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ARTMS Talk World Tour, Covering Taylor Swift ‘Detailed’ Creative Involvement & Expanding Beyond LOONA’s Story

In one of the many unprecedented turn of events in K-pop this decade, the beloved girl group LOONA experienced an emotional split after terminating contracts with their label before each of the 12 members landed safely to pursue new K-pop paths. Alongside Chuu and Yves‘ new starts as soloists, to five members reconfiguring as Loossemble, the final step of these re-debuts came in ARTMS, consisting of LOONA stars HaSeul, HeeJin, Kim Lip, Choerry, and JinSoul coming together to rebrand themselves, reimagine their artistry and remember their roots as a new quintet.

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After releasing a series of solo and unit singles, the group launched their debut full-length album, DALL, to return the girls to the Billboard charts (main single “Virtual Angel” cracked the Top 10 on the World Digital Song Sales chart, while DALL itself landed in the Top 10 of World Albums), and to the delight of fans and critics alike (even earning a spot on Billboard critics’ Best K-Pop Albums of 2024 So Far list).

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Riding the exciting comeback success, the group is embarking on their ARTMS World Tour ‘Moonshot,’ which has already wrapped its North and South American legs. As they prepare to conquer Europe, Australia, and Asia this fall and winter, ARTMS is eager to reflect on their journey from LOONA to their current iteration.

Sitting down with Billboard at the New York office of The Orchard, ARTMS shine with a sense of unity, growth, and playfulness. HaSeul, more confident than ever in English, jokes about accidentally spoiling upcoming tour surprises, while HeeJin candidly confesses her hair is mostly extensions, JinSoul speaks about immersing herself into the A&R process, Choerry balances the group’s past with an exciting future, as Kim Lip looks ahead to what’s next for the group’s personal and professional lives.

Despite the challenges faced, ARTMS beam with a sense of pride over their collective growth and how they’ve taken control of their music and artistic direction. Here, the five idols discuss their creative evolution, navigating the K-pop industry post-LOONA, and their deep connection to the fans who have supported them every step of the way. Read on for more below alongside exclusive photos provided for Billboard.

I’m so proud to see ARTMS here in New York. Kim Lip, JinSoul, and Choerry toured as ODD EYE CIRCLE, but all five of you are here now. How do you feel about ARMTS’ first shows outside Asia?

HaSeul: I’m so excited and a little nervous too because it’s ARTMS’ first concert and tour.

HeeJin: Of course it feels great, and we have lots of thoughts on starting off strong as New York, a big city, is our first stop for this tour.

Congratulations on your first album, DALL, which got such great reactions. Was it a relief to get such a positive response?

Kim Lip: Since we’re releasing an album as ARTMS instead of LOONA, I was worried yet excited about how the public would react to our music. But we’re getting on the charts and receiving lots of attention, so we felt at ease, and I’m so happy to go on tour and meet with our fans.

ARTMS

HaSeul

Lauren Nakao Winn

How did you five come together and decide to move forward as ARTMS?

HaSeul: I was the last member to join ARTMS, but all five of us are very passionate about music. I think the members who came together and gathered [here] had the biggest will to bring ARTMS to life. When producing this album, I felt how sincere we all were about music…we had many solo and unit albums when we were promoting as LOONA, and you can see it as us continuing that identity. In a way, [ARTMS] can be seen as us taking back our identity. And since our skills are outstanding, we released solo, unit, and group albums.

It seems like you have more ownership and responsibility this time. There must have been pressure, but did it feel like you could share something more personal under ARTMS?

HeeJin: Usually, the company tells us what to do, but now, since we’re active players and debuting again, we wanted to work on the identity of ARTMS. We gave a lot of input in the songs and concepts. Our company took them positively and reflected them in our work, so I’d say it’s an album we produced all together. 

I imagine reuniting with LOONA’s original producer, Jaden Jeong, must have been special. Was it fun to return to this production style?

JinSoul: We have had a storyline in our group [LOONA] and the fans like this aspect. We further developed the storyline by working again with Jaden Jeong, who [first] created this storyline — and it’s great to add ARTMS to it as well. While adding ARTMS’ colors, everything became more diverse. We maintained a bit of tradition for the fans, and it’s great to show more sides of us and go deeper.

