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Niall Horan is prepping a pair of live albums chronicling his ongoing The Show global tour. The singer announced on Wednesday (August 21) that the double-dose of live goodness will kick off with a digital release on August 30 of The Show: Live From Madison Square Garden, where Horan played two gigs on June 13 and 14 of this year.
Just a few weeks later, on Sept. 5, Lovers will get The Show: Live on Tour, which a release noted includes songs from the MSG set, along with 10 additional tracks from shows in Melbourne, Milan, Tampa, Tokyo, London, Oslo, Dusseldorf, Paris and Łódź, Poland. Both albums will also be released on vinyl on Nov. 22 as The Show: Live on Tour Deluxe Vinyl.
The first MSG show album will feature such beloved Horan songs as “Slow Hands,” “This Town,” “Black and White,” “Heaven” and “Small Talk,” along with five other tracks. The 20-track global album adds songs from all three of Horan’s solo albums, including “Save My Life,” “Heartbreak Weather,” “Dear Patience,” “Paper Houses,” “On the Loose” and “Flicker,” among others.
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Horan kicked off The Show tour on Feb. 20 in Belfast, Northern Ireland, criss-crossing Europe through March 28 before hopping to New Zealand and Australia and gigs in Singapore, Indonesia, the Philippines and Japan in May before launching the North American leg on May 29 in Hollywood, CA and wrapping it on August 3 with a gig in Austin, Texas. The outing ramps up again on Friday (August 23) with a pair of shows in Dublin, Ireland and will keep him on the road through an Oct. 9 show in Bogota, Colombia at Movistar Arena.
The albums will chronicle the tour in support of Horan’s third solo studio album, The Show, which was released in June 2023, debuting at No. 2 on the Billboard 200 album chart. The first single and video from the MSG album, “Heaven (Live From Madison Square Garden),” will be released on Friday.
A deluxe vinyl version available exclusively on Horan’s web store, will feature the 20 tracks on two translucent black vinyl discs with red and gold splatter, along with an animated lenticular cover accented with gold foil, as well as a double-sided wall poster and photos from every show on the album.
Check out the track listings for the live albums below.
Niall Horan – The Show: Live From Madison Square Garden
1. Heaven (Live From Madison Square Garden)
2. Small Talk (Live From Madison Square Garden)
3. On A Night Like Tonight (Live From Madison Square Garden)
4. Still (Live From Madison Square Garden)
5. This Town (Live From Madison Square Garden)
6. San Francisco (Live From Madison Square Garden)
7. If You Leave Me (Live From Madison Square Garden)
8. Science (Live From Madison Square Garden)
9. Black And White (Live From Madison Square Garden)
10. Slow Hands (Live From Madison Square Garden)
Niall Horan – The Show: Live On Tour
1. Heaven (Live From Madison Square Garden)
2. Small Talk (Live From Madison Square Garden)
3. On A Night Like Tonight (Live From Madison Square Garden)
4. Still (Live From Madison Square Garden)
5. This Town (Live From Madison Square Garden)
6. San Francisco (Live From Madison Square Garden)
7. If You Leave Me (Live From Madison Square Garden)
8. Science (Live From Madison Square Garden)
9. Black And White (Live From Madison Square Garden)
10. Slow Hands (Live From Madison Square Garden)
11. Nice To Meet Ya (Live From Łódź)
12. Save My Life (Live From Tampa)
13. Heartbreak Weather (Live From Dublin)
14. You Could Start A Cult (Live From Tokyo)
15. Dear Patience (Live From Melbourne)
16. Cross Your Mind (Live From Milan)
17. Paper Houses (Live From Oslo)
18. On The Loose (Live From Dusseldorf)
19. Put A Little Love On Me (Live From Paris)
20. Flicker (Live From London)
Puerto Rican sensation Myke Towers dives deep into the superhero-inspired themes behind his upcoming album, La Pantera Negra, in an interview with Billboard News. He shares his interpretation of embracing his persona akin to suiting up like a black panther.
“First of all, I feel like I’m a superhero, whenever I’m performing or in the studio. When it’s time to do what I do, it’s like putting on the suit,” he explains. The album is slated for release Friday (Aug. 23).
