Music

Shaboozey Thanks Beyoncé for ‘Opening a Door for Us’ as ‘Cowboy Carter’ Is Snubbed by CMA Awards

As Shaboozey celebrated his first two CMA Awards nominations on Monday (Sept. 9), he took a moment to recognize an artist who didn’t score any nods at the country awards show: Beyoncé.

The country newcomer shared his excitement on social media over scoring two nods at the Nov. 20 show — new artist of the year and single of the year for his breakout hit “A Bar Song (Tipsy),” which spends its ninth week at No. 1 on the Billboard Hot 100 this week — but he also couched his excitement with praise for Beyoncé, whose blockbuster first country album, Cowboy Carter, didn’t receive any nods.

On his Instagram Story sharing the news of his two nominations, Shaboozey used Beyoncé’s Hot 100 No. 1 Cowboy Carter single “Texas Hold ‘Em” to soundtrack the slide. And on the next Story, he wrote: “That goes without saying. Thank you @Beyonce for opening a door for us, starting a conversation, and giving us one of the most innovative country albums of all time!” He shared the same sentiment on X (see his post below).

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Before “A Bar Song” took over the Hot 100 this summer, Shaboozey made his chart debut as a featured act on two Cowboy Carter tracks: “Spaghettii” (also featuring country legend Linda Martell) and “Sweet * Honey * Buckiin’.” Then ‘Boozey and Bey made history in April, when “A Bar Song” replaced “Texas Hold ‘Em” atop the Hot Country Songs chart — marking the first time two Black artists had led the ranking back-to-back.

In addition to his Beyoncé spotlight, Shaboozey also shared his heartfelt thanks for the two noms on X. “Wrote a song about winning a CMA in 2016, and now I’m nominated for 2! Thank you @CountryMusic and congrats to the other nominees. What an honor would be an understatement. #CMAawards.”

Morgan Wallen is the leading nominee for the 2024 CMA Awards, picking up seven nods on Monday. Cody Johnson and Chris Stapleton follow with five nods apiece, while Post Malone and Lainey Wilson each earned four. Louis Bell, Luke Combs, Charlie Handsome, Hoskins, Jelly Roll, Megan Moroney and Kacey Musgraves each secured three nominations. The 58th annual CMA Awards will broadcast live from Nashville’s Bridgestone Arena on Wednesday, Nov. 20, at 8 p.m. ET on ABC and next day on Hulu.

Baekhyun Says ‘Hello, World’ With New Album, Label & Professional Outlook: ‘I Feel More Ownership’

As one of modern-day K-pop‘s top-selling soloists, Baekhyun hardly needs an introduction. But with the release of his new solo album Hello, World, the singer-songwriter is signaling more than just another musical comeback — it’s the start of a new era, where Baekhyun is equally involved behind the scenes as he is when performing the songs onstage.

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After his 2023 exit from SM Entertainment, the K-pop label where he spent 12 formative years as a member of EXO as well as its subunit EXO-CBX, and the Billboard 200-topping supergroup SuperM, Baekhyun established a new home at INB100, which also houses fellow EXO members Xiumin and Chen. While EXO’s group activities remain tied to SM, Hello, World is Baekhyun’s first release outside his longtime label, showcasing the growth and independence cultivated as an established idol performer and an increasingly more hands-on K-pop professional.

Hello, World tracks like the bossa nova-inspired “Rendez-Vous” and crunchy-yet-harmonious, electro-pop cut “Woo” strike a balance between the polished, silky R&B and jazz influences Baekhyun first showed in 2019’s City Lights (that peaked at No. 4 on Billboard’s World Albums chart and spent 16 weeks on the chart) to more experimental ideas he’s been eager to explore including a rap-like delivery on “Cold Heart” and the ’80s new wave-tinged departure into synth-pop on the lead single “Pineapple Slice.” Now having a production-heavy hand in everything from musical direction to visual concepts, tracklisting and fan connectivity, the superstar admits that his perfectionist tendencies slowed down the process but ultimately led him to the proper balance.