HeeJin: I think fans love it the most that we’re going with the storylines and expanding onto it.

ARTMS

JinSoul

Lauren Nakao Winn

While we know about LOONA’s contract story, I’m more interested in how all 12 of you found strength and came out of it together?

JinSoul: The members share lots of conversations together. But during that time, we looked into what we could do and thought of methods to use to go through with it. 

Kim Lip: The members cooperate well together, so we tend to respect each other’s opinions since we’re like a family. I think that’s how we came to a conclusion.

HeeJin: It’s also meaningless if we don’t do it together. So, we did it all together.

HaSeul: We are a family.

Putting the past to rest, if there are fans — whether they’re Orbits or OURII — who are still worried about you or want to check in, what words would you share with them?

HeeJin: We’re always simultaneously thankful and sorry to the fans. It took a lot of time for ARTMS to debut. Despite that, I’d like to thank the fans for waiting for us. There are also fans who became our fans as ARTMS debuted. We’ll promote more from now on, so please be at ease and keep an eye on us. Don’t worry…

Looking ahead, what are some of the special aspects of the Moonshot tour?

HaSeul: During our concerts in South Korea and Japan, we performed TWS’ “Plot Twist.” But for the USA, we prepared a different song to perform — “Cruel Summer” by Taylor Swift. I look forward to performing that song the most. 

JinSoul: When we performed in Korea and Japan, we changed the choreography of “Sparkle” and “Flower Rhythm” for the concert version. Many fans looked forward to it after seeing the choreography video. We also do different ad-libs at different times, so I’m always looking forward to the various ad-libs we’ll do.

HeeJin: The setlists will be similar, but there are always impromptu changes during our concerts, so the fans can really look forward to it. In Japan, there was a moment we performed the same song twice and a time we’d suddenly go off-stage. I look forward to those kinds of impromptu moments. And, of course, I brought my guitar.

ARTMS

Kim Lip

Lauren Nakao Winn

How has it been reuniting with fans in the States?

Kim Lip: We just had a fansigning today. It was fascinating to hold new events like this fansign during this tour. There was one moment that I remember when one fan started to sing in front of us — the fans are very, how do I say this, open when it comes to expressing their feelings. They’re different from the fans in Korea. I really felt the way they so enthusiastically express their feelings this morning, and it makes me really look forward to our concerts. 

HeeJin: That’s why I love it. Even if the fans in Korea really want to express themselves, they are very reserved. But on the other hand, fans in the U.S. openly show their support, so it excites us and gives us lots of strength.

Whether it’s your concerts or album production, what is ARTMS’ creative process nowadays?

HeeJin: We’ve been deeply participating in the process, but shall we start off with an answer from the main A&R member?

JinSoul: Jaden Jeong usually brings forward a lot of the music, but we look into the smallest details of the production. For example, we direct the vocals for each other or select the photos to be included in the album. We also selected the album cover design, hair colors, and styling. We participated in lyric writing this time, too. The company works on big tasks and we give our detailed inputs to showcase the best of us. 

ARTMS

HeeJin

Lauren Nakao Winn

What are you really proud of to say you’ve worked on?

Kim Lip: We can proudly say that we wrote the lyrics for “Sparkle.” And the light stick!

HeeJin: We got ideas for the light stick and sent over drafts. The final design was our idea. And personally, during the “Virtual Angel” promotions, I wanted to dye my hair white because I thought an angel had a very white, bright image. So, even though I had to sacrifice my hair, I wanted to do it. I discussed it with my company and went on with it.

You’ve never been blonde; your hair looks great!

HeeJin: This is not my hair. [All Laugh] It’s extensions, my hair looks bad.

I’m sure your hair looks great. But from watching K-pop, it feels like the fans can give artists new chances today. Do you think the industry has changed from when you debuted to today?

Choerry: I definitely wouldn’t have expected this back then. We were very young. The situation the 12 of us went through was saddening, but I’m very satisfied with ARTMS right now. I’m happy to have released great songs with the members, my sisters. I also believe we have lots of time to spend with fans, so I hope we can have fun and come to them with better sides.

