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Chappell Roan has been open about the downfalls of fame amid her meteoric rise to household-name status this year — but luckily, she has people like Lorde in her corner.
In her The Face cover story published Monday (Sept. 16), the 26-year-old musician opened up about a time the 27-year-old “Green Light” singer came to her rescue during a recent situation that made Roan compare stardom to a toxic relationship. “I feel like fame is just abusive,” Roan told the publication. “The vibe of this – stalking, talking s–t online, [people who] won’t leave you alone, yelling at you in public – is the vibe of an abusive ex-husband. That’s what it feels like. I didn’t know it would feel this bad.”
While crying in an airport bathroom after a man berated her for refusing to sign posters — just one of several instances of toxic fan behavior Roan has endured over the past few months — the Missouri native says she texted Lorde for advice. “She sent me a list of things I should do [in that situation],” Roan continued. “Literally wrote down eight things she wished someone would have told her when she was going through it. And she went through f–king hell. She was a baby!”
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Lorde is one of many female musicians who’ve rallied around Roan this year, in addition to Lady Gaga, Charli XCX, Lizzo, Katy Perry and Phoebe Bridgers, who’ve individually offered her their support since the “Good Luck, Babe!” vocalist’s star exploded this spring. In another recent interview with Rolling Stone, Roan also noted that she and fellow 2024 breakout Sabrina Carpenter have been commiserating over their recent career booms.
“No one understands that it truly falls all on you,” she told The Face of the “Espresso” singer. “No one understands except other artists … Sabrina [Carpenter] even texted me: ‘Hey, I feel crazy. I know you feel crazy.’ So it’s, like, girlies leaning on each other.”
Through it all, the public has watched as Roan has grown more confident speaking out about what makes her uncomfortable. In August, for instance, she called out the “predatory behavior” of certain boundary-crossing fans in a series of posts on social media, and on Sept. 11, she yelled “Shut the f–k up!” at a photographer on the VMAs red carpet before going on to win best new artist during the ceremony.
“They were immediately, immediately supportive,” Roan added of her fellow female pop stars. “It’s been so amazing, because I’m very scared and confused.”
See Roan’s The Face covers below.
It’s a new era for Nicki Minaj. The Barbz leader announced over the weekend that instead of releasing the Pink Friday 2 deluxe, she’s decided to turn those songs into a completely new project with the third installment of the Pink Friday series.
Minaj was supposed to drop her PF2: Gag City Reloaded deluxe last Friday (Sept. 13), but the release date came and went without the set. Nicki clarified the album’s situation on Sunday (Sept. 15), when she revealed that Pink Friday 3 is on the way, and fans can expect another announcement regarding the project’s arrival in the coming weeks.
“Instead of doing a DELUXE to Pink Friday 2, I’ve decided to do a brand new album. I’ll still incorporate new songs like #Mamita & [The ‘anxiety’ song] for the remainder of the tour tho…and I’ll announce the new date within the next couple weeks,” she tweeted. “The new music is just too good to be thrown away on a deluxe album. Last night, the songs I recorded were just way too iconic. I love you guys so much. You know that. I know you do. I’ll still give you something leading up to the announcement, so no worries.”
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Nicki continued: “PF3 is about to do PRECISELY wtf BEEN needed to be done. TRUST ME BARBZ. IM SO EXCITED. BLESSED. LOVED (by the Barbz) & fortunately (for the Barbz & me), I’ve learned A LOT since 12/08/23. PF2 means so much to me. As my 1st album as #PapaBear mama, it’s just very special to me for so many reasons you guys aren’t aware of. I put every song on there in a specific order, etc. So to honor that, I’m going to give it the respect & integrity it deserves as a beautiful body of work & not add anything else to it.”
The Queens rapper explained that “1 or 2 songs is no big deal but 5-7 songs feels a little sloppy right now (In my humble opinion).” She added: “This era has just been so successful, rewarding, satisfying, etc. after much thought, I want to be for CERTAIN that I am being intentional about every single decision being made around both PF2 AND PF3.”
