Music

Sabrina Carpenter Scores ‘Sweet’ Chart Double In Australia

Life is sweet for Sabrina Carpenter, as the U.S. pop star lands at No. 1 on Australia’s albums chart and completes a top-three sweep of the national singles tally.

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Carpenter’s Short n’ Sweet (via Island/Universal) debuts at the summit of the ARIA Albums Chart, published Friday, Aug. 30, for her first leader in the land Down Under.

Short n’ Sweet is her sixth album, and first to crack the top 10. Previously, her highest-charting LP was Emails I Can’t Send, which peaked at No. 27 in 2022.

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With that hot start, Carpenter breaks a four-week unbroken stand at the summit by Australian acts (Lime Cordiale, Tones & I, Amy Shark and Cold Chisel).

Sabrina’s domination doesn’t end there. Her latest single, “Taste,” debuts at No. 1 on the ARIA Chart, ahead of “Please Please Please” and “Espresso,” respectively, for a rare trifecta. All three tracks have now logged time at the chart summit.

According to ARIA, Carpenter is the first artist to swamp the top three since April 2024, when bestie and touring partner Taylor Swift did so. On that occasion, TayTay owned the entire top 10 with tracks from The Tortured Poets Department, an historic feat. Carpenter lands another seven tracks in the top 50, and becomes the first act to secure three ARIA No. 1s in the same calendar year, since Drake did it in 2018.

Coming in at No. 2 on the ARIA Albums Chart is Aussie indie act Teenage DadsMajordomo (Chugg/MGM), their second album, while Sydney pop punk outfit Stand Atlantic completes an all-new top three Was Here (Hopeless Records/RKT), new at No. 3. Both are career best chart positions.

Close behind is Irish alternative rock outfit Fontaines D.C. with their fourth album Romance (XL/Inertia), new at No. 6. That’s a serious uplift from the Dubliners’ 2020 effort A Hero’s Death, which peaked at No. 26, and Skinty Fa, which topped out at No. 24 in 2022.

Finally, Travis Scott lassos a top 10 spot with Days Before Rodeo (Epic/Sony), new at No. 9. Celebrating its 10th anniversary, the Houston, TX rapper reissues his 2014 mixtape with additional material, across new formats, including streaming platforms for the first time. The original mixtape didn’t impact the ARIA Chart, though Scott has three ARIA top 10 albums to his name, including No. 1s for Astroworld (from 2018) and Utopia (2023).

Nick Cave & The Bad Seeds Unleash ‘Wild God’: Stream It Now

Nick Cave & The Bad Seeds have released their 18th studio album Wild God today, Aug. 30, marking the band’s first new album since 2019’s Ghosteen.

Wild God features contributions from The Bad Seeds’ core members, along with Radiohead’s Colin Greenwood on bass and Luis Almau on nylon string and acoustic guitars. The ten-track project was produced by Nick Cave and Warren Ellis, with recording sessions taking place at Miraval Studios in Provence, France, and Soundtree Studios in London.

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“Frogs,” one of the singles from Wild God, features the first lines Cave penned for the album, referencing the biblical story of Cain and Abel: “Ushering in the week he knelt down and crushed his brother’s head in with a bone/It’s my great privilege to walk you home.” The multi-award-winning artist explained of the single, “The sheer exuberance of a song like ‘Frogs,’ it just puts a big f—ing smile on my face.”

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Discussing the band’s latest offering, Cave shared, “I hope the album has the effect on listeners that it’s had on me. It bursts out of the speaker, and I get swept up with it. It’s a complicated record, but it’s also deeply and joyously infectious.”

“There is never a master plan when we make a record. The records rather reflect back the emotional state of the writers and musicians who played them. Listening to this, I don’t know, it seems we’re happy.”

The album is described as a departure from the somber tone of previous works, with Cave noting, “Wild God… There’s no fucking around with this record. When it hits, it hits. It lifts you. It moves you. I love that about it.”

