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Trending on Billboard 50 Cent wasted no time in trolling BMF star Lil Meech after the Starz series was canceled following four seasons. 50 fired away on Instagram on Wednesday (Oct. 29) after news of the show produced by his G-Unit Film & TV division was canned. He posted a series of Photoshopped pictures featuring […]
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Megadeth has revealed the tracklist for its upcoming final album, and it’ll include a long-awaited bonus track.
The band revealed its self-titled album, due out Jan. 23, will have 10 tracks and will include an 11th bonus song called “Ride the Lightning.” The song was cowritten with Metallica’s James Hetfield, Cliff Burton, and Lars Ulrich, which Megadeth’s frontman Dave Mustaine explained was included on the album to celebrate his career.
“As I come full circle on the career of a lifetime, the decision to include ‘Ride the Lightning’, a song I cowrote with James, Lars and Cliff, was to pay my respects to where my career first started,” Mustaine said in a statement.
Megadeth announced in August the band would be saying farewell after 16 albums. Mustaine confirmed their next project would be the group’s last, sharing a video to the band’s YouTube and social media pages that included Mustaine’s alter ego, Vic Rattlehead, delivering the news.
“For over four decades, I’ve been chained in silence, but the end demands my voice,” Vic begins while seated behind a desk. “It is confirmed: The next Megadeth studio album will be the last. Forty years of metal, forged in steel, ending in fire. And when the new year rises, the global farewell tour. You’ve heard the warning. Now prepare yourself, Cyber Army. Stay loud, stay tuned, and meet me on the frontlines.”
Mustaine then thanked fans in a press release for their commitment and celebrating the band’s impact on rock. “There’s so many musicians that have come to the end of their career, whether accidental or intentional,” he said at the time. “Most of them don’t get to go out on their own terms on top, and that’s where I’m at in my life right now. I have traveled the world and have made millions upon millions of fans and the hardest part of all of this is saying goodbye to them.”
The band will additionally join Iron Maiden on its Run for Your Lives Tour next year.
Check out the tracklist below.
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Jason Kelce might be gaining one of music’s biggest stars as a sister-in-law, but that doesn’t mean he’s any the wiser to the boundaries of basic musical genres. In a hilarious moment on Kylie Kelce’s Not Gonna Lie podcast posted Thursday (Oct. 30), the retired Philadelphia Eagles center left his wife absolutely perplexed when he classified a certain pop star — who’s previously collaborated with Taylor Swift — as a “hip-hop” artist.
While sitting together on a couch dressed in Frozen-themed Halloween costumes (Kylie showed up as Olaf the snowman, while Jason channeled Kristoff), the couple poked fun at their own lack of pop-culture knowledge by facing off in a round of trivia. When the football player challenged the podcaster to name one of the three artists who are set to headline Coachella next year, he provided the following hint: “I would say the two that I know are hip-hop artists.”
“You have guaranteed heard multiple [songs by] 2 and 3,” Jason continued, trying to help Kylie out. “One of them is on a new song with Taylor.”
The latter clue led Kylie to correctly guess Sabrina Carpenter, who guested on Swift’s The Life of a Showgirl title track released earlier in October. The two-time Grammy winner will split the Coachella billing with Justin Bieber and Karol G — none of whom are known for making hip-hop music — in 2026.
A puzzled Kylie then asked, “Did you count [Carpenter] in hip-hop?”
“I mean, what else would she be?” Jason replied, adding that pop and hip-hop are “the same thing these days” when the former field hockey player informed him of Carpenter’s actual genre.
Looking aghast, Kylie couldn’t help but go silent with a baffled expression for several seconds.
Though Jason is right that hip-hop is very popular, Carpenter has never once charted on any of Billboard‘s rap, R&B or hip-hop rankings. She has, however, scored multiple hits on the Billboard Hot 100 — including No. 1 singles “Please Please Please” and “Manchild” — as well as several pop, dance and country charts.