HaSeul: I’d say we were able to stand on stage again 100% because the fans were waiting for us. And it was made possible because we have fans. The reason why we look forward to the concerts on tour as the time went by is because we want to show a great performance to the fans who’ve been waiting for two years. We’re really looking forward to this tour. 

ARTMS

Choerry

Lauren Nakao Winn

I loved HeeJin’s interview with InternetsNathan when she ranked every LOONA song. To give everyone the opportunity, I’d love for you to choose your “favOriTe” song released from LOONA solo days to ARTMS today.

HaSeul: I think “Virtual Angel.” Since the title song [single] is the song you listen to the most due to promotions, there are times you can get sick of it, but I like the song so much that I can listen to it in the car every day.

Kim Lip: “Hi High”? We had lots of solo and unit songs, but we went a long way to release the “Hi High” album. I think it was a relieving album for the members, staff, and fans who were waiting for a long time. I think it’s the most meaningful album; fans still love this song. I can call this my favorite. 

HeeJin: I’m going to choose “Butterfly Effect” because ARTMS is starting anew with Jaden Jeong and he told us the story behind this song. It was one of the songs he wanted to release when we were LOONA. He held onto this song for six years and finally got it on the tracklist for DALL. The song feels like a continuation of LOONA to ARTMS. Some lyrics make you think of the past, so it became a song I love. 

Choerry: I choose “Singing in the Rain. It’s my favorite song because, during concerts, it has a bursting beat and the sound is full and harmonious. And JinSoul’s vocals suit the song so it’s a song that I always wanted. It’s so good that I want to do a collab stage.

HeeJin: I want to do a collab stage for it too!

JinSoul: I choose “Butterfly.” I think this song really shows LOONA’s identity. When I look at past performances, there were times I looked shy, but I think this song was one I was most proud of. The choreography was amazing. It’ll be difficult for me to perform it again, but I think it was a synergy only we could show during that time. 

Others: We can do it again! We can do it!

What can we look forward to from ARTMS from here, the tour, what’s next?

Kim Lip: ARTMS is…

All: Vacation! After tour…

Kim Lip: This is a secret, but I think we’ll prepare for the next ARTMS album after the tour. We don’t know the details, but I think it’ll be an album to really look forward to. But it’s not confirmed…

Both of those are important! Any last messages to fans if they couldn’t see you on tour this time? 

HeeJin: Thank you so so much for waiting for us. Fans who attended our concerts will know, but even though we’re fewer members as ARTMS, you’ll be able to see perfect performances. We’ve become very experienced performers. Thank you so much for loving us and coming to see us. I hope the members stay healthy throughout the tour because we wish to promote the group to many people.

ARTMS

HeeJin, Kim Lip, HaSeul, JinSoul and Choerry of ARTMS

Lauren Nakao Winn

Chappell Roan Hits No. 1 on Artist 100 & Top Album Sales Charts for First Time

Chappell Roan’s The Rise and Fall of a Midwest Princess has a banner week on the Billboard charts (dated Oct. 5), reaching No. 1 on Top Album Sales for the first time (rising 6-1), returning to the top of Vinyl Albums (up 4-1), as well as rising 3-2 on the Billboard 200 for a third nonconsecutive week at its peak position. She also leads the Billboard Artist 100 chart for the first time, ascending 3-1. The tally ranks the most popular artists of the week.

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The new Oct. 5-dated charts will be posted in full on Billboard‘s website on Tuesday, Oct. 1.

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The Rise and Fall of a Midwest Princess earned 105,000 equivalent album units in the U.S. in the week ending Sept. 26 (up 64%) according to Luminate, marking its biggest week yet by units earned.* Traditional album sales comprise a career weekly-best 56,000 (up 328%). Vinyl sales were red-hot for the set, with 50,000 sold (up 548%), easily Roan’s best week on vinyl and the sixth-largest week for any vinyl album in 2024.

The week-over-week growth is owed to the release of four new vinyl variants and a cassette tape in celebration of the album’s first anniversary on Sept. 22.