Nick Cave, an ARIA Hall of Fame inductee, has made a notable impact on the Billboard 200 with albums like Skeleton Tree and Ghosteen. In the U.K., his adopted homeland, Cave has firmly established himself as an alternative rock superstar, achieving seven top 10 albums, according to the Official Charts Company.

The album is now available for streaming on all major platforms, as well as in CD and vinyl formats.

Tracklist for Wild God:

  1. Song of the Lake
  2. Wild God
  3. Frogs
  4. Joy
  5. Final Rescue Attempt
  6. Conversion
  7. Cinnamon Horses
  8. Long Dark Night
  9. O Wow O Wow (How Wonderful She Is)
  10. As the Waters Cover the Sea

Listen to Wild God below.

Travis Scott Marks ‘Days Before Rodeo’ Anniversary With Exclusive Vault Release

To celebrate the 10th anniversary of his mixtape Days Before Rodeo, Houston-born rapper Travis Scott has dropped a special edition titled Days Before Rodeo – Live from Atlanta: Chopped & Screwed – Vault 1 & 2.

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The limited-edition release, available exclusively on shop.travisscott.com, features previously unheard snippets from the Days Before Rodeo era and a full live set from Scott’s recent anniversary performance in Atlanta. Alongside the music, vinyl bundles, exclusive merchandise, and other limited-edition items are also available.

Released in 2014, Days Before Rodeo was Scott’s second mixtape, setting the stage for his debut album Rodeo in 2015.

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The mixtape featured standout tracks like “Mamacita,” featuring Rich Homie Quan and Young Thug, and “Don’t Play,” featuring Big Sean and The 1975. The tracks, along with production from Metro Boomin, Lex Luger, and Travis Scott himself, introduced a moody, atmospheric style that has since become a hallmark of the trap genre.

The release comes following following Scott dropping the music video for “Drugs You Should Try It” more than a decade after its original 2014 release.

La Flame released the trippy “Drugs You Should Try It” visual on Aug. 18 after DBR came to streaming services on Aug. 23. The clip kicks off with an homage to Virgil Abloh, who designed the neon-lit smoking cowboy sign that makes an appearance. Scott starts free-falling into a pool of despair and allows his mind to drift into the depths of his conscious.

Scott’s chart success includes his sophomore album Birds in the Trap Sing McKnight, which topped the Billboard 200, and the Astroworld album, which spent three weeks at No. 1. His hit single “Sicko Mode” became a staple on the Billboard Hot 100, peaking at No. 1, while his collaborations with artists like Drake and Young Thug have secured multiple top 10 hits

Big Sean Releases ‘Better Me Than You’ Album Featuring Gunna, Kodak Black & More: Stream It Now

Big Sean has returned. The Detroit native delivered his first album since 2020 with Better Me Than You on Friday (Aug. 30).

Sean Don’s sixth studio album boasts 21 tracks in total with features from Gunna, Charlie Wilson, Kodak Black, Bryson Tiller, DJ Premier, Cash Cobain, Teyana Taylor, Larry June, Eryn Allen Kane and more. There’s even a cameo from the iconic WWE superstar-turned-actor Dwayne “The Rock” Johnson.

Adding some comedic relief, Big Sean sampled Ray J’s iconic call into The Breakfast Club while he was feuding with Fabolous in 2011 on the same track that also samples 2Pac’s “I Ain’t Mad at Cha.”

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Prior to delivering the LP, Sean admitted in an emotional Instagram Live that he was apprehensive about releasing the project.

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 “I’ve been having a hard f—king time, dawg, I’m not gon’ lie,” he said. “Been in this b—h trying to finish a album, and I’m kinda tired of overthinking it. … And, by the way, n—a, like me, I’ve been trying to be on some sober s–t so a n—a out here raw-dogging his emotions, bro.”



He also made sure to credit his mother for helping him power through those creative insecurities.