Towers, known for his reggaetón, rap and trap songs including “Lala,” “La Falda” and “La Curiosidad,” is expanding his musical palette with tracks such as “En el Mar,” a song blending reggae roots with a “Bob Marley flow” and his staple música urbana influences. “I always try to do different things,” he says, hinting at the experimental vibes of the upcoming record.
A long-time collaborator of Bad Bunny’s, Towers also discussed returning to the studio with El Conejo Malo to create the track “Adivino,” a dance banger with a subtle reggaetón beat built over padded synths. On May 11, the song entered the Billboard Hot 100 at No. 63 and peaked at No. 2 on the Hot Latin Songs chart, Towers’ highest charting single to date.
The Río Piedras artist (born Michael Anthony Torres Monge) also highlighted how an encounter with Benny Blanco in an L.A. studio led to a fruitful session. “We did three songs that day, and the three songs are fire,” Towers shared, spotlighting the effortless synergy between the artists. His vibe is crazy — whenever I’m around him, he’s like laughing [all] around.”
The 20-track album features an ensemble of collaborations with artists such as Peso Pluma, Jay Wheeler, Omar Montes, Cosculluela, Yovngchimi and more, promising a multifaceted auditory experience for listeners.
On April 30, Myke Towers graced the cover of Billboard Español, in which he dove into the symbolism of La Pantera Negra and his continued ascent in the music world.
Watch Towers’ new interview with Billboard News above to hear him discuss his new album.
Eminem and Jelly Roll joined forces for the first time on The Death of Slim Shady (Coup De Grâce)‘s album closer “Somebody Save Me.” Just over a month later, the duo bring their vision to life with a poignant music video, which arrived on Wednesday (Aug. 21). Em is on the outside looking in watching […]
Taylor Swift‘s Eras Tour is almost always a well-oiled machine, so when something is amiss, she’s extremely quick to notice. Such was the case at the pop star’s Wembley concert Monday (Aug. 19), when she momentarily stopped her show to fix her piano after realizing it was tuned in the wrong key. In a video […]
Mavis Staples claims her first top 10 as a solo lead artist on a Billboard airplay chart thanks to “Worthy,” which lifts three spots to No. 9 on the Adult Alternative Airplay survey dated Aug. 24.
“Worthy” follows a previous radio top 10 – and No. 1 – for Staples in Hozier’s “Nina Cried Power,” on which she’s a featured act. The song ruled Adult Alternative Airplay for two weeks in 2018.
Prior to “Nina Cried Power,” Staples reached Adult Alternative Airplay three times, all in featured roles, via Natalie Merchant’s “Build a Levee” (No. 17, 2002), Arcade Fire’s “I Give You Power” (No. 18, 2017) and Benjamin Booker’s “Witness,” No. 29, 2017).
Prior to “Worthy,” Stapes notched her first lead appearance on the tally with “Change” (No. 27, 2019).
Staples first reached the Billboard charts as a member of The Staple Singers, who released their debut album in 1958 and were inducted into the Rock and Roll Hall of Fame in 1999. The group’s chart history includes a pair of No. 1s on the Billboard Hot 100: “I’ll Take You There” in 1972 and “Let’s Do It Again” in 1975.
Staples made solo appearances on the Hot 100 and Hot R&B/Hip-Hop Songs in 1970-92, along with a visit to Hot Gospel Songs in 2006.
Concurrently, “Worthy” ranks at its No. 42 high on the all-rock-format, audience-based Rock & Alternative Airplay chart with 858,000 audience impressions in the week ending Aug. 15, according to Luminate.
“Worthy” is currently a standalone single. Staples, 85, released her most recent album in 2022, the Levon Helm collaboration Carry Me Home, which was recorded in 2011 before Helm’s death; it peaked at No. 2 on the Blues Albums chart, marking her fifth top 10. Her own We Get By became her first No. 1 on Blues Albums in 2019.
The first official trailer for Jung Kook‘s upcoming documentary, JUNG KOOK: I AM STILL finds the BTS member fretting about whether fans will accept him as a solo artist as he steps outside of the K-pop supergroup’s massive shadow.
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“I’m suddenly nervous, I’ll do my best guys,” he says in Korean at the outset of the one-minute preview of the film that is slated to open in theaters worldwide on Sept. 18. Amid footage of thousands of fans gathered in arenas and on streets to greet him, he frets, “Without the power of BTS, just on my own, will I be able to receive recognition?”
