Music

LE SSERAFIM Achieves First No. 1 on Billboard’s Top Album Sales Chart With ‘CRAZY’

LE SSERAFIM celebrates its first No. 1 on Billboard’s Top Album Sales chart, as CRAZY crowns the Sept. 14-dated chart. The set debuts atop the list with 37,500 copies sold in the U.S. in the week ending Sept. 5, according to Luminate. It’s the fourth top three-charting effort the Korean pop group, the entirety of their charting efforts.

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Also in the top 10 of the new Top Album Sales chart, Destroy Lonely scores his first top 10 with the No. 3 bow of Love Lasts Forever, while Nick Cave and The Bad Seeds notch their highest charting set yet as Wild God starts at No. 4.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both X and Instagram.

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Of CRAZY’s first-week sales of 37,500 copies, CD sales comprise 36,500 and digital download album sales comprise 1,000. CRAZY’s first-week was bolstered by its availability across more than 20 CD variants, all containing collectible branded paper ephemera such as photocards, postcards, stickers, and posters.

Sabrina Carpenter’s Short n’ Sweet is a non-mover at No. 2 on Top Album Sales with 28,000 sold in its second week (down 85%).

Destroy Lonely logs his first top 10, and best sales week, as Love Lasts Forever arrives at No. 3 with 19,000 sold. The hip-hop album’s first week was bolstered by its availability in a signed CD edition and two digital download album variants – all exclusive to the artist’s webstore. The latter two were each sold for $5 and each included five additional bonus songs (five different songs per variant).

Nick Cave and The Bad Seeds’ new studio album, Wild God, debuts at No. 4, marking the highest charting effort for the group on Top Album Sales. It launches with 13,000 sold – the act’s best sales week since Skeleton Key sold 15,000 copies in its first week (a debut at No. 13 on the chart dated Oct. 1, 2016). The new album was available across five vinyl variants, which combined to sell 8,000 copies (it bows at No. 2 on the Vinyl Albums chart).

Chappell Roan’s The Rise and Fall of a Midwest Princess dips 4-5 on Top Album Sales (13,000; down 29%), Stray Kids’ former No. 1 ATE rises 7-6 (11,000; down 7%), Post Malone’s chart-topping F-1 Trillion falls 6-7 (9,000; down 34%), ENHYPEN’s former leader Romance: Untold ascends 9-8 (8,000; down 3%), Lainey Wilson’s Whirlwind falls 3-9 in its second week (nearly 8,000; down 77%) and Travis Scott’s Days Before Rodeo falls 1-10 in its second week (nearly 8,000; down 98%).

Chappell Roan Channels Joan of Arc in Fiery ‘Good Luck, Babe!’ Performance at the 2024 VMAs

Chappell Roan just transformed the MTV Video Music Awards into the pink pony club — but make it the 1430s. In her highly anticipated awards show performance debut, the best new artist nominee brought the fire — literally — while singing an impassioned rendition of her breakthrough hit “Good Luck, Babe!” in front of her new A-list peers in the music industry, giving the track a historical twist.

After being introduced by one her own heroes, drag queen Sasha Colby, the 26-year-old pop tastemaker appeared on New York’s UBS Arena stage in a suit of armor and aimed a crossbow at a magnificent castle erected behind her, setting it ablaze with a fiery arrow. Joined by a fleet of knights, Roan danced around the stage while serving up powerful vocals.

“When you wake up next to him in the middle of the night with your head in your hands, you’re nothing more than his wife,” she sang, moments before nailing the track’s sustained, belted high note. “You know I hate to say it, but, I told you so!”

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The entire night was a Joan of Arc theme for the “Hot to Go!” musician — or Roan of Arc, one could say. Before she stepped out in her knight’s uniform during her performance, she took to the red carpet in a sheer medieval gown, escorted by a man in a period costume and posing atop her own ancient-looking decorative rug.

