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English singer Charli XCX is getting ready to appear on Saturday Night Live once again this weekend, with the latest promo clip from the episode showing off her comedic touch.

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The episode, which airs on Nov. 16, will be Charli’s third appearance, having served as musical guest during the Martin Freeman-hosted show in 2014 and Oscar Isaac’s episode in 2022. This time, however, will be the singer’s first pulling double duty as both host and musical guest.

As a result, she’s been showing off her more comedic side in the promo clips released ahead of the show, teaming up with SNL cast member Marcello Hernández for the latest series.

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“Charli, I have a personal question to ask you,” Hernández queries the musician. “What’s your real name?”

“I never tell anyone this but it’s Charleston Ten One Hundred Ten,” responds Charli, whose real name is actually Charlotte Aitchison. “Wow, that’s amazing,” Hernández adds to a muted response. “I have a bit of a secret myself; my real name is Marcellonian Hernandingleheimer.”

Other brief appearances with Hernández include Charli promising the cast member that “the nation” will decide if his outfit is “brat” or “brong”, and noting that she’ll keep her final promo short, before offering a sly nod in Hernández’ direction.

Another clip released on Wednesday (Nov. 13) pokes fun at the ubiquitous ‘Brat summer’ phenomenon, that accompanied her culture-dominating album that dropped back in June.

The clips shows Charli seen going over her lines before SNL cast member Chloe Fineman joins her to express excitement over her joining the show. “Brat,” Charli responds, and continues to respond with the same one-word phrase for Fineman’s series of conversation starters, including asking how she’s feeling, inquiring about a rash and more.

Watch Charli XCX in the latest SNL promo below. Catch the full episode of Saturday Night Live on Nov. 16 at 11:30 p.m. ET on NBC, before it streams on Peacock.

Weezer’s self-titled debut album, first released in 1994, returns to Billboard’s album charts (dated Nov. 16) following its 30th-anniversary deluxe reissue on Nov. 1. The set, referred to as the Blue Album due to its blue-colored cover, boasts the top 10-charting Alternative Airplay hits “Undone – The Sweater Song,” “Buddy Holly” and “Say It Ain’t So.” For its anniversary, it was reissued across five vinyl variants (including a deluxe four-LP set), a deluxe three-CD set and a deluxe digital download edition. The deluxe vinyl, CD and download sets included a wealth of bonus tracks.

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All versions of the album, old and new, are combined together for tracking and charting purposes. On the Top Album Sales chart, the set reaches the top 10 for the first time, re-entering at No. 10 with 8,000 copies sold in the U.S. in the week ending Nov. 7 (up 719%), according to Luminate. The album previously peaked at No. 16 in early 1995. With its delayed arrival to the top 10, the album marks the 14th top 10-charting effort for the band on Top Album Sales.

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The Blue Album also re-enters at No. 3 on Indie Store Album Sales, No. 4 on Vinyl Albums, No. 10 on Top Alternative Albums, No. 13 on Top Rock Albums, No. 17 on Top Rock & Alternative Albums and No. 87 on the Billboard 200.

Elsewhere on the Top Album Sales chart, The Cure’s Songs of a Lost World debuts at No. 1, Jimmy Fallon’s Holiday Seasoning jingles in at No. 3, Skillet’s Revolution bows at No. 7 and the Saltburn soundtrack enters at No. 8.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units.

At No. 1 on Top Album Sales, The Cure’s Songs of a Lost World arrives with 53,000 copies sold in its first week – marking the band’s best sales week since 2004. Tyler, The Creator’s CHROMAKOPIA falls 1-2 in its second week, with 44,000 sold (down 69%). Fallon’s first festive album, Holiday Seasoning, opens at No. 3 with 12,000 sold; it’s Fallon’s first top 10-charting set on Top Album Sales. Rounding out the top five is Chappell Roan’s The Rise and Fall of a Midwest Princess (jumping 16-4 with 11,000 sold; up 22%, following her turn on NBC’s Saturday Night Live on Nov. 2) and SEVENTEEN’s chart-topping SPILL THE FEELS (7-5 with nearly 11,000; down 40%).