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“I’m a bit of a perfectionist when it comes to music,” Baekhyun shares during an afternoon Zoom call from a Seoul office. “I think [the album] was delayed because I was trying to find the right feel to release the perfect album, which was really born from the title track ‘Pineapple Slice,’ which ended up being just the song I was looking for.”

The lead single’s sweet-yet-sultry vibe became the cornerstone for the rest of the album, inspiring the 32-year-old to push boundaries and further personalize his creative process.

“Now, I want to express my opinion, my ideas and what I want to try,” Baekhyun adds. “I think it’s fun to build up from the primary stages of preparing for an album and working together with a team where I’ve been able to contribute more is exciting. I feel a bit more ownership.”

While Baekhyun’s comeback may look like a seamless return to form from the outside, Hello, World results from countless hours spent behind the scenes, meticulously crafting his sound and image to kickstart a new chapter with grace. For now, the EP is Baekhyun’s way of saying he’s back and ready to take on even more in his next phase, sharing with Billboard more about the album, the processes behind it, and how he wants to meet fans around the world.



How are you feeling with this new album release? The album’s title is Hello, World, and the opening song is “Good Morning.” Does it feel like a new day for you as an artist?

I really like new beginnings so I’m very exited about this new chapter in my life and excited to show a greater audience what I’ve prepared. That’s exactly why I put “Good Morning” as the first track on the album and why I named it Hello, World because the first lyrics that start the song are “Hello, world” so I wanted a lot of people to listen and feel like, “Oh, this is the start.” The song was kind of made to feel like preparation for your heart to listen to the rest of the album; it has an overall very soft sound and I thought that it would be nice to build up musically throughout the album. I was very particular with the tracklist, so I’m very happy that the order of songs get progressively more climactic.

This isn’t your first solo album, but your first under your new company in INB100. Has the process been similar or different to past releases?

It’s very different from when I released my previous album. Now, I want to express my opinion, my ideas, and what I want to try, which I think is really good because I can try a lot of big, new ideas. I think it’s fun to build up from the primary stages of preparing for an album and working together with a team where I’ve been able to contribute more is exciting. So, I feel a bit more ownership of the album — I’m excited for it to become one of my favorites.

You enlisted in the military for almost two years, and it’s been three-and-a-half years since your last solo record in 2021. Generally speaking, what took so long?

I’m a bit of a perfectionist when it comes to music, and I think it was delayed because I was trying to find the right feel to release the perfect album, which was really born from the title track [single] “Pineapple Slice,” which ended up being just the song I was looking for. As long as it took, I really put a lot of effort into this to be able to put and show a lot more of the things that I wanted to do.

What kind of things were you able to do this time?

I had a lot of thoughts about wanting to show who I am as an artist in the long term which means that I should focus on the music that I enjoy and artistic decisions that I, as an artist, wish to make. Stylistically, a lot of the music is what I wants to do. The genre is R&B, but there are so many genres that I can branch out to further with that genre as a base. I even tried rapping on this album which was something new for me.

Second off, process-wise — the music video, the recording procedure and the visuals — everything was a little bit more “Baekhyun-centric” and I was able to input a lot more of my opinions. Instead of someone saying, “Oh, this would look good on you,” I was able to, I guess, reverse that process and say, “This is what I’ve been envisioning for myself, what do you guys think?” and move forward from there.



You say Hello, World is inspired by movie genres with the album description saying, “A world where imagination becomes reality.” How exactly did you show this?

I’ve done a lot of different concepts throughout my career and I believe that the job of an idol is to kind of experience all these different sides you show. So, I thought that [making] the keyword “films” or “movies” would be a good way to put that in like one big box and express all these different things that I’ve done as one big genre. So, pretending that this is all a movie means I can turn my imagination into reality: I can be the stuntman, I can be a writer, I can be the director; there are so many different roles that go into making a movie…the “Pineapple Slice” music video is vampire themed and that also kind of taps into the fantasy and magic genre. But, once again, imagination becomes reality because, unlike the stereotypical vampire who is afraid of the sun and gets burned by the sunlight, my character in the music video does not, so it’s even these little twists that reflect back on the overarching theme of a world that I’ve imagined.

