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Morgan Wallen’s Nashville court date for throwing a chair off the roof of Eric Church’s bar has moved from Thursday (Aug. 15) to Dec. 12 after the judge granted a continuance in the case. Explore Explore See latest videos, charts and news See latest videos, charts and news Wallen, who is headed to Sweden later this […]

When it comes to consistency and authenticity in hip-hop, Larry June has long been a standout figure. Over the course of 15 years, June has cultivated a sound that is unmistakably his own, one rooted in the laid-back vibes of the West Coast, but broad enough to resonate with listeners from all walks of life. Now, with the release of latest album Doing It for Me, out last Friday (Aug. 9), the San Francisco rapper is stepping into a new phase of his career — reflecting not only on his growth as an artist but also his evolution as a person, a journey that his fans can relate to.

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“I did a lot of collaborating on projects before, and everything was smooth, but I wanted to do this 100% my way,” he tells Billboard on the day of the project’s release. “I wanted it to be something I’d want to play when I’m in the whip, something that’s made for me to vibe to. And if people f–k with it, that’s even better.”

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June’s previous album, The Great Escape — a collaboration with legendary producer The Alchemist, also featuring appearances by Big Sean, Ty Dolla $ign, and Wiz Khalifa — peaked at No. 32 on the Billboard 200, and was hailed by fans and critics as a masterclass in West Coast rap. “Our chemistry, it’s easy,” June explains. “Alchemist brings me into a different world, lyrically. We’ve got a good friendship and bond, so it’s natural.”

Unlike his previous releases, Doing It for Me is a solo endeavor, and features no guest appearances. This was an intentional choice that June believes allowed him to fully express his artistic vision: While The Great Escape was a collaborative effort, Doing It for Me is all about June’s solo journey, boasting rich production with the classic funk influences that have become a staple of his sound. 

“I’d say the only thing that sets [this project apart from others] is me taking a little more time with it, adding more to the production,” he says. “Other than that, it’s the same vibe. I talk about the same stuff, just making it better quality, adding better stitching here and there, and touches I didn’t care to add in previous projects. But inspiration-wise and lyrically, it’s the same.”

Below, Billboard speaks to Larry June about where he’s mentally at this career stage, manifesting a collab with The Neptunes, what fans can expect from a second project with Alchemist, and why he keeps creating.

This album showcases a lot of your personal growth. It’s like your perspective on life has changed over the years.

Yeah, for sure. I feel like people are just growing with me as I grow, and I talk about it and show it through visuals and stuff. It’s just growth, man, and I’m growing in a cool way. I’m very appreciative and just keep going.

So how do you stay motivated and find inspiration after all these years? What drives you to keep pushing boundaries or staying creative?This answer always changes for me because things change, but right now, I just love making music. It’s my outlet to free any anxiety I’m going through. I just love making music, so I do it for fun, put it out there. I can put projects together. And that’s what keeps me going. I’m not looking for high expectations, more often than not I’m just doing me. And whatever comes with it, comes with it.

You have a loyal fan base who supports you and is dedicated to all your releases. Do you have any memorable moments with your fans that really stick with you?

Yeah, when I was in New York at SOBs performing my first solo show, I looked in the crowd, and a dude had a NutriBullet asking me to sign it. So I signed it on stage. That was cool. He brought his smoothie machine to the show. That was hard. I’ve got some cool-ass fans, man. When I meet my fans, it doesn’t feel forced. It feels like I’ve known them for so long — it’s kind of weird, but in a good way.

Every artist has a certain kind of fanbase. Your fans seem educated, smart, but cool and laid-back.

I appreciate that. I think it’s because when I walk into a building or anywhere, I don’t rehearse this. I’m just myself — like I’m talking to my mom, my dad, or anybody. You’ll get the 100% me, so it’s easy. If you f–k with me, you do; if you don’t, you don’t. But I don’t give a fuck. I’m doing it for me. Not even being selfish, but — sometimes, you’ve got to do it for yourself. We only got one life to live, so do what makes you happy.

What’s something you’ve learned about yourself recently?

That I like natural spring water. I get it delivered to the crib, six cases. That’s all I drink, and it makes me feel a lot better. It’s called Alive Waters. They come to the crib and fill the tank with this natural water. You can’t have it in the sunlight, or it’ll grow algae and s–t. It’s real, no chemicals, nothing.

Are there any other creative endeavors you’re exploring right now outside of music?

I’ve been brainstorming. I want to come out with a blender or something like a juicer, kind of how George Foreman did his thing. I’ve been thinking about that, figuring out the best way to do it. I want to get the best products and everything, so I’m looking into that. I think it’d be dope.

Your previous album The Great Escape with Alchemist got a ton of praise. I saw a clip recently where you mentioned you have another project with Alchemist on the way. Can you give us a hint about what to expect from that?

It’s gonna feel like The Great Escape Part 2. We’re still escaping, so it’s gonna be another sequel to the movie. The vibe won’t change; it’s just a continuation.

Is there anyone else you can see yourself wanting to do a collab project with?

I’d like to do something with the Neptunes — that’d be dope. I haven’t really thought too deeply about it, but that’d be crazy. I’m always down for more with Curren$y, too. We can do this in our sleep.

SZA keeps her fingers on the pulse of what’s happening in music, but there are even times the Grammy-winning singer-songwriter is blown away by her peers.
Solána came across a video of Sabrina Carpenter’s cover of Jazmine Sullivan’s “In Love With Another Man” over the weekend, and SZA gushed over Carpenter’s dulcet vocals while playing the piano.

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“Wait huh !??????? Am I crazy for not know she got down like this,” SZA wrote while in shock after coming across the viral clip in an Instagram comment.

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Fans from both sides loved seeing the heartwarming interaction between the stars, and chimed in about hoping to see them collaborate down the line.

“I love how sza supports the true talent girlies,” one person replied.

Another added: “Imagine a SZA x sabrina collab tho omg?”

One more sang Sabrina’s praised: “Wait cause i ain’t know she got down like that either chi OUU SHES TAKING IT I HAVE NO CHOICE BUT TO STAN.”

“In Love With Another Man” hails from Jazmine Sullivan’s 2008 debut album Fearless.

The 25-year-old will have the chance to show off her vocal range on her upcoming Short n’ Sweet album, which arrives on Aug. 23. In the weeks leading up to the project, Carpenter continues to dominate the Billboard Hot 100 with “Espresso” (No. 4) and “Please, Please, Please” (No. 9) remaining in the top 10.

Sabrina is slated to hit the road in September as part of an arena tour supporting the LP. The North American trek kicks off in Columbus, Ohio, on Sept. 23 and will make stops in Toronto, Detroit, NYC, Philly, Montreal, Dallas, Denver, Portland, Los Angeles and other cities.

Carpenter served as a headliner at San Francisco’s Outside Lands 2024 on Saturday (Aug. 10), where she surprised festivalgoers by bringing out Kacey Musgraves for a performance of Nancy Sinatra’s 1966 Hot 100 No. 1 “These Boots Are Made for Walkin’.”

As for SZA, she announced earlier in August that she’s stepping away from the stage for the foreseeable future. The announcement came after she headlined Montreal’s Osheaga Festival on Aug. 5.

“Yesterday was my last show for a while,” SZA wrote on X (formerly Twitter). “Finally bout to get my life together thank u God.”

With Marvel’s Deadpool & Wolverine quickly sprinting past $1B in box office grosses on its path to unseating Joker as the highest-grossing R-rated film in history, Marvel has given the film’s fans something else to cheer about.
After extensively featuring Madonna‘s 1989 hit “Like a Prayer” in the film’s official trailer as well as prominently in the Ryan Reynolds/Hugh Jackman buddy superhero flick, the studio released two new versions of the track over the weekend. The Like a Prayer EP features the original version, as well as film composer Rob Simonsen mixing the joyous song with even more choir voices, a stirring organ line and dramatic strings.

The “Choir Version,” which features the I”ll Take You There choir, leans even further into the the spiritual side, focusing on the uplifting gospel vocalists.

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Last month, director Shawn Levy described the process of securing the rights to license the song for the film, which included a personal plea to the Rock and Roll Hall of Fame legend. “It did involve a personal visit to Madonna, where we showed Madonna the sequence where ‘Like a Prayer’ would be used,” Levy said.

“Also, let’s preface it with the fact that they don’t license — that Madonna doesn’t just license the song, particularly that song,” Reynolds chimed in. “It was a big deal to ask for it and certainly a bigger deal to use it. We went over and met with her and and sort of showed her how it was being used, and where, and why.”

And, Madonna being Madonna, star Reynolds said the singer had some thoughts on how they should use the song in the film. “She gave a great note,” Reynolds said. “She watched it, and I’m not kidding, [she said], ‘You need to do this.’ And damn it, if she wasn’t like spot on. We literally went into a new recording session within 48 hours to do this note. It made the sequence better.”

The synch in the summer’s biggest movie helped “Like a Prayer” make its debut on the global charts last week when the song came in at No. 181 on the Global 200 and No. 189 on Global Exlu. U.S.; the song topped the Billboard Hot 100 for two weeks back in 1989.

Listen to the Deadpool & Wolverine Like a Prayer EP below.

Snoop Dogg did it all while serving as a special NBC correspondent during the just-concluded Paris Summer Olympics. And just as the closing ceremonies were about to kick off and pass the torch to the next host city, Los Angeles, the Doggfather checked one more bucket list item off his list: rubbing shoulders with the […]

Sometimes celebrities really are just like us. Take, for example, the unmitigated joy Adele took over the weekend in watching the debut of the Summer Olympic’s latest sport: breaking. The anticipation for the first-ever breakdancing competition was feverish leading up to Friday’s debut of the women’s qualifying rounds.
And the athletes did not disappoint, with b-girls from around the globe proving that the American-born sport that judges scored on the dancer’s skills at elements such as toprocking, power moves, footwork and freezes was indeed worthy of inclusion. While dancers such as the Netherlands’ nimble India, fleet-footed bronze medal winner 671 and mind-blowing gold medalist Ami of Japan earned love from the judges, there was one b-girl who stood out among all the athletes.

“I’m not saying anything, I think it’s the best thing that’s happened in the Olympics the entire time,” Adele said during a break at one of her massive shows in Munich on Saturday about the thing she and her friends had been talking about non-stop since the night before. “Did anyone see the breakdancing lady?” she asked her audience to the sound of loud laughing.

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Adele explained that she wasn’t aware that breaking had been added for the first time at the Paris games — a situation she deemed “f–king fantastic.” She thensurveyed her band to see if any of them had watched, with the singer proclaiming that one of her musicians was “p—ing himself laughing” while thinking about 36-year-old Australian teacher Rachael Gunn, who won hearts and launched a million memes with her unique stylings under nom-de-break Raygun.

“I can’t work out if it was a joke, but either way, it has made me very, very happy and me and my friends have been s–ting ourself laughing for 24 hours,” Adele said of the dancer who scored zero points but who grabbed lots of attention for her floppy, unorthodox moves. “I just wanted to know if you’ve seen it. If you haven’t seen it, please leave the show and Google it because it is LOLZ!!! It is so f–king funny. Anyway, it’s my favorite thing that’s happened in Olympics this whole, whole time,” Adele said.

It wasn’t the first time Adele had stopped one of the shows at her bespoke German stadium to pay attention to the Paris games. Last week, she took a break to watch the anticipated Women’s 100M sprint final, broadcasting the 11-second race on the big screen for her 75,000 fans in the midst of her 10-night residency at custom-built Adele Arena.

While some mocked Raygun’s kangaroo hop moves and PE teacher-worthy outfit, the proud dancer who took up the sport at 20 and won the Oceania Breaking Championship crown last year told reporters after her wash-out that it was no joke.

“I was never going to beat these girls on what they do best, the dynamic and the power moves,” Gunn, who has a Ph.D. in cultural studies and studies breaking and hip-hop culture, told reporters afterwards according to NBC.  “So I wanted to move differently, be artistic and creative because how many chances do you get that in a lifetime to do that on an international stage.”

Watch footage of Adele talking Raygun and check out some of the funniest Raygun memes below.

Trance fans rejoice, and prepare to open your wallets. On Monday (Aug. 12), 12-inch vinyl editions of more than 50 classic trance tracks and albums are going up for auction via Amplyfied, the online auction platforms that specializes in music collections and experiences and has previously hosted auctions for artists like Danny Tenaglia and events […]

At this point Lorde fans are looking for any crumb of a clue that the singer is gearing up to release a new album. And they appear to have gotten that sliver of daylight over the weekend when Lorde wiped her social media accounts clean.

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That’s right, if you one of the nearly 11 million people who follow Lorde and you dipped into her Instagram over the weekend you would have seen a “no posts yet” message in place of the series of teasers the “Green Light” vocalist had amassed over the past year. In their place was just the phrase that appears to be the prompt for the New Zealand star’s upcoming era: “THE THEMES ARE ALWAYS THE SAME— A RETURN TO INNOCENCE— THE MYSTERIES OF THE BLOOD— AN ITCH FOR THE TRANSCENDENTAL.”

One fan wrote, “Lorde deleting all her insta… oh LORDETEMBER is coming,” while another responded to the wipe with a tinge of frustrated anticipation: “Lorde I love you but how long are you gonna TEASE this project.”

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Lorde, 27, has been slow-rolling the details on her follow-up to 2021’s Solar Power for almost a year now, and recently she posted exactly a few seconds of what sounded like new music. The two-second clip came along with a pic of Lorde in the studio, smiling as she rocked her head side-to-side as the instrumental beat with a techno-like vibe rocking in the background. The caption to the post read, “will be back in touch.”

In June, Lorde posted a number of cryptic pictures, writing “use the existing tools wherever possible” alongside a variety of images including a copyright symbol, three variations of the letter L, the number four in parentheses and a recycling logo. “If the tools do not exist you are spiritually obligated to create them,” she added along a another string of unexplained images, with more Ls, another 4, a run of stars, the number 27, what looked like a Tarot card, the infinity symbol, a shark, a rabbit and an Egyptian figure.

That post, along with a video in which she spit off a balcony and held a pill in her hand that read “spit” were among the Instagram posts that went missing when the feeds got wiped. To date Lorde has not provided any additional details on when her fourth album will be released.

She has popped up in a few other musician’s feeds lately though. Including in pics over the weekend with Marina (or Marina and the Diamonds) in which the pals are playing pool, as well as at Charli XCX’s 32nd birthday party in Los Angeles on August 3, where the pair danced on couches and sang along to their remix of Charli’s Brat single “Girl, so confusing.”

Donald Trump has another lawsuit on his hands, this time from the estate of Isaac Hayes.
Lawyers for Isaac Hayes Enterprises filed a notice of copyright infringement, stating that the late artist’s song “Hold On, I’m Coming” was used on “multiple occasions during various political rallies,” without authorization.

The paperwork, dated Monday, Aug. 11, identifies 134 counts copyright infringement at campaign rallies from 2022-2024.

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“We demand the cessation of use, removal of all related videos, a public disclaimer, and payment of $3 million in licensing fees by August 16, 2024. Failure to comply will result in further legal action,” reads a statement posted on Hayes’ son, Isaac Hayes III.

However, given no choice, the paperwork reads, that legal action could extend to “federal litigation.”

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We the family of @isaachayes Isaac Hayes Enterprises, represented by Walker & Associates, are suing @realDonaldTrump and his campaign for 134 counts copyright infringement for the unauthorized use of the song “Hold On I’m Coming” at campaign rallies from 2022-2024. We demand… pic.twitter.com/GOBLz7ejYL— Isaac Hayes III (@IsaacHayes3) August 11, 2024

Trump, the Republican presidential nominee, has been here before. Scores of top artists and songwriters have objected to his campaign’s use of their songs at political rallies since he first ran for president in 2015 — among them The Rolling Stones, Adele, Rihanna, Sinead O’Connor‘s estate and Aerosmith‘s Steven Tyler.

Yet as recently as July 31, in Harrisburg, Pa., Trump has been using “Hold On, I’m Comin’” to close his rallies — prompting this legal action.

“It is most unfortunate that these artists have publicly posted on their social media and asked Team Trump and other candidates not to use their music — and yet their candidates keep using their music,” James L. Walker Jr., an attorney for Hayes Enterprises, previously stated.

The Rolling Stones, Adele, Rihanna, Sinead O’Connor‘s estate and Aerosmith‘s Steven Tyler are among the artists who’ve objected to use of their songs at political rallies since Trump first ran for president in 2015. 

Hayes died Aug. 10, 2008, at the age of 65. For the “Theme from Shaft,” he was awarded the Oscar for best original song in 1972, making him just the third Black person, after Hattie McDaniel and Sidney Poitier, to win an Academy Award in any competitive field.

Hayes and David Porter wrote “Hold On, I’m Coming,” which was recorded by soul duo Sam & Dave and issued on the Stax label in 1966, peaking at No. 21 on the Billboard Hot 100.

Charles Cross, the celebrated music writer who penned books on Nirvana and Jimi Hendrix, and editor of influential Seattle magazine The Rocket, died Friday, Aug. 9. Explore Explore See latest videos, charts and news See latest videos, charts and news “We are sorry to share that Charles Cross has passed,” reads a statement from his […]