Sabrina Carpenter’s Short n’ Sweet steps 13-6 (10,000; down 2%), Skillet snares its sixth top 10 with the debut of Revolution at No. 7 (nearly 10,000), the Saltburn soundtrack debuts at No. 8 (nearly 10,000; largely from vinyl sales), Jelly Roll’s former leader Beautifully Broken rises 11-9 (8,000; down 30%) and Weezer’s self-titled debut re-enters at No. 10.

Olivia Rodrigo is ready to take a well-deserved break at the conclusion of her Guts World Tour in 2025. When asked what she plans to do after the tour — which continues next year in Brazil, Mexico, Ireland and the U.K. — Rodrigo told Billboard’s deputy editor Lyndsey Havens: “I’m so excited to just rot on the couch and eat so much food.”

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Rodrigo was presented with the touring artist of the year honor at Billboard’s 2024 Live Music Summit in Los Angeles on Thursday (Nov. 14) after her Guts World Tour grossed $184.6 million from over 1.4 million tickets sold, according to figures reported to Billboard Boxscore.

After shows on the tour, Rodrigo says she immediately gets offstage and ices her feet, which she joked is “really sexy.”

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“I jump around a lot, like my calves get sore. So, yeah, that’s what I do. Take a shower, take off my makeup, and head back to the hotel,” Rodrigo said. “It’s really not that exciting. It’s a really interesting shift to go from like being in front of 1000s of people to like being alone in your hotel rooms.”

While on tour, Rodrigo said one of her favorite songs to perform for catharsis is “All-American Bitch,” which features the young star floating over the audience on a crescent moon.

“There’s a part of the song where I make the whole audience scream and think of something that you hate or something that really ticks you off, and just let it all out and scream. I think that’s so powerful,” Rodrigo said. “It’s very cathartic. It feels like a rage room or something. There’s something so cool about being able to be in a room with 1000s of people and to be anonymous and get all your emotions out. I just love that aspect of music.”

Her energy onstage matches that of some of her all-time favorite live performers, which she said includes Beyoncé and Karen O of the Yeah Yeah Yeahs.

In October, Rodrigo released her tour documentary Olivia Rodrigo: GUTS World Tour on Netflix, and watching it back in film format, the singer said it was hard not to be critical of herself.

“I was trying not to be too critical the whole time. I’m just like, ‘Be nice to yourself.’ It’s really weird because I know that show like the back of my hand. I’ve done it so many times,” she said. “Watching it I was like, ‘Why are you so nervous? You got it, girl. You got it.’”

When asked if anything surprised her from seeing herself perform for the first time, Rodrigo said, “I was working out so much on tour and I watched things back, I was like, ‘Yeah, I got muscles in my arms for the first time in my life.’ That was surprising.”

Dick Clark Productions and MGM Resorts International are teaming up to expand Dick Clark’s iconic New Year’s Rockin’ Eve With Ryan Seacrest with its first-ever live countdown from Las Vegas, sources tell Billboard.

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The show, which airs on ABC and commands the largest TV viewership of any non-sports rated show, will now be a bi-coastal affair, with performances by a wide range of top music stars at MGM Resorts venues including Dolby Live at Park MGM, the MGM Grand Garden Arena, and Mandalay Bay. Artists confirmed for performances include Lenny Kravitz, these sources add. The West Coast show will coincide with the iconic Times Square ball drop broadcast in New York City.

The performance wraps up an exciting year for Kravitz who dropped his 12th studio album, Blue Electric Light, back in May via Roxie Records/BMG. The project was written and recorded by Kravitz in his studio in the Bahamas, and features the singles “Paralyzed,” “TK421” and “Human.” The collection, he told Jimmy Fallon for a late-night interview that aired in March, is about “celebration, life, humanity, sexuality, sensuality, spirituality.” Blue Electric Light is “just that vibration of love, of god, of spirit.”