You can be very theatrical in your music, concepts, and even your vocals, but I’ve also read you are very low-key; right now, you’re in a T-shirt and simple hair. Does it feel like you’re acting when you go into K-pop idol concepts? Is idol life like acting in a way?

I think the job of an idol is similar to that of an actor, who acts according to the scene or concept. While I’m very satisfied with my job, I don’t usually like to wear makeup on a daily basis so that’s why I’m a bit more casual today. [Laughs] But on the other hand, I think there are differences. Onstage, I definitely focus on the moment and fully digest the concept in the song, but I don’t really feel like that’s acting — it’s not like I’m putting on a new persona. It’s more so that I focus on the moment and the job of performing the song perfectly more than being fake or pretending to be something.

The first preview we got of the album was the bossa nova-inspired “Rendez-Vous” performed during your Lonsdaleite Asia tour. Why was this song important to introduce your new chapter of music?

I wanted to show the most “Baekhyun-like” style from the songs I had. It’s been a while since I’ve been out [with new music], so I wanted to show fans a sound they were more familiar with instead of something completely new that would feel surprising or distant. I personally really like the song “Rendez-Vous,” like you mentioned it incorporates bossa nova, and that’s what I enjoy about R&B is how it can branch into and be altered in so many different ways depending on what you fuse in it.

Even since your last record, R&B music has changed so much, so it’s cool that you can do areas you’re comfortable with and play with something new in a song like “Pineapple Slice.”

When I first heard “Pineapple Slice, ” I got the feel within the first few seconds that this was the track I wanted to make as my single. I’d been searching for a song that has a very intriguing instrumental and catches the ear and “Pineapple Slice “did that. The bassline is very catchy so when you first hear it, I could kind of envision people listening and tapping their feet to the bass. And it’s different from his first three albums [singles] “UN Village,” “Candy,” and “Bambi” in that it has a stronger sound rather than the smoother, jazzy vibe. But the lyrics are very sweet, speaking about a male character trying to lure and seduce a lover, so I think the contrast is also very charming.

What do you think is the most surprising song on the album for fans?

“Cold Heart” was a track that, when I first heard it, I was very much like, “Oh, would I be able to pull this off?” but I really wanted to give it a shot. It was the first time I chose a song that I wanted to be better at; I chose it because I wanted to kind of prove that I could do it. I’ve spent so long as a vocalist, and this track has a lot of hip-hop influences and references, so finding the correct tone for rap was very difficult. So, I’m still feeling very nervous about this song coming out to the world and that the release day will be my “judgment day” since the fans will then be able to see whether or not I really pulled it off. I believe they’ll think, “Oh, Baekhyun sings this kind of song?”

It’s great to hear you challenging yourself in all these different ways under your new company. Why was it important for you to break out and create a space with your own company?

First of all, I wanted to meet my fans more and get a little bit more closer to them. And I always wanted to participate more in my own album process. With this question, rather than thinking about enjoying a new type of challenge, it’s more so that I really just wanted to get closer to my fans and listeners. Likewise, I believe that now I won’t have to take as long of a break between releases and hope to be able to come back in a quicker time frame. Working with my team and people, more possibilities are open for me in regards to things that I can do in the future, like producing, for example. Although there aren’t any set plans as of now, it’s a dream of mine and I thought this new chapter would open such doors.



That makes sense because you’re keeping group activities with EXO strong and have EXO-CBX with you at INB100. More K-pop artists are balancing outside solo careers with group activities. How do you personally balance both sides?

