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Argentine trap star Duki, widely recognized as a major pioneer of Argentina’s global urban music movement, is adding a 10-city U.S. leg to his global Ameri World Tour.
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The tour kicks off March with previously announced stops in Bolivia, Argentina, Uruguay, Paraguay, Colombia, Peru, Ecuador, Mexico, Spain, Portugal, Germany and Italy, with more locations to be revealed soon.
Duki’s U.S. leg, produced by Live Nation, kicks off April 26 at SOMA in San Diego, Calif., and will stop in Los Angeles, New York and Miami, among other cities, before wrapping up at San Juan’s Coca Cola Music Hall in Puerto Rico May 18. Tickets will be available for presale Nov. 12 and for general sale Nov. 13 on Live Nation’s website.
This is Duki’s first major foray in the U.S., following huge touring success in other markets.
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Last December, Duki became the first urban artist ever to sell out Argentina’s biggest stadium — the fabled River Stadium in Buenos Aires — not once, but twice, selling 140,000 tickets across both nights. Earlier this year, he became the first urban artist to ever play and sell out Spain’s Bernabéu stadium in Madrid.
The Ameri World Tour follows the release of Ameri, the album, on indie Dale Play Records. The set garnered 13.5 million streams on its first day of release and premiered as a pre-listening event in front of over 15,000 people at the Movistar Arena in Argentina.
Here are all of Duki’s Ameri World Tour U.S. dates:
April 26 – San Diego – SOMA
April 27 – Los Angeles – Hollywood Palladium
April 30 – Philadelphia – Theatre of the Living Arts
May 1 – Boston – Citizens House of Blues
May 3 – New York – Theatre at Madison Square Garden
May 6 – Charlotte, N.C. – The Fillmore Charlotte
May 8 – Silver Spring, Md. – The Fillmore Silver Spring
May 10 – Chiago – Byline Bank Aragon Ballroom
May 14 – Atlanta – Tabernacle
May 17 – Miamia – Kaseya Center
May 18 – San Juan, Puerto Rico – Coca Cola Music Hall
The Latin Recording Academy revealed the final batch of performers for the 25th Annual Latin Grammy Awards on Monday morning (Nov. 11), Billboard Español can exclusively announce. The concluding acts set to perform on Thursday (Nov. 14), include a stellar lineup of salsa icons and budding acts, including Christian Alicea, Grupo Niche, Luis Figueroa, Oscar […]
One of the suspects in the investigation into the death of Liam Payne broke his silence over the weekend in an interview with an Argentinian media outlet. Three people were detained last week in connection with Payne’s death on Oct. 16 in Buenos Aires, Argentina, where the One Direction singer and solo star died after falling from a third-floor balcony of a hotel.
Speaking to journalist Guillermo Panizza for Telefe Noticias, 24-year-old waiter Braian Nahuel Paiz admitted to partying with Payne, but denied supplying the 31-year-old singer drugs; to date, Argentinian authorities have not revealed the names of any of the suspects that have been detained and Billboard has not been able to independently confirm that Paiz was one of them.
Paiz said he met Payne twice before the singer’s death, but insisted, “I never supplied Liam with drugs. Liam’s first contact with me was at my place of work.” He said they swapped info and then got back together later that night, with the report including pictures of the two men together. “We got together there and he showed me some of the music he was going to bring out. I’ve heard people saying he was taking drugs, but the truth is that when he got to the restaurant where I was working he was already under the effects of drugs and he didn’t actually eat anything.” Paiz said the two men communicated via Payne’s secret Instagram account.
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When the two men got together a second time at Payne’s hotel on Oct. 13, Paiz — who reportedly has lost his job in the wake of the investigation — claimed that he spent the night partying at the CasaSur Palermo Hotel, alleging that the singer was doing cocaine while Paiz smoked pot. “We took drugs together, but I never took drugs to him or accepted any money,” said Paiz, who added that his home has been searched in the probe, but that he has not yet been questioned by investigators.
Paiz also said he doesn’t know who the other two unnamed suspects are and that he does not know what happened to Payne after he left the hotel room. Click here to watch the interview in Spanish.
Last week, officials in Buenos Aires released Payne’s body to his family for repatriation to the U.K. and a press release from the National Criminal and Correctional Prosecutor’s office No. 14 revealed the final results of toxicology tests on the singer. According to a translated copy of the report, in the 72 hours before Payne died after falling from a three-story hotel balcony in Buenos Aires, Argentina, he had “alcohol, cocaine and prescription antidepressants” in his system.
