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The same week Jelly Roll scored his first-ever No. 1 album on the Billboard 200 with Beautifully Broken, the country star revealed he also hit another impressive milestone: losing 100 pounds. In a video update shared with fans on Instagram Monday (Oct. 21), Jelly pulled back the curtain on his fitness regimen while touring. “Next […]
Eminem is set to make a rare public appearance on Tuesday evening (Oct. 22) at a Detroit rally supporting Democratic party candidate Kamala Harris.
According to CNN and the Wall Street Journal, Slim Shady is slated to introduce former president Barack Obama at the event supporting the VP and her running mate, Tim Walz.
Michigan is reportedly a tight race as a swing state in the upcoming presidential election — which is only two weeks away.
Rather than perform at the rally, Em is expected to speak and give his thoughts on the election before introducing Obama to the crowd.
Billboard has reached out to Eminem’s reps as well as the Harris-Walz campaign and Democratic National Committee for comment.
Eminem co-signed the Biden-Harris presidential ticket in 2020 when his Billboard Hot 100 No. 1 “Lose Yourself” provide the soundtrack to an ad for Joe Biden just a day prior to the 2020 election. Obama also cited the 2002 8 Mile soundtrack anthem as an inspiration behind his presidential run in ’08.
Eminem hasn’t been one to mince words about Donald Trump. He’s been critical of the former president on different occasions in the past, dating back to his “Campaign Speech” prior to the 2016 election and his “The Storm” freestyle at the 2017 BET Awards.
“I get almost flustered thinking about him — that’s how angry he makes me,” he told Vulture in 2017. “The people that support him are the people he cares about the least and they don’t even realize it.”
Em continued: “At what point do you — a working-class citizen, someone who’s trying to make s–t better for you and your family — think this guy who’s never known struggle his entire f–king life, who avoided the military because of bone spurs, who says he’s a billionaire, is really looking out for you? He’s got people brainwashed.”
The rally is slated to run from 5 p.m. ET to 9 p.m. ET. Harris ramped up efforts in Michigan while hosting an early voting event over the weekend that featured appearances from Lizzo and Usher.
“They say if Kamala Harris wins, the whole country will be like Detroit,” Lizzo said. “Proud like Detroit. Resilient like Detroit. The same Detroit that innovated the auto industry and the music industry. Put some respect on Detroit’s name!”
Kylie Minogue has done it all during her gold-dusted 45-year career. But even with two Grammys on the shelf and her mantle as the best-selling female artist ever from her native Australia, Kylie as a few “what-ifs?” in the closet.
She revealed one in a new chat with Audacy Check In, telling host Mike Adam that at one point she almost recorded one of Britney Spears’ most iconic songs. “Yeah, there’s a little song called ‘Toxic’ that was headed my way, and I was like, ‘Toxic? I don’t know if I want a song called Toxic’…,” said Minogue of the dance banger from Spears’ fourth album, 2003’s In the Zone. “As it’s turned out, it was meant to be a Britney Spears song, I can’t imagine it being anything else.”
Elsewhere in the interview, Minogue was asked to name which other vocalists she would tap if asked to put together an all-star “We Are the World”-type song. “It might be a girl group,” she said before rattling off a list that included Chappell Roan, Sabrina Carpenter, Lana Del Rey, Miley Cyrus and Madonna.
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Minogue also talked about pulling the set list together for her upcoming first U.S. tour in more than a dozen years, promising that she’ll hit songs from this month’s Tension II, as well as its 2023 predecessor Tension, 2002’s Disco and 2018’s Golden, and, of course, her 1987 breakthrough smash cover of “Locomotion.”
The 56-year-old singer who has tapped into a musical fountain of youth that has kept her relevant for decades — see her 2023 global dance hit “Padam Padam” — also delved into the changes she’s seen for women in the music industry.