Reflecting on the success of his debut solo album, 2023’s Golden, which entered the Billboard 200 chart at No. 2 and featured collabs with Jack Harlow, Latto and Major Lazer, among others, he says, “with all these achievements I gained more self-confidence.” Mixing in footage of JK dancing and rehearsing dance moves in the studio, the preview promises to provide “eight months of golden moments.”
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With a vow from the singer to “keep going forward,” the trailer then cuts to a run-down of some of JK’s solo chart success and footage from his videos cued to his single “Standing Next To You,” which peaked at No. 5 on the Billboard Hot 100. “I’ve never though of myself as a genius,” Jung Kook says at one point, admitting that he’s well-aware of his artistic blind spots, which only push him to get better.
“I just follow my own compass,” he says as the screen fades to black before zooming back in on a clip of JK bounding through a backstage area and shouting out the group’s legendarily fervent ARMY fan group. “It’s always more fun with the fans.”
The promo materials promise that the film will capture JK’s development as a solo act, beginning with his No. 1 Hot 100 hit “Seven” (featuring Latto) in July 2023, followed by the release of Golden three months later via never-before-seen video, interviews and concert performance footage. The doc was directed by Junsoo Park and produced by Jiwon Yoon and is set to premiere in limited screenings worldwide in more than 120 countries and regions on Sept. 18, with tickets on sale today here.
Watch the trailer for JUNG KOOK: I AM STILL below.
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Two pop stars are always better than one. And when those two comets are Olivia Rodrigo and Chappell Roan, well, all bets are off. During Rodrigo’s tour stop at the Intuit Dome in Inglewood, CA on Tuesday night (August 20), the “Bad Idea Right?” singer graciously shared the stage with Roan on the penultimate U.S. date on her Guts world tour.
“I’ve known this next artists for about four years now… I absolutely adore her. I think she is one of the most singular, inspiring, powerful artists I’ve ever had the pleasure of meeting, and I’m so excited because she’s gonna sing one of my favorite songs of all time with me tonight,” Rodrigo told the crowd before Roan joined her on stage, according to Variety.
Roan, who like Rodrigo was dressed in a brightly colored, sequin-dripping mini dress, then bounded out on stage to deafening screams from the audience as the two women hugged it out before getting to business. “We’re gonna sing a song, and we’re gonna teach you a dance,” Roan told them.
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That song, was, of course, Roan’s Billboard Hot 100 No. 17 sensation “Hot To Go!,” and while the crowd surely didn’t need the slowed-down tutorial on the energetic hand jive that has become the viral signature of the hit song, Roan and Rodrigo did a half-time walk-through before revving things up and high-kicking their way through the full speed version. Roan took the first verse, handing off to Rodrigo before they joined forces for the chorus, galloping in place while looking into each other’s faces.
Rodrigo also noted in her intro that Roan — who worked with Olivia’s go-to producer, Dan Nigro, on her debut album, The Rise and Fall of a Midwest Princess — opened for her two years ago at a San Francisco date on Olivia’s debut tour, as well as doing the honors on a run of Guts world tour dates earlier this year.
After tonight’s (August 21) second show at Intuit Dome, Rodrigo’s tour jets off to Bangkok, where she will kick off a two-night stand at the IMPACT Arena on Sept. 15, before moving on to South Korean, China, Japan, Singapore and Australia, which will keep her on the road through an Oct. 22 date at Sydney’s Qudos Bank Arena.
Check out fan video of the moment below.
If imitation is the sincerest form of flattery, then Republican presidential candidate Donald Trump appears to have briefly ditched his insult comic schtick and flipped to cheekily borrowing pages from Vice President Kamala Harris’ playbook. In the midst of the Democratic National Convention in Chicago that on Tuesday night (August 20) officially nominated Harris in a joy- and music-filled night that featured each state announcing their support with a theme song provided by DJ Cassidy, Trump’s campaign spokesperson pre-empted the celebration with a brazen lift.