Many fans want to continue seeing new sides of the group, so I understand that and we will continue to try new things and meet you in the future together. As for Baekhyun as a soloist, I feel that’s a little bit different from Baekhyun as a part of a group. So, in the future, I’m excited to show three different sides of myself: as a part of a unit, a solo artist, and also as part of a group. So I hope my fans are also excited to witness that journey alongside [me] as it happens.

Anything you can tease for your fans in this new era? Or other messages to the fans?

So, first and foremost, I’ll definitely be working on album promotions. Apart from that, I want to go on a world tour someday — and it’s definitely a possibility that’s, uh, not very far from reach. [Laughs] Since I recently finished my Asia tour, I want to branch out further to fans around the world…

To EXO-Ls who have been waiting for my album for such a long time, I’m so grateful for all of you and I want to promise you that there will never be a break like this again. I’ll show you a lot of great things in the future with new looks, new music, and all the cool things I’m ready to show the world. And like I slightly teased before, I’m ready to go meet more fans around the world so I hope that everyone stays happy and healthy until we meet again.

Pusha T Backs Up Kendrick Lamar’s Apparent ‘No Round Twos’ Drake Swipe in Super Bowl Announcement: ‘This Is True’

Folks are still reacting to Kendrick Lamar announcing that he’s headlining the 2025 Super Bowl halftime show in New Orleans in February. However, Pusha T reacted to something else after Sunday’s big news.

While telling the world that he’ll be performing in the NFL’s “Big Game,” Lamar said something that resonated with the Virginia rapper. “You know there’s only one opportunity to win a championship. No round twos,” Kendrick said while using a football throwing machine. An obvious dig at Drake suggesting a few weeks back that another round in their battle was on the horizon, Push agreed by reposting the quote on his Instagram Story and adding, “This is true” with a shrug emoji.

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Like Kendrick, Pusha T had a long history of trading subliminals with Drake until things boiled over with “The Story of Adidon” in 2018, and like Kendrick, Push was declared the victor in that battle by the fans.

As fans and artists argue about whether Lamar was the right choice to headline the halftime show, he and Jay-Z are looking forward to the February performance. “Rap music is still the most impactful genre to date,” Lamar said in a statement. “And I’ll be there to remind the world why. They got the right one,” with Jay adding, “Kendrick Lamar is truly a once-in-a-generation artist and performer. His deep love for Hip Hop and culture informs his artistic vision. He has an unparalleled ability to define and influence culture globally. Kendrick’s work transcends music, and his impact will be felt for years to come.”

BOYNEXTDOOR Talk Personal, ‘True Story’ Vibe of New EP ‘19.99’: ‘We Always Feel Pain of Growth’

K-pop boy band BOYNEXTDOOR dipped into the members’ personal stories for the tracks on new EP 19.99. Singer Taesan tells Billboard that the seven-track mini-album “explores the emotions experienced just before turning 20. Specifically, the tracks express the intricate emotions that precede and follow turning 20.”

Group leader Jaehyun adds that the album is especially close to the singers’ hearts because it involves a lot of “true stories” from their personal lives. “We felt a lot of some kind of pain, some kind of happy and some kind of thankful. We always feel pain of growth, growing, so that is our album’s story,” he says.

The EP that dropped on Monday (Sept. 9), was preceded by the uptempo single “Dangerous,” which the group says represents their “mischievous side,” in which they fantasize about such rule-breaking activities as not listening to their moms, hanging out with friends all night and other shenanigans they pulled off before turning 20. And while their aim was to express a wide variety of feelings in a uniquely BOYNEXTDOOR fashion, boys also, of course, just wanna have fun.

Then again, lead single “Nice Guy” presents the flip side of that dangerous attitude, with lyrics Jaehyun says are funny and witty, which, of course, would not be as funny if they were all in their 30s. (All of BOYNEXTDOOR’s members — which also include Sungho, Riwoo, Leehan and Woonhak — are between 17 and 20 years old.) “But we are 20, or 19, 17, so I think that point is a really good point and ‘Nice Guy’ is [like a] flirt to someone,” he says.