But, who knows? Perhaps Carpenter will make the pivot to hip-hop at some point, and if nothing else, Jason’s classification of her music may very well make for a hilarious conversation when their paths presumably cross at Travis Kelce’s future wedding to Swift.
Watch the full interaction on the latest episode of Not Gonna Lie above.
Trending on Billboard Drake is ready to party like it’s 1993 if the Toronto Blue Jays capture their first World Series title in 32 years on Friday night (Oct. 31). The 6 God took to Instagram on Wednesday night (Oct. 29) after the Jays throttled the Dodgers 6-1 in a decisive game five to taunt […]
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This article was created in partnership with AEG Presents.
The Billboard Live Music Summit returns to Los Angeles on November 3, honoring Usher as Touring Artist of the Year. With 8 Grammy Awards, 9 Billboard Hot 100 No. 1 hits, and countless sold-out arena tours, Usher has built a career few can rival. From his record-breaking Las Vegas residency to his electrifying world tours, he continues to redefine what it means to be a live performer. Another notable name in Latin music is Rauw Alejandro, who will be speaking with Hans from Live Nation and Leila Cobo on his rise in the Latin music space and his experience on touring.
Usher and Rauw Alejandro will appear in conversation during Billboard‘s Live Music Summit, held Nov. 3 in Los Angeles. For tickets and more information, click here.
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From iconic festival to global tour promotion for superstar artists, to some of the most iconic and well-known venues, AEG Presents is a world leader in the music and entertainment industry. They are a part of every step of creating a live music experience, bringing fans and artists together, which will all be covered at the Billboard Live Music Summit and Awards.
This year’s Live Music Summit will bring a wide range of touring executives and music industry professionals together for a day of insights and conversation. The event featured Usher along with other top artists and key touring executives sharing their perspectives throughout the day.
AEG Presents will be sponsoring the Luncheon, which will be held in between panels during the Live Music Summit. The Luncheon will allow artists, attendees, and panelists an opportunity to talk in a more relaxed setting, allowing for additional conservations and networking opportunities.
Usher will sit down with Gail Mitchell to speak about his current tour and how he went from being an aspiring artist to a household name. Usher’s legacy is unmatched – a 28-year touring career, which has taken him to arenas, residencies and the world’s largest stage: the Super Bowl.
Rauw Alejandro and Hans from Live Nation will join Billboard Español’s Leila Cobo in conversation about his rise in Latin Music and touring. Both Usher and Rauw Alejandro had two of the biggest tours in 2025. Which makes them the perfect representatives on the artists front. They will both appear on November 3 at the Billboard Live Music Summit and Awards in partnership with AEG Presents.
Rauw Alejandro
Marco Perretta
The Ticketing Panel panelists include Kristen Mitchell (Wasserman), Lauren mcKinney (Foundations Artist Management), and Dean Dewulf (AXS) and will be moderated by Dave Brooks (Billboard). Ticketing is one of the most important aspects of the touring industry, connecting fans to their favorite artists. The panel will focus on accessibility to tickets, fan first ticketing, and the steps ticketing partners are striving toward for the future.
The Agents Power panel will bring together top agents from WME, CAA, UTA, AGI, and Arrival Artists to cover all things related to artist development and representation.
Following the Ticketing, Usher Legend of Live, and Agents Panels in the morning, the AEG Sponsored Luncheon allowed leaders and attendees to come together by creating a space for networking and discussion in a relaxed, professional setting.
Live Music Summit 2025
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Billboard Live Music Summit 2025 returns on November 3 in Los Angeles. Click here for more information, the programming schedule, and to buy tickets.
For over two decades, Keith Caulfield has been an integral part of the Billboard charts team, tabulating which singles and albums are the most popular in the United States. To be more specific, Caulfield — managing director of charts and data operations — looks after the Billboard 200, the standard bearer for an album’s performance […]
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When Juan Gabriel released his debut album El Alma Joven (1971) — which included the hit “No Tengo Dinero” — and received his first paycheck, the iconic Mexican singer-songwriter bought a house for his mother and gifted himself a Super 8 camera to meticulously document his life on and off stage. Years later, that vast video archive became the foundation for a documentary narrated in his own voice.