In addition to the best new artist category — in which she’s competing against Sabrina Carpenter and Gracie Abrams — Roan is up for MTV push performance of the year thanks to her Billboard Hot 100 hit “Red Wine Supernova.” The honors come amid a whirlwind rise for the Missouri native, who in a matter of months has drawn in millions of new fans thanks to her viral performances at festivals such as Coachella and Gov Ball, and the success of her debut album, The Rise and Fall of a Midwest Princess, which reached a new peak at No. 2 on the Billboard 200 in August.

The 2024 VMAs kicked off at 8 p.m. Wednesday at New York’s UBS Arena, with Megan Thee Stallion helming the program as host, show opener Eminem, Vanguard honoree Katy Perry and several more artists tapped to perform. Taylor Swift led the nominations with a total of 12 nods, while her “Fortnight” collaborator Post Malone followed right behind with 11.

Anitta Electrifies at 2024 VMAs With Premiere of ‘Paradise’ Alongside Fat Joe & DJ Khaled

Anitta brought a sizzling blend of glamour and rhythm to the 2024 MTV VMAs Wednesday (Sept. 11), transforming the stage into a party. The Brazilian superstar dazzled in a white and metallic bodysuit paired with baggy pants, opening her performance with the premiere of “Paradise.”

The energy surged as Fat Joe, dressed in flannel and leather baggy pants, delivered dynamic flows that matched the intensity of the staging. DJ Khaled, dressed in black, masterfully hyped the crowd throughout the set.

The performance shifted gears as Tiago PZK joined Anitta. Dressed in a sparkly dark outfit, he seamlessly laid down verses for “Alegría,” a track that originally features Emilia. Anitta showcased her linguistic prowess by effortlessly switching among English, Spanish and Portuguese. The stage came alive with four dancers perched atop large blocks, enhancing the visual spectacle.

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The rhythm further intensified with “Savage Funk,” which unleashed the raw, powerful sounds of baile funk, filling the arena with the pulsating beats of the favelas. Anitta, in sync with a growing ensemble of dancers, displayed her signature perreo moves, descending rhythmically to the ground in a flurry of motion. The stage erupted into a massive celebration of Brazilian culture, with every beat and step.

Just moments before her performance, Fat Joe captured the spirit of the new song “Paradise.” “Nobody knows how to celebrate like Latinos,” Fat Joe told Billboard Español earlier in the day. “It’s about time we teamed up with Anitta and DJ Khaled on ‘Paradise’ to create a Latino national anthem.”

Watch the full performance below:


https://youtube.com/watch?v=aRGd6_ZsKQE&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Katy Perry Accepts Video Vanguard Award With Dance-Heavy Hits Medley, Encourages Other Artists to ‘Block Out the Noise’

Katy Perry accepted the Video Vanguard award with a house-ified career-spanning performance at the 2024 MTV Video Music Awards on Wednesday (Sept. 11).

“We fell in love with her as Katy Perry,” began actor Orlando Bloom when introducing his partner. “I fell in love with her as Katheryn Hudson. You know her as a global superstar who brings love light and her unique sense of humor to every song she writes and every music video she creates. I know her as a mother, as a partner, who brings that same love and joy to our family.”

After a short video intro, Katy Perry began her career-spanning performance with a remixed version of her “Dark Horse” collab with Juicy J, as she hung suspended from the middle of a big webby circle on stage. She was then lifted around the stage for a rendition of her Kanye teamup “ET,” running across her backing dancers before finally being lowered onto the stage.

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From there, Perry debuted the new song “I’m His, He’s Mine,” featuring guest rapper Doechii and an interpolation of Crystal Waters’ early ’90s dance hit “Gypsy Woman (She’s Homeless),” as Perry and Doechii writhed together on stage. She then launched into a version of her signature Teenage Dream smash “California Girls,” with an intro that lifted from Stardust’s 1998 French touch classic “Music Sounds Better With You,” before seguing into a clubbier version of the album’s beloved title track.

After a quick guiter interlude, Perry came back out with big silver balloon wings to perform her 2008 breakout single “I Kissed a Girl.” She then transitioned into Teenage Dream third single “Firework,” singing the first verse and chorus over a minimal piano backing, with friend-turned-rival-turned-friend-again Taylor Swift gleefully applauding the performance in the audience. She then closed out the performance with a rendition of her 143 single “Lifetime,” holding up a paper butterfly as the crowd applauded.

