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Multiplatinum-selling and three-time Grammy-winning singer/songwriter Olivia Rodrigo will appear at this year’s Billboard Live Music Summit and Awards, in partnership with AEG Presents and Live Nation, for a Superstar Q&A and to receive Billboard’s Touring Artist of the Year award on Thursday, Nov. 14, in Los Angeles. In a keynote interview, Rodrigo will speak about […]

Charli XCX told us that in order to properly embrace “Brat Summer” you need to be a little chaotic and “trashy.” But between dropping her Brat album in June, then cueing up the all-star deluxe edition, Brat and it’s completely different but also still brat version (due out on Oct. 11), co-executive producing the soundtrack for the movie Mother Mary and launching her Sweat Tour with Troy Sivan on Sept. 14, the 32-year old singer/songwriter has been anything but messy so far this year.
In fact, she’s been super productive and totally focused. Case in point: did you know that Charli filmed her debut movie role in director Pete Oh’s upcoming drama ERUPCJA? According to Variety, Charlie popped over to Poland for a few weeks in August to film her co-starring role in the drama that also features playwright/actor Jeremy O. Harris (Slave Play) and Lena Góra (Imago). The film reportedly explores the volatile relationship between two women — the title is the Polish word for “eruption” — Góra and XCX (whose character is named Bethany) on the latter’s visit to Warsaw.

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How is it possible to film a whole movie that co-stars the singer whose whole aesthetic was copped by Vice President Kamala Harris’ presidential campaign? It kind of isn’t, according to director Ohs. “[Charli] definitely got recognized a bunch of times,” Ohs said. “She was always really sweet. She took selfies with many a Polish fan.”

Co-star Harris said those photos are how their “secret project” got leaked. “I had a gut feeling that our plan to keep it low key was going to be difficult,” he said. “And that was affirmed the first night I went out in Poland. We were staying at the Nobu Hotel, and that’s close to the queer section, so I walked over to a gay bar, and there was a sign advertising a ‘Brat’ party.”

Harris said when the production moved to a nightclub to film a scene it was “almost impossible” to get it done because of the buzz about the “365” singer. “Every single person in the club was like, ‘Oh my god, Charli XCX is here to do a secret performance.’ And it was like, ‘She is, but not the one you think,’” he said. “We were shooting the same week Obama put her on his playlist as well, which is hilarious.”

Ohs also explained how he roped the pop star into one of his signature seat-of-your-pants productions, which are shot in order and written as they go along, with dialogue often conjured the day before, or morning of, filming. Before Charli dropped Brat in May, she bumped into Ohs and Harris — who had previously worked together on the HBO doc Slave Play. Not a Movie. A Play – at a bar in New York’s Lower East Side at 3 a.m., where Harris introduced her to Ohs.

After Harris described Ohs’ unique filmmaking process to Charli, the director said she responded, “‘I want to do one,’” to which he replied, “‘What are you doing in August? Want to come to Warsaw?”

Charli then reportedly DM’d Ohs the next day and said she was in. “The way he talked about making his films felt akin to making an album and the chance meeting also felt equivalent to the conversational and spontaneous nature of his film making,” Charli emailed Variety about working with Ohs. “Our processes felt linked in some kind of way and it felt right and exciting to pursue some kind of collaboration.”

Those pre-production chats also reportedly included Charli’s suggestion that she play against her brash, unapologetic persona. “She was like, ‘I think it should be completely not me. I feel like I could play super shy,’” Ohs said. “So we’re talking like, Charli XCX is completely unrecognizable as Bethany.”

Ohs added that, “Charli is an excellent actress. She is a performer. She understands what it’s like to have a camera pointed at her. She understands how to convey things through all the different ways in which we communicate, whether it’s with body language or your voice or your facial expressions. She had a scene where she cried, without being asked – she could deliver all the goods. She’s a legit actress. I am proud of us for making a movie this way during Brat summer.”