Because the members of HYBE’s latest boy band write and co-produce a lot of their songs, Taesan — who co-wrote and co-produced “Dangerous” — says he also incorporated a lot of his own stories and an anecdote involving one of his siblings on the EP that focuses on “real-life experiences” rather than more generalized pop culture references from TV and movies. “We tried our best to use lyrics and melodies that feel genuinely relatable from our everyday experiences,” he says.

BOYNEXTDOOR scored its highest charting album to date in the U.S. when How? entered the Top Album Sales chart at No. 7 on the May 4-dated tally. The group released its first single album, Who! in May 2023, followed by the EP, Why.., in Sept. 2023 and this year’s How?

Watch BOYNEXTDOOR’s interview with Billboard above.

Clip of Lil Wayne Expressing Interest in Headlining 2025 Super Bowl Halftime Resurfaces After Kendrick Lamar Pick

Earlier this year, while on YG‘s 4HUNNID podcast, Lil Wayne expressed interest in wanting to headline the 2025 Super Bowl halftime show in his hometown.

“I will not lie to you, I have not got a call,” Wayne said around the 23-minute mark during the February interview. “But we all praying, we keeping our fingers crossed. I’m working hard. I’m going to make sure this next album and everything I do is killer, so I’m going make it very hard for them to…I want to just make it hard for them not to highlight the boy.”

He also added that acts are picked more on legacy than they are on having just “a hot single” and gave YG and his co-host credit for acknowledging his 30 years in the game.

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As we now know, Wayne was passed up in favor of Kendrick Lamar for the upcoming 2025 Super Bowl halftime show, which has many fans and artists upset. Weezy has yet to respond, but Nicki Minaj and Birdman have all made their feelings be known, as well as Wayne’s longtime engineer.

“These n—az Pussi @NICKIMINAJ @Drake @LilTunechi YMCMB,” Birdman tweeted earlier Monday. “I’m make these n—az respek us on Gladys.”

Nicki seemed to take aim at Jay-Z and his partnership with the NFL, tweeting, “One n—a took a knee. The other n—a took the bag,” while Weezy’s engineer Fabian Marasciullo expressed disappointment. “Confused. Disappointed. Angry. But most of all, inspired,” he wrote on his Instagram Story over the weekend. “Will never again be in a position or have the [GOAT] in a position where we are at the mercy of someone else’s decision. We will make the decisions.”

New Orleans has hosted the Super Bowl a record-tying 11 times (Miami is the other city), with 2013 being the last time the “Big Game” was played there. Beyoncé headlined the 2013 Super Bowl halftime show.

See Wayne’s interview from February below:

Ariana Grande Applauds Megan Thee Stallion for Encouraging People to Vote for Kamala Harris

Ariana Grande and Megan Thee Stallion may have collaborated on “34+35,” but their stance on whether people should vote in the upcoming election is as simple as 1+1.

Shortly after the “WAP” rapper opened up to Billboard in her September cover story about the importance of acting on one’s American civic duty — especially in a presidential race between Kamala Harris and Donald Trump — Grande shared her onetime collaborator’s remarks on Instagram Stories. “I adore @theestallion,” the pop star wrote, tagging Meg.

The “We Can’t Be Friends” singer also shared a link to her Headcount page, reminding fans, “register here please.”

Both Grande and the Houston Hottie have been vocal in their support of Harris since she took over President Joe Biden’s place on the Democratic ticket. While the Wicked actress has advocated for the cause on social media, Meg performed at the VP’s rally in Atlanta and sang the politician’s praises during her headlining set at Lollapalooza.

The “Mamushi” artist went on to stress her support of Harris while speaking to Billboard, adding that she thinks it’s “irresponsible” to abstain from voting in an election with such high stakes. “I don’t like it when I see people saying, ‘I’m not voting. F— it,’” Meg said, one of the quotes Grande shared on her Story. “You’re going to complain about what you don’t like, but you’re not going to help the cause?”