“It’s very encouraging that I’m proof, I’m sat here. Now we bring up the age topic, but I think it’s at least with a positive spin on it,” she said. “It wasn’t that many years ago that I felt I was in quite awkward positions where people would question me to my face in an interview, ‘When are you too old to be a woman in this business?’ Firstly — rude, but secondly — I don’t know. I guess I’ve always had women in the industry that I’ve looked up to, I didn’t really think about their age at the time.”
Minogue recalled “obsessing” over fellow Aussie singer Olivia Newton-John as a grade schooler, as well well as disco diva Donna Summer, before moving on to worshipping Whitney Houston, Madonna and Cyndi Lauper as a teen. “I guess there wasn’t such an age gap between my teenage years and their years,” she said. “But I don’t know what happened where it was suddenly deemed distasteful or, I don’t know. But thankfully, it is becoming, certainly, for the younger generation… they’ve just got new minds and open minds.”
Watch Minogue on the Audacy Check In below.
50 Cent made history with his 2023 Final Lap Tour when he joined Kendrick Lamar to become the second rapper ever to gross over $100 million ($103.6 million to be exact across 83 shows in North America, Europe, Oceania and Asia) with his global trek, according to Billboard Boxscore. (Drake, Nicki Minaj and Travis Scott have since joined the $100 million club with their own lucrative hip-hop tours)
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Even with a discography largely built off a dominant 2000s run, filled with inescapable street records and a trio of titanic studio albums, 50’s voice has stood the test of time.
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The Queens native has remained a fixture in the hip-hop world while transitioning to elder-statesman status. His polarizing and hilarious cultural commentary has racked him up over 34 million Instagram followers, with no topic seemingly off limits or person safe from being roasted.
The 49-year-old continues to run laps around peers who have long moved out of the spotlight, and 50’s shrewdly been able to evolve within the digital space and social media era with sharp-wittedness. His relentless work ethic hasn’t wanted in the slightest either: His “Hustler’s Ambition” still burns like he’s back in the Southside of Jamaica, Queens.
He took home Hustler of the Year at the BET Hip Hop Awards last week, an honor he locked up in my opinion after headlining Dreamville Fest in April, and then flying 500 miles to make his Atlantic City club appearance at Harrah’s the same night. Only 50.
And the grind doesn’t stop for 50 Cent: Next up, the film and television mogul will be heading to Las Vegas for his first-ever residency to ring in the New Year. Announced earlier in October, 50’s slated to perform at Ph Live at Planet Hollywood for six different shows coming up on Dec. 27, Dec. 28, Dec. 30, Dec. 31, Jan. 3 and Jan. 4. Tickets are currently on sale.
“I get to take it up a notch [with] the production value of the show and put on a special show,” 50 promises in conversation with Billboard, regarding the concerts at the 7,000-capacity venue in Vegas. “The show itself is a dream. We gotta turn it up a notch. I’m gonna be there for New Year’s [Eve]. That’s the real turn up.”
Give the rest of our interview with 50 Cent a read as he goes long on his Las Vegas plans, the Drake-Kendrick Lamar feud, his 2007 battle with Kanye West and what he texted Eminem on his birthday.
The 50 Cent: In Da Club
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We gotta talk about the Vegas residency, congrats on that. Why now?
Yeah, it’s super cool, man. I could do things in the show I couldn’t do if it was a moving show. And I’ll change the setlist and do different things. Some that I wanted to do that I didn’t actually perform on the last run, I’ll be integrating those things and creating things to connect to them.
I can actually expand it. Don’t think there’s not a part of this that got me into the film production. I’m able to add that into it. The technology’s so different. Remember Limitless, like the opening sequence? It was crazy when you saw it for the first time. It’s easier to create things like that [in a residency], and I can do different s–t. I want to use a dream sequence thing.
It’s dope to see rappers getting residencies now. Even legacy acts like Wu-Tang Clan and Nas have them.
It’s super cool. These guys are alive. Those groups are a lot older, like Wu-Tang and Nas. It’s something they want to catch. I may not have them expose what the show is. I’m building everything into the set. How to transition from one song into the next into the room.