The set also returns to No. 1 on the Indie Store Album Sales chart (up one spot), for a seventh nonconsecutive frame, continuing as the title with the most weeks atop the ranking in 2024. The album sold 15,500 copies at independent record stores – the second-biggest week for any album in the indie sector this year. Only Taylor Swift’s The Tortured Poets Department had a bigger week with indies in 2024, when it sold 17,000 copies in its opening week.

Midwest Princess’ total year-to-date sales now rise to 248,000 sold, making it the 10th-biggest selling album of 2024. The Tortured Poets Department has a runaway lead as the year’s top-seller, with 2.77 million. Her 2024 vinyl sales climb to 167,000 – the third-biggest selling vinyl title of the year thus far. Poets is also the top-selling vinyl album of 2024, with 1.03 million.

* Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.

Banda MS & Alfredo Olivas Reign Atop Regional Mexican Airplay With ‘Tengo Claro’

“Tengo Claro” takes Banda MS and Alfredo Olivas to No. 1 on Billboard’s Regional Mexican Airplay chart, where the song rises a spot on the Oct. 5-dated list. The coronation comes thanks to 6.4 million U.S. audience impressions, up 12% from the week prior, registered in the week ending Sept. 26, according to Luminate.

While both acts add their second champ of 2024, Banda MS collects its 21st No. 1, after “Tu Perfume” ruled for one week in April. With the new win, the group continues as the act with the second-most leaders since the tally launched in 1994, coming closer to Calibre 50’s 25 rulers.

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Here’s a review of the acts with the most No. 1s on the almost 30-year-old chart:

25, Calibre 50
21, Banda MS
19, Intocable
18, Banda El Recodo de Cruz Lizárraga
18, La Arrolladora Banda el Limón de Rene Camacho
17, Christian Nodal
17, Los Tigres del Norte

With “Tengo Claro,” Olivas ups his career count to five total No. 1s among 23 chart visits. The song also becomes his second champ through a collaboration, following his featured role on Alejandro Fernández’s “Cobijas Ajenas,” for one week atop Regional Mexican Airplay in June.

“Tengo Claro” was released July 5 via Lizos Music and marks the label’s 17th No. 1. Lizos’ latest hit follows its previous most recent, another Banda MS win: “Tu Perfume” (one week in charge in April).

Beyond its Regional Mexican Airplay coronation, “Tengo Claro” also cracks the top five on the overall Latin Airplay ranking, where it races 6-2, marking Banda MS’ highest-charting song since the No. 1-peaking “No Elegí Conocerte” in 2019. Plus, the group ties with Alejandro Fernández and Marco Antonio Solis for the second-most top 10s among regional Mexican acts, trailing Calibre 50 with 58 top 10s since the chart’s inception.

All charts (dated Oct. 5, 2024) will update on Billboard.com tomorrow, Oct. 1). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Elena Rose Breaks Into Top 10 on Latin Pop Airplay With Boza Collab ‘Orión’

Eight weeks after Elena Rose earned her first entry on a Billboard songs chart, the Venezuelan singer-songwriter scores her maiden top 10 on a ranking thanks to “Orión,” her collaboration with Boza.

The song, released May 29 via Sony Music Latin, flies 17-4 on the Latin Pop Airplay chart (dated Oct. 5) after a 217% surge in audience impressions, to with 2.1 million, earned on U.S. monitored stations during the Sept. 20-26 tracking week, according to Luminate.

Thanks to the 217% surge, “Orión” takes the Greatest Gainer honor of the week, awarded weekly to the song with the most audience impressions among the chart’s 40-deep entries. Univision stations WKAQ-FM (Puerto Rico) and WXNY-FM (New York) lead with the most plays in the latest tracking week. Meanwhile, another New York station, SBS’ WPAT-FM, joins in as part of the top three supporters.

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“Orión” ties Play-N-Skillz, Natti Natasha and Deorro’s “Como La Flor” for the largest single-week jump on Latin Pop Airplay in 2024, both rallying 13 positions. The latter climbed 21-8 on the Sept. 28-dated list, for Mexican American DJ Deorro’s first entry and top 10 there. The song keeps pushing, moving 8-3 on the current ranking.

While Boza has enjoyed chart hits dating back to 2020, the Panamanian celebrates his second radio top 10 with “Orión,” following the Silvestre Dangond and Reik team-up, “Sé Que Estás Con Él,” which took them to a No. 6 on Latin Rhythm Airplay in June 2023.

Venezuelan Elena Rose made her maiden chart appearance as a songwriter in 2022, debuting at No. 5 on the Latin Songwriters chart then. “Orión” also gives Elena Rose her first visit on the overall Latin Airplay chart, where the song debuts at No. 49. Boza picks up his third entry.

The new chart achievement arrives following Elena Rose’s three Latin Grammy Award nominations, including song of the year for “Caracas En El 2000.”

All charts (dated Oct. 5, 2024) will update on Billboard.com tomorrow, Oct. 1). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Elena Rose will speak at Latin Music Week Oct. 14-18 at the Fillmore Miami Beach. To register, please visit BillboardLatinMusicWeek.com.

Britney Spears Opens Up About ‘Scary’ Fire Incident Earlier This Year: ‘It Happens’

Britney Spears is recalling a terrifying incident that almost led her to visit the emergency room.

The pop princess took to Instagram on Monday (Sept. 30) to share a video recalling a story that happened about six months ago. “I was in my room and I turned the fire on and, all of a sudden, it blew up in my face,” she explained in a British accent. “It’s done it before, and the times it’s done it before, I quit so I always get my security to come in and light it for me because I was scared it was going to blow up.”

She continued, “But this time, I just threw the whole thing in there and it blew into into my face and took all my eyelashes off and my eyebrows and see this baby hair? These baby bangs? This is from six months ago. It fizzled all my hair. The person I was with would not wake up and I thought I’d have to go to the emergency room because my face was on fire.”

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Spears noted that the injury left her in pain and she considered going to the emergency room, as “it hurt to touch my phone, it hurt to put ice on my face” for six to seven hours. Ultimately, she took three Tylenol pills, something she noted is “a really, really big deal for me” and went to sleep.

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“All is good now,” she assured. “It happens.”

Spears is thankfully safe despite the scary moment, and has been working on a “special project” recently. “The project I might be doing isn’t a biopic story … it’s a fictional musical where I play an extremely intelligent character !!!,” Spears wrote on Instagram alongside an illustration of a girl hovering over a pair of cats. “It’s flattering to be in such good company like Jon Chu !!!”

Wicked director Jon M. Chu and Marc Platt are leading the film’s development, according to Variety.

Chris Brown Documentary Surrounding Abuse Allegations Coming to ‘Quiet on Set’ Network ID

Chris Brown’s history of alleged abuse and myriad of lawsuits will be explored in a new documentary coming to Investigation Discovery.

The Hollywood Reporter first reported the news regarding the doc on Monday (Sept. 30), which is titled Chris Brown: A History of Violence. The documentary is set to land on ID on Oct. 27 as part of the network’s “No Excuse for Abuse” campaign.

While Chris Brown has spent plenty of time topping the charts, he’s also dealt with plenty of legal issues dating back to his 2009 arrest for allegedly assaulting ex-girlfriend Rihanna. He ultimately took a plea deal after pleading guilty to felony assault in the case.

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“Chris Brown’s an amazing and talented musician, but let’s call a thing a thing. He’s an abuser of women. Consistently, unapologetically,” one woman can be heard saying in the Ample Entertainment-produced doc’s chilling trailer.

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An unidentified alleged victim is also coming forward to tell her story of abuse at the hands of the turbulent superstar for the very first time.

“I have not spoken about this matter publicly, but that’s the only way he can be stopped,” an altered voice says.

Shortly after the premiere airs, The View‘s Sunny Hostin is reportedly slated to host a discussion alongside domestic violence experts and survivor advocates.

“Domestic violence is a very close, personal issue to me as I reflect on my past as a prosecutor of these types of cases, and in my role as a mother and public figure whose actions inform and help shape the next generation,” Hostin said in a statement. “This issue is a prevalent epidemic which knows no socio-economic boundaries, so I am dedicated to expanding and continuing this crucial conversation. The more we know, the better we can help advocate for change as a society.”