The results of the autopsy concluded that Payne’s death was caused by “‘multiple trauma’ and ‘internal and external hemorrhage,’ the result of the fall the musician suffered from the balcony of the third-floor room of the hotel in the Palermo neighborhood where he was staying.”
Additional reports concluded that the injures Payne sustained were caused by a fall at the hotel from a height and that “self-harm of any kind and/or physical intervention by third parties were ruled out.” Authorities also reported that Payne did not adopt a “reflex posture” to protect himself from the fall, which led to the conclusion that he “may have fallen in a state of semi- or total unconsciousness.”
The three people detained so far were charged with abandonment leading to death and the supply and facilitation of narcotics.
It has been a long time since Oasis performed live. But despite a 16-year lay-off, singer Liam Gallagher can confidently predict that when he and brother/guitarist Noel Gallagher reunite on stage next year for their first tour since 2008, not only will there be no cobwebs, but he double-dares any young band out there to […]
Music giant Quincy Jones was laid to rest in a private ceremony in Los Angeles, a week after his death at age 91. A larger, more public memorial is also being planned. Explore Explore See latest videos, charts and news See latest videos, charts and news The family of the 28-time Grammy-winning producer, arranger and […]
BLACKPINK’s LISA is stepping into her acting debut for HBO Max’s The White Lotus season three.
The HBO 2025 teaser, which features snippets of the new season, offers fans their first look at the K-pop star, credited under her given name Lalisa Manobal. She stars as Mook, a resort manager who greets new guests with a warm, “Welcome to The White Lotus in Thailand, ka.”
Set to premiere next year, White Lotus‘ third season was filmed across Thailand, making the project a homecoming for LISA, who has previously spoken of her excitement about sharing the beauty of her homeland with viewers.
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In a recent interview with ELLE, LISA shared her initial reaction to being cast by The White Lotus creator Mike White, whom she called “a genius.”
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“I think I cried [when I got the role]. I was with my friends, my mum’s friends, and my mum as well, but I didn’t tell them that I auditioned for it,” LISA said. “I’m super excited and nervous, because it’s my first acting project. So I was happy for a second, and then I was like, ‘Oh, wait, wait, how am I going to deliver this?’”
Although acting is new to LISA, the BLACKPINK star noted some similarities to her work on music videos, saying, “It’s pretty new to me, but I think it’s similar to shooting music videos…I’m excited for my fans to see it.”
She added that filming in Thailand allowed her to reconnect with her roots and enjoy Thai cuisine daily. “I feel like people are going to fall in love with Thailand even more,” LISA remarked.
Beyond her new venture in television, LISA has continued to make waves in the music world. In 2024, she released her single “Rockstar,” which debuted at No. 70 on the Billboard Hot 100 and No. 4 on the Billboard Global 200, as well as became LISA’s first-ever No. 1 hit on the Billboard Global Excl. U.S. She’s also since released the Rosalía-assisted track “New Woman,” and “Moonlit Floor.”
BLACKPINK, comprised of LISA, Jisoo, Jennie, and Rosé, has set unprecedented records. Their highest-charting Billboard Hot 100 entry, “Ice Cream” with Selena Gomez, reached No. 13. The group made history in 2022 as the first female K-pop act to top the Billboard 200 with their album Born Pink, which also reached No. 1 on the U.K. Albums Chart.
Watch a sneak peek of LISA in White Lotus here.
Following claims of retirement from Australian breaker Rachael Gunn, or “b-girl Raygun,” the viral Olympic hopeful has made a surprise appearance onstage with fellow Aussie Tones And I at the latter’s Melbourne performance on Saturday (Nov. 9).
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Performing at Rod Laver Arena, the penultimate song of Tones And I’s headline set was “Dance With Me”, the fourth single from her 2024 album, Beautifully Ordinary.
While the album charted atop the ARIA chart in Australia, Tones And I has not had a charting hit in the US apart from her breakthrough single “Dance Monkey”, which peaked at No. 4 on the Hot 100 i 2019.
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Hyping up the crowd, Tones And I urged the audience to “please give it up for an Australian icon, the most iconic break dancer there is, Raygun!”
The controversial Olympian took to the stage to share her breaking skills throughout the performance, with memories of her viral appearance at the Paris Olympics flooding back for all in attendance.