What do you think about having this discography that’s been able transcend generations? For me, I was 10 years old when Get Rich or Die Tryin’ came out, and that’s like the soundtrack to our lives. To now we got careers, jobs, money to spend. You did a $100 million on your world tour last year.
It’s cool. You don’t usually have artists that sustain themselves this long in our culture. Hip-hop has a low attention span, and it’s out with the old and in with the new repeatedly. There’s even a point they’ll create a resistance for you. You have so much consistency, even when there’s not a break in the material, they’ll ask about your record and say, “That’s good, but it’s not like his first one.” And you don’t get a second chance at a first impression. That’s what the artist community does to the artist that are already in pocket. They wanna see you go up, but they want to see you come down — because if you don’t, how am I gonna have my chance to go up?
Drake is in that position right now. They trying to resist the music, because he put out some things that are dope. I say a lot of things on social and they get upset because they look and go, “Ahh, I’m automatically supposed to be on Kendrick’s side because of my association with Dre.” And I love Kendrick, but I’ll say it to you — I didn’t see where what [Drake] did was wack at any point. They giving [Drake] the, “Oh you wack, you finished.” I’m like, “Nah, come on.” That’s the system trying to make some sort of resistance and it’s from the consistency. When you win consecutively, that part of the hip-hop demographic wants you out of there. I started to feel the resistance for the Curtis album.
I was going to touch on that, with you and Kanye [West] facing off in 2007. What do you remember about that time? Because it represented to two different sectors of rap.
We made the highest sales week for hip-hop culture, doing that and being competitive. People that were participating as fans were buying more than one copy of it, because of the competitive side of it. When you look at it… we had to stand together to face off, but we never had an issue. That was his “break” album that broke him in. If I was trying to combat that, I would’ve went on tour with him. I would’ve had all of the material with the albums that worked ahead of [Graduation] to draw from, while he had that one record.
That’s some Art of War s–t right there, 50. It represented two sides of rap back in 2007, with 50 being the street dude making hit records and Kanye’s representing the high-fashion with a different production looking for stadium status.
Anything that was less aggressive. Look at The College Dropout, or the themes of his records versus Get Rich or Die Tryin’, The Massacre and Curtis. Those albums were a lot more aggressive, but they gave him all the trophies. They would rather hip-hop be what he was at that point… He was like, “F–k that! Beyoncé’s supposed to have that.” I’m like, “Yo, they be tweaking.” But I don’t think anybody’s been through more or have more reasons to fall apart than Kanye. The success of his project comes, and his mom passes away. So what you been praying for — the gift is a curse. You lose that, and he had real reasons to f–king be out of it. He did the right thing. He went to work.
When you linked up with Drake, did you have advice for him as far as his next move?
I was telling him, it’s not him. I’m listening on the outskirts, it’s not you. Don’t let yourself think that for a second. On some real s–t, I said, “They said you lost, okay. Well what did you lose?” What exactly did he lose, if he got $300 something million on his last tour? You didn’t lose a motherf–king thing, man. If that’s the moment, you keep your creative energy in the right place, and keep creating. If you slow down because you feel, “What the f–k?” The resistance will make you feel like your material isn’t good. Then you gotta figure out how to keep pushing, how to keep creating — because that’s what it feels like to you at the moment. That s–t was good for hip-hop. It made both of them create quality material faster.
I feel like people cared about lyrics again.
It was about the lyrics, but that s–t was on a different level. The f–king [good kid, m.A.A.d city] car in the video. That s–t was a mystery. Everything was tied to something. I was like what the f–k? That wasn’t in hip-hop before that. Before that battle, I do not remember this was the car from this and that was this. Everything that was a part of it was some other s–t. It was almost encrypted.
Then they’re making some crazy allegations against each other. Do you think you lose once you get on the defensive? I thought Drake lost his footing a little bit there.