Dear Barbz, IMPORTANT #GagCity ANNOUNCEMENT:Instead of doing a DELUXE to Pink Friday 2, I’ve decided to do a brand new album. I’ll still incorporate new songs like #Mamita & [The “anxiety” song] for the remainder of the tour tho…and I’ll announce the new date within the next…— Nicki Minaj (@NICKIMINAJ) September 16, 2024
Nicki Minaj is currently on the road for the second leg of her North American Pink Friday 2 World Tour. She’ll be in Dallas on Tuesday (Sept. 17), and then makes stops in Los Angeles, San Francisco, Las Vegas, St. Louis, Tampa Bay, Miami and Raleigh, and wraps up in Queens on Oct. 11.
Pink Friday 2 arrived on Dec. 8, 2023, and debuted atop the Billboard 200 with 228,000 album-equivalent units, according to Luminate. That sum is the largest week for a rap album by a woman in the 2020s decade, and the biggest for an R&B/hip-hop album by a woman in 2023.
There are so many reasons Cyndi Lauper loves Chappell Roan. But if you’re looking for a starting point, it’s “the hair alone.” That’s what Lauper told Andy Cohen on Watch What Happens Live on Sunday (Sept. 15) when asked about the mutual admiration society the “She Bop” 1980s legend has with the rising “Good Luck, Babe!” singer.
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“And the fact that it’s performance art,” continued Lauper, who made a name in the early 1980s with her outrageous sartorial sense and quirky sensibility in videos from her 1983 She’s So Unusual album that helped push the boundaries of what artists could do in the then-new music video format. “And it’s visual, it’s so visual. You know I love those visual things, obviously,” added Lauper.
Asked to share some advice for Roan now that her profile has blown up and paparazzi are chasing her all over, fellow guest Paris Hilton said she doesn’t think the “Hot To Go” singer needs any advice from her, but she did say, “I think everyone should always be nice with everyone,” noting that she’s also a huge fan of Roan’s.
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Roan proved that she’s more than up to the task at last week’s VMAs, when she made her awards show performance debut with a Joan of Arc-like look for a run through “Good Luck, Babe!” that included swords, flaming arrows, knights and medieval mania that proved her best new artist win was well deserved.
In the midst of her Girls Just Wanna Have Fun farewell tour, Lauper was also asked by a call-in fan if she’d ever consider doing a Las Vegas residency. Without much dithering, the 71-year-old pop icon groaned, “I don’t know,” with host Andy Cohen saying, “kinda seems like a no from her response.”
“It’s just, you know what? The weather is really tough,” said native New Yorker Lauper, lamenting that the frequent triple-digit temperatures are too much for her. After playing Rock in Rio on Friday (Sept. 20), Lauper will kick off her final tour in earnest on Oct. 18 at the Bell Centre in Montreal.
Watch Lauper talk Roan on Watch What Happens Live below.
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Jane says … the tour is over. Jane’s Addiction has canceled its tour midway through the band’s trek after frontman Perry Farrell threw a punch at guitarist Dave Navarro during the band’s show on Friday (Sept. 13) in Boston at the Leader Bank Pavilion.
“The band have made the difficult decision to take some time away as a group. As such, they will be cancelling the remainder of the tour,” the band said in a brief statement Monday (Sept. 16). Refunds will be issued at the point of purchase.
In fan-captured videos that went viral after the Friday show, Farrell is seen on stage singing toward the audience before turning to Navarro and screaming the lyrics, seemingly angrily. The frontman then makes his way over to the guitarist, continuing his scream, before body-checking the guitarist, backing away, then getting back in Navarro’s face to continue yelling while the guitarist-actor — who appears confused — calmly holds Farrell at arm’s length while the frontman continues to yell. Farrell then throws a punch at his guitarist, and a crew member comes on stage, telling Farrell repeatedly to “Stop! Stop!” More crew members rush to the stage to restrain the rocker and take him off stage.