Taking to social media following Raygun’s appearance, Tones And I shared a video of the encounter and expressed her gratitude for the breaker, referring to her as the “most beautiful kindest full of life human I have met”
“It was an honour to celebrate you last night,” she added. “Thank you for sharing the stage with me and bringing smiles to so many faces. You always have a friend in me.”
Raygun, a 37-year-old university lecturer from Sydney, shot to fame in August when failed to score any points at the Paris Olympics in routines that included a “kangaroo” dance. The following month, the World DanceSport Federation issued a statement to “provide clarity” on why Raygun had managed to top the sport’s latest world rankings.
Their explanation revealed that the methodology for the rankings were based on each athlete’s top four performances within the past 12 months — but excludes Olympic events including the Paris Games and Olympic qualifier series events in Shanghai and Budapest.
Earlier this month, the breaker made headlines once again when reports emerged that she had announced her retirement from the sport.
She later went on the record to clarify that she would no longer be competing, though not retiring from breaking entirely.
Taylor Swift is spending another Sunday afternoon cheering on her boyfriend, Travis Kelce. The 34-year-old pop superstar — currently enjoying a brief break from her record-breaking The Eras Tour — arrived in style at the Kansas City Chiefs versus Denver Broncos game at K.C.’s Arrowhead Stadium on Sunday (Nov. 10). Swift, who has attended the […]
Nominees for the best children’s music album award at the 2025 Grammys were revealed with the full announcement of Grammy nominations on Friday (Nov. 8). Among the artists named are three family-centered acts with previous nominations in the category — Lucky Diaz and The Family Jam Band, Lucy Kalantari & The Jazz Cats and Divinity Roxx and Divi Roxx Kids — plus newcomers to the category, John Legend and Rock for Children (in collaboration with Alice Cooper).
The 67th annual Grammy Awards are set for Feb. 2, 2025 at Los Angeles’ Crypto.com Arena. The event will be broadcast on CBS and streamed live and on demand via Paramount+.
For parents and kids who are curious about the children’s albums up for a Grammy at the 2025 ceremony, here’s an introduction to all five nominees from Billboard Family.
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Divinity Roxx, pictured in the jubilant photo above, is Beyoncé’s former bassist and musical director, and the composer and performer of the Lyla in the Loop theme song on PBS. Divinity Roxx and Divi Roxx Kids are up for the best children’s music album Grammy for the album World Wide Playdate, an upbeat collection of songs celebrating friendship, family, self-empowerment and going after your dreams that’s inspired by ’90s hip-hop and fit for a family party. It’s Divinity’s second time receiving a nod in the category following a nomination at the 2023 Grammys for Ready Set Go!, her debut children’s album.
“I am proud to create music that inspires, empowers and encourages future generations and I am overjoyed and honored that my peers in the Recording Academy recognized the power of positivity in World Wide Playdate. Mom says always expect a Miracle and right about now we all need one,” Divinity tells Billboard Family, after receiving the news on Friday that she’s a Grammy nominee again.
Lucy Kalantari & The Jazz Cats‘ Creciendo — Kalantari’s first full-length, Spanish-language children’s album — is nominated for best children’s music album at the 2025 Grammys following Kalantari’s previous two Grammy wins: All the Sounds was named best children’s album in 2019, and All the Ladies took home the best children’s album honor in 2021. Creciendo means “growing up” in Spanish, and that’s the sweet theme of this new collection by Kalantari, who was raised by immigrant parents from the Dominican Republic and Puerto Rico. Drawing from her family’s roots, she even brings her own child on as a guest (playing cello in the album) on this album, a musical fusion of Latin and jazz.
“I’m moved to bits to have my Spanish album Creciendo nominated for a GRAMMY!” Lucy Kalantari tells Billboard Family following Friday’s Grammy nominations announcement. “It’s so wonderful to be nominated along side such incredible artists! I truly hope this nomination can help bring my big messages of joy, community and resilience to families all over the world.”
Lucky Diaz and The Family Jam Band receive their third Grammy nomination for best children’s music album this year with Brillo, Brillo!, having previously been nominated in the category for Crayon Kids at the 2023 Grammys and Los Fabulosos at the 2022 event. Also four-time Latin Grammy nominees, the husband-and-wife musical team (Lucky Diaz and Alisha Gaddis) have won twice in the best Latin children’s album category: they’re award winners for ¡Fantastico! in 2013, and for Buenos Diaz in 2019 under the name The Lucky Band. With this year’s Brillo, Brillo!, they bring bilingual, whimsical pop-rock to the family-centered music space.