According to Variety, the film is the first in an upcoming string of big screen roles for Charli, which will also include Greg Araki’s erotic thriller “I Want Your Sex” with Olivia Wilde and Cooper Hoffman, a remake of 1978’s documentary-style horror film Faces of Death, as well as Julia Jackman’s graphic novel adaptation 100 Nights of Hero. She is also producing original music for the Amazon comedy series Overcompensating.

The Brat remix album due out on Friday will have reimagined tracks featuring Robyn and Yung Lean, Ariana Grande, the 1975, Troye Sivan, Addison Rae, Lorde, Tinashe, Bon Iver and Billie Eilish, among others.

Andrea Bocelli has touched hearts worldwide with his smooth tenor voice for 30 years, and the Italian superstar is commemorating the anniversary with a new concert film.

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Andrea Bocelli 30: The Celebration will be arriving in theaters on November 8, Mercury Studios and Fathom announced on Tuesday (Oct. 8). The film chronicles 66-year-old Bocelli’s three-day July concert event at the Teatro del Silenzio (Theater of Silence) in Lajatico, a natural amphitheater in Bocelli’s Tuscany hometown. The concert featured a number of tracks from Bocelli’s genre-spanning repertoire, as well as captivating star-studded duets with Ed Sheeran, Shania Twain, Jon Batiste, Brian May, Sofia Vergara, David Foster & Katharine McPhee, Matteo Bocelli, Sofia Carson, Lauren Daigle, Eros Ramazzotti and more.

“The first time I had the idea to celebrate Andrea’s 30th anniversary, I shared it with him and Veronica, and they immediately embraced and supported the vision,” Bocelli’s manager, Francesco Pasquero, said in a press statement. “From that moment, two years of non-stop work followed to turn this dream into reality. The support from the entire team, with Almud and Maverick playing pivotal roles, and powered by Mercury, Impact, and CitySound, was instrumental in bringing this project to life. We created an event that will go down in the history of classical, pop, and crossover music, as nothing like this had ever been achieved before, with such a grand stage and world-class artists from all over the globe. When we saw the final cast come on stage, we were truly amazed by the result— we couldn’t have dreamed of anything better. The incredible direction by Sam Wrench, the artistic vision of Francisco Negrin, and the stage design by Stufish elevated the show to extraordinary levels. I’m deeply honored to have been part of this career-defining moment for Maestro Bocelli.”

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Emmy Award winner Sam Wrench directed the film, and has previously worked on major concert films like Taylor Swift: The Eras Tour and Billie Eilish: Live at The O2. “The lessons I’ve learned from all the concert films I’ve made is always just to trust the music and trust the artists,” he tells Billboard. “Lean into what they’re showing and what they’re putting on, and that will always deliver the best and the most authentic film. That’s always what we’re trying to do, bring that live experience of the evening to to the cinema.”

He added of Bocelli, “I was so excited to celebrate him as an all-arounder, and to really capture the breadth of what he can do on film. To see someone’s artistry and that his voice never, never shows any hint of failure is incredible.”

Ray Nutt, CEO of Fathom Events, mirrored the sentiment. “This concert was so breathtaking in person that we can’t wait to present it to fans worldwide,” he shared in a statement. “The music and pageantry of this amazing event will be even more remarkable on the big screen, and we are beyond proud to be bringing it to theaters around the world so that fans of Maestro Bocelli – and all of the other special guest artists – can see and experience it!”

Andrea Bocelli 30: The Celebration isn’t the only exciting project the vocalist has in store. The 30th anniversary celebration continues with an album, Duets, which will arrive on Oct. 25 via Decca Records/Sugar Music. The 32-track collection includes previously released collaborations with Ed Sheeran, Céline Dion, Dua Lipa, Jennifer Lopez, and Luciano Pavarotti and more, as well as new duets with Shania Twain, Chris Stapleton, Gwen Stefani, Marc Anthony, Karol G, Hans Zimmer and his son, Matteo Bocelli.