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The next day, Jane’s Addiction issued a statement via the band’s Instagram Stories. “We want to extend a heartfelt apology to our fans for the events that unfolded last night,” the statement read. The band then noted that the following show on Sunday (Sept. 15) at the Hartford Healthcare Amphitheater was canceled.
Farrell’s wife, Etty Lau Farrell, shared a statement on her own Instagram after the altercation. Reposting video of the altercation, she explained how she saw the situation. “Clearly there had been a lot of tension and animosity between the members.. the magic that made the band so dynamic,” she wrote. ” Well, the dynamite was lit. Perry got up in Dave’s face and body checked him.”
“Perry’s frustration had been mounting, night after night, he felt that the stage volume had been extremely loud and his voice was being drowned out by the band,” she continued, noting that her husband had been battling a sore throat and tinnitus. “But when the audience in the first row, started complaining up to Perry cussing at him that the band was planning too loud and that they couldn’t hear him, Perry lost it.”
She went on to praise Navarro for trying to de-escalate the situation, noting that the guitarist “still looked handsome and cool in the middle of a fight,” while her husband was “a crazed beast” for a little bit. Added Etty, “He finally did not calm down, but did breakdown and cried and cried.”
Jane’s Addiction — who logged one song on the Billboard Hot 100 and three No. 1 hits on the Alternative Airplay chart since forming in the mid-’80s — was about halfway through its tour alongside Love and Rockets. The tour — produced by Live Nation — had been scheduled to conclude on Oct. 16 at the YouTube Theater in Los Angeles.
See Jane’s Addiction’s statement below.
In 2019, when Brooks & Dunn collaborated with such hot new artists as Luke Combs, Ashley McBryde and Brothers Osborne for Reboot, a collection of duets covering some of the superstar duo’s most beloved songs, they could have never imagined that within five years there would be a whole new crop of burgeoning stars to revisit the concept.
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Reboot proved to be such a tremendous success — providing the Country Hall of Fame pair with their first No. 1 on Billboard’s Top Country Albums chart in a decade — that it seemed natural to, well, reboot Reboot, but with a few twists.
Reboot II, out Nov. 15 on Sony Music Nashville, features a legion of new country artists, many of whom were just experiencing their first flushes of success or weren’t even signed yet five years ago, including Megan Moroney, Hailey Whitters, Lainey Wilson, Ernest and Warren Zeiders, but the new set also broadens the concept to include rockers Halestorm and bluesmen Marcus King and Christone “Kingfish” Ingram. Among the other artists on the album are Morgan Wallen, Jelly Roll, HARDY and Corey Kent.
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“What was even more impressive was to sit down with this bunch and turn them loose to do the songs in whatever way fit their artistic vision,” Ronnie Dunn tells Billboard. “The fun part was we weren’t chasing the original recordings or arrangements or our versions. We turned them loose to do whatever they wanted to do and, I’m biased, but it was really refreshing.”
Brooks & Dunn ‘REBOOT II’
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Hearing some of their songs, while still recognizable, turned on their heads and recreated with new arrangements, tempos or even as different genres, “made me realize how good we are,” Dunn says with a laugh, before seriously adding, “I think how lucky we are to have these songs that you can push the chameleon button on, and they change colors and keep on ticking.”
Unlike the first edition, where Kacey Musgraves and a few other artists upended their takes but for the most part the remakes stayed true to the originals, half the fun of listening to Reboot II are the unexpected roads some of the songs down — such as Moroney and Dunn’s slowed down, sultry duet on “Ain’t Nothing ‘Bout You,” The Earls of Leicester’s spirited bluegrass take on “How Long Gone” and Marcus King’s high-octane version of “Rock My World (Little Country Girl),” which screeches out of the gate.
It turns out Brooks & Dunn, one of country’s most successful duos with 20 No. 1s on the Country Airplay chart — would have happily embraced more reinventions on the first go-round. “I think artistically, Kix and I kind of wanted to let the horse run like we did on this on the first one — but the mandate was, ‘Hey this is an experiment. We haven’t done it before, so let’s try to keep the truck between the lines.’ And we were very pleased with it. But this is a whole different animal.” Then with what can only be described as a mischievous laugh, he adds, “I mean, this is gonna offend some people!”
Surprise more than offend more likely, given how Halestorm turns Brooks & Dunn’s classic “Boot Scootin’ Boogie” up to 11 with screaming guitars and Dunn going head to head with lead singer Lizzy Hale.
“[Halestorm] did not disappoint,” says Kix Brooks, adding that more than 30 years into their partnership, it’s good for Brooks & Dunn to shake things up a bit. “At this point in our career, we can’t really be nervous about that, especially on a record like this, and especially inviting some of the artists we did, like Christone “Kingfish” Ingram and Halestorm. Halestorm is a really badass, really tight rock band and whatever song they come in with heads are going to bang.”
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Furthermore, Brooks says some of the artists upped Brooks & Dunn’s game in a way that delighted them. “It was fun to see Ronnie go toe-to-toe with Lizzy,” he says. “I was like, ‘Good luck pal’ — but he did. I feel like a lot of the stuff really challenged us in a way that maybe we weren’t before. Kingfish came in on ‘Hard Workin’ Man’ with this funky blues thing, because that’s what he does with his band… then it’s like, ‘Holy crap. How are we going to plug into this?’ That was a whole new level of fun.”
Like the first Reboot, Brooks & Dunn were in the studio with the acts — no artists added their parts separately as happens in many such collaborative albums.
“I felt like it would be rude not to be [there],” Dunn says. The duo largely left it to their guests to come up with new interpretations, but were there to assist if the artist got “bogged down, and it would become a team sport to figure things out.”
While Dann Huff produced Reboot, this time he still did the majority of Reboot II’s tracks — but artists were also encouraged to use producers and musicians they routinely work with, which added Joey Moi, Kristian Bush and Jerry Douglas to the mix (along with some unintentional levity). “Kristian, who was producing Megan, has a very cosmic approach to producing,” Brooks says. “He was doing this thing with his hands like, ‘We just need to interweave this and that into that,’ and I was like, ‘You got that, don’t you, Ronnie?’”
“We almost threw him out the window,” Dunn says with a laugh — adding that making Reboot II “was the most fun we’ve ever had,” in part because there was no pressure.
The album contains 18 tracks, including six songs that were on Reboot, remade with different artists for Reboot II. “You think, ‘How can I do it differently? How can it not be repetitive? And everybody found a new way to give it a twist,’” Dunn says. Brooks cites Luke Combs’ straight-ahead read on “Brand New Man” for Reboot, whereas Warren Zeiders slows the tune way down on Reboot II and give it a “Nirvana kind of groove.”
When asked if there could be a Reboot III five years from now, Dunn says, “We would probably have to write a lot more new songs,” before adding, “we’re both writing all the time.”
The new versions also seem to lead new fans to discover the duo. “Asking our crowds this summer on tour, ‘How many of you are at your first Brooks & Dunn show?’” and probably 70% of that crowd now has their hands in the air,” Brooks says. “They’re just finding these songs. We kind of have this rebirth on stage that’s kind of hard to describe.”
Though Brooks & Dunn took a touring hiatus from 2010 to 2015, they now have no desire to see the end of the road. Their first leg of their 2025 Neon Moon tour, produced by Live Nation, will start March 13 in Lubbock, Texas and run through April 26 in Louisville.
“We’ve finally gotten to a place where we can kind of not worry about anything, just get out there and enjoy it,” Brooks says.
“We’re still drawing the same size crowds we did in our heyday, so let it rock,” Dunn says, adding with a laugh, “And we’re still pretty.”
Brooks & Dunn – Reboot 2 TRACK LIST
“Play Something Country” – Lainey Wilson
“Neon Moon” – Morgan Wallen
“Rock My World (Little Country Girl)” – Marcus King
“Ain’t Nothing ‘Bout You” – Megan Moroney
“Brand New Man” – Warren Zeiders
“Believe” – Jelly Roll
“She Used to Be Mine” – Riley Green
“She Likes to Get Out of Town” – The Cadillac Three
“Boot Scootin’ Boogie” – Halestorm
“Ain’t No Way To Go” – Mitchell Tenpenny
“How Long Gone” – The Earls of Leicester
“I’ll Never Forgive My Heart” – Jake Worthington
“She’s Not the Cheatin’ Kind” – Hailey Whitters
“Hard Workin’ Man” – Christone “Kingfish” Ingram
“Hillbilly Deluxe” – Hardy
“Indian Summer” – Ernest
“Drop in the Bucket” – Thousand Horses
“Only In America” – Corey Kent
Shakira hopped up on stage at the LIV Miami nightclub over the weekend to celebrate her new single, “Soltera.” But according to fan video of the impromptu moment, after swiveling her hips in classic style for a few minutes, the singer stopped dancing when she appeared to notice someone in the crowd attempting to film […]
The Weeknd is turning down the heat. Just days after releasing his new electro pop single, “Dancing in the Flames,” the singer (who now goes by his birth name, Abel Tesfaye), switched things up and stripped things down on an unplugged version of the song. The acoustic take on the first single from Tesfaye’s upcoming […]
The entertainment world is mourning the loss of Tito Jackson, a founding member of the iconic Jackson 5.
Entertainment Tonight reported on Sunday (Sept. 15) that Tito, 70, died following a suspected heart attack while driving from New Mexico to Oklahoma, according to Steve Manning, a longtime Jackson family friend and former manager.
People later reported that Tito’s son Siggy Jackson confirmed the news of his passing, though there is currently no official cause of death.
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Tito was an integral part of the Jackson family’s musical dynasty. He, along with his brothers Michael, Jermaine, Marlon, and Jackie, formed The Jackson 5 in the 1960s. Their debut single, “I Want You Back,” became an instant sensation, reaching No. 1 on the Billboard Hot 100, as did their subsequent hits “ABC” and “I’ll Be There.”
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They were later inducted into the Rock & Roll Hall of Fame in 1997.
Beyond his work with The Jackson 5, Tito pursued a solo career, releasing his debut album Tito Time in 2016. His single “Get It Baby” reached No. 19 on the Billboard Adult R&B Airplay chart.
Amid the news, Tito’s sons TJ, Taj, and Taryll have taken to Instagram to share their grief and confirm the devastating news with a heartfelt message:
“It’s with heavy hearts that we announce that our beloved father, Rock & Roll Hall of Famer Tito Jackson is no longer with us. We are shocked, saddened, and heartbroken. Our father was an incredible man who cared about everyone and their well-being.
“Some of you may know him as Tito Jackson from the legendary Jackson 5, some may know him as ‘Coach Tito’ or some know him as ‘Poppa T.’ Nevertheless, he will be missed tremendously. It will forever be ‘Tito Time’ for us. Please remember to do what our father always preached and that is ‘Love One Another.’ We love you Pops.”
They concluded with, “Your boys, Taj, Taryll, and TJ.”
Jonathan ‘Sugarfoot’ Moffett, a former drummer for the Jackson 5, also expressed his profound sadness on Facebook:
“There is great, great sadness in my heart, spirit, and soul tonight… I’m stunned and devastated to receive and hear this disheartening news. I love Tito like my brothers of blood relation… My thoughts are with my nephews in heart and spirit, 3T, and all his grandchildren. I love you all VERY much. You are my second family.”
Moffett continued, sharing his love and support for the Jackson family, including Tito’s mother Katherine Jackson: “Dear mother, I love you dearly. I love you, Tito Jackson, my brother… forever, still.”
The Jackson family is no stranger to tragedy, having previously lost Tito’s younger brother Michael Jackson in 2009, and their father, Joe Jackson, who passed in 2018 at age 89.
Just days before his death, Tito posted a message on social media from Munich, Germany, where he visited a memorial to Michael with his brothers. He wrote: “Before our show in Munich, my brothers Jackie, Marlon, and I, visited the beautiful memorial dedicated to our beloved brother, Michael Jackson.
“We’re deeply grateful for this special place that honours not only his memory but also our shared legacy. Thank you for keeping his spirit alive.”
As the world continues to process this loss, more tributes from fans and peers in the music industry are expected to come in, celebrating Tito’s life and legacy as both a musical icon and beloved family man.
Billboard has reached out to Tito Jackson’s representatives for comment.
This story is developing.
Tito Jackson, one of the founding members of the legendary Jackson 5, passed away at the age of 70 on Sunday, Sept. 15.
According to initial reports from Entertainment Tonight, Steve Manning, a longtime Jackson family friend, revealed that Tito is believed to have suffered a heart attack while driving from New Mexico to Oklahoma. People magazine later confirmed the news with Tito’s nephew, Siggy Jackson.
At the time of writing, the official cause of death has not been determined.
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BREAKING: Tito Jackson has died at the age of 70.Steve Manning, a longtime Jackson family friend and former Jackson family manager, tells ET that Tito passed away today. While an official cause of death has not yet been determined, Manning believes that Tito suffered a heart… pic.twitter.com/coZCZm3T9i— Entertainment Tonight (@etnow) September 16, 2024
Born Toriano Adaryll Jackson on October 15, 1953, in Gary, Indiana, Tito was an integral part of the Jackson family’s musical dynasty. He, along with his brothers Michael, Jermaine, Marlon, and Jackie, formed The Jackson 5 in the 1960s.
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Tito’s rhythm guitar work and the harmonies of his brothers helped the group achieve meteoric success, culminating in their signing to Motown Records in 1968. Their debut single, “I Want You Back,” became an instant sensation, reaching No. 1 on the Billboard Hot 100, as did their subsequent hits “ABC” and “I’ll Be There.”
While his younger brother Michael often dominated the spotlight, Tito’s steady presence as a musician and performer was crucial to the band’s success. The Jackson 5’s debut album, Diana Ross Presents The Jackson 5 (1969), marked the beginning of their chart-topping career, with numerous tracks from that era becoming cultural staples.
In the 1970s, the group rebranded as The Jacksons after leaving Motown. Tito continued to perform and tour with his brothers through the 1980s, contributing to albums like Destiny and Triumph, both of which saw significant success on the Billboard 200 and R&B charts.
Beyond his work with The Jackson 5, Tito pursued a solo career, releasing his debut album Tito Time in 2016. His single “Get It Baby” reached No. 19 on the Billboard Adult R&B Songs chart.
Tito’s passing follows the deaths of his younger brother Michael Jackson in 2009 and their father Joe Jackson, the family patriarch and early manager of The Jackson 5, who passed away in 2018 at the age of 89. Michael’s sudden death in 2009 from acute propofol intoxication shocked the world, and his legacy as the King of Pop remains an indelible part of music history.
Tito is survived by his three sons, Taj, Taryll, and TJ, who formed their own musical group, 3T, and by his numerous grandchildren. His ex-wife Delores “Dee Dee” Martes passed away in 1994.
Billboard has reached out to Tito Jackson’s representatives for comment.
You’d think Joshua Jackson would be used to hearing Paula Cole‘s “I Don’t Want to Wait” by now, after the 1997 song opened his teen drama series Dawson’s Creek for six seasons on WB in the late ’90s and early 2000s. But he was still caught off-guard Sunday night (Sept. 15) when he took the […]