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In addition to musical acts, expect famous magicians, circus artists and more at New Year’s Rockin’ Eve With Ryan Seacrest. Last year, the show reached 36 million viewers, up 22% from the previous year, with 28.9 million people tuning in at midnight moment alone, according to Nielsen. The NYE party included performances from NewJeans, Megan Thee Stallion, Jelly Roll, Sabrina Carpenter, LL Cool J, Cardi B, Green Day and more.

Louis Messina reflected on his storied career in touring on Thursday (Nov. 14) at the Billboard Live Music Summit in Los Angeles.
Speaking with Melinda Newman, Billboard‘s executive editor, West Coast and Nashville, Messina spoke about the working with some of the biggest names in music, with the 11-artist roster of his Messina Touring Company including Taylor Swift, George Strait, Kenny Chesney, Ed Sheeran, Old Dominion and recent signee Zach Bryan.

“I’ve worked with a lot of really goofball acts in my career,” said Messina. “All the acts I work for right now, there is not one that’s an asshole, there really isn’t.”

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Messina credited Strait with launching his own career, saying that “if there were no George Strait, there would be no Messina Touring Group.” He also spoke about helping develop Kenny Chesney, starting his work with Taylor Swift when she was 17-years-old, his impressions of Chapell Roan and much more from his historic and thriving career.

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Below, find highlights from the conversation.

On George Strait, Who “Connects With Everybody In the Audience”

Messina’s first client, George Strait, recently made history by selling 110,905 tickets at a June show in College Park, Texas, for what was the biggest ticket event anywhere in the United States in history.

Messina reflected on Strait’s special (and massive) appeal, saying that “When you’re at a George Strait concert, no matter where you’re sitting, you feel like George is singing to you. His eyes are his show, besides his voice and his music. But he connects with everybody in the audience and that, to me, is the secret of every artist… Every star artist, they know how to connect with the audience, and the audience then connects to the artist. To me that’s the key thing, and that’s what I always look out for: how does the artist and audience connect, and how do they fall in love with each other? That’s George. Every superstar artist, they know how to do that.”

On Working With Taylor Swift Since She Was 17

Newman noted that Swift’s Era’s tour, which wraps up in a few weeks in Vancouver, has grossed well over a billion dollars, then asking Messina what he’s saw in the superstar from the start. “She’s outworks everybody,” said Messina. There’s no one I’ve seen with a work ethic like Taylor Swift. I met her when she just turned 17… She had one song on the radio… By the third night [of seeing her on tour] I just knew. I saw the twinkle in her eye, I saw her work ethic, and here’s a 17-year-old girl singing about high school boyfriends and just had the audience in the palm of her hands. And then every morning, she was the first person in the production office, after she visited radio stations, and she signed notes to everybody. Fans, DJs that played her music… She would be the first one in the building and the last one in the building. That’s what’s special about Taylor Swift, because she’s one-of-a-kind and she will outwork everybody. I was just blessed to happen to be there and see that connection that she had to everybody.”

On The “Magical” Chapell Roan

Newman closed the conversation by asking Messina which artists he hasn’t worked with that he’d like to. He said he’d love to work with Beyoncé and Bruno Mars, adding “and who doesn’t want to work with Chappell Roan, though? What a superstar; what a unique artist. I haven’t seen anybody like her since — she reminds me of when Madonna first started. That attitude; she’s unique. I saw her at ACL and she blew me away… she’s one of a kind. She’s magical.”

On Sphere

While reflecting on the differences between venues, Messina reflected that ultimately “It’s the artist’s name on the ticket, not the building, except the Sphere. That’s a whole other ballgame.” Newman then asked if any of Messina’s artists might play the boundary-pushing venue, to which Messina said, “Yes I have a couple of artists that are potentially playing there.” Newman deftly observed that given that Messina has 11 artists on the roster, there are only a certain number of acts it could be.