Tickets for Andrea Bocelli 30: The Celebration are available to purchase here. Ahead of the film’s release, check out a preview of Bocelli’s breathtaking rendition of “Nessun Dorma” from Giacomo Puccini’s opera Turandot here.

What is it with these former Cowboys quarterbacks? Last year it was Tony Romo erroneously referring to Taylor Swift as Travis Kelce‘s “wife” while calling Kansas City Chiefs games — she is not married to the tight end she’s been dating for a year. Then, on Monday night (Oct. 7) another former Cowboys QB, Troy Aikman, referred to Swift as “the Mrs.” when the camera cut to the 34-year-old star after a second-quarter play by Kelce.
“The Mrs. likes it,” Aikman said as the camera flashed on Swift’s celebration in an Arrowhead Stadium VIP suite, where she was joined by her dad, Scott Swift (as well as Travi’s dad, Ed Kelce). His broadcast mate, Joe Buck, quickly corrected the error, saying, “You know they’re not married?”

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“Oh, I know,” Aikman replied. “I’m sure I’m in trouble for saying that.”

After skipping two games, Swift was back in the suite on Monday night in a plaid dress paired with knee-high boots and glitter freckles. Whether is was celebrating his 35th birthday over the weekend, or having Swift back in the house, Kelce seemed energized during the 26-13 win over the New Orleans Saints, putting up his second best stats of a so-far lackluster season with nine catches for 70 yards to help the Chiefs go to 5-0.

Travis wasn’t the only one glad to have Taylor back on Monday. His older brother, retired NFL legend Jason Kelce, took a moment out of his commentary during the pre-game to acknowledge Swift’s fashionable arrival at Arrowhead. “Hey, look at that now… that looks good,” Jason Kelce said as the camera cut to the singer making her entrance.

Swift celebrated the Chiefs’ fifth straight win to start the season — they are one of two undefeated teams so far this season — by taking a picture in the VIP suite with Chariah Gordon, fiancée of Chiefs wide receiver Mecole Hardman Jr. According to People, Gordon asked Swift “How do you feel after this win?” while the pair were standing in front of a framed poster from Taylor’s Eras Tour.

Noticing her picture on the wall behind them, Swift joked, “Sorry for photobombing myself.” Swift is gearing up to go back on the road on Oct. 18 with the first of three gigs at Hard Rock Stadium in Miami.

It seems everything Shed Seven touches turns to Liquid Gold, with the rockers scoring their second No. 1 album of 2024 on the U.K. Official Album Charts.
Their latest project, Liquid Gold, follows their first-ever chart-topper A Matter of Time back in January, putting them in some seriously elite company. They now stand shoulder-to-shoulder with legends like The Beatles, Queen, Elton John, Diana Ross, Taylor Swift, Ed Sheeran, and ABBA—artists who’ve managed to land two U.K. No. 1 albums in a single year.

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“Can’t quite really believe that we’re standing here once again this year, but this is our second No. 1 of 2024, which is absolutely mind-blowing,” Shed Seven told the Official Charts Company.

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“We would like to thank our amazing label, Cooking Vinyl, all our crew, and most of all, all the fans who’ve been getting out there this week and getting behind us. We’re immensely proud, and we can’t wait to get out on tour and celebrate what an amazing year we’ve had.”

“We’d like to dedicate this to our departed loved ones; our four Dads and Max’s Mum. Thank you” 

Just behind Shed Seven, Bring Me The Horizon jumped to No. 2 with POST HUMAN: NeX GEn, thanks to its physical release. The album previously peaked at No. 5 back in June and has now marked the group’s fifth Top 10 album.

Meanwhile, North-West London rapper Nines hit No. 4 with his sixth and final album Quit While You’re Ahead, while Ed Sheeran’s +–=÷× (Tour Collection) secured the No. 5 spot, making this Ed’s eighth Top 10 album.

In a big moment for jazz, Ezra Collective broke into the Top 10 for the first time with Dance, No One’s Watching, debuting at No. 7. The last time jazz had such a big moment in the U.K. Top 10 was Chris Kamara’s Here’s To Christmas in 2019. Ezra Collective previously earned Top 40 success with their Mercury Prize-winning Where I’m Meant To Be in 2022, but this leap to the Top 10 marks a game-changer for the genre.