“If you don’t like what Trump has going on, why even aid in him being the president again?” she added in the interview. “To be alive in a lifetime where a Black woman or a woman at all could be the president, I feel so blessed. This is what the future is about.”

The two women’s show of solidarity comes over three years after Ari tapped Meg and Doja Cat for the remix of her NSFW Positions single “34+35,” which went on to peak at No. 2 on the Billboard Hot 100. Both Grande and Ms. Stallion dropped new albums in 2024, with the former’s Eternal Sunshine topping the Billboard 200 and the latter’s Megan reaching No. 3 on the chart.

Scooter Braun Speaks at Vigil for Slain Hostages at Nova Music Festival Exhibit: ‘I’m Sorry That We Weren’t Loud Enough’

The Los Angeles exhibition dedicated to the October 7 attack at Israel‘s Nova Music Festival recently became the setting for a vigil, in the wake of the news that several of the hostages taken from the festival had been slain.

The vigil happened Sept. 1, with hundreds of people arriving to the exhibition in the wake of the news that six hostages — five of whom were captured at the music festival — had been killed by Hamas. Bodies of the victims were found in an underground tunnel in Rafah, near Gaza’s southern border with Egypt.

The event, which saw a large crowd waiting outside as the space hit capacity, included musical performances, prayer and speeches, with at least one Nova Music Festival attendee on hand.

“Some of them were taken from the music festival and for me, I see their pictures up there but I know that it might have been me,” Danielle Gelbaum, who survived the Nova attack, told CBS News Los Angeles. “My face could have been up there.”

HYBE-America CEO Scooter Braun, a partner in the exhibition, spoke at the L.A. vigil, saying, as the L.A. Times first reported, that the exhibition itself “has nothing to do with politics. You won’t see any flags here. It is strictly about the music festival and what took place there. To allow people to see this could’ve been Coachella, this could’ve been Stagecoach.”

“For all six of them, I’m sorry that we weren’t loud enough,” Braun continued. “And I’m really grateful that you’re here today, and I don’t think that promise that we made to them stops today; I think it just begins.”

Located in Los Angeles’ Culver City neighborhood, the memorial opened last month in a 50,000-square-foot warehouse. The installation includes remains salvaged from the festival grounds, including scorched cars, bullet-riddled bathroom stalls and personal belongings all left behind. The space also includes photos of all the hostages taken on October 7, along with a healing tent and a lighthouse with the declaration, “We will dance again.”

The exhibition, The Nova Music Festival Exhibition: October 7th 06:29AM, first premiered in Tel Aviv for 10 weeks then opened in New York City this past April. The Nova founders include Omri Sassi, Yoni Feingold, Ofir Amir and Yagil Rimoni, and the United States partners for the exhibition include Braun, Joe Teplow and Josh Kadden.

What Song Does Kendrick Lamar Need to Perform at 2025 Super Bowl Halftime? Vote!

Kendrick Lamar was announced Sunday as the headlining halftime show performer at Super Bowl LIX when the big game comes to New Orleans’ Caesars Superdome in February 2025.

Lamar follows recent Super Bowl headliners Usher and Rihanna, while the rapper also took the stage in 2022 as part of the hip-hop halftime show alongside Dr. Dre, Snoop Dogg and Mary J. Blige.

“Rap music is still the most impactful genre to date,” Lamar said in the announcement. “And I’ll be there to remind the world why. They got the right one.”

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Jay-Z added: “Kendrick Lamar is truly a once-in-a-generation artist and performer. His deep love for hip-hop and culture informs his artistic vision. He has an unparalleled ability to define and influence culture globally. Kendrick’s work transcends music, and his impact will be felt for years to come.”

With 75 Billboard Hot 100 entries to his name — including 15 top 10s and four No. 1 hits, with his latest being the Drake diss “Not Like Us,” which topped the chart for two weeks earlier this year — cutting K. Dot’s decorated discography down to fit a 12- to 15-minute show is a tough proposition.

