powerhouse later developed the concept with Edgar Barrera and Julio Reyes, culminating in this vibrant tribute to timeless sounds. — INGRID FAJARDO

Adrian Quesada, Angélica García, “No Juego” (Electric Deluxe Recorders / ATO Records)

With “No Juego,” Adrian Quesada and Angélica García craft a hypnotic bolero that drips in sensuality and analog richness. The song resurrects the romantic decadence of the early ’70s crooners — evoking icons like José José and Camilo Sesto — while infusing it with cool, sophisticated beats that feel intimate and cinematic. García’s vocals are gripping and unfiltered, a soulful cry that pierces through Quesada’s lush production, which seamlessly blends psychedelic grooves and subtle nods to hip-hop. As the second preview of Quesada’s upcoming Boleros Psicodélicos II, due June 27, “No Juego” confirms his role as a sonic alchemist of unparalleled vision. — ISABELA RAYGOZA

Fariana, Kiko El Crazy, “Me Muevo” (La Commission)

Following the line of her ultra-viral hit “El Caballito,” Fariana drops a new merengue tune in collaboration with Kiko el Crazy. Produced by Gangsta, the summer-ready “Me Muevo” samples La Makina’s 1999 timeless tropical tune “No Me Digas Que No.” On her version, Fariana sings from a woman’s point of view who’s ready to move on and mingle with the men who are after her. “If you don’t want me, I’ll replace you/It’s your loss and my win/The same way you left, the same way they come,” she boldly chants. Meanwhile, her Dominican collaborator adds saucy rap verses, trying to save the relationship: “Relax, Fariana, I’m the crazy guy you love.” — J.R.

Check out more Latin recommendations this week below:

Birdman revealed some interesting tidbits about Cash Money’s rise from New Orleans street label to mainstream powerhouse.
He sat down with Nick Cannon for the Counsel Culture Show in the episode that dropped Wednesday (April 23) to talk about how he and his older brother Ronald “Slim” Williams became success stories, and some of the early label meetings they had before signing their historic deal with Universal Records. Baby said he first took a meeting with Warner Bros. and executive Sylvia Rhone, but they weren’t really into the independent label’s music. “Sylvia Rhone said our music don’t work for them, so we just left,” he said. “I just walked out.”

Cash Money then took a meeting with legendary rap label Def Jam, but was turned down because of their artwork, which still confuses the rapper and music executive. “I went to Def Jam and met with Russell [Simmons], Lyor [Cohen] and Kevin Liles,” Baby told Nick Cannon. “This n—a Russell said he don’t like our artwork. I said, ‘This some weird s—t. I walked clean out. N—a don’t like my artwork, what about my music? You don’t care for the music? So, I left.”

Explore

See latest videos, charts and news

See latest videos, charts and news

Baby then said that he and his brother almost had a deal with Priority Records, who just so happened to be in business with fellow New Orleans label No Limit headed up by Master P. However, according to him, things fell apart after the label flew them out to their offices in L.A. “I went to Priority — some weird s—t here — I go to Priority, they fly us to California,” he said. “Me and Slim, a couple of the homies, we go out there. N—a come in there and said, ‘I’m sorry, we can’t do the deal. They said because Master P said, ‘If we sign y’all, he’s leaving.’ I just jumped on a jet and went back to New Orleans was like, ‘F—k it, we just gonna grind with it.”

Trending on Billboard

Finally, Universal came calling and the two sides were able to carve out one of the more historic deals in music history. “And then Mel Lewinter and them called and I said this my last trip. I ain’t taking no more motherf—king flights to New York or California,” he recalled. “F—k it, we’ll thug it out. I’m still making millions, they gonna come down here and f—k with me, I ain’t going back. And that was my last flight.”

Master P and Birdman have seemed to have moved past those early issues, as the New Limit founder gave Lil Wayne key to New Orleans alongside Mayor LaToya Cantrell last year. He also said there weren’t any issues between the two camps when he went on No Chill with Gilbert Arenas in 2021, saying, “A lot of people thought, ‘Oh, they got beef,’ but, man, we lived right up the street from each other.”

Watch the full conversation below.

“I’m still trying to take it all in,” Gigi Perez tells Billboard of her extended moment in the spotlight. Last July, the singer-songwriter’s “Sailor Song” became a viral hit and Perez’s first Hot 100 hit — and months later, the folksy exaltation of queer flirtation remains in the chart’s top 40, rising up one spot this week to No. 35.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

In the interim, Perez played a slew of shows to growing audiences, released follow-up singles like “Fable” and “Chemistry,” and most importantly finished recording her debut album. At The Beach, In Every Life, out today (Apr. 25), finds Perez navigating love, grief and self-possession, as the success of “Sailor Song” has amplified her Island Records debut but not altered its core tenets.

“This project is as close of a reflection of my experiences over the past five years as I could get,” says Perez of the album, which expounds upon the reflection of her sister’s passing that became the focus of her single “Fable.” “My grief has shaped the way that I love, in friendships and with family and romantically. On the project, those things exist next to each other.”