On Guiding the Rise Kenny Chesney

Messina has been working with Chesney since the country superstar was opening for George Strait. “He was third or second from the bottom,” Messina said of the lineup he had Chesney on, “and I just saw him, and I saw his merchandise numbers, and he came back the next year, and everybody was in the stands early and he was outselling merchandise more than anybody… I just saw this magic that he had and the connection… We put Kenny on Tim [McGraw’s] tour, and then I said ‘It’s time to headline now.’ He looked at me and said ‘You’re absolutely crazy. I’m going to be playing to grass every night. I’m going to be playing to seats.’ I said ‘No you’re not. You’ve gotta trust me.’ And he did. This year was my 25th anniversary with Kenny. Kenny believed in me, and I got him to believe in himself, and then we got people to believe him.”

Linkin Park is heading back on tour with new co-vocalist Emily Armstrong, and the band’s co-founder Mike Shinoda is opening up about returning to the stage with the group seven years after the untimely death of frontman, Chester Bennington.
In an upcoming interview with The Zach Sang Show alongside Armstrong, Shinoda shared that getting back in the swing of Linkin Park has been “amazing,” despite his initial nervousness. “Part of it is going from the band being an indefinite hiatus or whatever it was — we didn’t put names on it, it was just like, ‘We’re not doing it anymore.’ From it being that to standing on the stage doing it, there were all these weird little moments that were so surreal,” he explained. “Getting in a room and doing it was so cool.”

He added that there were moments that were “stressful,” because he wanted to “set aside enough time for us to get this right,” continuing that with Armstong’s vocal talent, “We were changing keys on songs we played for 20 years. I had to relearn ‘Breaking the Habit’ from scratch basically.”

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“It’s like, having a thing that you felt like it was taken away and then being able to get it back like, ‘Oh, you can’t play shows as Linkin Park anymore,’ even though Linkin Park is like Part of my DNA,” he added.

Shinoda concluded by noting, “Linkin Park is part of my DNA. Everybody’s got a core identity diagram, like, this is who I am. If you were to sit down with a piece of paper and write down the things that make you you, that’s a crazy exercise when you think about it. It’s things you love to do, your family, your kids, your spouse, whatever. The things that make you you and your beliefs, right there in the middle of it is Linkin Park for me. There are many other things too, but to have that one out was painful. To have it back in, there’s nothing like it. There never will be anything like it.”

Ahead of their 2025 tour, Linkin Park is set to drop their eighth studio album, From Zero, on Nov. 15 via Warner Records. Check out the exclusive clip from the interview via Billboard below, and catch the full episode of The Zach Sang Show on Friday (Nov. 15).

Shawn Mendes and Camila Cabello may not be together as a couple anymore, but they’ll always be in each other’s lives.
In a new interview with Apple Music 1’s Zane Lowe published Thursday (Nov. 14), the Canadian singer-songwriter opened up about his lifelong friendship with the “Havana” musician, whom he dated 2019 to 2021 before they rekindled — and quickly ended — their romance in 2023. “I just think that we really know each other,” he said.

“I think we haven’t been the closest over the last couple of years, but I think we really know each other,” he continued. “We’ve spent a lot of time together. We really know each other’s hearts. So even when all of the sound and all the noise is happening, we can see through each other’s both pretty easily, and it’s just nice to have that.”

Both Mendes and Cabello have been increasingly open about their former relationship this past year, with the latter confirming on Call Her Daddy in March that they’d briefly tried to reconnect romantically before breaking up a second time. “I will always care about him and love him. He’s such a good person,” she said at the time. “I’m lucky ’cause some people have exes who are awful, and he is not. He’s a really kind, good person.”

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In September, Mendes added to the conversation by saying on the Jay Shetty Podcast that he and Cabello were “preserving [their] private little fire of love for each other.” When a fan tweeted after the episode, “they don’t play about each other” — in reference to the former flames — the “Mercy” singer replied on X, “no we don’t.”

Then, when fans asked him to clarify what he mean, Mendes added, “i guess to be honest it came from a place of being a little annoyed with all the projection over the last few months about us. I’m usually pretty good at just watching all the “noise” go by but lately it’s been kinda bugging me 🤷🏻‍♂️ feeling human i guess.”