When you say something that isn’t true, and the person wants to defend themselves, they encourage — the public likes that you’re vulnerable. Because it matters to you that it wasn’t true and they jump on you. That’s like Meek Mill. When they say Meek is fruity or gay with Puff in the situation now. It’s how he responds to it that makes people talk about it more. It gets bigger and bigger and it turns into a thing going on out there. You don’t hear one thing about French Montana. And French was in that circle and around that a lot. Not one thing, and Meek’s s–t is all over the place. It’s the way they respond to what people say about them publicly. They feel like, “That bothers you?” If you say anything, then they start harping on that harder. They want the fight to continue.
It’s Eminem’s birthday. Do you hit him up? What’s that message like? Did you hit him up about being a grandpa?
I texted him, “Happy birthday.” Not about the baby. He’s gonna be a granddad. It’s crazy because a lot of times when we were going on tours, they would offer Em ridiculous amounts of money for us to tour and him go out on a run. He would just be like, “Nah, I just don’t wanna go out and then come back and Hailie’s grown.” I didn’t know what the f–k he was saying. I’m looking at him like, “What are you talking about? Did you not hear how much money they gonna give us?”
I had a moment where I told him at the wedding — because I went to Hailie’s wedding — I told him I understand now. That s–t happened really fast. The time went by really fast, and she’s grown. I’m like, “What the…?” She was right there with us the whole time. It’s ill. The time goes by. He’ll be working on a project and be working on the next record. Simple but complex at the same time, because he’s putting intricate things inside the records. I had to listen to it for three or four days before I understood it. I kept finding new s–t on the records.
What did you think about Power Book II: Ghost coming to an end?
I feel good about it. Every time we have an ending, something good happens. This was when the first original Power went six and a half seasons. I was betting seven, because of the success of The Sopranos that went seven seasons. They didn’t want to pay for the other half of the seventh season. It’s a continuation, so you felt the effects of Power and it went to a whole new space. When we get to the development like Raising Kanan, Kanan will go on, while the next one matures. Then the next couple of seasons will go into the origin story. So you’ll see the original Tommy and Ghost. We just needed a little time to get Kanan to be the driving force of what was going on. He got another season.
I remember reading your Hustle Harder, Hustle Smarter book about Omari Hardwick not doing too well in the original Power Ghost audition, and you went and got him after and told him to lock in.
Yeah, you know what it was? He was reading the material low. He was internalizing the material while he was reading it. Joseph Sikora was already performing as Tommy. He already read everything. It was a little lopsided — but I had a communication with Chris Albrecht at the time, and he was like, “Are you sure this is the guy?” All it takes is for you to be betting on the wrong guy. I’m like, “Nah, he’s the right guy.” I seen him in Next Day Air with Mos Def and Wood Harris and I knew he could play the character. When I called him, I was like, “They questioning if you’re the right guy.”
He goes, “If they want to give it to somebody else, then they can give it to somebody else.” I’m like, “N—a, you got another plan?” What you talking about, “Give it to somebody else?” I’m telling you that to get you pumped up so you could get focused and be ready. Not for you to say, “Give it to somebody else.” I’m like, “God d–n, man.” We spent about an hour and a half on the phone and before we got off, he was in the right space. Thinking about it the right way. We took off and it worked out.
Yeah, he was perfect for that role. It’s crazy we’re here 10 years later and even after him getting killed off, the show was still so popular and kept going. What were some early memories of Las Vegas for you?
A lot of good times in Drai’s Nightclub. I don’t understand what they just did with BET [Hip- Hop Awards] though.
They had the award show in the nightclub. I’m like, “What the heck is this?”
I’m done with them. God d–n it! Is there anything else that’s gonna indicate we’re running out of money? What the f–k is going on at BET, bro? An award show in a nightclub? I can’t wait to see where they’re doing the Country Music Awards. It’s not gonna be at club Drai’s.
Would you ever stop doing club appearances?
When I go to the nightclub, this is when I’m kinda hearing everyone’s work, too. For me, I didn’t go to the nightclubs in the beginning of my career. Get Rich or Die Tryin’ took off so fast I had already sold 1.6 million copies by the second week. I was in arenas — I didn’t go to nightclubs. Only reason why I go to nightclubs is [because of] my spirits brand.
With you being a mentor, how big of an artist do you think Pop Smoke would’ve been?
I think he would’ve been the biggest one out here by now. He would’ve had a run that allowed him to be that. He was doing different kinds of music. He was singing and doing all these different things on these records. That’s why it was important for me to make sure the album went the right way. I stepped in and made sure it got executive produced. The second one wasn’t as good. Of course, it was because I wasn’t involved at that point.
There was records on the first album with young artists. I’m like, “I don’t give a f–k about rapping with these guys.” They’re not my peer group, where I’m excited to be on the song with them. I knew Roddy Ricch was in pocket all the way. That’s why I reached out to him and told him, “I need you to be on this record “The Woo.” That’s what really catapulted the album.
Cardi B was the victim of an horrible prank when an anonymous tipster called Child Protective Services to her home alleging that she was abusing her three children. Cardi hopped on Instagram Live to address the prankster early Tuesday (Oct. 22) from what appeared to be a hospital bed (she said she’s been hospitalized since […]
Chappell Roan has attracted millions of new listeners in the year since she dropped her acclaimed debut album, The Rise and Fall of a Midwest Princess, many of whom are eagerly waiting to hear what she makes next — and luckily for them, producer Dan Nigro has an update. In a New York Times profile […]
It’s early in season 26 of The Voice, but Monday night’s (Oct. 21) kick-off of the Battle rounds had the coaches wondering if they’ve already spotted one of this season’s frontrunners. With the blind auditions in the rear view, coaches Gwen Stefani, Snoop Dogg, Michael Bublé and Reba McEntire counseled their teams on strategy, then had the unenviable task of pitting two of their chosen vocalists against each other.
Stefani picked two promising teens on her team, 15-year-old Buffalo, N.Y. native Sydney Sterlace and 19-year-old Pittsburgh singer Sloane Simon, tasking them with taking on Billie Eilish’s “Birds of a Feather.”
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Sterlace was up first, appearing a bit nervous as she crooned, “I want you to stay/ ‘Til I’m in the grave/ ‘Til I rot away, dead and buried/ ‘Til I’m in the casket you carry.” Simon proved she was equally up to the task, jumping in on the second verse with airy, confident vocals as she stared down her opponent.
The women then sang directly at each other as they dueted on the song’s wistful chorus, “Birds of a feather, we should stick together/ I know I said I’d never think I wasn’t better alone,” changing places and expertly working the stage as they blended their voices and did their best to stand out during the individual bits with impressive runs and soaring ad libs.
Proud coach Stefani leapt to her feet (along with McEntire) as Bublé told the pair that their singing was “really beautiful” and Gwen admitted that she was totally “momming out right now.” Bublé said he could sense a bit of nervousness in Sterlace’s vocals, noting that she was not as settled as her battle mate, “nor should you be. You’re 15. Besides that your voice was great, I loved that you moved towards Sloan,” he said.
Snoop added that he was “thrilled” with the performance, dubbing both singers “true professionals… do not let the age dictate what you could possibly be because we were all young once upon a time.” Snoop dubbed them equally good, suggesting Stefani shold pick the singer she can “grow with,” even as the No Doubt and solo star lamented, “how can a mommy choose between their daughters?”
McEntire also said she was impressed with both, but suggested that her vote would be for Simon, agreeing that Sterlace has some more years to develop her craft. “You’re gonna blossom like the most beautiful rose ever,” she said. “‘Cause you’re a beautiful bud right now.”
Stefani said her heart was in her throat about the tough decision, recalling that she was blown away by Sterlace’s blind audition and wanted to hear more, while also being stunned by Simon’s “sparkly personality,” confidence and tone. It may have helped that Simon was, literally, wearing a silver sparkle dress with matching stacked heels.
In the end, Stefani focused in on Sterlace’s still-germinating stage presence rather than already established vocal talents. “You have come so far since our rehearsals. I’m shocked,” Stefani said, doubling down on McEntire’s rose bud metaphor. “I keep hearing that word ‘bud,’” veteran toker Snoop joked. Stefani said that the reality was that Simon is “a little bit more ready… you have that star-quality personality.”
Faced with a tough choice, Stefani followed the “weird voice” insider her head and chose Sterlace. And even after McEntire praised Simon’s “voice of an angel,” in her pitch to steal, Sloane ended up choosing Bublé — who also called her voice “angelic” — as her new team leader.
New episodes of The Voice air Monday and Tuesday night at 8 p.m. ET/PT on NBC, and then stream on-demand via Peacock the next day.
Watch Sterlace and Simon face off below.
Do you get deja vu? Olivia Rodrigo‘s Guts World Tour concert film is coming soon to Netflix, allowing fans to relive the 21-year-old pop star’s show over and over again — as teased by a new trailer that dropped Tuesday (Oct. 22).
The minute-long video opens with Rodrigo on stage, dressed in a sparkly red leotard. “Here’s the deal,” she yells into the microphone as the crowd cheers. “Right now, I want you to think about something or someone that really pisses you off, and when the lights go down, you’re going to scream as loud as you can and let it all out!”
The teaser then cuts to a backstage shot of the “Vampire” singer with her band and backup dancers, standing in a circle as they hype each other up ahead of a show. “I’m so grateful that I get to be here and do this with you guys,” she tells the crew. “I love you all to death.”
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Rodrigo’s concert film is set to drop on Netflix Oct. 29. As seen in the rest of the trailer, the project will document the star’s first-ever arena tour with shots of her singing, playing guitar and piano, dancing on stage and interacting with fans at her August tour stop at the Intuit Dome in Los Angeles.
“For those of you who didn’t get a chance to rock out in person, now you can have the best seats in the house!” Rodrigo wrote in a statement when the film was first announced early October. “And to the fans who cheered, screamed and danced with me, I am so glad we get to do it all over again!”
The High School Musical: The Musical: The Series alum has been on the road since February in support of her Billboard 200-topping sophomore album, Guts. Just days before her concert film premieres, Rodrigo will wrap the trek with four shows in Sydney Oct. 17-22, after which she won’t take the stage again until 2025 for a limited run of dates in Latin America and two rescheduled shows in Manchester.
“It brings me so much joy to perform in front of my fans,” Rodrigo recently reflected on the experience to Billboard. “We sing, we scream and we dance … Everyone’s energy is really inspiring and makes me want to bring my all every night.”
Watch the trailer for Olivia Rodrigo: Guts World Tour below.
Embattled music mogul Sean “Diddy” Combs‘ adult children broke their silence about their father’s ongoing jailing as he awaits a May trial on sex trafficking and racketeering. In their first statement since Combs, 54, was arrested and detained on the charges that could land him a potential life sentence, Quincy Brown, 33, Justin Combs, 30, King Combs, 26, Chance Combs, 18, and twins Jessie and D’Lila Combs, 17 said they support their dad against what hey said were false charges.
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“The past month has devastated our family. Many have judged both him and us based on accusations, conspiracy theories, and false narratives that have spiraled into absurdity on social media,” read the post that included a picture of Combs’ children posing with the rapper/producer’s mother, Janice Combs, and his youngest child, daughter, Love Combs, 2, with her mother, Dana Tran.
“We stand united, supporting you every step of the way,” the message continued. “We hold onto the truth, knowing it will prevail, and nothing will break the strength of our family. WE MISS YOU & LOVE YOU DAD.”
The statement from Combs’ family came a week after the disgraced Bad Boy Records boss wished daughter Love a happy birthday in his first post from behind bars; Combs has been denied bail twice and is expected to remain locked up until his trial is slated to begin on May 5. Earlier this month, mother Janice Combs issued a statement supporting her son, saying that he’s not guilty of the allegations against hm. “My son is not the monster they have painted him to be, and he deserves the chance to tell his side,” she wrote of the musician who has been accused by multiple men and women of sexual assaults and rapes that allegedly occurred after the victims said they were drugged or coerced.
“It is truly agonizing to watch the world turn against my son so quickly and easily over lies and misconceptions, without ever hearing his side or affording him the opportunity to present his side,” Janice Combs added.
Diddy was hit with six more civil abuse lawsuits over the weekend, including one claim that he sexually assaulted a 13-year-old girl at a house party following the 2000 MTV Video Music Awards in an alleged incident that took place in front of two unnamed celebrities who also participated in the alleged assault. The latest legal actions came from lawyers Andrew Van Arsdale and Tony Buzbee, who warned earlier this month that they represent at least 120 alleged victims.
In a previous statement on Buzbee’s earlier suits, Combs’ legal team said he has “never sexually assaulted anyone” and that he has “full confidence in the facts, their legal defenses, and the integrity of the judicial process.” Combs was indicted by federal prosecutors last month over allegations that for years he ran a sprawling criminal operation aimed at satisfying his need for “sexual gratification.”
While Combs’ children and his mother have been attending his hearing in New York Federal Court, the once high-flying music entrepreneur whose infamous white parties featured A-list guest lists has so far garnered little to no public support from his famous friends since his Sept. 16 arrest on a three count indictment on racketeering conspiracy, sex trafficking and transportation to engage in prostitution. Combs has pleaded not guilty to all the charges and has steadfastly denied any wrongdoing.
See the Combs family statement below.
Britney Spears has walked down the aisle three times with partners. But in a video posted on Sunday (Oct. 20), the singer celebrated going it alone the fourth time. In a brief clip that appeared to be a partial repost of a similar one from 2022, Spears wrote, “The day I married myself … Bringing it back because it might seem embarrassing or stupid, but I think it’s the most brilliant thing I’ve ever done !!!”
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The video cued to Sting’s 1993 solo single “Fields of Gold” features Spears, 42, staring into the camera while wearing a slip-like off-white dress and matching veil with lacy edges. Back in Dec. 2022, Spears — who was then still married to third ex-husband Sam Asghari — wrote, “Yeah … I married myself 👰🏼♀️ !!! I got bored, liked my veil and said IS THIS CRAZY ??? OR IS THERE SOMETHING TO IT 🤔🤔🤔 ??? Psss yes but I’m still married to hubby too 💍💍💍 😂😂😂 !!!” in a nearly identical video accompanied by Otis Redding’s “Try a Little Tenderness.”
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Spears briefly married childhood friend Jason Alexander in 2004 before tying the knot with dancer Kevin Federline that same year; she and Federline welcomed two sons, Sean Preston, 19 and Jayden James, 18 before breaking up in 2007. In 2022, the singer married actor/personal trainer Asghari, with whom she split two years later.
Though Spears has said will “never return” to the music business, she continues to inspire her fellow artists, including Halsey, who tipped their hat to Brit this week as part of the roll out of the upcoming album The Great Impersonator (Oct. 25).
“It’s Britney, b–ch!!!,” Halsey wrote of the eleventh preview of her fifth studio album, which so far has had them channeling the look and vibes of Bruce Springsteen, Stevie Nicks, late Cranberries singer Dolores O’Riordan, Evanescence’s Amy Lee, David Bowie, Cher and other iconic stars. “The first superstar who ever inspired me,” they wrote of Spears, whose work is sampled on their Great Impersonator single “Lucky.” Halsey also copped Spears’ In the Zone look for the acompanying promo pic. “There were infinite Britney looks to choose from, but I had to do this iconic album!,” they added of Spears’ 2003 fourth studio album, which featured the Madonna collab “Me Against the Music,” as well as the Billboard Hot 100 No. 9 hit “Toxic.”
