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On a Friday night in late February, Tems was having dinner with the owners of San Diego FC, celebrating her new position as a partner in the MLS club. The next day, a video went viral of the 29-year-old Nigerian musician, known for her enviable levels of cool, briefly losing it while watching the club’s […]

Jin is heading back to The Tonight Show Starring Jimmy Fallon, Billboard can exclusively reveal. Just over half a year after he made his solo debut on the late-night show, the BTS singer will make his way back to 30 Rock a week from today — on Wednesday, May 21 — to perform on the […]

The Foo Fighters have booked their first gig of 2025. The veteran rockers announced on Tuesday night (May 13) that they will headline day two (October 4) of the Singapore F1 Grand Prix concerts as part of a three-day roster of all-star shows supporting the race. “Singapore. See you soon!!!” the band wrote in the […]

Snoop Dogg has yet another gig. As part of his expansive partnership with NBCUniversal, the rapper will host a two-hour musical variety special from Miami titled Snoop Dogg’s New Year’s Eve. According to Variety, the show will air on NBC on Dec. 31 from 10:30 p.m. ET to 12:30 a.m. ET in the latest extension […]

Jennifer Lopez is known for giving her all. But it looks like she might have given too much during rehearsals for her upcoming gig hosting the 2025 American Music Awards. On Tuesday (May 13), the singer/actress posted a series of pictures on her Instagram Story chronicling a nasty workplace injury she suffered during walk-throughs for […]

The Voice Season 27 is officially down to five finalists, but not before one of its most emotionally charged moments yet, a last-chance performance from Team Bublé’s Adam David, who took on Teddy Swims’ chart-topping hit “Lose Control” during Monday night’s (May 13) Instant Save round.

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Originally released in June 2023, “Lose Control” marked Swims’ breakthrough moment, becoming his first entry on the Billboard Hot 100. The single debuted at No. 99 and made a historic 32-week climb to No. 1 in March 2024, the longest consecutive rise to the top in the chart’s history. It went on to spend a record-breaking 60 non-consecutive weeks in the Hot 100’s top 10 and was named the No. 1 song on Billboard’s Year-End Hot 100 Songs chart for 2024.

Covering such a chart-dominating hit wasn’t a small feat, but David delivered. His rendition showcased vulnerability and vocal control and secured him the final spot in next week’s finale.

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The Voice Season 27 finale lineup is officially set, with the Top 5 finalists including RENZO (Team Legend), Lucia Flores-Wiseman (Team Adam), Jadyn Cree (Team Bublé), Jaelen Johnston (Team Kelsea), and Adam David (Team Bublé), who clinched the final spot via Instant Save.

The remaining contestants were eliminated following the live vote and Instant Save round: Conor James (Team Adam), Alanna Lynise (Team Kelsea), Kolby Kordell (Team Adam), Kaiya Hamilton (Team Bublé), Olivia Kuper Harris (Team Legend), Iris Herrera (Team Kelsea), and Bryson Battle (Team Legend).

It was an emotional night for all four coaches as they said goodbye to team members, including John Legend, who lost standout vocalist Bryson Battle in the Instant Save round.

“I find it difficult to even talk about this because I did not think you would be in this position today,” Legend told him. “You have given us performances that said you should be in the finale of this show. You gave us one yesterday, you gave us one just now on this stage, and you continue to be the epitome of what this show is all about.”

The Voice Season 27 live finale airs Monday, May 20 on NBC.

Blake Shelton returned to The Tonight Show Starring Jimmy Fallon on Monday (May 13), delivering a rousing live performance of his current single “Texas,” just days after releasing his new album For Recreational Use Only, which arrived May 9 via BBR Music Group/BMG Nashville.

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Accompanied by his longtime band, Shelton performed the rollicking, guitar-driven track, which chronicles a free-spirited woman who’s vanished from the narrator’s life, and is, in all likelihood, somewhere in Texas.

The track is the lead single from For Recreational Use Only, Shelton’s first full-length studio album in seven years. The 12-song collection includes collaborations with Gwen Stefani, John Anderson, and Craig Morgan, alongside tracks written by acclaimed songwriters Sarah Buxton, Zach Crowell, Shane McAnally, Greylan James, Pat McLaughlin and Bobby Pinson. The album also reunites Shelton with longtime producer Scott Hendricks.

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Before his performance, Shelton sat down with Jimmy Fallon and revealed that collaborating with Post Malone helped reignite his creative spark.

“Post Malone kind of got me, a fire lit under me,” Shelton said, referencing their duet “Pour Me a Drink.” “You know, it’s been four years since I put out a record… And just being around him, you can’t be around that guy without having a good time. He’s just so excited about everything.” Shelton added that the experience pushed him back into the studio.

“I was like, ‘Man, what am I doing? I need to make a record.’ He had me fired up again.” As for Malone’s country pivot, Shelton didn’t hold back: “Now he’s, like, doing the country thing. I don’t want him to go back to anything else. I just want him to do country music.”

Following “Texas,” Shelton released a brand-new song, “Let Him In Anyway,” a spiritual-minded ballad written by HARDY, Ben Hayslip and Jordan Schmidt. The song paints a redemptive picture of a man asking for divine forgiveness on behalf of a friend who “never fully went all-in on redemption.”