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In Juan Gabriel: I Must, I Can, I Will (Juan Gabriel: Debo, Puedo y Quiero), a four-episode docuseries available on Netflix starting Thursday (Oct. 30), the artists also known as the “Divo de Juárez” is showcased like his audience has never seen before: through his own lens and from his intimate perspective. This was made possible thanks to access granted to documentary filmmaker María José Cuevas to hundreds of tapes recorded by the artist himself from the 1970s until shortly before his death in August 2016.
“What makes this project unique is being immersed in the two personas: the private and the public figure,” Cuevas tells Billboard Español in an interview in Mexico City. “Juan Gabriel was music. Alberto Aguilera Valadez (his real name) was his pause.”
Cuevas explains that she relied on hundreds of home videos, concert recordings, family scenes, and intimate moments that had been stored in a warehouse for over 40 years. But the sheer volume of material — “all filmed by him and for him,” she emphasizes — became the project’s main challenge for the filmmaker, producers Laura Woldenberg and Ivonne Gutiérrez, and their team.
“Any cassette could hold a gem. There were tapes in 8 mm format, VHS, everything,” Gutiérrez recounts. “We had thousands of photos, many audio and video files, but the story was crafted by Juan Gabriel with the recordings he left behind.”
The series title comes from a newspaper headline after his first concert at the iconic Palacio de Bellas Artes in 1990, a performance that sparked great controversy due to criticism of his desire to perform at Mexico’s most prestigious cultural venue as a popular artist. This chapter in the great singer-songwriter’s life is one of the most symbolic moments in the documentary. The phrase is also included in his song “Debo Hacerlo.”
Juan Gabriel in Juan Gabriel: I Must, I Can, I Will
Netflix
That very first concert in 1990 — one of three Juan Gabriel performed at the Palacio de Bellas Artes throughout his career — will be screened at the Zócalo in Mexico City, the country’s main public square, on Nov. 8 as part of the promotion for Juan Gabriel: I Must, I Can, I Will. Thousands of attendees are expected, much like in Sept. 2024, when a projection of his 2013 show drew 70,000 people.
For Cuevas, who also directed the 2016 documentary Bellas de Noche, about legendary Mexican vedettes, the incredible aspect of Juanga’s docuseries is the timeline of his story in video, which allows the viewer to witness the journey from beginning to end. “To understand the public persona, the idol, you first have to know Alberto,” the filmmaker explains. “That story is in his songs. Alberto is the songwriter, but Juan Gabriel is the performer.”
Juan Gabriel, known internationally for classics like “Querida” and “Amor Eterno,” died on August 28, 2016, at his home in Santa Monica, California, of natural causes, in the middle of a concert tour. He was 66.
Inducted into the Billboard Hall of Fame in 1996, he built a legacy as a multifaceted artist over more than four decades, recording songs in genres as diverse as ranchera, ballad, pop, and bolero, and producing for other artists. Among his many achievements, he sold over 150 million records, wrote more than 1,800 songs, released 34 studio albums, was nominated for six Grammy Awards, won three posthumous Latin Grammys, and saw more than 20 of his hits reach the top 10 on the Billboard charts, including seven No. 1s on Hot Latin Songs. His hit “Yo No Sé Qué Me Pasó” inaugurated the first edition of that chart in 1986, at No. 1.
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New York voters will go to the polls on Tuesday (Nov. 4) to pick a new mayor, and in at least one late-breaking survey, leading contender Democratic Socialist Zohran Mamdani is on top again when it comes to his knowledge of iconic New York musicians. The democratic nominee who is facing off against former Gov. Andrew Cuomo, popped in to the Track Star podcast this week to test his music IQ with host Jack Coyne, and the results were an across-the-board sweep.