From good kid, m.A.A.d city to DAMN. and To Pimp a Butterfly, there are plenty of anthems for Lamar to choose from for his upcoming set.

Even without releasing an album, 2024 has been a supremely memorable one for the Compton king. Kendrick set things off with his nuclear assist on Future and Metro Boomin’s No. 1 hit “Like That,” which led to him downing Drake in battle and sets the stage for the hopeful arrival of his next LP in the five months until Super Bowl LIX.

We want to hear from you! Vote for your favorite song that you hope to see Kendrick Lamar include in his Super Bowl halftime show setlist come February.

Heart Reschedules North American Concerts After Ann Wilson Cancer Scare

Heart‘s first tour in five years is back on! Following the postponement of sisters Ann and Nancy Wilson’s North American shows this summer due to the former’s recent cancer scare, the rock band has announced plans to resume their Royal Flush Tour with a slew of new dates scheduled for 2025.

Sharing an animated video set to the group’s 1975 hit “Crazy on You,” Heart broke the news of the band’s return to the road via Instagram on Monday (Sept. 9). “We can’t wait to resume the Royal Flush Tour in 2025!” the group wrote, directing fans to buy tickets on Heart’s website. “We hope to see all of you good people there!”

The new string of shows kicks off Feb. 28 in Las Vegas next year, followed by over a month of arena shows across Los Angeles, Phoenix, Boise, Montreal, Ottawa and more. As of now, the run ends April 5 in Quebec.

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Heart’s announcement comes about three months after the “Never” musicians told fans that they were cancelingtheir European dates — which had been slated for this past June and July — as Ann needed to “undergo a time-sensitive but routine procedure for which the minimum recovery time is six weeks.”

A month after that, the band discovered that the singer’s condition was more serious than originally thought, leading to the postponement of the now-rescheduled North American shows. “I underwent an operation to remove something that, as it turns out, was cancerous,” Ann wrote in a statement at the time. “The operation was successful & I’m feeling great but my doctors are now advising me to undergo a course of preventive chemotherapy & I’ve decided to do it. And so my doctors are instructing me to take the rest of the year away from the stage in order to fully recover.”

“Please know that I absolutely plan to be back on stage in 2025,” she’d added.

See Heart’s announcement below.

The Weeknd Announces New Single ‘Dancing in the Flames’: Here’s When It Arrives

The rollout for The Weeknd‘s Hurry Up Tomorrow album is well underway, as he announced Monday (Sept. 9) that lead single “Dancing in the Flames” will be released on Friday.

The Weeknd performed “Dancing in the Flames” and more new Hurry Up Tomorrow tracks for the first time at his special one-night-only São Paulo, Brazil show last over the weekend. The Weeknd also debuted collaborations with Billboard‘s current cover star Playboi Carti, who accepted the Artist of the Year Award at the Billboard‘s 2024 R&B Hip-Hop Power Players event last week, and Brazilian star Anitta. Hurry Up Tomorrow is the third and final installment of The Weeknd’s latest After Hours and Dawn FM trilogy.

The Weeknd (real name Abel Tesfaye) also previewed the music video, which will also drop this Friday, in an Apple spot for the iPhone 16 Pro.

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“I can’t wait to see your face/ Crash when we’re switching lanes,” he sings while blissfully driving a red convertible. Director of photography Erik Henrikkson explains how shooting in 4K 120 fps (frames per second) “was really a game changer” for “ceating epic shots in slow motion,” as demonstrated by the superstar running through the rain in slow motion with his feet gradually stepping into puddles. “We felt we didn’t have to play it safe. We just pushed it as far as we normally do,” Henrikkson continues. And they certainly didn’t play it safe, as The Weeknd appears to be flung out of the car, with glass shattering everywhere, in one of the shots.

The video is directed by Anton Tammi, who also helmed the iconic music videos for his After Hours era, including for his Billboard Hot 100 No. 1s “Blinding Lights” and “Heartless.”

See a sneak peek of The Weeknd’s “Dancing in the Flames” music video below.