Trending on Billboard

Below, Perez discusses four songs on At The Beach, In Every Life, and what they represent within her debut album:

The Song That Was Finished Last

“Two days before I was turning the album in, I recorded ‘Sugar Water’ on my own,” says Perez of the five-minute emotional heavyweight, which looks back on her transition into adulthood with childhood details and a simple guitar-and-vocals arrangement. “I wasn’t expecting to put ‘Sugar Water’ on the project,” Perez continues. “And my A&R asked me about the song. I was like, ‘Oh, I love this song.’ … I was like, “Okay, I’m gonna just record and see what happens.’ And it ended up being one of my favorite songs on the project.”

The New Song That’s Most Fun to Play Live

“The most excitement that I’ve had playing a new song has been definitely ‘At The Beach’ or ‘Sugar Water,’” says Perez, who’s been playing a handful of headline shows in the lead-up to the album release. The title track of At The Beach, In Every Life closes the album with an encapsulation of Perez’s worldview, full of passion, disappointment and unruly thoughts that run into each other over the course of the song.

Perez says that testing out her new material on live audiences over the past few weeks has been a thrilling experience. “I just have fun for an hour straight, so it’s hard” to pick one highlight, she explains. “Every single song I get the guitar, and I’m like, ‘Oh my god, I’m so excited to do this song!’”

The Song That Was Most Difficult to Finish

“’Crown’ was hard,” Perez says of the searing centerpiece of the album’s second half, which mixes religious imagery with memories of her late sister. “I think it was letting myself go into that space of my grief and the uglier side of it. It’s all ugly, pretty much, but a different shade was probably the hardest to do in a specific time constraint.”

Yet that struggle, Perez believes, speaks to the truth of her first full-length. “Ultimately, I feel like that’s part of the album,” she says. “It’s not easy.”

The Smash Single That Set the Tone

“Sailor Song” kicks off At The Beach, In Every Life, and Perez says that she’ll always be thankful for the doors that her breakthrough hit has opened. “Especially now that there are new songs in the mix and other focuses that I have, to know that she’s just holding down the fort is amazing,” she says of “Sailor Song. “It’s a gift — to know that I was part of the creation of something that has impacted people globally just feels divine.

“And it’s exciting to see where the rest of the music is gonna go,” she continues, “because in my head, ‘Sailor Song’ and the impact that it’s had are amazing, but I’ve set my sights on personal fulfillment, and what that means is different. As long as there’s a community there, whether it’s one person or it’s 1 million, every single person that’s impacted by it matters.”

Alex Warren’s “Ordinary” landed a sixth week at No. 1 on the U.K. Singles Chart April 25, and becomes the longest running chart-topper since Sabrina Carpenter’s nine-week run with “Taste” in 2024. Last week, Warren broke the tie he held with Lola Young’s “Messy” for 2025’s longest running No. 1 in the U.K. “Messy” had […]

Taylor Swift has returned to the top of the U.K. Albums Chart April 25 with The Tortured Poets Department following a recent physical reissue. A new signed CD variant, released to commemorate the album’s first anniversary on April 19, propelled the album 23 places to the top spot. Upon release in April 2024 2024, The […]

HipHopWired Featured Video

Source: Prince Williams / Getty

After 10 years, Ari Lennox and J. Cole’s Dreamville Records are parting ways. TMZ is reporting that the 34-year-old singer is now signed exclusively to Interscope Records. 

Ari’s new single, “Soft Girl Era,” an upbeat, bouncy track, doesn’t list Dreamville in the credits. 

The split is reportedly amicable. Earlier this month at the Dreamville Festival, the singer shouted out J. Cole during her curtain call saying, “Thank you for making my dreams a reality,” according to HotNewHipHop. 

Their relationship has been fraught with some clashes over marketing and other support. Last year, Ari wrote on Instagram, “I want out of my contract.” 

The “Shea Butter Baby” singer aired numerous grievances, including the release of a video she hadn’t approved and a lack of advertising, according to Complex. 

“I’m saying very clearly I’m not comfortable with it being out for multiple reasons,” she wrote, and tagged both Interscope and Dreamville in the post, adding: “I just wish I had a label that cared, that would want to protect me. I wish I had a label that wouldn’t have me out here trying to explain that I need advertisement.”

“I just wanna be released, it’s that simple.” 

In March, Solange’s Saint Heron shared that the Web Design and Creative Direction of AriLennox.com was being managed by the company. 

Fans on social media have strong opinions about the announcement. On X (formerly Twitter) one fan wrote, “#Dreamville tried to do with Ari Lennox what #TDE did with SZA…and it failed miserably.” 

While another fan wrote, “Ari Lennox fans blame every else but her.”

Ari Lennox signed to Dreamville in 2015 and released her first major label debut EP, Pho, in 2016. Her first studio album, Shea Butter Baby was released in 2019. The album spawned the singles “Whipped Cream” and the title track. The Associated Press rated it the No. 1 album of 2019. 

She also released another EP, Away Message, in August 2022 and her second album, Age/Sex/Location, the following month.

A release date for a new album has not been announced.Â