Elsewhere, Manchester’s Pale Waves made waves of their own with their fourth studio album Smitten, landing at No. 13, while indie veterans Maximo Park claimed No. 21 with Stream of Life, keeping their streak of Top 40 albums intact.

And in a surprise surge, Benson Boone’s Fireworks & Rollerblades shot back into the Top 40, climbing 20 spots to land at No. 37 in what was a week full of chart shakeups and big wins across the board.

Oasis has extended their highly anticipated Live 25 reunion tour to Australia, marking their first shows in the country since the band’s split in 2009.
As confirmed by Rolling Stone AU/NZ last week, the Britpop legends have announced two stadium dates, with a performance at Melbourne’s Marvel Stadium on Friday, Oct. 31, followed by a show at Sydney’s Accor Stadium on Friday, Nov. 7.

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“People of the land down under. You better run – you better take cover… We are coming. You are most welcome. Oasis will tour Australia in 2025!” a message posted to Oasis’ X (formerly Twitter) account on Oct. 8 read.

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‘People of the land down under.“You better run-you better take cover…”We are coming.You are most welcome.’Oasis will tour Australia in 2025! 🇦🇺Register for the Australian ticket pre-sale private ballot: https://t.co/lms10x64eUThe pre-sale will take place on Monday 14th… pic.twitter.com/WCpRa8pNRF— Oasis (@oasis) October 7, 2024

The band’s return to Australia comes after a string of sold-out dates across Europe and the U.S., reflecting the huge demand for Oasis nearly 25 years after their debut. U.S. dates include a stop at Madison Square Garden in New York on June 14 and a show at SoFi Stadium in Los Angeles on June 21.

As part of the reunion tour, fans can expect to hear hits from the band’s extensive catalog, including tracks like “Wonderwall,” “Champagne Supernova,” and “Don’t Look Back in Anger,” which saw Oasis emerge as one of the most influential rock bands of the ’90s.

Oasis’ impact in Australia has been major. Their second album, (What’s the Story) Morning Glory?, spent four weeks at No. 1 on the ARIA Albums Chart and is certified eight times platinum. The single “Wonderwall” was also voted the No. 1 song in triple j’s “Hottest 100” for 1995.

Pre-sale tickets for the Australian leg of the tour will be available starting Wednesday, Oct. 9, with general sale beginning on Tuesday, Oct. 15.

The Gallaghers will kick off the North American leg of their tour with two shows at Toronto’s Rogers Stadium on Aug. 24 and 25, followed by a performance at Chicago’s Soldier Field on August 28.

They’ll then head to New Jersey for two nights at MetLife Stadium on August 31 and Sept. 1, before wrapping up the U.S. run with two shows at the Rose Bowl in Los Angeles on Sept. 6 and 7. The band will also make a stop in Mexico City on Sept. 12. These are Oasis’ first North American shows in over 16 years.

The last time Oasis played the U.S. in 2008 on the Dig Out Your Soul tour they performed in 10,000-20,000 capacity arenas. The stadiums on their upcoming North American swing will accommodate between 45,000-80,000+ fans. 

Oasis 2025 Australia Tour Dates:

Friday, Oct. 31 – Marvel Stadium, Melbourne, VIC

Friday, Nov. 7 – Accor Stadium, Sydney, NSW

Nell Smith, the young Canadian singer-songwriter who captured the hearts of many with her collaboration with The Flaming Lips, has died at just 17 years old.
Her death on Oct. 5 was confirmed by her family in a statement on Instagram, saying, “It pains us so much to say that our feisty, talented, unique, beautiful daughter was cruelly taken from us on Saturday night.”

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“We are reeling from the news and don’t know what to do or say,” they continued. “She had so much more to experience and to give this world but we are grateful that she got to experience so very much in her 17 years. She has left an indelible mark on the word and an unfillable chasm in our hearts.”

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“Hold your kids extra tight tonight and for now please leave us to work through things. We will shout when we need you. Jude, Rachel, Jed and Ike.”

During a Flaming Lips concert on Oct. 6, frontman Wayne Coyne shared the sad news with fans, explaining that Nell had been in a car accident.

Before playing “Everything Has Changed,” Coyne said: “We have a very sad announcement to make tonight. We have a Canadian friend, her name is Nell. We recorded an amazing album with her three years ago, an album full of songs by Nick Cave. We have some very sad messages today – she was killed in a car accident last night.”

“We are reminded once again of the power of music and how encouraging it can be to be around people that you love.”

Nell was preparing for the release of her debut solo album in 2025, which had already garnered support through a successful Kickstarter campaign.

Bella Union’s Simon Raymonde, the head of her label, shared his grief on Instagram: “We are all shocked and devastated to hear of the sudden and tragic passing of our artist and dear friend Nell Smith … While we all try and come to terms with the awful news, and out of respect to Nell’s grieving family, we are unable to make any further comments at this time.”

Nell’s relationship with The Flaming Lips was nothing short of extraordinary. The connection began in 2018 when Nell, then just 12, attended one of their shows dressed in a parrot costume, catching the attention of Coyne.

The moment sparked an ongoing friendship between Nell, Coyne, and her family. Coyne encouraged Nell as she began learning to play guitar, and their collaboration truly took off during the pandemic.

When their plans to record together were derailed by COVID-19, Coyne suggested an ambitious project: Nell would record covers of Nick Cave songs, despite not knowing much about Cave’s work.

The result was Where the Viaduct Looms, a 2021 album featuring Nell’s haunting renditions of Cave’s songs, backed by The Flaming Lips. Coyne remarked at the time, “It is always great to meet excited, young creative people. With Nell, we could see she is on a journey and thought it would be fun to join her for a while and see if we could get things going.”

Nick Cave himself praised Nell’s work, particularly her cover of “Girl in Amber,” writing on The Red Hand Files in 2021, “This version of ‘Girl in Amber’ is just lovely, I was going to say Nell Smith inhabits the song, but that’s wrong, rather she vacates the song, in a way that I could never do.”

“I always found it difficult to step away from this particular song and sing it with its necessary remove, just got so twisted up in the words, I guess.”

“Nell shows a remarkable understanding of the song, a sense of dispassion that is both beautiful and chilling. I just love it. I’m a fan.”

Nell Smith’s journey in music may have been brief, but it was filled with creativity, passion, and a bold spirit. Her collaborations with The Flaming Lips and her unique interpretations of Nick Cave’s work made her a force to be reckoned with in the indie music scene.

Smith’s passing comes during another heartbreaking moment for The Flaming Lips family. The band’s instrumentalist, Steven Drozd, is currently dealing with the disappearance of his 16-year-old daughter, Charlotte “Bowie” Drozd.

Both Drozd himself and frontman Coyne took to their social media pages on Monday (Oct. 7) to share a missing person poster of 16-year-old Charlotte “Bowie” Drozd, who has been missing since around 11:30 a.m. on Saturday. According to the posts, Bowie was last seen on the monorail in Seattle, Washington, near the Space Needle.

Anyone with information is encouraged to contact the Seattle Police Department at 206-625-5011 or call Bowie’s mother, Becky.

Listen to “Into My Arms” by Nell & The Flaming Lips below:

Forget the red carpet. Taylor Swift‘s new runway is the red-walled tunnels of Arrowhead Stadium. On Monday night (Oct. 7), Swift made a fashionable entrance to watch Travis Kelce‘s Kansas City Chiefs take on the New Orleans Saints for Monday Night Football, pairing a plaid, off-the-shoulder minidress with black knee-high platform boots. But the most […]

When Coldplay tours, the British rockers typically play to tens of thousands of fans per show – in fact, as of Aug. 2024, their Music of the Spheres World Tour became the biggest rock tour of all time, according to Billboard Boxscore.

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So when Chris Martin & Co. hit the stage at Brooklyn’s Music Hall of Williamsburg – a 650-person capacity venue — on Monday (Oct. 7) afternoon for a SiriusXM Presents show in support of new album Moon Music, the crowd was freaking out more than a little bit. Which might explain why one attendee, toward the end of the concert, shouted out a request for a nonexistent Coldplay song.

The saga began when Coldplay gave fan-favorite Music of the Spheres track “Coloratura” a rare performance, explaining that people online had been clamoring to hear it live. After that, fans began shouting out song titles, with one guy yelling, “Fix It.” Presumably, the man was thinking of the Billboard Hot 100 hit “Fix You” from 2005’s X&Y, but Chris Martin wasn’t letting him off that easy.

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“’Fix It’ is another song from another band, my brother,” Martin said, shaking his head before leading the band through “Yellow.” But after wrapping up their breakthrough hit (“Yellow” was their first Hot 100 entry back in 2001), Martin seemingly decided that perhaps “Fix It” should be a Coldplay song after all. Apologizing to the fan for getting a bit “cross” with him, Martin sat down at the piano and freestyled an impromptu tune on the spot, dedicating it to the dude.

“Here is a song called ‘Fix It,’ specifically just for that guy / It’s okay if you come to a concert to call out of the name of a song,” Martin sang, chuckling good-naturedly. “[But] I’d much prefer you don’t get the name of the song wrong / Oh, fix it, let’s fix it / It was broken a long time ago / Yes, fix it, a famous song called ‘Fix It’ / That before today even I didn’t know.”

One can only imagine what it was like to be that man in that moment. In less than 10 minutes, he mangled a Coldplay song title in front of the band, got gently mocked by Martin, received an onstage apology and then had a brand-new song dedicated to him – one that will probably never be performed again. Iconic.

That unscripted moment gives a good sense of the vibe throughout Coldplay’s underplay, which was broadcast on SiriusXM later that same day. Thanks to the intimate space and a respectful but enthusiastic audience, Martin seemed warm and congenial, pointing at specific people in the crowd and sticking his tongue out for fans’ cameras. He even joked about the band going the Taylor Swift route with its back catalog. “We released Parachutes (Taylor’s Version), it’s going to do very well,” he quipped while speaking about their new LP, Moon Music.

Of the new Moon Music tracks, the live highlights were undoubtedly “The Karate Kid,” a gorgeous piano ballad that saw its first-ever live performance during the SiriusXM show, and “Good Feelings,” which brought collaborator Ayra Starr onstage and saw The Weirdos — Coldplay’s puppet alien rock band — pop up on the venue’s balcony. Much like their recent Saturday Night Live performance, Coldplay brought of Elyanna & TINI for an emphatic “We Pray,” too.

As for the anthemic sing-alongs, “Viva La Vida” and “Sky Full of Stars” enjoyed wild responses from the crowd, while a live run-through of “God Put a Smile Upon Your Face” from 2002’s classic LP A Rush of Blood to the Head proved that Coldplay can still kick ass as rock n’ roll band.

Although the mood of the show was light, joyous and celebratory (confetti blasted the audience more than once), Martin did take a moment to acknowledge that the concert took place on the one-year anniversary of the October 7 terrorist attacks on Israel and the start of the ongoing Israel-Hamas War.

“Today, on October 7, we send peace to the Middle East,” Martin said prior to “Coloratura.” The juxtaposition was perhaps intentional, given the opening lyrics: “We fell in through the clouds / And everyone before us is there welcoming us now / It’s the end of death and doubt.”

Kelly Clarkson asked fans to meet her in “The Middle” on Monday (Oct. 7) as she took on Zedd, Maren Morris and Grey’s 2018 hit. Dressed in an aqua blue skirt suit set, the star belted the high-pitched hook flawlessly, adding her own theatrical flair. “Baby, why don’t you just meet me in the middle?/ […]