“I appreciate my mom for being that guardian angel always giving me that advice,” he added. “She really talked me through it for real. Like I said, I haven’t been sleeping a lot. I been giving this s–t my all. I’m burned the f–k out. I’m tired. I do do this s–t for the people that f–k with me.”

Big Sean heated up with a handful of singles in 2024 including The Alchemist-helmed “Together Forever” as well as “On Up,” “Yes,” “Ya Don’t Stop” and “Precision.” He also guested on Eminem’s The Death of Slim Shady single “Tobey” featuring BabyTron.

Sean has put up three consecutive No. 1 albums on the Billboard 200 with his most recent coming in 2020 with Detroit 2. Better Me Than You was originally slated to land on Aug. 9 before being pushed to the end of the month following a leak. 

Stream the album below.

Foster the People Land Third Top 10 on Billboard’s Album Sales Chart With ‘Paradise State of Mind’

Foster the People score their third top 10-charting set on Billboard’s Top Album Sales ranking as the act’s latest studio effort, Paradise State of Mind, debuts at No. 8.

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The set sold nearly 7,000 copies in the U.S. in the week ending Aug. 22, according to Luminate. The new album was preceded by the top 20-charting Alternative Airplay hit “Lost In Space.”

Also new in the top 10 on Top Album Sales: Post Malone’s F-1 Trillion drives in at No. 1, Falling in Reverse scores its highest charting album and first top 10 with Popular Monster arriving at No. 2, KATSEYE’s debut project SIS (Soft Is Strong) bows at No. 6 and virtual YouTuber Mori Calliope visits the top 10 for the first time with Phantomime debuting at No. 9.

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Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units.

Of the 7,000 copies sold by Paradise State of Mind in its first week, physical album sales comprise 6,000 (about 3,000 each for CD and vinyl) and download album sales comprise 1,000. The set was supported by its availability across six vinyl editions.

Post Malone’s first country album F-1 Trillion starts at No. 1 on Top Album Sales with 80,000 sold in its first week – the second-largest sales week for a country album in 2023. (Only Beyoncé’s own debut country set, Cowboy Carter, roped a bigger week, when it arrived with 168,000 earlier this year.)

F-1 Trillion’s first-week sales were bolstered by its availability across four vinyl editions (a standard black vinyl and three color variants; which combined to sell 25,000 – Post Malone’s best week on vinyl), a cassette and a CD, in addition to explicit and clean digital download albums for the standard 18-song version and the 27-song “Long Bed” version.

Rock band Falling In Reverse debuts at No. 2 with Popular Monster, scoring the rock act its highest-charting effort and first top 10. The album sold nearly 18,000 copies in its first week – the act’s best sales week since 2015’s Just Like You debuted with 24,000 sold. The new set’s first-week sales were aided by its availability across eight vinyl variants, a signed CD, and a deluxe CD boxed set containing a branded T-shirt.

Chappell Roan’s The Rise and Fall of a Midwest Princess is a non-mover at No. 3 with 15,000 sold (up 5%), Stray Kids’ chart-topping ATE falls 2-4 with 14,000 (down 25%) and ENHYPEN’s former leader Romance: Untold dips 4-5 with 10,000 (down 3%).

SIS (Soft Is Strong), the debut project from girl group KATSEYE, arrives at No. 6 with 8,000 sold. The act was formed on the 2023 YouTube series The Debut: Dream Academy. SIS’ first-week sales were bolstered by eight collectible CD variants and two vinyl albums.

Billie Eilish’s Hit Me Hard and Soft falls 5-7 with nearly 8,000 sold (down 18%).

Mori Calliope, a virtual YouTuber with more than 2 million subscribers on that platform, debuts at No. 9 with Phantomime, selling 6,000 copies. It’s the artist’s first top 10 on the tally, and the set was supported by its availability across five collectible CD variants.

Falling from No. 1 to No. 10 is Taylor Swift’s The Tortured Poets Department with nearly 6,000 sold (down 79%).