Investigation Discovery is coming off of airing the bombshell Quiet on Set documentary earlier this year, which probed the child abuse that allegedly took place at Nickelodeon Studios.

Watch the Chris Brown: A History of Violence trailer below.

Gavin Creel, Tony Award Winner & Broadway Star, Dies at 48

Gavin Creel, an accomplished Broadway actor best known for his performance in Hello, Dolly!, has died. He was 48 years old.

The star’s publicist told The Associated Press that Creel died at home in NYC after a two-month battle with metastatic melanotic peripheral nerve sheath sarcoma. Per Mayo Clinic, the rare form of cancer starts in the nerves that run from the spinal cord into the body.

Creel was born and raised in Findlay, Ohio, and as a young adult, toured and did regional work before landing his first big role as Jimmy Smith in Broadway’s Thoroughly Modern Millie. He also portrayed Claude Hooper Bukowski in the Public Theater’s revival of Hair in 2009. Creel won an Olivier Award in 2014 for his role as missionary Elder Price in The Book of Mormon, starring in the show’s first national tour and in London’s West End.

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Most notably, in 2017, he starred opposite Bette Midler and David Hyde Pierce as Cornelius Hackl in the popular 2017 revival of Hello, Dolly!, for which he won the Tony Award for best featured actor in a musical. He was previously nominated in 2002 and 2009 for best actor in a musical for Thoroughly Modern Millie and Hair, respectively.

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Creel also worked in television, portraying Bill in 2003’s Eloise at the Plaza and Eloise at Christmastime. He voiced Matthews in Rapunzel’s Tangled Adventure and appeared on Ryan Murphy’s American Horror Stories as Troy.

Following the news of his death, Lin-Manuel Miranda took to social media to reveal that Creel was his first King George III when Hamilton was being workshopped, noting that he “wrapped the audience around his finger with nothing but a Burger King crown and his mind-blowing charisma and talent.” Miranda added, “He is so loved and it is unimaginable that he’s no longer with us.”

Idina Menzel mirrored the sentiment, writing on Instagram, “Sweet sweet Gavin Creel. An angel among the angels. I love you so much.”

Charli D’Amelio to Make Broadway Debut in ‘& Juliet’

Charli D’Amelio is headed to fair Verona. As announced Monday (Sept. 30), the 20-year-old TikTok star is set to make her Broadway debut with a three-month run in the cast of & Juliet.

According to The Hollywood Reporter, D’Amelio will play Charmian, a dance-heavy role in the jukebox musical’s ensemble. She’ll start Oct. 29 and stay with the cast through Jan. 19 at the Sondheim Theatre.

“I’m so incredibly excited to finally share that i’ll be joining the cast of & Juliet on Broadway!” the influencer wrote on Instagram of the news. “This has been my ultimate dream ever since i was a little girl, but it always felt like something i could only admire from a distance, never imagining i’d actually get to be part of it. and now, here i am, starting this amazing new chapter in my life and cherishing every second.”

In addition to amassing more than 150 million followers on TikTok — making her one of the platform’s most-followed users — D’Amelio won the 31st season of Dancing With the Stars in 2022. She dropped her debut single “If You Ask Me To” that same year.

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“i honestly can’t find the right words to describe just how much this means to me,” D’Amelio continued in her post. “i’m deeply grateful to everyone who has supported me along the way; i wouldn’t be here without all of you. a ginormous thank you to the entire & Juliet team for allowing me to be part of such a special show. thank you from the bottom of my heart.?”

Featuring the music of Max Martin — including Kelly Clarkson’s “Since U Been Gone,” Katy Perry’s “Roar” and Backstreet Boys’ “I Want It That Way” — & Juliet opened on Broadway in November 2022. It reimagines the classic William Shakespeare tale of Romeo and Juliet as if the leading lady had survived.

Maya Boyd currently stars as Juliet, while Ben Jackson Walker plays Romeo. Shakespeare is played by Drew Gehling.

See D’Amelio’s post below.