“I did that all on the first day of my period, too. Can you believe it?” Perry began her acceptance speech. “Thank you so much to MTV for believing in my weirdness from day one, and for helping artists extend their worlds beyond a song. There are so many things that have to align to have a long and successful career as an artist. There are no decade-long accidents.”

She went on to give thanks to a few people, including her team, her label Capitol Records and her parents (“We don’t always agree, but what a lesson that those disagreements can still be full of love”). She also gave her early fans a treat by thanking “MySpace, Warped Tour and all the bygone places wehre I found a voice, identity and a community so early on,” as well as friends “who were there when my Jetta was repossessed. My KatyKats who stood by me for a lifetime,” and the LGBTQ community, “who I recognize I would not be here without, and who show me that you can be both kind and c–t.”

After giving special shoutout to beau Bloom and daughter Daisy, she closed with some thoughts on the current music industry — “I’m excited when I look around music today and I see all the aamzing young artists who are operating with confidence, agency, vulnerability and authenticity” — and about important lessons she’s learned in her career:

“I’ve heard a lot of do this, don’t do that, wear less, wear more now, don’t cut your hair… one of the biggest reasons I’m standing here right now is I learned how to block out all the noise, that every single artist in this industry has to constantly fight against, especially women. I just want to say with my whole heart, do whatever it takes to stay true to yourself and true to your art, turn off social media, safeguard your mental health, pause, touch grass, and do what you were born to do, just like I was born to do this.”

Sabrina Carpenter Channels Marilyn Monroe for 2024 VMAs Medley of ‘Please Please Please,’ ‘Taste’ & ‘Espresso’

Sabrina Carpenter was a glittering star at the 2024 MTV VMAs on Wednesday (Sept. 11) as she celebrated her first No. 1 album with a performance introduced by one of the award show’s OGs.

“I won my Moonman award in 1984 at the first-ever VMAs,” said “Girls Just Want to Have Fun” singer Cyndi Lauper as she introduced Carpenter, whose Short n’ Sweet album topped the Billboard 200 album chart dated Sept. 17.

Seated on a gigantic diamond on a trapeze high above the stage as silver confetti rained all around her, Carpenter — who was nominated for seven VMAs this year — crooned her Billboard Hot 100 No. 1 smash “Please Please Please,” and, as Lauper predicted, the very vocal audience enthusiastically shouted at the song’s NSFW refrain while Carpenter descended to the stage. She landed on a foreign planet as an astronaut and blue-skinned alien did a slinky dance all around her to the strains of Carpenter’s latest hit, “Taste.”

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The song with sapphic overtones was accented by a censor-nightmare dance sequence in which the alien briefly threw a leg up on the kneeling space ranger’s shoulder as he, well, had a taste, with their bump-and-grind threatening to distract from the singer’s vocals. That is, until she yanked the astronaut to the side and laid a big kiss on the female alien’s lips.

Ripping off the high collar on her silver-studded bodysuit, Carpenter strutted down the catwalk as she glided into her No. 3 Hot 100 summer smash “Espresso.” All around her, the space filled up with more than two dozen helmeted rocketeers busting out interstellar choreography beneath neon signs bearing the song’s title and space-themed images on the stage, whose main feature was an enormous Moon Person reaching out into the arena.

The routine ended with Carpenter lying back into the dogpile of space-helmeted men while giving off serious Marilyn Monroe Gentlemen Prefer Blondes vibes.

Kendrick Lamar Drops New Song, Black Air Force 1 Xitter Is Elated

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Kendrick Lamar 9/11 Black Air Force 1 Song

Source: @kendricklamar / Instagram

Kendrick Lamar is crafty. On the night of the MTV VMA’s, the anniversary of 9/11, the day after Kamala Harris dogwalked Donald Trump during a debate and Taylor Swift dropped a political co-sign, Kendrick Lamar decided to release a new song.