Mendes’ interview with Lowe comes one day ahead of his fifth studio album, Shawn. The LP was originally supposed to arrive Oct. 18 but was pushed back to Nov. 15 nine days before it was initially intended to come out. The project will follow 2020’s Wonder, which debuted at No. 1 on the Billboard 200.

Watch Mendes discuss his friendship with Cabello below.

Benson Boone’s “Beautiful Things” tops the first Top Gabb Music Songs chart as the most-played song on Gabb Wireless phones during October 2024.
As announced Nov. 14, Billboard has partnered with Gabb Wireless, a phone company for kids and teens, to present a monthly chart tracking on-demand streams via its Gabb Music platform. Gabb Music offers a vast catalog of songs, all of which are selected by the Gabb team to include only kid- and teen-appropriate content. Gabb Music streams are not currently factored into any other Billboard charts.

Boone’s “Beautiful Things” leads the inaugural 25-position list, one of two songs from the pop singer-songwriter in the initial top 10. Released in early 2024, “Beautiful Things” peaked at No. 2 on the Billboard Hot 100 in March and ranks at No. 8 on the latest, Nov. 16-dated survey. It earned 82.7 million official U.S. streams on Billboard in October 2024, according to Luminate.

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Boone also appears in the top 10 of Top Gabb Music Songs via “Slow It Down,” at No. 9; it peaked at No. 32 on the Hot 100 in September.

Country music is represented in Gabb’s top 10 by Luke Combs’ “Ain’t No Love in Oklahoma,” at No. 2. Combs’ contribution to the Twisters: The Album soundtrack peaked at No. 13 on the Hot 100 in August and at No. 3 on the Hot Country Songs ranking in September.

And at No. 3 comes the top hip-hop entry (as well as the newest release in the top 10, as the song arrived on Oct. 3): KSI’s “Thick of It,” featuring Trippie Redd. Known not just as a musician but also as a YouTube star, boasting nearly 25 million subscribers, KSI’s latest release reached No. 64 on the Hot 100 dated Oct. 26.

Continuing a trend of genre variety, Hozier’s “Too Sweet” represents rock/alternative music in Top Gabb Music Songs’ top 10, at No. 4. It’s one of two songs in the top 10 to reach No. 1 on the Hot 100 — alongside Sabrina Carpenter’s “Please Please Please,” at No. 8 — having ruled for a week in April.

Then there’s NF, who charts the most appearances in the top 10 with three in all; “Let You Down,” from 2017’s Perception, leads the group at No. 5, followed by “Hope” at No. 7 (from his 2023 album of the same name) and “The Search” at No. 10 (the title track to his 2019 album).

NF doesn’t stop there; the rapper also boasts the No. 13 song with “Motto,” giving him four total entries on the inaugural Top Gabb Music Songs chart. That’s the second-most of any act, behind Imagine Dragons, which has five, led by “Bones” at No. 16.

Speaking of Imagine Dragons: “Radioactive” (No. 19) and “Demons” (No. 21), both from the band’s 2012 album Night Visions, are the oldest songs on the chart. The aforementioned “Thick of It” is the newest.

See the full top 25 below.

Top Gabb Music Songs, October 2024

1. “Beautiful Things,” Benson Boone2. “Ain’t No Love in Oklahoma,” Luke Combs3. “Thick of It,” KSI feat. Trippie Redd4. “Too Sweet,” Hozier5. “Let You Down,” NF6. “Golden Hour,” JVKE7. “Hope,” NF8. “Please Please Please,” Sabrina Carpenter9. “Slow It Down,” Benson Boone10. “The Search,” NF11. “Heat Waves,” Glass Animals12. “Stressed Out,” Twenty One Pilots13. “Motto,” NF14. “Stargazing,” Myles Smith15. “Deja Vu,” Olivia Rodrigo16. “Bones,” Imagine Dragons17. “Eyes Closed,” Imagine Dragons18. “Pink Skies,” Zach Bryan19. “Radioactive,” Imagine Dragons20. “Enemy,” Imagine Dragons21. “Demons,” Imagine Dragons22. “She’s All I Wanna Be,” Tate McRae23. “We Can’t Be Friends (Wait for Your Love),” Ariana Grande24. “I Am Not Okay,” Jelly Roll25. “Sunroof,” Nicky Youre & Dazy

Gabb Music is a music streaming service specifically developed for kids and families who have a Gabb Wireless phone — and the company is listening to its young audience as the platform continues to grow.
“Having the ability to build something from the ground up for kids was to me so appealing,” Kerri Fox-Metoyer, head of entertainment at Gabb Wireless, tells Billboard Family. “If you look at the marketplace, most of the other music services have been built for adults and then kind of re-engineered for kids, but we were building everything from the ground up for kids.”

On Nov. 14, Billboard presented the first Top Gabb Music Songs chart, a monthly chart provided by Gabb Wireless that tracks on-demand streams via the phone company’s Gabb Music platform, which features an extensive catalog of songs selected by the Gabb team that include only kid- and teen-appropriate content. Gabb Music streams are not currently factored into any other Billboard charts.

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Based on data from the month of October 2024, Benson Boone’s “Beautiful Things” tops the first Top Gabb Music Songs chart as the most-played song on Gabb Wireless phones. The chart lists the 25 most-played songs of the month on Gabb phones.

Fox-Metoyer spoke with Billboard Family from Gabb Music’s Nashville base ahead of the launch of the Top Gabb Music Songs chart, in a conversation about how the streaming service came to be, and how it provides a song catalog tailored to young listeners and their families, with music appropriate for all ages and settings.

Gabb Wireless has been around since 2018, and its first products — mobile phones marketed as safe for kids to use, without internet access and with only kid-centered features — were available nationwide by September 2019. Music streaming was the feature requested most by parents of kids with Gabb phones, says Fox-Metoyer, who joined the company in 2020 and who’s held previous roles at companies involving digital music (Liquid Audio) and the family music space (Disney, Sony).

After researching options for streaming partners and realizing nothing quite fit the mission the company had in mind, the Gabb team decided to build its own platform.

Gabb Music

Courtesy of Gabb Music

“The streaming industry in general is about quantity, and we were looking for quality in our service for the kids,” Fox-Metoyer says.

And so came Gabb Music, which first launched in 2022 in the format of a DMCA-compliant radio service, with the intention to add the now-available, on-demand service Gabb Music+. Licensed with the three major labels — Universal, Sony and Warner — Gabb Music’s ad-free streaming platform offers songs from all genres and eras of music, not just songs found in the children’s category (a common misconception). But its song catalog is carefully filtered to meet the company’s vision.

Songs are generally filtered based on explicit language tags when it comes to streaming, but Gabb took a deeper look in determining if songs were really a fit for the specific service they’d developed for kids.

“When you take out the songs that have explicit lyrics, you’re left with a vast catalog of music that is — some of it still isn’t appropriate for our age group. We have kids as young as 6, and our kids go up to as old as 16, 17. It’s a real wide range,” Fox-Metoyer shares, adding that “the heart” of Gabb Music’s listeners are in the 8- to 12-year-old age range.

“So we had to look at that and say, just because this song doesn’t have the F-word, or other [explicit] words, is it appropriate for the age? That’s when we started to come up with our standards and guidelines. We said as a company, this is what we are going to allow and not allow,” she says.

Gabb Music

Courtesy of Gabb Music

So, what does Gabb Music allow and not allow on its platform?

“We’re looking at quality over quantity,” she explains. “We look at every piece of the music. When we do filtration, we don’t just filter lyrics. We also look at the name of the artist, we look at the name of the song, the name of the album, and we look at the album art.”

“As a parent, you can understand this,” she tells Billboard Family of Gabb’s concept of omitting songs that reference topics like violence, drug use, self harm and bullying, or “the things that may not have explicit lyrics, but they are just not age-appropriate for your kids. I think that is really our differentiator. The innuendos and adult subject matter that, through a proprietary filtration, we’re removing those songs from the service. We don’t edit — it just doesn’t appear on our service. I think that’s what parents love about it.”

She explains that parents can take a Gabb phone out of the box, activate it and give it to their kid without navigating various (and sometimes complicated) parental control settings, or “worrying about what they’re listening to or watching or seeing.” The phone itself has built-in filtration for its text and video messaging, and no internet browser or social media access — only its own app store, with Gabb-vetted options that parents can browse and choose to add for their child, if they’d like. Plus, it’s easy for parents to send messages via the phone, or flag content in the Gabb Music app, with feedback.

Beyond the phone itself being built as a kid-safe device, part of what makes its streaming platform different from other services is the Gabb product’s built-in audience of young listeners: “They’re helping us build it,” she says.

The team at Gabb is able to glean insights from Gabb Music’s list of top-played songs, plus the direct feedback the company receives from families with young music lovers, to continue to optimize the platform to best serve its audience’s needs.

“We’ve got a three-pillar programming mission: education, entertainment and discovery,” says Fox-Metoyer. “All of the programming that we do, we look at it through that lens. We want kids to learn things about music, we want them to obviously be entertained, and we want to help them discover what their musical taste is.”

The Gabb phone, and its music streaming service, is an alternate option for families who want to “take tech in steps,” she says. “These kids, sometimes this is their first experience being in the driver’s seat of their own music streaming account, so we have to educate them on how to build a playlist, what does skip mean, what does repeat mean, what does shuffle mean?”

She also brings up the trend of kids who don’t want to be attached to a device, but want to enjoy music throughout day-to-day activities like getting ready in the morning, hanging out with friends, playing outside, cooking with their parents, studying and chilling out: “There’s this whole new movement about kids kind of being vocal, almost taking the opposite of excessive screen time, and [saying], ‘No, I’m not gonna be on social media. I’m not gonna be tied to my phone. It’s really great to see kids taking back their youth, almost.”

Within Gabb Music’s varied catalog are playlists catered to a kid’s day, as well as their mood. Sleep and study playlists are popular, as is sad music: “One of them that is popular that is interesting — this was a request from a family — they wanted more sad music, just more mellow music.”

Gabb Music is also developing app offerings for its kid listeners that tie together music streaming and music education, like playlists highlighting an instrument or demonstrating what BPM is.

Of course, while kids and teens who stream through Gabb can come across music that’s new to them, they do also still “gravitate toward the hits,” she says. “They love Benson Boone, they love Taylor Swift, they love Imagine Dragons.”

What if someone searches for a popular song that does not meet Gabb Music’s guidelines, and therefore can’t be found on the app? They’re given alternate suggestions and the chance to discover more music they might like, instead of hitting a roadblock.

“We try to present songs that we do have [from the artist]. We try to respond in a positive way. Here’s 10 other songs that we have,” she says, later adding in our conversation, “We’re adding new music every day.”

Looking ahead, Gabb Music hopes to be a go-to music platform not only for families at home, but also a helpful option for kid-centered community events: “We have had inquiries from not only teachers, and schools, but also youth group leaders, a Scouts group … Not only for the education of music, but also, ‘I play music for my kids during our events and I have a hard time putting together a playlist that’s appropriate for these events,’” she says. “We’re are looking at how to solve those problems in 2025.”

Coming up soon for Gabb is its fun CEO for the Day program, which was just announced for Dec. 3, when a 9-year-old will get to take over the role at the Gabb Wireless headquarters in Lehi, Utah. The opportunity will allow her to attend meetings and brainstorming sessions with executives, pitch her own marketing ideas and more. Gabb Music listeners can celebrate the special day with a playlist titled “Boss Beats,” full of uplifting and empowering songs.

Carmelo Anthony is finally telling his “Is Stevie Wonder really blind” story. Celebrities and fans alike love telling tales about the legendary Stevie Wonder doing and saying things that may or may not prove that he can see. There are full-on (tongue-in-cheek) conspiracy theories about this subject. One famous story was told by Shaq a […]