For Recreational Use Only marks Shelton’s first album under BMG Nashville, following his departure from Warner Music Nashville after a two-decade run.

Queens of the Stone Age have announced the release of their unique live performance in the Catacombs of Paris as a concert film and album.
Recorded in July 2024 and set to be released on June 6 via Matador Records/Remote Control Records, the unique performance saw the rock outfit head beneath the surface of Paris to perform within the sprawling 200-mile ossuary. According to a description of the location, its foundation is built out of “several million bodies buried in the 1700s,” with many of the walls composed of skulls and bones.

Frontman Josh Homme had dreamed of organizing such a performance since visiting almost two decades earlier, though was denied permission by the city of Paris, who had never previously allowed a band to play within. However, the respect the band held for the location ultimately resulted in their performance officially being sanctioned.

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“The Catacombs of Paris are a fertile ground for the imagination,” said Hélène Furminieux of Les Catacombes de Paris. “It is important to us that artists take hold of this universe and offer a sensitive interpretation of it. Going underground and confronting reflections on death can be a deeply intense experience. 

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“Josh seems to have felt in his body and soul the full potential of this place. The recordings resonate perfectly with the mystery, history, and a certain introspection, notably perceptible in the subtle use of the silence within the Catacombs.”

The unique nature of the location results in Homme and his bandmates – Troy Van Leeuwen, Michael Shuman, Dean Fertita and Jon Theodore – being backed by three-piece string section as they perform a stripped-back set planned and played with deference to the Catacombs. 

Recorded live with no overdubs or edits, the performance is paired with the acoustic ambience of dripping water, echoes and natural resonance as atmospheric lighting spotlights the band.

“We’re so stripped down because that place is so stripped down, which makes the music so stripped down, which makes the words so stripped down,” Homme explains. “It would be ridiculous to try to rock there. All those decisions were made by that space. That space dictates everything, it’s in charge. You do what you’re told when you’re in there.”

Queens of the Stone Age: Alive in the Catacombs will be available to rent or purchase via the band’s website, with an audio-only release to be announced in the coming weeks.

Notably, this isn’t Queens of the Stone Age’s first subterranean gig, with the group previously performing 2,300 feet underground at German salt mine, Erlebnisbergwerk Sondershausen, in November 2007. Originally planned for wider release, the semi-acoustic performance is yet to see the light of day, with the band’s split with Interscope Records assumed by fans to be the reason for its indefinite delay.

Some of Australia’s biggest musical exports are up for high-profile honors at this year’s AIR Awards, set to be handed out on July 31 at the Adelaide Town Hall in South Australia.

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Leading the charge in this year’s event are the likes of Royel Otis, who are up for four awards, just one year after being named breakthrough independent artist of the year at the 2024 edition. This year sees them up for the likes of best independent rock album or EP, independent album of the year, and independent marketing team of the year.

Royel Otis will be in fine company, sharing the former two categories with both Amyl and the Sniffers and King Stingray. Amyl, meanwhile, are also up for independent song of the year for “U Should Not Be Doing That,” which recently took out song of the year at the APRA Music Awards last month.

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Other well-represented artists at this year’s ceremony are Emily Wurramara, Confidence Man and Alice Ivy, who are up for four awards each, with the latter pair in contention for best independent dance, electronica or club single and Best Independent Dance or Electronica Album or EP. Acts such as Indigenous hip-hop supergroup 3%, Gut Health, and others are also hoping to take home multiples at the event.

“It’s a wonderful opportunity to recognise the work the independent music industry does in providing talented and emerging artists and music businesses with a platform to share their art with a wider audience,” commented South Australian minister for arts, Andrea Michaels MP.

Officially known as the Australian Independent Record Awards, the awards were first established in 2006 as an effort to “recognise, promote, and celebrate the success of Australia’s Independent Music sector.” This year also features a new category, with independent mix, studio or mastering engineer of the year set to be handed out at the July ceremony for the first time.

Some of Australia’s biggest musical exports have been recognized by the AIRs in recent years, including RVG, who took home last year’s best independent album for Brain Worms, and Jem Cassar-Daley, whose “King of Disappointment” was named best independent single/EP.

2025 AIR Awards Nominations

Best Independent Blues And Roots Album or EPEmma Donovan – Til My Song Is DoneLittle Quirks – Little QuirksMia Dyson – Tender HeartQueenie – New MoultSteph Strings – Cradle Mountain

Best Independent Hip Hop Album or EP3% – Kill The DeadDobby – Warrangu; River StoryLithe – What Would You Do?Miss Kaninna – KaninnaZiggy Ramo – Human?

