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While accepting best crossover song at the 2024 People’s Choice Country Awards Thursday (Sept. 26), MGK (formerly Machine Gun Kelly) gave the biggest thank you to someone he used to have bad blood with: Jelly Roll.
Now, the two are both friends and collaborators, with their July duet “Lonely Road” taking home the crossover award at the ceremony, which the “Son of a Sinner” star didn’t attend. “Dude, Jelly Roll. Bubba!” MGK cheered on the stage on behalf of his song partner. “Jelly, I love you. We went from 10 years ago, hating each other, to elevating each other.”
“Comparison is the thief of joy,” the rapper-turned-rocker added, holding up his trophy. “There’s enough room on this couch for everybody. We found camaraderie in the chaos.”
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Jelly and the “My Ex’s Best Friend” singer previously addressed their decade-old feud in a Sept. 13 vodcast episode, helping Spotify launch its musician-focused Countdown To series. “It is so funny how much I love you now,” MGK said during their conversation, sitting face to face with the country star. “God, I hated you so much back then.”
“You gotta understand there was only like seven white rappers on Earth at this time, so it was so competitive when you was in that pool, that we were kind of automatically forced against each other anyways,” Jelly added with a laugh at the time. “You were just like, just skinny and handsome. So I was like, I was just a hater. I was just a hater, dude! It’s hard to grow up in front of the whole world.”
In addition to dropping “Lonely Road” in July, Jelly and MGK also shot a music video costarring their respective partners, Bunnie XO and Megan Fox. The visual finds the musicians struggling to provide for their families, so they organize a heist that ends with MGK behind bars, leaving the Jennifer’s Body actress to raise their fictional newborn baby without him.
Watch MGK thank Jelly Roll at the People’s Choice Country Awards below.
Austin City Limits (ACL) will celebrate its 50th season with an assist from Texas native and Grammy winner Kacey Musgraves. The season will launch Saturday, Sept. 28, with an hour’s worth of music from Musgraves. Explore Explore See latest videos, charts and news See latest videos, charts and news In the previously taped appearance, she […]
With the mystery of “LG 6.5” officially solved, Lady Gaga is ready to let fans in on the making of her newest album, Harlequin.
In a new interview with Rolling Stone, Gaga explained that the idea for her new album of jazz and pop classics came to her after she finished filming Joker: Folie à Deux. After performing for so long as her character Harleen “Lee” Quinzel (aka Harley Quinn), Gaga felt that she still had more to say. “I had such a deep relationship with Lee,” she said. “And when I was done filming the movie, I wasn’t done with her.”
As for why she teased the album as “LG 6.5,” the singer explained that she didn’t want fans to see this only as her next album. “It is my record. It’s a Lady Gaga record, but it’s also inspired by my character and my vision of what a woman can be,” she said. “It’s why the album does not adhere to one genre … it’s not my next studio album that’s a pop record, but it is somewhere in between, and it’s blurring the lines of pop music.”
The new project sees Gaga taking on a series of jazz standards — such as “Get Happy,” “World on a String” and “That’s Life” — much like she did in her Tony Bennett duet albums Cheek to Cheek and Love for Sale. While Gaga says she struggled with not having her friend and collaborator in the studio with her following his death in 2023, she thinks he would have appreciated Harlequin for its shapeshifting nature.
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“If I had put rock n’ roll chords over production in a record that I did with Tony years ago, I don’t know how he would’ve felt about that. Tony didn’t love rock n’ roll, but he would’ve said, ‘Wow, that’s amazing,’” she explained. “He was somebody who loved how risk-taking and different I am, and I always thought that was so cool. He was 60 years older than me, and he would flinch less than young people that I would meet … He was just a really compassionate, inclusive person. So he was definitely with us [in the studio], but he was mostly inside of me.”
As for fans still eager to hear what her long-awaited seventh studio album will sound like, Gaga remained tight-lipped, but offered a small hint. “The pop album is nothing like Chromatica. It’s a completely different record,” she said. “It’s meant to be ingested as a time in my life. And I’m also really excited about this idea that I don’t have to adhere to an era if I don’t want to. I can have a few going at once.”
When Billie Eilish sings, “I’ll love you ’til the day that I die” on “Birds of a Feather,” that deadline also includes the afterlife. In the Hit Me Hard and Soft single’s new Aidan Zamiri-directed music video that arrived Friday (Sept. 27), the 22-year-old pop star sits alone in an abandoned office building, smiling to […]
What’s the most difficult way to follow-up a terminally bleak, billion-dollar, Oscar-winning blockbuster superhero (adjacent) movie with no super heroes? Add in some live song and dance numbers, naturally. That’s what Joaquin Phoenix said the team behind the anticipated Joker: Folie à Deux decided to do, a choice that terrified the notoriously fearless actor from day one.
“How could we possibly do the music in the most honest way possible?” he asked in a joint interview with co-star Lady Gaga and director Todd Phillips that aired on Good Morning America on Friday (Sept. 27) about the bold decision to have untrained singer Phoenix and Grammy-winner Gaga sing together live on stage during the film’s fantasy sequences. “When we first started, I did not want anything to be spontaneous and I wanted to sound as good as possible,” said Phoenix, who was previously described as being “sick” with nerves over singing alongside Gaga.
Phoenix noted that it was Gaga’s idea to do it live, which he thought sounded great for her, since that’s what she does for a living. “You were really cool and kind of made me feel comfortable about that,” he said, with Gaga adding, “I can assure you that Joaquin using his natural voice was just so much more compelling than any lip synching would ever be.”
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While Phoenix said that he just didn’t want his Joker ride to end after his Oscar-winning first spin as washed-up clown Arthur Fleck in 2019’s intense Joker, Gaga said that original film really interested her in joining Phoenix and director Phillips’ demented world. “I loved Arthur so much, like, who would be the love in his life?” the singer said she wondered.
Plus, she added, there was something “so completely freeing” about playing Quinn, including the ability to sneak some bits of herself into the character that she’s always been a bit embarrassed, or private, about. “When I first saw the film I was like, ‘Oh, that’s in there! That part of me that I want no one to know about,’” said Gaga of her third starring role in a major motion picture following her breakout in 2018’s A Star is Born and a strong showing in the all-star ensemble in 2021’s House of Gucci.
Though she seems to always be poised and powerful, Gaga said those moments she sees herself in Quinn are when her chracter seems “so uncomfortable… she’s like on the edge. There’s definitely been times in my life where I felt that way.”
Even more challenging, Gaga recorded an entire Joker-themed album, Harlequin, out today, in which she channels her character Harley Quinn on a series of classic covers and a few originals. “Lee’s not a performer and I am and in a scene as a different character it’s just completely different,” Gaga said of tapping into what makes the Joker’s equally off-kilter love stand out from Gaga’s stage persona.
“It’s Lee’s reality, it’s their shared reality, it’s coming from that character not from me as a performer,” she said. “I don’t just sing that way in this movie, I also sing with my full voice.”
The 13-track album features a number of Harley-fied covers of “Good Morning” (from Singing in the Rain), “If My Friends Could See Me Now” (Sweet Charity), as well as a soul-funk version of “When the Saints Go Marching In” (here titled “Oh, When the Saints”), “That’s Entertainment,” the Carpenters’ “Close to You” and “World on a String” as well as two originals, “Folie à Deux” and the rock-edged “The Joker.”
The surprise companion album to the film was recorded alongside the sessions for Gaga’s upcoming as-yet-untitled seventh studio album, which is due out in February, with a first single dropping next month. Joker: Folie à Deux opens in theaters on Oct. 4
Billy Joel‘s historic Madison Square Garden run might be over, but the Piano Man is not done playing to the rafters. Joel announced a new run of 2025 stadium shows on Thursday (Sept. 26) that will once again find him sharing the stage with recent tour mates Sting and Stevie Nicks. Explore Explore See latest […]
Billie Eilish and Finneas have been a package deal since day one. The siblings’ musical kismet has worked out pretty well so far, netting them billions of streams, two Oscars and Golden Globes, nine Grammy Awards and three Billboard Music Awards, among many others.
But there comes a time in every artist’s career when they are ready to branch out on their own, and according to Finneas that time is now for his sister. Speaking to Guitar.com, Finneas, 27, said he’s been busy building out Billie’s home studio, and by the sound of it he’s pretty confident she’ll make good use of it.
“I’ve been setting up Billie’s recording studio for her so she can do home production without me, because she’s very good at it!,” Finneas said of Eilish, 22. “And it’s funny, I’ve been giving her, like, the bare minimum of stuff, just so that she learns it all. Y’know what I mean? I’m like ‘Listen, I could give you all the stuff that I use now, but it took me years to even have a use for it. And, if I give you this basic thing, it’ll make sense to you right away.’”
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To date, Finneas has produced all three of Billie’s album, from her breakthrough 2019 debut, When We All Fall Asleep, Where Do We Go? — which featured such beloved tracks as “You Should See Me In a Crown,” “When the Party’s Over” and “Bad Guy” — as well 2021’s Happier Than Ever and this year’s Hit Me Hard and Soft. In between, Finneas has also released two solo albums, 2021’s Optimist and this year’s For Cryin’ Out Loud and the 2019 EP Blood Harmony.
Before she can get into that studio, though, Eilish will hit the road for her 2024-2025 Hit Me Hard and Soft The Tour, which kicks off on Sunday (Sept. 29) with a sold out show at the Centre Videotron in Quebec.
Say it is so. Weezer announced on Thursday (Sept. 26) that they are hosting a special two-night screening of a live concert film shot in the midst of the current tour celebrating the 30th anniversary of their 1994 debut, commonly referred to as The Blue Album. Explore Explore See latest videos, charts and news See […]
09/27/2024
The joke(r) is on all of us: read Billboard’s preliminary ranking and review for Gaga’s album between albums.
09/27/2024
Stevie Nicks has returned with a rallying cry for women, dropping new single “The Lighthouse” Friday (Sept. 27) in hopes of reinvigorating the fight for reproductive healthcare. The track opens with a melodic pinging beat and anthemic sound effects as the Fleetwood Mac frontwoman sings softly, “I have my scars, you have yours/ Don’t let […]