Megan Thee Stallion Shows Off New Song & Icy New Grill

Megan Thee Stallion has a mouth full of diamonds. The Houston Hottie showed off her new grills set over the weekend designed by famed H-town jeweler Johnny Dang & Co.

Meg flexed her mouth full of shiny diamonds on Sunday via Instagram and even took the opportunity to tease another hard-hitting unreleased track. “@johnnydangandco almost done working hotties brb (the song is not out yet),” she captioned the post.

“I’m at the top of my game/ I’m the one who they hate/ This sh– come with the fame/ That’s how I knew that I made it,” Megan raps.

Fans were excited to hear that Megan Thee Stallion’s still hungry to put out more music, and the Hotties loved the grills. “Those teeth cost more than my whole LIFEE,” one person wrote, while another added: “This the best I’ve ever seen buss down grillz look on someone!”

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One more fan was feeling the snippet: “The way I already have this memorized.”

Dang also reposted a series of clips and photos featuring Meg and the iced-out grill. “Stallion #Honeymoon Set for the Star, Star, Star @theestallion ALL GIA Certified Oval & Pink Diamond Pointers Flawless Honeymoon Set #GrillzByJohnnyDang #DiamondGirl,” he wrote.

Thee Stallion’s Megan album arrived back in June, and the project debuted at No. 3 on the Billboard 200 with 64,000 total units sold in the first week. She’s currently holding down three slots on the Billboard Hot 100 with “Wanna Be” (No. 43) alongside GloRilla, “Mamushi” (No. 50) with Yuki Chiba and the RM-assisted “Neva Play” (No. 79).

Find the clip of Meg teasing an unreleased track and her new grill below.

Dawn, Xunami Muse & More ‘Drag Race’ Season 16 Queens Urge Fans to Vote: ‘It’s a Must’

With so much at stake in the upcoming U.S. election, five queens from RuPaul’s Drag Race season 16 are urging their fans to make their voices heard by voting.

In a PSA shared on Drag Race’s X account, the five queens — Amanda Tori Meating, Dawn, Megami, Plasma and Xunami Muse — shared what issues felt most important to them in the upcoming election, with every queen stating that they were worried about the status of rights for the trans community in the U.S.

“I am very, very concerned about making sure that my trans family are protected, and that we have someone in office who actually sees them as human beings and will fight for their rights to healthcare and to just exist as humans,” Megami said in the video. Plasma added that it was “hard to fathom” that trans people’s “right to be who they are, intrinsically [and] autonomously, is at stake in this election.”

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Dawn pointed out that LGBTQ+ people are an actively important voting block in the 2024 election. “We’re such an important demographic of people,” she said. “Because our rights are under fire right now.” As Amanda Tori Meating put it, “there are a lot of us, and they don’t think that we’ll all vote.”

In closing the video, Xunami Muse called on fans to make sure they did their civic duty in November. “There are so many policies trying to take our rights just to exist away,” she said, while a graphic directing viewers to Headcount’s voter registration website appeared on screen. “So it’s not an option … it’s a must. It’s our right. It’s our duty as an American to go out there and vote.”

RuPaul’s Drag Race has a long history with presidential elections — since the show’s fourth season in 2012, every season of the show taking place during an election year has included at least one election-themed challenge, including performances in mock debates (seasons 4 and 12), creating attack advertisements (season 8) and even writing lyrics to a political anthem (season 16).

While none of the five queens directly stated which candidate they would be voting for in the 2024 election, all of them focused on the attack on LGBTQ+ rights happening in the U.S. The ACLU is currently tracking over 500 anti-LGBTQ+ bills across all 50 states, with the vast majority of those bills introduced by right-wing legislators.

Former president Donald Trump’s official platform includes promises to “keep men out of women’s sports” (a reference to ongoing attempts to ban transgender athletes from competing in school sports) and to “cut federal funding for any school pushing … radical gender ideology, and other inappropriate racial, sexual, or political content on our children.” Vice President Kamala Harris’ platform, meanwhile, includes a promise to pass the Equality Act into law “to enshrine anti-discrimination protections for LGBTQI+ Americans in health care, housing, education, and more.”

Watch the full PSA from the queens of RuPaul’s Drag Race below: