State Champ Radio

by DJ Frosty

Current track

Title

Artist

Current show

State Champ Radio Mix

8:00 pm 12:00 am

Current show

State Champ Radio Mix

8:00 pm 12:00 am


Music News

Page: 82

Trending on Billboard At Billboard Latin Music Week 2025, Billboard’s Leila Cobo and Starlite’s Sandra García-Sanjuán Machado announced an alliance for Starlite to host the first Billboard No. 1s in Spain. Watch the full video for the announcement! Leila Cobo: We wanted to announce that Billboard, from here in the United States, and Starlite, from […]

Trending on Billboard Kehlani’s “Folded” makes its way into the top 10 of the Hot 100, while “Daisies” and Olivia Dean’s “Man I Need” continue to climb. Meanwhile, HUNTR/X’s “Golden” and Taylor Swift’s “The Fate of Ophelia” continue to battle for the No. 1 spot. Tetris Kelly: The battle between “Golden” and Taylor Swift stays […]

Taylor Swift’s “The Fate of Ophelia” notches a fourth week at No. 1 on the Billboard Hot 100, encompassing its entire run on the chart so far. Helping the song’s continued Hot 100 command, Swift released its “Alone in My Tower Acoustic Version” for digital purchase Oct. 28, just after 4:30 p.m. ET, ahead of […]

Trending on Billboard Thought you’d seen it all? Not quite. Jeezy just proved that he’s always climbing to new heights after accomplishing something that’s never been done before, earning himself a place in the Guinness World Records. On Saturday (Nov. 1), the trap-music tastemaker made history by performing with 101 orchestra musicians on stage at […]

Trending on Billboard

Hilary Duff‘s musical comeback has an official release date now. The singer announced on Monday (Nov. 3) that she will break a decade-long music hiatus on Thursday (Nov. 6) with the release of the single “Mature.”

Explore

See latest videos, charts and news

The 37-year-old former Disney Channel star has been preparing to return with her first new music since 2015’s Breathe In., Breathe Out. album and the cover art of “Mature” features a moody triptych of the singer staring pensively into the distance. “So happy this is finally yours to hear. Been keeping this one quiet too long,” Duff wrote in an Instagram post on Monday afternoon (Nov. 3) officially announcing the single and debuting the cover art.

Duff has spent the better part of the past decade focused on acting, including starring roles in the TV series How I Met Your Father and Younger. In addition to the new music, s parallel docuseries chronicling Duff’s long-awaited musical return and personal journey is in the works as well.

Longtime LGBTQ+ community ally Duff recently told Variety that her musical return was a love note to her queen fanbase. “You know it’s all for them. It’s just to impress them,” Duff said about excitement from gay fans about the news. In that same Variety chat, Duff teased that new music was coming “really soon,” adding that she’d been in the studio working with her husband, singer/producer Matthew Koma, and “a few other amazingly talented people.”

The doc, executive produced by Grammy-nominated director Sam Wrench (Taylor Swift: The Eras Tour), promises to give an inside look at Duff’s long-awaited musical return and personal journey. “Embracing the ups, downs, and everything in between, fans will ride shotgun as she balances raising a family, recording new music, live show rehearsals, and preparing to perform on stage for the first time in over a decade,” reads a release announcing the project, noting that it will feature a mix of “vérité footage, stylized interviews, performances, and videos from her personal archive.”

Duff rose to fame on the Disney Channel series Lizzie McGuire in the early 2000s and then crossed over to pop music in the mid-2000s with Hot 100 hits including “Come Clean” (No. 35) and “Wake Up” (No. 29), with her most recent Billboard Hot 100 appearance coming in 2015 with the Breathe In. Breathe Out. single “Sparks.”

Trending on Billboard

“I’m on an adrenaline run at this point,” Grammy-winning reggae icon Shaggy tells Billboard less than a week after Hurricane Melissa made landfall on his home country of Jamaica. “I was around when [Hurricane] Gilbert happened, which [was] a Category 3… when I heard [Hurricane Melissa] was a Category 5, I [couldn’t] imagine what this would be.” 

Last week (Oct. 28), nearly 40 years after Gilbert, Hurricane Melissa became the strongest storm to strike Jamaica in the island’s history. In the following days, the storm also made landfall in Cuba (Oct. 29), devastated parts of Haiti, and brought residual rainfall and intense winds to the rest of the Caribbean — and, later, to the Northeastern coast of the United States. According to The New York Times, the death toll in Jamaica from Hurricane Melissa is now a devastating 28 — and that’s with dozens of communities still awaiting aid, as local authorities and humanitarian workers continue clearing debris. 

Shaggy, who topped the Billboard Hot 100 twice in 2001 with the reggae crossover classics “It Wasn’t Me” and “Angel,” was one of the first homegrown superstars to spring into action and spearhead relief efforts, alongside Beenie Man, Spice and Sean Paul. Once the airports opened on Thursday (Oct. 30), Shaggy mobilized a network of on-the-ground partners, including humanitarian NGOs and private donors, to coordinate and fund flights carrying food, water, medical aid and household essentials to Jamaica’s most impacted areas. 

“We got [to Jamaica] early enough to reach the people, because it took me around six hours to get from Kingston to St. Elizabeth in Black River, which is normally a two-and-a-half-hour drive at most,” Shaggy tells Billboard. “We had to chop [tree] limbs down, move things out the way, and drive through high puddles of [runoff], so we got there in the middle of the night. At that point, all we could do was pass water out, so we had to regroup and drive six hours back to Kingston. The next day, we went to the Junction side of St. Elizabeth, which took us four hours. The square itself was shut down. It was ground zero because it wasn’t livable anymore. Nobody could stay there.” 

According to Reuters, Hurricane Melissa left nearly half a million Jamaicans without power and destroyed critical water systems and supply lines. With the island’s southwestern parishes, specifically St. Elizabeth and Westmoreland, remaining difficult to access due to flooding, landslides and debris, thousands of Jamaicans remain housed in emergency shelters, which presents an entirely different set of challenges, such as overcrowding. Whether they’re braving shelters or making their way to the eastern side of the island, families across Jamaica are still reeling from Hurricane Melissa.

Shaggy helps with post-hurricane relief efforts in Jamaica on November 1, 2025.

JAY WILL

“The devastation and shock are real,” Shaggy notes. “For some of these kids, therapy is going to be [very important]. It’s not just food and clothes and shelter. 

“You’re never really prepared for something like this; It’s the biggest [hurricane] on record,” he continues. “[The government is] doing their best to see what they can do to get in there. Large trucks are going to have a hard time going through the debris, so you’re going to need the military and urban development to clear up the roads so that supplies can come in, and that might take a couple of days. Smaller vehicles have the advantage of getting in there, so we’ve been doing that so that people are not starving until the big aid comes.” 

In addition to delivering everything from roofing supplies and Pampers to “flashlights, batteries, everything that you can think of putting on a list,” Shaggy has also teamed with Global Empowerment Mission (GEM), which has been on the ground on the island since Hurricane Beryl in 2024. “Food for the Poor, of course, also has a major headquarters in Jamaica,” Shaggy adds. “I’ve done lots of work with them. Sean [Paul] is working with them closely right now, so I decided to work with GEM to spread it all around. There’s also the government site, www.supportjamaica.gov.jm.” 

Jamaica is home to some of the music industry’s biggest and most iconic voices — from Shaggy himself and reggae iconoclasts like Bob Marley and Peter Tosh to dancehall superstars like Vybz Kartel and Shenseea. At the top of this year, Kartel made his Billboard cover debut with a whirlwind “24 hours in Kingston” interview ahead of his historic Freedom Street concert. This spring, Billboard also reported that, in under a year. New York’s UBS Arena hosted five $1 million-grossing Caribbean-headlined shows across four different genres. In days immediately following the storm, AccuWeather experts estimated up to $52 billion in damages and economic loss from Hurricane Melissa across the Caribbean. 

“I don’t think anybody’s in any festive mood at this point,” Shaggy says of the future of Jamaica’s music and live entertainment industries post-Hurricane Melissa. “Jamaica is a land that doesn’t have any shortage of talent or artists or culture; it’s easier to get aid from people because of our cultural status. But we’re still not getting enough coverage. The minute you’re not in the press is when the aid goes, unfortunately. Keeping up awareness in the press is something that we need to do.” 

Additional verified aid channels include World Food Programme, Project HOPE, GiveDirectly, American Friends of Jamaica, and Friends of Caritas Cuba. Click here to see how more celebrities have been reacting to Hurricane Melissa. 

Trending on Billboard Gavin Adcock took quite the dive while performing his song “Deep End” at a recent concert in Canada, with the rising country star slipping and falling on stage mid-performance — and acquiring a big ole bruise in the process. As captured in footage from the concert, a shirtless Adcock performs his 2023 […]

Trending on Billboard

Former Grateful Dead vocalist Donna Jean Godchaux-MacKay, 78, died in a hospice facility in Nashville on Sunday (Nov. 2) following a long battle with cancer according to Rolling Stone. After a successful stint as a session singer at the famed Muscle Shoals studio in Alabama where she sang backup on Billboard Hot 100 No. 1 songs by Percy Sledge (“When a Man Loves a Woman”) and Elvis Presley (“Suspicious Minds”), Godchaux-MacKay joined the Grateful Dead in San Francisco along with then-husband keyboardist Keith Godchaux, touring and performing with the band from 1971-1979.

“She was a sweet and warmly beautiful spirit, and all those who knew her are united in loss,” read the statement about her death shared with RS. “The family requests privacy at this time of grieving. In the words of Dead lyricist Robert Hunter, ‘May the four winds blow her safely home.’”

Donna Jean Thatcher was born in Florence, Ala. on Aug. 22, 1947 and began her decades-long music career as a member of the band Southern Comfort before moving on to session work, appearing on No. 1 songs by Sledge and Presley, as well as singing backup on sessions with Cher, Joe Tex, Duane Allman, Neil Diamond, Boz Scaggs and others before moving to the Bay Area and meeting Godchaux.

The couple got married in 1970 and both joined the Dead a year later, with Godchaux singing lead and backing vocals and Keith slipping into the spot formerly held by late band co-founder keyboardist/singer Ron “Pigpen” McKernan. The couple appeared on a string of the group’s classic 1970s albums, including 1973’s Wake of the Flood, 1974’s From the Mars Hotel and 1975’s Blues For Allah, on which Godchaux stepped up from the background to provide a co-lead vocal on “The Music Never Stopped” and the LP’s title suite.

She also appeared on 1976’s Steal Your Face and 1977’s Terrapin Station, where her powerful mezzo-soprano soared on the band’s disco-jam cover of Martha & the Vandellas’ “Dancing in the Street,” on which she shared the mic with guitarist/singer Bob Weir. She also took lead vocal duties and is credited with co-writing several songs on that album, including the gauzy ballad “Sunrise.” She took lead and composed the loose folky jam “From the Heart of Me” from the Dead’s beloved 1978 Shakedown Street LP, where she also shared vocals on “France” with Weir.

It would be the last Dead LP the Godchaux’s would appear on, though they were also key members of the legendarily road dog band’s 1970s touring ensemble before their departure in 1979, appearing on such beloved bootlegs as the 1977 Cornell University gig and the band’s 1978 shows at the Giza Pyramid in Egypt.

In addition to playing with the band, Donna also released music with husband Keith during their tenure, including 1975’s Keith & Donna duo effort, which in addition to their singing and playing features contributions from late Grateful Dead singer/guitarist Jerry Garcia on almost all the tracks. The couple also performed as part of Garcia’s side project, the Jerry Garcia Band, from 1976-1978 and formed their own side project, The Ghosts (later the Heart of Gold Band); Keith Godchaux, 32, died from injuries in a car accident in July 1980 shortly after the couple’s first concert together.

Donna Godchaux continued releasing solo music under the names The Donna Jean Band and Donna Jean and the Tricksters and issued her final studio album in 2014, Back Around, credited to the Donna Jean Godchaux Band with contributions from Zen Tricksters guitarist Jeff Mattson.

Godchaux was not a part of more recent tours and special anniversary concerts by the Grateful Dead’s various lineups under the names The Other Ones, The Dead, Furthur and Dead & Company. She did, however, make what would be one of her final appearances with the group at the Bonnaroo Festival on June 12, 2016, performing on the songs “Fire on the Mountain,” “Berth,” “Bird Song,” “Playing in the Band,” “Terrapin Station” and “Touch of Grey.” She also sat in for two other shows that summer, at Citi Field in New York in late June and Fenway Park in Boston in July.

Check out some of Godchuax’s performances below.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Trending on Billboard

As the beginning of the 2025-26 NBA season continues to deliver nonstop action, Playboi Carti and Mitchell & Ness have teamed up for a throwback NBA League collection. The limited-edition collaboration celebrates Carti’s love for basketball while reimagining classic NBA jerseys through his lens.

Explore

See latest videos, charts and news

Known for wearing basketball jerseys backwards, similar to hip hop group Kris Kross back in the ’90s, the collection offers a fresh take on basketball culture with a design sensibility rooted in authenticity, originality and individuality. The collection showcases exclusive designs from the Los Angeles Lakers, Chicago Bulls, Atlanta Hawks, New Jersey Nets, Orlando Magic, Philadelphia 76ers and two Toronto Raptors styles.

Mitchell & Ness

Marked with “YVL”, each piece pays homage to Carti’s Young Vamp Life—a record label, collective, and clothing company built on his pure unfiltered individuality. Through his avant-garde, punk-inspired approach to style, Playboi Carti has redefined the boundaries between streetwear and high fashion for this generation of hip hop heads. Often seen pairing vintage sportswear with edgy, oversized silhouettes, Carti is known globally for his bold statement pieces and unexpected textures that mirror his disruptive musical energy. This brings that similar DNA to the sports world merging basketball nostalgia with his raw, genre-defying vision.

The Playboi Carti x Mitchell & Ness NBA League Collection will be available exclusively on Fanatics.com, Complex Shop and MitchellandNess.com, beginning November 6th. Make sure to check back here as we will update this story with our favorite NBA jerseys from the collection below. Spoiler alert, it’s the Philadelphia 76ers jersey.

As we patiently wait for the collection to drop, Billie Eilish also released a multi-piece headwear NBA collaboration with Mitchell & Ness. Shop the playful and nostalgic snapbacks below.

Mitchell & Ness x Billie Eilish Los Angeles Lakers Snapback

A Los Angeles Lakers snapback.

Mitchell & Ness x Billie Eilish Milwaukee Bucks Snapback

A Milwaukee Bucks snapback.

Mitchell & Ness x Billie Eilish Chicago Bulls Snapback

A Chicago Bulls snapback.

Mitchell & Ness x Billie Eilish Boston Celtics Snapback

A Boston Celtics snapback.

Trending on Billboard

Drake is almost definitely in his feelings following the conclusion of the 2025 World Series, which resulted in his home team losing to the Los Angeles Dodgers, who gladly took the opportunity to troll the rapper after their victory by using some Kendrick Lamar lyrics.

After triumphing over the Toronto Blue Jays in Game 7 on Sunday (Nov. 2), the Cali team shared a group photo of the players and staff wearing “World Series Champions” shirts. “THEY STILL NOT LIKE US,” the Dodgers wrote in the caption, quoting Dot’s famous Billboard Hot 100-topping diss track against Drizzy.

The ribbing comes after Drake spent much of the World Series trolling the L.A. team’s star player, Shohei Ohtani, on social media. Following Game 5, the Toronto native had shared a picture on his Instagram Story of the pitcher wearing a sweater vest and wrote, “ONE MORE!!!!!!!,” after which he posted a photo the Jays’ Trey Yesavage striking out Ohtani and gloating: “Savage already [on the way] to the dugout boss lol.”

Drake was then in attendance at Game 6 on Friday (Oct. 31), which ended with a Dodgers win. After the team won again two days later, securing the World Series trophy, Champagne Papi shared a diplomatic post on Instagram, writing, “Congrats to the Jays for a dream season and a legendary World Series fight!!!”

The Dodgers, however, weren’t the only ones eager to tease Drake after their big victory. Nike also trolled the rapper post-game by sharing a cinematic montage of the L.A. team set to “Not Like Us,” while Fox Sports posted an edited photo of Lamar driving off with the World Series trophy, leaving a disappointed-looking Drake in the dust.

The repeated use of “Not Like Us” to drag Drake definitely adds insult to injury, as the musician’s headline-grabbing defamation lawsuit against Universal Music Group over the song’s lyrics was recently dismissed by a judge. At the end of October, however, Drizzy filed an appeal to revive the case.

The track has been haunting Drake since a certain Compton icon dropped it in May 2024, quickly becoming a cultural phenomenon. This past February, Lamar won both song and record of the year at the Grammys for “Not Like Us,” which he performed on the world’s biggest stage just one week later at the 2025 Super Bowl.