A 13-second video of Trump’s arrival in Detroit for a rally on Tuesday posted by mouthpiece Steven Cheung hours before night two of the DNC featured the former reality TV star walking down the steps of his plane onto the tarmac soundtracked by Beyoncé‘s “Freedom.” If you’ve been paying attention over the past month, then surely you know that the soaring song from Bey’s Lemonade album is the official Harris campaign theme song.
Harris walked out to the track at her official campaign kick-off on July 22 and Queen Bey gave the former Senator and California Attorney General her blessing to use the song at her rallies. An a cappella version of the tune helped kick-off the DNC on Monday night, further cementing its spot as the official anthem of the Harris campaign.
At press time spokespeople for the Trump campaign and Beyoncé had not returned Billboard‘s request for comment.
The brazen move from Trump’s team comes less than two weeks after Trump complained that Harris was copying his idea to not tax tips, telling a crowd “she just stole it.” The idea theft accusation is rich considering Trump has landed in hot water repeatedly since he pivoted from real estate and reality TV to politics eight years ago.
Since then, dozens of musicians and songwriters have objected to the twice-impeached former President using their songs at political rallies, including the Rolling Stones, Adele, Rihanna and the Sinead O’Connor estate, among many others. While a number have publicly objected and some have sent cease-and-desist orders after saying they want no connection to the Trump campaign, in July the estate of Isaac Hayes said it was taking legal action against Trump for playing the Hayes co-written “Hold On, I’m Coming” to close his rallies.
As reported by Billboard, when it comes to objections from artists and songwriters, the process of protest is pretty straightforward. The performing rights organizations BMI and ASCAP require political campaigns to obtain licenses to use songs in their catalogs, with a caveat in the license that allows songwriters to object to usage in a political campaign. However, that does not prevent a campaign from playing a song at a rally, or in this case, in a promotional video.
That said, a lawyer for Jackson Browne — who sued late Republican Sen. and presidential aspirant John McCain for using his song “Running on Empty” in a 2008 commercial — said “most political campaigns aren’t keen about just taking the song down.” Trump has been especially brazen in this regard and it was unclear at press time if the clip featuring “Freedom” could fall under the fair use provision, which doesn’t require a license at all.
Either way, hijacking a rival campaign’s official song seems decidedly on-brand for the Trump campaign’s “ask for forgiveness, not permission” approach to political combat and it remains to be seen if Beyoncé, or her team, will take action to get the video removed from X. At press time it did not appear that Beyoncé had responded to the Trump video on her socials.
Check out the Trump campaign video below.
The Black Crowes have officially announced their return to the road with a headlining North American tour set to begin this September.
The news comes in the wake of Aerosmith’s decision to cancel their farewell tour due to frontman Steven Tyler’s larynx injury. The Black Crowes were originally scheduled to support Aerosmith on that tour, but with those plans now scrapped, the band is moving forward with their own tour, much to the delight of their fans.
In a statement shared on social media, The Black Crowes explained: “Due to the cancellation of the Aerosmith Tour, we also had to move a few of the previously announced show dates and unfortunately have to cancel the Tucson, Wanatchee, and Verona shows. Original tickets for all the rescheduled dates will be honored at the new shows, and all ticketholders will receive an email directly from their point of purchase with more information.”
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The upcoming tour will span over three months, kicking off on Sept. 27 in Northfield, OH, and concluding in December.
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Happiness Bastards marks the first new studio record from singer Chris Robinson and guitarist Rich Robinson in 15 years. The album follows the siblings’ reunion in 2019, where they performed over 150 shows across 20 countries to celebrate the 30th anniversary of their breakthrough 1990 album Shake Your Money Maker.
In a statement upon the album’s release in March, Chris Robinson said, “Happiness Bastards is our love letter to rock ‘n’ roll. Rich and I are always writing and creating music; that has never stopped for us, and it is always where we find harmony together. This record represents that.”
Brother Rich Robinson added, “This album is a continuation of our story as a band. Our years of experience writing and making music and touring the world are represented in this record, and we were brilliantly guided by one of the best producers in the business, Jay Joyce. I am incredibly proud of what we put together.”
For fans eager to see The Black Crowes live, pre-sale tickets for the tour go on sale today, Aug. 21, with general tickets available on Friday, Aug. 23.
The Black Crowes’ 2024 North American Tour Dates:
Sept. 27 — MGM Northfield Park – Center Stage, Northfield, OH
Sept. 28 — Hard Rock Cincinnati Outdoor Arena, Cincinnati, OH
Oct. 1 — Appalachian Wireless Arena, Pikeville, KY
Oct. 3 — CCNB Amphitheatre at Heritage Park, Simpsonville, SC
Oct. 4 — The St. Augustine Amphitheatre, St. Augustine, FL
Oct. 6 — Duke Energy Center for the Arts – Mahaffey Theater, St. Petersburg, FL
Oct. 9 — Live Oak Bank Pavilion, Wilmington, NC
Oct. 10 — Durham Performing Arts Center, Durham, NC
Oct. 12 — Atrium Health Amphitheater, Macon, GA
Oct. 13 — Saenger Theatre, New Orleans, LA
Oct. 15 — BankPlus Amphitheater at Snowden Grove, Southaven, MS
Oct. 18 — Hard Rock Live Northern Indiana, Gary, IN
Oct. 19 — Miller High Life Theatre, Milwaukee, WI
Oct. 23 — Vibrant Music Hall, Waukee, IA
Oct. 25 — Hard Rock Live Rockford, Rockford, IL
Oct. 26 — The Factory, St. Louis, MO
Oct. 29 — UPMC Events Center, Moon Township, PA
Oct. 31 — Mohegan Sun Arena, Uncasville, CT
Dec. 1 — TD Garden, Boston, MA
Dec. 3 — Wells Fargo Center, Philadelphia, PA
Dec. 5 — Madison Square Garden, New York, NY
The Harris-Walz campaign’s love affair with pop music continued in full force on the second night (Aug. 20) of the 2024 Democratic National Convention.
After Patti LaBelle delivered the night’s first performance with a stirring rendition of “You Are My Friend” for the in memoriam segment, Common took the stage to rap a DNC-tinged version of “Fortunate,” a song from his new joint album with Pete Rock. Outside of those performances, the house band kept the covers rolling with funky versions of Beyoncé‘s “Cuff It,” Hozier‘s “Too Sweet,” and Mark Ronson‘s “Uptown Funk!” soundtracking the jumbotron camera’s journey around the packed arena.
The real magic, however, came during the roll call. During each convention, each U.S. state and territory casts their votes for the party’s presidential nominee; last night’s roll call was a symbolic, in-person version of an August online meeting, in which Vice President Kamala Harris became the Democratic party’s official nominee. DJ Cassidy served as the roll call’s master of ceremonies, using his beloved “Pass the Mic” template to rattle off each state and territory represented in the venue.
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For this year’s roll call, the delegates reached across decades of music to illustrate a rich sonic collage of American music history. From country and reggaeton to rock and hip-hop, the breadth of America’s rich blend of cultures and traditions illuminated the United Center arena. To top it all off, Lil Jon made a surprise appearance on the floor of the convention to help his home state of Georgia cast its votes for Harris. As if his mere presence wasn’t enough, he also treated the fired-up crown to a bombastic rendition of his DJ Snake-assisted “Turn Down For What,” which he flipped into a musical tribute to Harris and her running mate, Minnesota Gov. Tim Walz. Georgia wasn’t the only state to make the most of their moment, Pennsylvania, Minnesota and Harris’ home state of California all played multiple songs while they casted their votes.
From Aretha Franklin and Dolly Parton to Beyoncé and Chappell Roan, here are all the songs played during roll call at the 2024 DNC — and where they peaked on the Billboard Hot 100.
Alabama
Song: Lynyrd Skynrd, “Sweet Home Alabama”
Hot 100 Peak: No. 8 (chart dated October 26, 1974)
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Alaska
Song: Portugal. The Man, “Feel It Still”
Hot 100 Peak: No. 4 (chart dated Nov. 4, 2017)
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American Samoa
Song: Lady Gaga, “The Edge of Glory”
Hot 100 Peak: No. 3 (chart dated May 28, 2011)
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Arizona
Song: Stevie Nicks, “Edge of Seventeen”
Hot 100 Peak: No. 11 (chart dated April 17, 1982)
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Arkansas
Song: Fleetwood Mac, “Don’t Stop”
Hot 100 Peak: No. 3 (chart dated Sept. 24, 1977)
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California
Song: Dr. Dre & Snoop Dogg, “The Next Episode”; 2Pac, Dr. Dre & Roger, “California Love”; Kendrick Lamar, “Not Like Us,” Kendrick Lamar, “Alright”
Hot 100 Peak: “The Next Episode” peaked at No. 23 (chart dated July 29, 2000); “California Love” peaked at No. 1 (two weeks, chart dated July 13, 1996); “Not Like Us” peaked at No. 1 (two weeks, chart dated May 18, 2024); “Alright” peaked at No. 81 (chart dated October 3, 2015)
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Colorado
Song: Earth, Wind & Fire, “September”
Hot 100 Peak: No. 8 (chart dated Feb. 10, 1979)
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Connecticut
Song: Stevie Wonder, “Signed, Sealed, Delivered (I’m Yours)”
Hot 100 Peak: No. 3 (chart dated Aug. 8, 1970)
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Democrats Abroad
Song: The O’Jays, “Love Train”
Hot 100 Peak: No. 1 (chart dated March 24, 1973)
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District of Columbia
Song: DJ Kool, “Let Me Clear My Throat,”
Hot 100 Peak: No. 30 (chart dated March 29, 1997)
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Florida
Song: Tom Petty, “I Won’t Back Down”
Hot 100 Peak: No. 8 (chart dated July 1, 1989)
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Georgia
Song: DJ Snake & Lil Jon, “Turn Down for What”
Hot 100 Peak: No. 4 (chart dated June 14, 2014)
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Guam
Song: Sabrina Carpenter, “Espresso”
Hot 100 Peak: No. 3 (chart dated June 22, 2024)
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Hawaii
Song: Bruno Mars, “24K Magic”
Hot 100 Peak: No. 4 (chart dated Dec. 10, 2016)
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Idaho
Song: The B-52s, “Private Idaho”
Hot 100 Peak: No. 74 (chart dated Nov. 8, 1980)
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Illinois
Song: The Alan Parsons Project, “Sirius”
Hot 100 Peak: N/A
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Indiana
Song: Michael Jackson, “Don’t Stop ’til You Get Enough”
Hot 100 Peak: No. 1 (chart dated Oct. 13, 1979)
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Iowa
Song: Kool & The Gang, “Celebration”
Hot 100 Peak: No. 1 (two weeks, chart dated Feb. 7, 1981)
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Kansas
Song: Kansas, “Carry On Wayward Son”
Hot 100 Peak: No. 11 (chart dated April 2, 1977)
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Kentucky
Song: Jack Harlow, “First Class”
Hot 100 Peak: No. 1 (three weeks, chart dated April 23, 2022)
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Louisiana
Song: DJ Khaled feat. T-Pain, Ludacris, Snoop Dogg & Rick Ross, “All I Do Is Win”
Hot 100 Peak: No. 24 (chart dated July 24, 2010)
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Maine
Song: Walk The Moon, “Shut Up And Dance”
Hot 100 Peak: No. 4 (chart dated May 30, 2015)
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Maryland
Song: Aretha Franklin, “Respect”
Hot 100 Peak: No. 1 (two weeks, chart dated June 3, 1967)
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Michigan
Song: Eminem, “Lose Yourself”
Hot 100 Peak: No. 1 (12 weeks, chart dated Nov. 9, 2002)
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Minnesota
Song: Prince, “Kiss”; Prince, “1999”
Hot 100 Peak: “Kiss” peaked at No. 1 (two weeks, chart dated April 19, 1986); “1999” peaked at No. 12 (chart dated July 23, 1983)
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Mississippi
Song: Sam Cooke, “Twistin’ the Night Away”
Hot 100 Peak: No. 9 (chart dated March 24, 1962)
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Missouri
Song: Chappell Roan, “Good Luck, Babe!”
Hot 100 Peak: No. 8 (chart dated Aug. 17, 2024)
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Montana
Song: Lenny Kravitz, “American Woman”
Hot 100 Peak: No. 49 (chart dated Oct. 30, 1999)
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Nebraska
Song: Katy Perry, “Firework”
Hot 100 Peak: No. 1 (four weeks, chart dated December 18, 2010)
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Nevada
Song: The Killers, “Mr. Brightside”
Hot 100 Peak: No. 10 (chart dated June 11, 2005)
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New Hampshire
Song: Journey, “Don’t Stop Believin’”
Hot 100 Peak: No. 9 (chart dated Dec. 19, 1981)
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New Jersey
Song: Bruce Springsteen, “Born in the U.S.A.”
Hot 100 Peak: No. 9 (chart dated Jan. 19, 1985)
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New Mexico
Song: Demi Lovato, “Confident”
Hot 100 Peak: No. 21 (chart dated Dec. 19, 2015)
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New York
Song: Jay-Z & Alicia Keys, “Empire State of Mind”
Hot 100 Peak: No. 1 (five weeks, chart dated Nov. 28, 2009)
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North Carolina
Song: Petey Pablo, “Raise Up”
Hot 100 Peak: No. 25 (chart dated Nov. 24, 2001)
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North Dakota
Song: Alicia Keys, “Girl On Fire”
Hot 100 Peak: No. 11 (chart dated Dec. 15, 2012)
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Northern Mariana Islands
Song: Marvin Gaye & Tammi Terrell, “Ain’t No Mountain High Enough”
Hot 100 Peak: No. 19 (chart dated July 15, 1967)
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Ohio
Song: John Legend feat. André 3000, “Green Light”
Hot 100 Peak: No. 24 (chart dated Dec. 6, 2008)
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Oklahoma
Song: Brooks Jefferson, “Ain’t Goin Down (Til the Sun Comes Up)”
Hot 100 Peak: N/A
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Oregon
Song: Modest Mouse, “Float On”
Hot 100 Peak: No. 68 (chart dated Sept. 4, 2004)
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Pennsylvania
Song: “Motownphilly” (Boyz II Men) & “Black and Yellow” (Wiz Khalifa)
Hot 100 Peak: “Motownphilly” peaked at No. 3 (chart dated Sept. 7, 1991); “Black and Yellow” peaked at No. 1 (chart dated Feb. 19, 2011)
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Puerto Rico
Song: Luis Fonsi & Daddy Yankee, “Despacito”
Hot 100 Peak: No. 1 (16 weeks, chart dated May 27, 2017)
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Rhode Island
Song: Taylor Swift, “Shake It Off (Taylor’s Version)”
Hot 100 Peak: No. 28 (chart dated Nov. 11, 2023)
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South Carolina
Song: James Brown, “Get Up (I Feel Like Being A) Sex Machine”
Hot 100 Peak: No. 15 (chart dated Aug. 8, 1970)
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South Dakota
Song: The Romantics, “What I Like About You”
Hot 100 Peak: No. 49 (chart dated March 15, 1980)
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Tennessee
Song: Dolly Parton, “9 to 5”
Hot 100 Peak: No. 1 (two weeks, chart dated Feb. 21, 1981)
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Texas
Song: Beyoncé, “Texas, Hold ‘Em”
Hot 100 Peak: No. 1 (two weeks, chart dated March 2, 2024)
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Utah
Song: Neon Trees, “Animal”
Hot 100 Peak: No. 13 (chart dated Nov. 13, 2010)
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Vermont
Song: Noah Kahan, “Stick Season”
Hot 100 Peak: No. 9 (chart dated April 27, 2024)
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U.S. Virgin Islands
Song: Mic Love, “VI to the Bone”
Hot 100 Peak: N/A
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Virginia
Song: Timbaland feat. Keri Hilson & D.O.E., “The Way I Are”
Hot 100 Peak: No. 3 (chart dated Aug. 25, 2007)
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Washington
Song: Macklemore & Ryan Lewis feat. Ray Dalton, “Can’t Hold Us”
Hot 100 Peak: No. 1 (five weeks, chart dated May 18, 2013)
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West Virginia
Song: John Denver, “Take Me Home, Country Roads”
Hot 100 Peak: No. 2 (chart dated Aug. 28, 1971)
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Wisconsin
Song: House of Pain, “Jump Around”
Hot 100 Peak: No. 3 (chart dated Oct. 10, 1992)
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Wyoming
Song: Black Eyed Peas, “I Got A Feeling”
Hot 100 Peak: No. 1 (14 weeks, chart dated July 11, 2009)
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