Warner Music Brazil Announces New Structure to Boost Local Expansion

Warner Music Brazil has introduced a series of measures aimed at boosting its impact across a range of local music genres, the company announced today (Aug. 29). These initiatives demonstrate a strong commitment to widening the company’s presence in the competitive music market.

“As we elevate our regional approach to be closer to our global leadership, expanding our presence in Brazil, the world’s ninth largest music market, is crucial to the company’s growth,” Alejandro Duque, president of Warner Music Latin America, said in a press release. “We’ve always had a strong presence in the country, but we know we need to do more to support its diverse musical genres.”

In an effort to support that vision, Leila Oliveira, president of Warner Music Brazil, has strengthened her leadership team by appointing Tatiana Cantinho as general manager and Mariana Frensel as director of marketing. Both appointees have commenced their roles and will be based at the company’s headquarters in Rio de Janeiro.

“Warner Music Brazil is reinventing the role of the record company in our rapidly changing industry. We need to be more nimble than ever when it comes to connecting artists with fans and building a wave of support for our talent that can be turned into a sustainable career,” Cantinho said. “Music can travel further and faster than ever before and we want to help artists from different backgrounds take their place centre stage.”   

Cantinho brings over two decades of industry experience to her role. Her career includes regional positions at Sony Music and leadership at the independent label Som Livre (since purchased by Sony), before she founded her own music company, Stamina Musical, in 2022.

Meanwhile, Frensel returns to Warner Music Brazil, where she previously served as international label manager from 2011 to 2015. Her latest role comes after an eight-year tenure at Match Group, where she most recently held the position of director of revenue and growth for new verticals.

“I’m super pleased to be returning to Warner Music at this key moment in its development,” Frensel said. “Leila has a vision for how a modern music company should evolve and the importance of artist narratives is at the heart of it. I want to bring my experience to bear as our new genre-focused teams get to work supporting Brazil’s most vibrant talent.” 

“This is a key moment for Warner Music Brazil,” Oliveira said. “The arrival of Tatiana and Mariana strengthens my leadership team and together we’ll rewrite the rules about how the industry operates here. Our new genre-specific teams mean that we’ll be able to superserve artists better than ever and help all types of Brazilian talent connect with fans here and around the world.”

At the same time, Warner Music Brazil is restructuring its A&R and marketing departments to better focus on key Brazilian genres such as sertanejo, forró, samba, funk and urbano music. Marcos Kilzer will continue to lead the A&R team as its director, collaborating closely with Cantinho.

Additionally, the newly-formed Creative Services team, led by Thiago Abreu who reports directly to Oliveira, will support both marketing and A&R departments while being heavily involved with brand partnerships and live music projects.

These adjustments are among several significant initiatives undertaken by Oliveira since she became the first female label head in Brazil in 2022. Just last month, following the establishment of the new Warner Music Space headquarters in Rio’s Barra da Tijuca, Oliveira facilitated an investment with ADA Brazil in Sua Música group, blending efforts to nurture regional talent.

According to the latest IFPI figures, Brazil ranks as the ninth-largest recorded music market globally, valued at $573.6 million and growing at 13.39% last year, with “87.1% of industry revenues coming from streaming channels,” according to a press release.

Warner Music Brazil is home to artists like IZA, Pedro Sampaio, Ferrugem, MC Hariel, MC Ryan SP, Kayblack, MC IG, MC Don Juan, Azzy, Marvvila, Thiago Freitas, US Agroboy, João Bosco & Vinícius and Clayton & Romario. 

Chappell Roan Shares Her Favorite Songs Off Sabrina Carpenter’s ‘Short n’ Sweet’

Chappell Roan is just as much of a Sabrina Carpenter fan as everyone else!

On a recent livestream, the “Red Wine Supernova” singer shared her favorite songs off of Carpenter’s Short n’ Sweet album, including “Taste” and “Juno.”

”I love her,” Roan said of Carpenter. “I just love her whole — her whole project is just so thought out and so genuine. I just really love it. She does an awesome job.”

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Carpenter previously showed love for Roan by covering her hit, “Good Luck, Babe!,” for BBC Radio 1’s Live Lounge in June. She also spoke about her friendship with Island Records labelmate with Rolling Stone, saying that Roan’s songs are on a “loopty loop” and that the two are friends off stage. “I’ve been just as obsessed with her as everyone has,” she said. “It’s so weird when you’re hanging out as two young women as opposed to thinking about when she goes onstage and is that person and when I go on stage.”

Both pop singers have had an exciting year. Carpenter earned a pair of chart-toppers on the Billboard Global 200 earlier in the summer, as “Espresso” and “Please Please Please” hit Nos. 1 and 2, respectively. Both songs appear on her freshly released sixth studio album, Short n’ Sweet. Meanwhile, on the Billboard Hot 100, the two tracks occupy Nos. 2 and 3, with Roan’s “Good Luck Babe” rising to No. 21, followed by “Red Wine Supernova” and “Hot to Go!” at Nos. 67 & 68, respectively. Roan’s debut album The Rise and Fall of a Midwest Princess also earned its highest-charting week on the Billboard 200, climbing into the chart’s top 10 nine months after its original release.

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Machine Gun Kelly Feels White People Stigmatize Him for His Place in Hip-Hop

Machine Gun Kelly has been a mainstay in the rap game for well over a decade and MGK’s shown versatility to dabble in other genres such as rock and even country with his “Lonely Road” single featuring Jelly Roll.

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The Cleveland native joined Logan Paul’s Impaulsive podcast earlier this week where he discussed a myriad of topics including how he feels white people have given him “the most s–t” when it comes to stigmatizing his place in hip-hop as a white rapper.

“I won’t deny that there is a subconscious stigma around that — being white in hip-hop,” he said around the 37-minute mark. “To me, it’s so funny because the streets f–k with me so tough. It’s honestly from other white people that give me the most s–t.”

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MGK continued while seemingly saluting his rap battle foe Eminem: “The crazy thing is there’s only been one who’s done it. There’s only been one who’s done it and crossed that line of acceptance.”

Kells returned in July with his John Denver-sampling Jelly Roll collaboration “Lonely Road,” which sits at No. 74 on this week’s Billboard Hot 100 following a No. 33 debut.

After laboring over perfecting “Lonely Road” to his standard for two years, MGK admitted he was worried he’d face backlash for people thinking he was attempting to follow in Post Malone’s footsteps in the hip-hop to country pipeline. Posty released his F-1 Trillion album earlier in August, which debuted atop the Billboard 200 with 250,000 album units sold.

“In the past two years while I was doing ‘Lonely Road,’ Post did this and so the whole time I’m thinking, like, ‘F—ing people are going to think I’m just following this.’ I had to humbly sit there while, for years, I’ve been curating this song knowing I’m gonna have to fight against something here,” he said.

MGK was nervous to play the demo to what became “Lonely Road” for Jelly Roll, but he ultimately let him hear it for the first time while they were driving around together looking for a party following the Grammy Awards in L.A. earlier this year.

“He’s driving himself. I’m like, ‘You drove yourself to the Grammys.’ He’s like, ‘I’m so white trash I can’t get it out of me,’” Machine Gun Kelly recalled. “I get the AUX cord and that same thing that took over when it told me to black out my tattoos or Tickets to My Downfall is the name — those moments when the universe is telling you something, it told me play the demo of ‘Lonely Road.’ I press play and he was like, ‘What the f–k is this?’ I was like, ‘Man, it’s just calling you.’ He was like, ‘I’m on it.’”

Watch the full interview below.



How Vybz Kartel Recorded His Biggest Hit While Serving Life in Prison

Making music while in prison is nothing new. Mac Dre, T.I., former Dipset member Hell Rell and a few others have managed to drop bars from behind bars. Vybz Kartel, the dancehall legend who was recently released from prison after serving 13 years of a 35-to-life sentence, revealed in a recent interview that he kept his career going by finding novel ways to record music while locked up.

For an episode of the Juan Ep Is Life podcast, Vybz Kartel hopped on a video call with hosts Cipha Sounds and Peter Rosenberg to talk about the first thing he did when he was released from prison (have sex with his fiancée), how he’s been spending his time (eating healthy, working out, managing his Graves’ Disease and making music), and what he’s planning for the immediate future (a series of performances around the world, including a massive one in Jamaica on Dec. 31). But the most surprising part of the interview came about 25 minutes into the episode when they begin talking about the massive amount of music Kartel released while locked up.

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“We’re not trying to snitch on you, we’re just so curious, we’re fans,” said Cipha Sounds after Rosenberg mentioned that a number of his most successful releases came during his time away. Kartel said when he first went to prison he was able to continue his usual clip of releases because of how much music he had recorded beforehand. “In the first year, we had songs unreleased,” said Kartel. “But then the songs ran out and we had to do what we had to do. That’s when I started recording behind bars.” He said he used to record his vocals on an Apple iPhone because the handheld had “an amazing sound quality.”

To try and get the best sound quality possible while recording, Kartel said he would use the mattress from his bed to imitate the padding found in a studio’s recording booth. “I would have the phone, like, 3 feet from my face and I would wrap the mattress around my head and record. It was crazy.” Afterward, he would make a demo using the vocals from the iPhone and a beat playing on an iPad. He would then send both to an engineer who would take all the components and turn it into a full song.

It’s all very impressive. But what’s most amazing about that process is Kartel says it’s the same one used to create what is considered by many to be his biggest song: “Fever.” Released in 2016 as the single for Kartel’s King of Dancehall album, “Fever” became an instant hit and is now his most-streamed song, notching more than 100 million streams on Spotify. Kartel said he would record mostly at night or wait until the guards were on their lunch break to record his vocals, always keeping an eye out for any that were on patrol. “I’d still have to be watching,” he remembers. “So I’d [sing], ‘fever!’ and then I’d have to get up and look. It was crazy. It was line by line!”



Rick Ross Explains Why He Got Involved in Drake Rap Beef: ‘It Was No Conspiracies’

If you were wondering why Rick Ross chose to get involved in the Drake pile-on last spring, his recent sit-down with Shannon Sharpe and Ochocinco in Houston for their Nightcap Summer Sessions has your answer.

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“Y’all had the summer going crazy. I thought all y’all were like… cool?” Sharpe asked Rozay of his relationship with Drake, with whom he’s collaborated in the past.

“I’mma be honest: On some rap sh–, it was no conspiracies,” he said, in reference to Drake’s “What the f— is this, a 20-v-1“ line in “Push Ups.” The Miami rapper then added, “Rozay name was said… I’mma jump off the porch. That’s what I do. I’mma jump off the porch and I’mma have some fun and that’s what I did. I had some fun.”

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Sharpe then asked Ross, “How do you determine who you respond to and who you don’t?” And Ross answered, “Is it something to gain for you? Somebody wake up and hate on Shay Shay, hate on Ocho, I mean… Let’s sit back, because not responding is a response when you a boss.”

Ross famously responded to the Toronto rapper’s disses aimed at him on “Push Ups” with his own diss record “Champagne Moments” only a few hours later on the same day. He and Drake continued to troll each other on social media for weeks even as the latter was focusing just on Kendrick Lamar. Things took a turn in July, though, when Rozay was attacked in Vancouver when his DJ played “Not Like Us” as he was trying to head back to his dressing room after performing at Ignite Music Festival.

Drake brought the beef up again in one of his most recent songs “No Face” with bars like, “N—as got lit off the features I skated on/ I gotta know, I gotta know, how you get lit off the n—a you hatin’ on?” and “This is the moment I know they been prayin’ on… Try knock The Boy off, but f— it, I’m stayin’ on.”

Rick Ross makes his appearance on Nightcap Summer Sessions around the two-hour mark below: