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Ariana Grande was full of impressions during her latest hosting gig on Saturday Night Live. In addition to taking on Britney Spears, Miley Cyrus and Gwen Stefani during her hilarious opening monologue on Oct. 12, the Wicked star also did a spot-on impersonation of Celine Dion during a spoof of her promotional spot for the […]

Stevie Nicks has made her triumphant return to Saturday Night Live. The iconic Fleetwood Mac frontwoman performed on the long-running NBC sketch comedy show for the first time in 41 years during the Ariana Grande-hosted episode on Oct. 12. Dressed in her usual all-black ensemble, the 76-year-old singer-songwriter opened with a powerful performance of her […]

Ariana Grande brought her spot-on celebrity impressions to Saturday Night Live.
The Wicked star returned to the long-running NBC sketch comedy show as host on Oct. 12, where she reprised some of her hilarious pop star impressions during the opening monologue. Donning a beautiful pink gown, the 31-year-old superstar opened the episode by making it crystal clear that she was just hosting and not serving as the evening’s musical guest.

“I’m not going to make this about me,” Grande told the Studio 8H audience. “I’m just going to have fun, take it easy and keep it low key.”

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Moments later, she was subtly handed a microphone and began to break out into song, which included her favorite musical notes “C, D, B, A or G” and, of course, the opening line of Britney Spears‘ 1998 smash hit “…Baby One More Time.” She then belted out more impressive (and hilarious) impersonations of Miley Cyrus and Gwen Stefani.

Trending on Billboard

Grande’s song shifted to a more Broadway-style performance where she bumped into SNL cast member Bowen Yang, who was dressed as her Wicked character Glinda. “Bowen, didn’t anyone tell you? We cut the Wicked sketch!” she said to a disappointed Yang.

The “We Can’t Be Friends” singer once again confirmed that she wouldn’t be performing any of her music on the show. “I’m not going to do a duet tonight, so please don’t bring out Stevie Nicks,” she sang, referencing the night’s musical guest. “Worth a shot!”

Grande will appear in the upcoming live action adaptation of the Broadway musical Wicked, in which she’ll play Glinda opposite Cynthia Erivo’s Elphaba. Yang will play the role of Pfannee in the Jon M. Chu-directed film. The movie hits theaters on Nov. 22.

This weekend’s stint marked Grande’s second time helming SNL, following her hosting debut in 2016. After the release of her Billboard 200-topping album Eternal Sunshine earlier this year, the Grammy winner served as musical guest on a Josh Brolin-hosted episode of the show in March, and participated in a couple sketches, including a Moulin Rouge parody with Yang.

The next SNL episode on Oct. 19 will be hosted by Michael Keaton with returning musical guest Billie Eilish.

Watch Grande’s SNL monologue below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.

Jackmaster, the Scottish DJ and producer Jack Revill who co-founded the Glasgow record label and club night Numbers, has died, his family has confirmed. He was 38.
The news of Jackmaster’s death was posted in a message from his family that was shared on the DJ’s verified Instagram account.

He died on Saturday, Oct. 12, in Ibiza after suffering a head injury, according to the statement.

“It is with profound sorrow that we confirm the untimely passing of Jack Revill, known to many as Jackmaster,” his family wrote. “Jack tragically died in Ibiza on the morning of 12th October, following complications arising from an accidental head injury.”

“His family — Kate, Sean, and Johnny — are utterly heartbroken. While deeply touched by the overwhelming support from friends, colleagues, and fans, the family kindly requests privacy as they navigate the immense grief of this devastating loss,” the statement said.

Their words paid tribute to the eclectic DJ’s creative and professional accomplishments, and his role in the electronic music community: “Jack’s passion for music and his relentless drive to push creative boundaries through his work at the Numbers label and Rubadub Records in Glasgow, including discovering countless innovative artists, made him a beloved and pioneering figure in the electronic music community both in front of and behind the scenes. His talent for blending genres and delivering electrifying DJs sets and productions earned him the respect and admiration of peers and fans across the globe. His legacy will continue to inspire, and his impact on the world of dance music will remain indelible.”

Born in 1986, Revill worked at Glasgow record shop Rubadub and was an aspiring DJ as a teen, and adopted the nickname, and later stage name, Jackmaster in reference to the freestyle dance term from the Chicago house scene in the 1980s.

“I never worked for money,” he said in 2012 interview with Resident Advisor. “It was always just like, you would take a record per hour, so an import from Detroit or Chicago or New York was £7.50, which I guess you could say was quite a good wage.”

“I used to love it, even like the smell of the place, I was just obsessed with that shop,” Revill recalled of Rubadub, where he’d get his hands on new promo records and get to borrow them for gigs, access that he noted was “invaluable.” It was there that he built early industry connections and broadened his exposure to every subgenre.

In an interview with Billboard in 2017, Revill credited his 2011 FabricLive.57 mix, which contained foundational Detroit records (Model 500, Inner City, Underground Resistance) and surprises from mainstream pop (Sia, Radiohead, Skepta) as the mix that “catapulted me into being a DJ who has gigs every Friday and every Saturday, and it’s been that way ever since.”

Of the sheer variety of music in his sets, he told Billboard, “It just goes everywhere, then back again. Even I don’t know what’s coming next most of the time. My sets at their most eclectic would include everything I like: house, techno, disco, Italo, dubstep, grime, ’80s pop and everything in between.”

With Jackmaster’s name on the lineup at well-known clubs and festivals, he landed a BBC Radio 1 Essential Mix residency in 2014. Among his achievements, in 2016 he was awarded the Sub Club Electronic Music Award at the Scottish Music Awards, and in 2017 he received the Tennents’ Golden Can Award for his contributions to Scottish culture.

Over the years his record label Numbers — which merged his early label Wireblock with Dress 2 Sweat and Stuff — has released dozens of records, with early work from Jessie Ware, Jamie xx and the late Sophie among the label’s discography.

Amid all his successes, in 2018 he was the subject of brief controversy after being accused of sexual harassment at that year’s Love Saves the Day Festival in Bristol, U.K., where he said he was on GHB. In 2019 he spoke with Vice of his experience with GHB and his ongoing remorse over the blackout incident — after which he’d personally met with those identifying as victims, publicly apologized, and taken “an extended period out” to address his substance abuse through therapy and AA. “There’s no handbook for this,” he said of the situation.

But those affected by his conduct at the festival issued a statement supporting his return to music, writing: “He’s taken time out to work on himself and undertaken to never repeat this behaviour towards anyone else in future. He has our staff and the festival’s support in working towards these aims and his own future happiness.”

Post-pandemic he was actively back to gig life and creating mixes, and in 2022 released his Vizor/Early Experiments digital and vinyl set, which was his first full EP.

In an interview with Electronic Groove in March 2024 surrounding his single “Nitro” featuring Kid Enigma, Revill said, “I am building a new studio as a priority, getting back into buying vinyl, and collecting Celtic memorabilia, all healthy addictions for me, except for my bank balance.”

“I’ve been touring worldwide for 15 years. I’m obsessed with DJing. Can’t stop, won’t stop,” Revill told EG when asked about future plans.

Revill’s time on the road in 2024 was often documented by the DJ on Instagram, with a trip to the U.S. being a recent highlight. “Big up everyone who turned up!” he wrote. “Every time I come over to see you guys it seems to get better.”

He last posted two weeks ago about his September gig at the club Hï Ibiza, where he said the “vibe was wicked.” Last month he also proudly shared one of his earliest tunes was being featured in an Apple ad.

“You can’t explain it. It’s a rush from the tip of your toes right up to your head, manifested in a great big grin on your face, for me anyway. I try to let it be known when I’m enjoying myself on the decks,” Revill told Billboard in 2018, speaking of what it’s like to feel the buzz from the crowd.

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CRT FRSH, Hip-Hop Wired’s playlist where we attempt to showcase music we believe is “Certified Fresh,” has been on a far longer hiatus than intended. Now that we’re back, we’re trimming down the CRT FRSH playlist and updating the concept with our latest drop which we hope you all enjoy.
Some readers might remember I used to deliver a disclaimer before each playlist and I’ll do so again. The point of this disclaimer is to effectively share with you all the aims of CRT FRSH and how I want to stay true to the vision.

Disclaimer:

The CRT FRSH playlist is a labor of love. We don’t take payments nor do we do favors. We only add joints to our playlist that fit the theme and vision we’re going for and don’t seek to waste the listener’s time. Further, we don’t stick to one lane of Hip-Hop. We believe that all aspects of the music should get some light, whether it’s young lions in the trenches or those hoping for that one shot to blow up to grizzled veterans puffing out their chests with lots more to say.
I want to explain how I approach curating the CRT FRSH playlist. Most importantly, I don’t segregate my Hip-Hop. Every form of music from the main cultural tree deserves a listen and a look. When I construct the playlist, I want to include all regions across the States and, when applicable, across the globe. I also want to entertain every fan of Hip-Hop, not just those who enjoy one segment of it. Now that we’ve got that out of the way, let’s get to it.
It’s been a long time, I really shouldn’t left you, word to Rakim. Life got in the way of keeping the playlist updated but I’m back to try and enlighten not just the listeners and readers but also myself. As a longtime Hip-Hop supporter, I have serious FOMO when it comes to all the constant drops, and curating this playlist helps me to feel, ahem, fresh.
Unlike before when I would break up the list with “mainstream” or acts that are more established and follow that up with “underground” or little-known acts, I’m taking a new one-for-one approach to not bury anyone’s art and divide the sound. Like I say in the disclaimer, I don’t segregate my Hip-Hop.
We open up this week’s playlist with “HOLLON” from GloRilla, who just dropped her debut studio album, Glorious. Next up, Boldy James and Conductor Williams dropped a masterful project in Across The Tracks and we added their stellar “Flying Trapeze Act” track. We keep the Conductor Williams train rolling, pun very much intended, with “FEELINGS ON SILENT” featuring Wale from Leon Thomas’ latest album MUTT.
Taking things up to Harlem, 100GrandRoyce teamed up with producer Dame Grease for their The Fix 2 project and the intro track is an absolute banger. We then return to The D and share Tee Grizzley’s “Blow for Blow” featuring J. Cole from Tee’s new Post Traumatic album that dropped earlier in October. Australian producer SB11 dropped a fresh platter of heat in his Heavenly Unknown album and “Silent And So Cold” features the heavy-duty bar work of Flashius Clayton, Planet Asia, and Defcee.

We round out the rest of the CRT FRSH playlist with tracks from Ransom, Conway The Machine, Doechii, Hus Kingpin, REASON, Rod Wave, Future, Powers Pleasant, and more.
Peep the playlist below.


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Brantley Gilbert was pulled off the stage Friday night in Tupelo, Mississippi, for his baby’s birth — on his tour bus. Gilbert’s wife, Amber, went into labor during the Oct. 11 concert and delivered the couple’s third child on the bus.
“So last night might have been the craziest night of my life,” the country singer revealed in a post on Instagram the next day (Saturday, Oct. 12). “Watching such an amazing woman do such an amazing thing is something I’ll never forget.”

Gilbert’s update included a video that captured the wild birth story, beginning with the singer’s rush from the stage just after the concert started. He’s currently on the road for his Off the Rails Tour.

Trending on Billboard

The proud parents shared a glimpse at the newborn in their first photos with the baby, which were added to the video, and the phone call Gilbert had with his mom: “How are you?” she asked, to which he replied, “Not as good as you are about to be. You got a new grandbaby.”

“She’s a freaking savage,” he said of Amber.

Gilbert, who just released his new album Tattoos last month, went back inside and finished the show, but not before relishing in cheers from the crowd when he announced, “We got a baby!”

The “Over When We’re Sober” singer added a note of gratitude in his Instagram post: “Thank you to our road family for rallying around us, Brittany Thornton for helping us bring this little dude into the world, Tupelo, Mississippi for showing us mad love and support, and most of all… Amber Gilbert, for letting me love you and showing me EXACTLY how incredibly strong a woman can be. I love you.”

Brantley and Amber announced they were expecting on Mother’s Day. The new addition to the family joins two big siblings, Barrett and Braylen.

Watch the recap of what happened in Tupelo, and see the couple’s sweet newborn, below.

Ye (formerly Kanye West) is being sued by a former assistant who alleges the rapper drugged and sexually assaulted her during a studio session he co-hosted with Diddy.
Lauren Pisciotta, the ex-assistant who filed the new lawsuit, previously sued Ye in June, when she accused him of sexual harassment, breach of contract and wrongful termination; a legal rep for Ye denied the lawsuit’s allegations in June.

Amended court documents were filed in California on Oct. 8 and first obtained by TMZ, according to The Hollywood Reporter, who reached out to Ye’s rep for comment.

Pisciotta, who worked for Ye for a year, claims in the October filing that she and an unnamed artist management client were invited to one of Combs’ studio sessions.

She says “drinks were served to her and others in attendance, followed by an announcement that everybody had to drink, if they wanted to stay.”

“After a few small sips of the beverage, poured at the direction of Kanye West a.k.a. Ye by a studio assistant and then served to her by Kanye West, Plaintiff suddenly started to feel disoriented,” the suit alleges. Pisciotta claims she got roofied. Pisciotta says upon waking up she felt “immense shame and embarrassment” but could remember almost nothing about what happened.

She alleges Ye brought up that night to her years later, telling her they “did kind of hook up,” and that he provided details about what happened.

Pisciotta, an OnlyFans model, worked for Ye first as an executive assistant and later as chief of staff for his companies.

Sean “Diddy” Combs is named in the amended case filing as co-host of the studio event on the night of the alleged incident. However, Pisciotta has not made any accusations against him.

Diddy is currently being held in a Brooklyn jail, awaiting trial after his Sept. 16 arrest on sex trafficking and racketeering.

Summer Walker‘s Finally Over It album, featuring a new single called “Heart of a Woman,” is on its way. The new release was announced Friday (Oct. 11), but she hasn’t shared the official date of its arrival yet. Finally Over It (LVRN/Interscope Records) is Walker’s third studio album and the follow-up to her 2021 chart-topping […]

Eminem‘s daughter Hailie Jade Scott has revealed the gender of her first baby. During Friday’s (Oct. 11) episode of her Just a Little Shady podcast, the 28-year-old sat alongside her husband, Evan McClintock, to share the exciting news with fans. The couple used a gold-colored balloon filled with either pink or blue confetti to make […]

R. Kelly’s daughter Buku Abi is claiming in a new documentary that her father sexually abused her as a child.
Abi, whom Kelly shares with his ex-wife Andrea “Drea” Kelly, made the accusation in the two-part series R. Kelly‘s Karma: A Daughter’s Journey, which premiered through the TVEI Streaming Network on Friday (Oct. 11).

“He was my everything. For a long time, I didn’t even want to believe that it happened. I didn’t know that even if he was a bad person that he would do something to me,” Abi, whose legal name is Joann Kelly, says in the episode. “I was too scared to tell anybody. I was too scared to tell my mom.”

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In the second episode, Abi, now 26, claims the abuse happened when she was 8 or 9 years old. “I just remember waking up to him touching me,” she tearfully recalls. “And I didn’t know what to do, so I just kind of laid there, and I pretended to be asleep.” She added, “from that moment on, I was a different person.”

Abi says she initially reported the alleged abuse to her mother in 2009, and a complaint was filed under “Jane Doe,” but the statute of limitations had run out. “They couldn’t prosecute him because I waited too long. So at that point in my life, I felt like I said something for nothing,” she said.

Kelly’s attorney Jennifer Bonjean said in a statement to People that the imprisoned singer “vehemently denies these allegations. His ex-wife made the same allegation years ago, and it was investigated by the Illinois Department of Children & Family Services and was unfounded…. And the ‘filmmakers,’ whoever they are, did not reach out to Mr. Kelly or his team to even allow him to deny these hurtful claims.”

The disgraced R&B singer, whose real name is Robert Sylvester Kelly, is currently serving a 30-year prison sentence after he was convicted of racketeering and sex trafficking charges in 2021. In 2022, Kelly was also convicted of six counts of child pornography and enticing a minor to engage in sexual activity.

The first two episodes of R. Kelly’s Karma: A Daughter’s Journey are currently streaming through the TVEI Streaming Network.