The band tells Billboard Family they are “deeply honored” by their latest Grammy nod: “This nomination is historical for our band — with seven nominations and two wins across the Latin Grammy and Grammy spaces, we’re the most nominated in the children’s category. That’s huge. This means that families continue to welcome us into their homes, year after year after year, and trust us to entertain their children. This is an honor we don’t take lightly, even though children’s music is full of silly joy and delight!”
They are also offering a warm welcome to a familiar name who’s brand-new to the children’s category: “Thrilled to welcome the legend, John Legend, into the category. Obviously, he is a talented star who we love — so it’s fabulous that he will bring more eyes to our category.”
John Legend has a longtime history with the Grammys, including 12 wins, but is a first-timer to the best children’s music album category with his debut children’s set, My Favorite Dream. The singer-songwriter, whose Sufjan Stevens-produced album is a mix of sweet originals and Legend’s version of children’s classics, was influenced by life at home with his young kids (two of which make musical cameos, as does wife Chrissy Teigen). He shared a statement about the Grammy nomination on Instagram, where he wrote, “My Favorite Dream holds a very special place in my heart. It’s my first children’s album, inspired by the heart of our family. Working alongside the incredibly gifted @sufjan brought this dream to life in ways I could have never imagined.”
Legend, whose album track “Always Come Back” is also up for the best arrangement, instrumentals and vocals Grammy with string arranger Matt Jones, gave a shout-out to his peers in children’s music.
“Thank you to the @recordingacademy for recognizing our labor of love, and thank you to the Children’s Music community for welcoming this rookie into your beautiful world. These nominations aren’t just for me and my family — they’re for everyone who believes in the magic of music, family, togetherness and L-O-V-E.”
Rock for Children receive their first Grammy nomination with Solid Rock Revival‘s nod in the best children’s music album category at the 2025 awards. Those unfamiliar with the collection, which was recorded with young musicians from an after-school teen center, might be intrigued to learn Alice Cooper is heavily involved with the album, and even guests on six tracks; other classic rockers playing on the project include Rob Halford and Slash, and Darryl “DMC” McDaniels of Run-DMC also makes an appearance. Proceeds from the album benefit Alice Cooper’s Solid Rock Teen Center, a 501(c)(3) nonprofit organization with bringing free music and arts programs to local aged 12-20, and the Norelli Family Foundation.
“It’s a takeoff on our own stuff,” Cooper, who’s been nominated for a Grammy three other times throughout his career, told The Arizona Republic of the Solid Rock Revival project earlier this year. “Instead of ‘I’m Eighteen,’ it’s ‘I’m Thirteen.’ ‘School’s In.’ And ‘No More Mr. Nice Guy’ is ‘Now, I’m Mr. Nice Guy.’ It’s kind of a positive take on the stuff we used to do.”
See the roundup of 2025 Grammy nominations for best children’s music album nominees below, and find the complete list of nominees in all categories here.
2025 Grammy Nominations: Best Children’s Music Album
Brillo, Brillo!, Lucky Diaz and The Family Jam Band
Creciendo, Lucy Kalantari & The Jazz Cats
My Favorite Dream, John Legend
Solid Rock Revival, Rock for Children
World Wide Playdate, Divinity Roxx and Divi Roxx Kids
Tyler, The Creator’s CHROMAKOPIA secures a second consecutive and total week atop the Billboard 200 chart (dated Nov. 16). It’s the rapper’s first album to spend two consecutive weeks at No. 1, and second set to log at least two frames in the lead. He previously notched two nonconsecutive weeks at No. 1 with Call Me If You Get Lost — separated by nine months — in 2021-22. He ruled the list with one other album, Igor, which logged one frame at No. 1 in 2019.
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CHROMAKOPIA earned 160,000 equivalent album units in the United States in the week ending Nov. 7 (down 47% in its second week), according to Luminate. It’s the set’s first full seven-day tracking week on the chart, following an abbreviated debut frame of only four days, as the album was released on an off-cycle Monday (Oct. 28; most albums are released on Fridays).
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Also in the top 10 of the new Billboard 200 chart, Lil Uzi Vert scores their fifth top 10 set with the No. 3 debut of Eternal Atake 2, while The Cure achieves its highest charting album over 30 years, and first top 10 in over 20 years, with the No. 4 debut of Songs of a Lost World.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Nov. 16, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday (Nov. 12). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of CHROMAKOPIA’s 160,000 equivalent album units earned in its second week, SEA units comprise 115,500 (down 27%, equaling 160.31 million on-demand official streams of the album’s songs; it holds at No. 1 on the Top Streaming Albums chart), album sales comprise 44,500 (down 69%; it falls to No. 2 on Top Album Sales) and TEA units comprise a negligible sum (down 3%). The set’s sales were aided in its second week by the continued sturdy sales of six deluxe collectible boxed sets (each containing a CD, poster and another branded merch item). The album’s second week got a sales boost from the release of its stand-alone CD and two additional boxed sets. All physical variants of the album are exclusively sold via Tyler, The Creator’s official webstore.
Sabrina Carpenter’s chart-topping Short n’ Sweet steps 3-2 with 68,000 equivalent album units earned (down 9%).
Lil Uzi Vert’s Eternal Atake 2 bows at No. 3 on the Billboard 200, marking the fifth top 10-charting set for the rapper (all of which have reached the top three). The set launches with 59,000 equivalent album units earned, of which SEA units comprise 56,000 (equaling 76.43 million on-demand official streams of the set’s songs), album sales comprise 3,000 and TEA units comprise a negligible sum.
The album was announced Oct. 24 and released on Nov. 1. Its first-week sales were aided by the album’s availability across seven CD variants (five with a randomized branded trading card; one with a branded T-shirt and a CD in a collectible box; and a standard CD) and a digital download.
The Cure debuts in the top five on the Billboard 200 with Songs of a Lost World, bowing at No. 4, marking the band’s highest charting album since 1992 and first top 10 since 2004. Songs of a Lost World is the group’s first album of new material since 2008. The new album is the act’s third top 10-charting set on the Billboard 200, following its self-titled effort (No. 7 in July 2004) and Wish (No. 2 in May 1992).
Songs of a Lost World bows with 57,000 equivalent album units earned (the act’s best week by units). Of that sum, album sales comprise 53,000 (The Cure’s biggest sales week since 2004, when its self-titled album launched with 91,000), SEA units comprise 4,000 (equaling 5.02 million on-demand official streams of the album’s songs) and TEA units comprise a negligible sum. Songs of a Lost World also debuts at No. 1 on Top Album Sales; the first leader for The Cure on the 33-year-old chart. The new album’s first-week sales were bolstered by its availability across five vinyl variants (which sold a combined 23,000 copies; the band’s best week on vinyl since Luminate began tracking sales in 1991), a standard CD, a CD/blu-ray audio package, two cassettes, a standard digital download and a deluxe digital download with five bonus live tracks (exclusive to the band’s webstore).
Songs of a Lost World was released on Nov. 1, and cryptically announced in early September. The set’s title and release date were confirmed on Sept. 26, alongside the release of the album’s first cut (and first new song in 16 years), “Alone.” On Oct. 9, a second song from the set, “A Fragile Thing,” arrived. The latter track climbs 25-22 (a new peak) on Alternative Airplay and 12-10 on Adult Alternative Airplay. It’s the first charting hit for The Cure on Alternative Airplay since 2008 and the band’s highest-charting song since 2004’s “The End of the World” reached No. 19. On the Adult Alternative Airplay ranking, “Fragile” is the act’s third charting song ever (dating to the chart’s 1996 start), and first to reach the top 10.
Gracie Abrams’ The Secret of Us rises 7-5 on the Billboard 200 with 50,000 equivalent album units (up 2%).
Chappell Roan’s The Rise and Fall of a Midwest Princess pounces 12-6 with 46,000 equivalent album units earned (up 5%), following the singer’s performance on NBC’s Saturday Night Live (Nov. 2). On the show, she sang the album’s “Pink Pony Club” and a new track, “The Giver.” Princess was last in the top 10 on the Oct. 26-date list when it ranked at No. 6.
Billie Eilish’s Hit Me Hard and Soft climbs 9-7 on the Billboard 200 (44,000 equivalent album units; down 4%); Rod Wave’s Last Lap falls 5-8 (44,000; down 15%); Taylor Swift’s chart-topping The Tortured Poets Department ascends 11-9 (43,000; down 2%); and Morgan Wallen’s former leader One Thing at a Time falls 8-10 (nearly 43,000; down 7%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