Well, except for one legendary Long Island-based songwriter whose music Mamdani was surprisingly unfamiliar with.
Coyne started with a layup, with Mamdani smiling as he instantly identified Jay-Z and Alicia Keys’ 2009 classic “Empire State of Mind.” Coyne suggested that his music test was “more important” than running for mayor, with Mamdani joking that despite his double-digit lead at press time, he feared he was “about to lose the race” if he blew the quiz.
He aced the next one as well, singing along to the chorus of the Strokes’ 2001 classic “Someday,” and casually dropping that his pal, band singer Julian Casablancas, is a “great guy,” who, despite working in a “pretty dirty” profession is a “straightforward, sincere, nice” person.
And you know track three was no worry, since it was his own song with HAB, “#1 Spice,” released under his nom de rap “Young Cardamom,” in 2016. If having a candidate who has dropped bars didn’t already make you feel old, the 34-year-old aspiring city leader said he recorded his first verses for an AP Lit class in high school before a friend from his native Uganda hit him up to record the track that he later heard a different politician using to hype his own campaign.
Within seconds, Mamdani blew a kiss to indicate that he knew Coyne was rocking Yonkers MC Jadakiss’ 2001 single “We Gonna Make It,” with the candidate revealing that his dream walk-on music is Ja Rule and Jada’s 2004 anthem “New York.”
He ran the board on the next three, correctly bagging the Beastie Boys’ party starter anthem “No Sleep Till Brooklyn”, grooving to the “incredible” Frank Sinatra’s “New York, New York” and bobbing his head to Queens’ own Mobb Deep and their 1995 single, “Survival of the Fittest.”
“M-O-B-B-D-E-E-P,” Mamdani chanted.
And then things went off the rails.
As the legendary piano intro to Long Island legend Billy Joel’s 1976 homage to his home, “New York State of Mind,” played over his headphones Mamdani had to get real. “You know, as a politician it’s important to be honest,” he said as Coyne tried to help out by noting that the musician plays piano and is, as we said, from Long Island.
Nothing.
“That’s not on your go-to playlist?,” Coyne asked. “Got to be honest, no,” Mamdani said, hoping that his fellow New Yorker’s won’t ding him for not knowing the track from the artist who holds the record for the most shows by an act at Manhattan’s Madison Square Garden at 150.
Mamdani proved his music bona fides last week as well, when he popped up for a surprise cameo on Friday (Oct. 24) at PinkPantheress’ Brooklyn show at the Kings Theater. When the camera cut to him in the audience, he flashed the get out the vote message, “Our Time Has Come Vote Nov 4,” which was scrawled across his hands.
Watch Mamdani on the Track Star show here.
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Karol G made her debut on The Jennifer Hudson Show on Thursday (Oct. 30), where she talked about her latest career milestones including performing with Andrea Bocelli at the Vatican, the Victoria’s Secret Fashion Show and soon becoming the first Latina to headline Coachella.
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“When [Bocelli] invited me, I said no, because I was super nervous,” Karol admitted to Hudson. “It’s the Vatican, we’re going to sing in La Plaza San Pedro, I’m going to perform for a lot of people and with Andrea Bocelli. I don’t know if I’m ready, and I was doing a lot of stuff at the same time, so maybe it wasn’t the moment to do this? So, I said no. My mom got crazy, [and said], ‘How is this possible? Karol, this is an opportunity that you have every 25 years, because the jubilee is every 25 years.’ So I was like, ‘OMG that’s true, so maybe the opportunity came to me because I’m ready. I’m actually ready.’”
Karol ultimately joined the iconic Italian tenor for a performance of “Vivo Por Ella” at the Grace for the World concert that took place in Vatican City in September.
Weeks later, the Colombian superstar was strutting the runway at the Victoria’s Secret Fashion Show in October.
“I grew up watching the show and living the fantasy,” she said. “ I never thought I would be able to be there, with my shape, my curves, the music that I do in Spanish, but actually, I was there. The first thing I thought about when creating the show was the wings and then the performance. I was like, ‘Can I have the wings?’ because if I’m going to be, like, a Victoria Secret Angel, I need my wings. It was amazing … the moment of the show was the runway. I loved the runway. I was having so much fun.”
Next Spring, the “Provenza” singer will headline the 2026 Coachella Valley Music and Arts Festival in Indio, Calif. She told Hudson: “I have a mantra in my life: You don’t lose the opportunity because you’re not ready. You get ready and you take that opportunity.”
Watch the interview clips below:
Billboard’s Live Music Summit will be held in Los Angeles on Nov. 3. For tickets and more information, visit the event’s website.
This article was created in partnership with BetterHelp.
Noah Cyrus has always been open and vulnerable when it comes to her mental health. It’s a through line in her art. Billboard and BetterHelp teamed up to bring viewers an exclusive interview with Cyrus at one of the best moments of her life, personally and professionally. We chatted with Noah, before the Brooklyn stop of her I Want My Loved Ones to Come with Me Tour, about her feelings around her new album, this stage of her life, and the importance of therapy.
When describing her latest album, Noah said “This album is much more about transitioning and moving forward and it being more of a comforting release, rather than something painful that you’re walking away from.” Which is completely fitting for this stage of her life. She released a critically acclaimed album with “I Want My Loved Ones to Come with Me,” toured North America, played the Grand Ole Opry, and announced she’ll be performing at StageCoach 2026. On top of that, she’s found the love of her life in fiancé, Pinkus.
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Getting to this point had its ups and downs but through therapy, she’s wound up on top. Noah described her lowest point at around 20 years old, when she was addicted to downers. “I had recently lost my grandmother at the time, and it just felt like I had pushed myself so far away from my family and my mom, who I’m so close with and I had really just gotten myself in such a dark place and I felt so alone.” That is when she reached out to her therapist and said she started to be honest with them.
After coming up with a plan to treat her addiction and unpack all the layers of trauma that she had accumulated, Noah said the first six months were really difficult but after a year she really started to see a change in herself. But to this day she says she’ll still get triggered by things. “Living with somebody, opened my eyes up to a lot more that I wanted to work on with myself.” Noah says moving in with her fiancé opened her eyes to what else she could achieve through therapy. It made her think “How do I coexist with this person and how do I not let my past traumas get in and hurt this person or fracture this relationship? Because that was the last thing I wanted.”
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While thinking about her journey with therapy, Cyrus believes it isn’t something you work on for a few weeks or months, but a long process that takes time. With time, it made her day-to-day life better. “It helped me just enjoy life more. When I really started to take therapy seriously, after my addiction, I did not want to be alive. I did not have any feelings or connection to life and what it feels like to live.” During our interview, she got emotional saying “When I look back on it, I think about how I didn’t know at the time that I would be at a place where I am standing here now in an interview like this being able to talk about my success in getting healthier.”
In this moment, Noah says she can enjoy the success of her new album, her tour, her engagement, and looks forward to the future where she can start a family and become a mother. “I feel so lucky to have the resources of therapy and recovery treatment and being able to discover this side of myself that actually does love myself and does want myself to live and be happy and have a life to feels fulfilled.”
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By sharing her story, Noah is helping her fans see the opportunities that come from therapy. “My one hope for anyone that’s feeling lost with that is that therapy can bring that to them. And that therapy really did, it like completely saved my life.” Cyrus ended our interview with a message to viewers who may be afraid to start therapy, saying “Just giving it that one try and getting your foot in the door even if it doesn’t work for you, I encourage it because of how much I can just sit here and say from my personal experience how much it helped, and changed, and saved my life in so many ways.”
If you or someone you know is struggling, BetterHelp can help you take that first step. Learn more at betterhelp.com/tunedin