Best Independent Country Album or EPHenry Wagons – The Four SeasonsKasey Chambers – BackboneLane Pittman – Lane PittmanMichael Waugh – Beauty & TruthThe Whitlams Black Stump – Kookaburra

Best Independent Jazz Album or EPClaire Cross – Sleep CycleLucy Clifford – Between Spaces Of KnowingMolly Lewis – On The LipsParvyn – MaujudaSam Anning – Earthen

Best Independent Classical Album or EPAustralian Chamber Orchestra – Memoir Of A SnailElectric Fields X Melbourne Symphony Orchestra – Live In ConcertKatie Noonan & Karin Schaupp – Songs Of The Southern Skies Vol 2Nat Bartsch – Forever ChangedSimon Mavin – Some Days EP

Best Independent Children’s Album or EPBunny Racket – PowerEmma Memma – Twirly TunesTeeny Tiny Stevies – The Green AlbumThe Quokkas – Songs For Silly BilliesThe Wiggles – The Wiggles Sound System: Rave Of Innocence

Best Independent Dance, Electronica or Club SingleAlice Ivy – Do I Need To Know What Love Is? Feat. Josh TeskeyConfidence Man – I Can’t Lose YouHaiku Hands – KicksMoktar – Haraka ’حركة’Odd Mob – Vertigo Feat. Ed Graves

Best Independent Punk Album or EPDon’t Thank Me, Spank Me! – Don’t Thank Me, Spank Me!Dune Rats – If It Sucks, Turn It UpGut Health – StilettoRadio Free Alice – PolyesterRegurgitator – Invader

Best Independent Heavy Album or EPNorthlane – Mirror’s EdgeOcean Grove – OddworldRedhook – MutationThe Amity Affliction – Let The Ocean Take Me (Redux)The Southern River Band – D.I.Y

Best Independent Dance or Electronica Album or EP1tbsp – Megacity1000Alice Ivy – Do What Makes You HappyConfidence Man – 3am (La La La)Ninajirachi – Girl EdmPnau – Hyperbolic

Best Independent Rock Album or EPAmyl And The Sniffers – Cartoon DarknessKing Stingray – For The DreamsParty Dozen – Crime In AustraliaRoyel Otis – Pratts & PainThe Rions – Happiness In A Place It Shouldn’t Be

Best Independent Soul/Rnb Album or EPBeckah Amani – This Is How I Remember It.Don West – Don WestElla Thompson – Ripple On The WingMilan Ring – MangosRadical Son – Bilambiyal

Best Independent Pop Album or EPAnnie Hamilton – Stop And Smell The LightningAsha Jefferies – Ego RideEmma Russack – About The GirlGood Morning – Good Morning SevenSheppard – Zora

Breakthrough Independent Artist of the Year – Presented By PPCA3%Gut HealthMiss KaninnaQueenieThe Dreggs

Independent Song of the YearAlice Ivy – Do I Need To Know What Love Is? Feat. Josh TeskeyAmyl And The Sniffers – U Should Not Be Doing ThatJem Cassar-Daley – Big ContainerOcean Alley – TangerineSycco – Meant To Be

Independent Album of the YearAmyl And The Sniffers – Cartoon DarknessEmily Wurramara – NaraKing Stingray – For The DreamsRoyel Otis – Pratts & PainThe Dreggs – Caught In A Reverie

Best Independent LabelABC MusicDinosaur CityEtcetc.I Oh YouImpressed Recordings

Independent Marketing Team of the YearABC Music, The Annex – Emily Wurramara, NaraFuture Classic, The Annex – Sycco, ZorbGyrostream – Lithe, Fall BackI Oh You, Mushroom Music – Confidence Man, 3am (La La La)Ourness, The Annex – Royel Otis, Pratts & Pain

Independent Publicity Team of the YearI Oh You, Mushroom Music – Confidence Man, 3am (La La La)Liz Ansley – Emily Wurramara, NaraSuper Duper – Radio Free Alice, PolyesterThinking Loud – Royel Otis, Pratts & PainTwnty Three Pr – The Rions, Happiness In A Place It Shouldn’t Be

Independent Music Video of the YearClaudia Sangiorgi Dalimore – Emily Wurramara, Lordy Lordy Ft. Tasman KeithNick Rae, Jordan Ruyi Blanch – 3%, Won’t Stop Feat. Jessica MauboyPond – Pond, (I’m) Stung!Rosemary Whatmuff – Kasey Chambers, Backbone (The Desert Child)Stephanie Jane Day – Emma Russack, Everything Is Big

Independent Producer of the YearAlice Ivy – Do What Makes You HappyBonnie Knight – Coldwave, The Ants/Italia ’06Dave Hammer – Lime Cordiale, Enough Of The Sweet TalkNick Didia – Ocean Alley, TangerineNina Wilson – Ninajirachi, Girl Edm

Independent Mix, Studio or Mastering Engineer of the YearNick Herrera – Miss Kaninna, KaninnaRobert Muinos – Rowena Wise, Senseless Acts Of BeautyRohan Sforcina, Lachlan Carrick – Emma Donovan, Til My Song Is DoneSteven Schram – Crowded House, Gravity StairsTom Iansek – Tom Snowdon, Lonely Tree

El Alfa is hitting the road this year for the last time in his two-decade career. On Tuesday (May 13), the Dominican artist announced his farewell tour, El Último Baile, with 34 confirmed dates. The “King of Dembow,” known for hits such as “La Mamá de la Mamá,” “La Romana” and “Singapur,” will kick off […]