As you should have expected, it didn’t get lost in the sauce and immediately started trending. Per 2024 Hip-Hop protocol this means that K-Dot is still the alpha rapper of the moment, as if getting tabbed to headline the 2025 Super Bowl halftime show, and all the salty envy it sparked, wasn’t already an indicator.

As for the song, we don’t have a title. As for the artwork, it’s a well-worn pair of black Nike Air Force 1’s, long the indicator of someone who is about that action, a shooter or someone you definitively do not want the smoke with.

“Influencers talk down ’cause I’m not with the basic sh*t/But they don’t hate me, they hate the man that I represent,” spits the Compton rapper. “The type of man that never d*ck ride ’cause I want a favor/The man that resides in patience/So where the soldiers at?/The ones that lost it all and learned to learn from that/A thirst for life/Head inside a book ’cause he concerned with that/Information that’ll change his life because he yearns for that/Dedication, finding out what’s right ’cause he can earn from that.”

Of course, a jab at “influencers” means many are assuming DJ Akademiks is in the crosshairs. Uh oh.

Also worth note, K-Dot big ups Lecrae on the refrain, and that’s just dope, period.

https://twitter.com/AndresWrites/status/1833545343897886762

The praise, and hate, is already off to a fiery start on the Internets. Peep some of the more volatile reactions that we assembled in the gallery.

We’ll get back to you on the name of the song, too.

Sabrina Carpenter Brings Madonna’s 1991 Oscars Dress Back to the Red Carpet at 2024 MTV VMAs

Sabrina Carpenter brought true Hollywood glamour to the 2024 MTV Video Music Awards red carpet by wearing the actual Bob Mackie gown Madonna wore to the 1991 Oscars.

According to Vogue, Carpenter and her stylist were hunting for a Madonna moment for the awards show and found what they were looking for with archival fashion dealer Tab Vintage. The silver Mackie dress “was originally designed for Madonna to wear to perform at the Academy Awards,” Tab Vintage’s Alexis Novak told Vogue. “It was inspired by Marilyn Monroe in Gentlemen Prefer Blondes and made headlines when she wore it.”

Back in 1991, Madonna paired the gown with a white fur stole and, in addition to her old-Hollywood style, the Queen of Pop also made headlines that night for her choice of date: fellow pop superstar Michael Jackson. In a previous interview, Madonna said of the A-list team-up: “Michael was like, ‘Well who are you gonna go with?’ I looked at him and said, ‘I don’t know. You wanna go?’ And he said, ‘Yeah, that’d be great.’” During her Carpool Karaoke segment with James Corden in 2018, Madonna looked back on the night as her “best date ever.”

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Carpenter kept the night’s silver and sparkly theme going when she hit the stage later in the night, opting for a silver sequin leotard to perform a medley of the first three singles from her Billboard 200 No. 1 album Short N’ Sweet: “Espresso,” “Please Please Please” and “Taste.”

See Carpenter’s full look below:

Sabrina Carpenter at the 2024 MTV Video Music Awards held at UBS Arena on September 11, 2024 in in Elmont, New York.

Sabrina Carpenter at the 2024 MTV Video Music Awards held at UBS Arena on Sept. 11, 2024 in in Elmont, New York.

Gilbert Flores

Kendrick Lamar Surprise Releases Menacing New Song: Listen

Kendrick Lamar is standing on business. Lamar returned with his first song since the nuclear “Not Like Us” Drake diss on Wednesday (Sept. 11).

As of press time, the track is available only on K. Dot’s Instagram account. The five-minute sneer-fest arrived without a title, but has a heavily creased pair of Black Air Force Ones as the cover art.

Lamar addresses his disgust with what he sees thriving in society and admits he’d trade a lot of those sucking up the Earth’s oxygen to get the late great Nipsey Hussle back.

“I know b—-s that’s harder than a lot of you n—-s/ Would trade y’all for Nip I can’t be proud of you n—-s,” he raps of his “Dedicated” collaborator.

Next, the Compton legend turns his attention to what’s being pushed on the radio airwaves and television screens across the country.

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“The radio personality pushing propaganda for salary/ Let me know when they turn up a casualty/ I want agony,” Lamar spews.

Essentially, K. Dot sounds fed up with society.

“Thank god. Quality hip-hop has been missing,” one excited fan wrote in his comments section.

Lamar was announced as the Super Bowl LIX Halftime Show headliner on Sunday (Sept. 8); he’ll take the Caesars Superdome stage in New Orleans on Feb. 9. There’s been much debate in the hip-hop community about Kendrick being chosen to headline the big show, as some — such as Nicki Minaj –weren’t thrilled to see Lil Wayne, who is a New Orleans native, get snubbed.

Listen to the track below.

Karol G Dances With Taylor Swift During ‘Si Antes Te Hubiera Conocido’ Performance at the 2024 VMAs

At the 40th anniversary of the MTV VMAs, Karol G captivated the audience with a sultry yet lively performance of her recent hit single, “Si Antes Te Hubiera Conocido” (“If I Had Known You Before”), including dancing with Taylor Swift at one point.

The Colombian superstar took the stage, radiating presence with her long blonde hair, decked in sandy-colored bell-bottoms and a bikini top (almost channeling the Stripped-era Christina Aguilera look) and surrounded by a string of tiny international flags.

Karol then ignited the crowd with a shout, “¡Familia! Los extraño un montón. ¿Están listos para la fiesta?” (“Family, I miss you greatly. Are you ready for the party?”) She then descended into a vibrant scene, leading audience members — young and old alike — into an impromptu dance party. Among those grooving was an adorable elderly couple, echoing the joyful spirit of her “Si Antes” music video.

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The stage transformation didn’t stop there — it morphed into a tropical styled tiki bar complete with a sandy beach underfoot, where the Medellín hitmaker ramped up the energy with her infectious rhythms.

The highlight of the night came when she joined Taylor Swift, Post Malone and Camila Cabello in the crowd, dancing and further elevating the festive atmosphere, transforming the entire scene into a Latin party dance-off.

With “Si Antes Te Hubiera Conocido,” Karol G became the first artist to top the Hot Latin Songs, Latin Airplay & Tropical Airplay charts simultaneously in over a decade. The chart achievements landed as Karol G wrapped up her record-breaking Mañana Será Bonito Tour.

It’s the second consecutive time Karol G has performed at the MTV VMAs.

Shawn Mendes Debuts New Song ‘Nobody Knows’ at 2024 VMAs

Shawn Mendes debuted a new song from his upcoming album Shawn live at the 2024 MTV Video Music Awards on Wednesday (Sept. 11) at the UBS Arena in Elmont, New York.

Mendes and his band delivered the new tune on a massive rug lined with candles on a smoky stage, giving the whole performance a casual, living-room aura. Titled “Nobody Knows,” the song started out in a slow, folk-rock vein before gradually growing in intensity, reaching an emphatic, impactful climax. Toward the end of the song, Mendes turned away from his adoring fans and faced his drummer, strumming furiously on his acoustic guitar and smiling broadly as his lead electric guitarist ripped off a solo alongside him. The onstage chemistry between Mendes and his band is palpable, and when his drummer turned to the camera with a joyous look on his face at the end, it was hard not to be won over.

Based on Mendes’s VMAs debut of “Nobody Knows,” the singer-songwriter’s musicianship and songcraft is continuing to develop and mature (perhaps he’s been listening to some Leonard Cohen lately?) without losing any of the youthful exuberance that made him a guitar-slinging breakout in the first place.

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Prior to Mendes’ VMAs performance, chatter swirled around the fact that Mendes would be performing at an awards show that also boasted performances from not one but two of his exes – Camila Cabello (with whom he topped the Billboard Hot 100 in 2019 with the duet “Señorita”) and Sabrina Carpenter. But his vocally and instrumentally impressive performance easily pushed gossip aside to turn the spotlight back to his music and stagecraft – at least for a while.

Mendes’ fifth album, Shawn, drops Oct. 18. His last studio album, 2020’s Wonder, topped the Billboard 200.