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Hit songs are generally quick — Billboard Hot 100 top 10s ran an average of three minutes and 40 seconds in 2024, according to Hit Songs Deconstructed — but no Hot 100 hit has ever been as brief as Jack Black’s “Steve’s Lava Chicken.”
The track — at just 34 seconds in its original form (with a still-swift 1:15 extended mix also released) — breaks the record as the shortest Hot 100 hit ever by run time, dating to the chart’s Aug. 4, 1958, inception. The cut from the soundtrack of A Minecraft Movie debuts at No. 77 on the list dated May 3, 2025. It continues to gain in streaming, surging 62% to 7 million official U.S. streams April 18-24, according to data tracker Luminate.
Black co-stars in A Minecraft Movie, which has grossed $816 million globally over its first four weekends of release. Black and the film’s director, Jared Hess, co-wrote “Steve’s Lava Chicken” and John Spiker produced it.
Black earns his second Hot 100 hit, after “Peaches” reached No. 56 in April 2023. That song was from the soundtrack to The Super Mario Bros. Movie, likewise co-starring Black.
Elsewhere, “Steve’s Lava Chicken” hits the top 10 on the Hot Rock Songs chart, pushing four spots to No. 10.
Meanwhile, the track is one of four by Black on the A Minecraft Movie soundtrack, along with “I Feel Alive” — featuring Dave Grohl on drums — and two others each less than a minute long: “Birthday Rap,” with co-star Jason Momoa, and “Ode to Dennis.”
“Steve’s Lava Chicken” surpasses Kid Cudi’s “Beautiful Trip,” which runs 37 seconds long, as the quickest Hot 100 hit by song length.
Below, take a look, as long as you’d like, at the 10 quickest Hot 100 hits by run time over the chart’s history, with assistance from Paul Haney at Joel Whitburn’s Record Research. (Conversely, here the longest Hot 100 hits.)
:34 — “Steve’s Lava Chicken,” Jack Black
Doechii’s 2023 breakout hit “What It Is (Block Boy)” was originally intended to land on Normani‘s debut album according to songwriter Bianca “Blush” Atterberry.
Atterberry explained over the weekend in a TikTok video how she was commissioned by RCA Records to write tracks for Normani and what led to “What It Is” eventually landing with Doechii.
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“This record ‘What It Is’ was intended for Normani. Me, J White [Did It], Verse Simmons and Fresh locked in. Label set it up — they wanted records for Normani,” she said. “We all got together in the studio. We were locked in for like three days and we got about six songs and ‘What It Is’ was one of them.”
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Once the song was finished, Atterberry knew they had a hit on their hands. “We immediately knew,” she stated of the track’s potential. “We were like, ‘This is a smash. This is one of them ones.’ You just be knowing.”
They played it for RCA Records and Normani, but she didn’t think “it was something that fit her vision” at the time. “Which is normal. It happens all the time,” she added. “Sometimes that’s just how this works… It’s not odd. It’s very normal.”
After holding onto the track for a couple of years and disregarding a few other artists who attempted to cut the record, Doechii entered the fold. “We heard it and absolutely loved it. We were like, ‘She’s out of here. She’s a star.’ Always been a star.”
Atterberry made sure to defend Normani’s decision to pass on the track. “We uplift over here,” Blush concluded.
“What It Is (Block Boy)” arrived in March 2023 with a version featuring an assist from Kodak Black. The J White Did It and Brian Kennedy-produced track served as the TDE rapper’s first Billboard Hot 100 entry, which hit the top 40 and peaked at No. 29.
Normani’s much-delayed debut album, Dopamine, was released in June 2024 and landed at No. 91 on the Billboard 200.
Watch the full oral history of “What It Is” from Blush’s perspective below.
There’s nothing messy about Taylor Swift‘s recording process, according to the superstar’s “Clean” collaborator, Imogen Heap.
In an interview with People published Monday (April 28), the producer opened up about the day more than a decade ago that Swift visited her home studio to hammer out one of the most beloved tracks on 1989, with Heap revealing that the pop star was “extremely efficient” the entire way through. “She turned up looking immaculate, and we didn’t really know what we were going to do,” Heap explained.
“She had an idea on her phone, she played it to me, and I was like, ‘That’s good. Should we go and record it?’” the “Hide and Seek” songwriter continued. “We went downstairs, we had our cup of tea by the fire, and she wrote the next verse. I started to make music around us. And then by the time she left, which was, like, just after dinner, we had managed to write the song, produce the song, record the song, chat, meet, have tea, sit by the fire, eat lunch, eat dinner, do an entire record all by ourselves.”
Heap specificially praised Swift for having a clear artistic vision for herself from the outset of her career. “She is extremely efficient. I’ve never done that from start to finish with anyone,” she explained. “And I felt very excited. I really appreciated her. There was one moment when I was trying out something a bit different for the middle section, and I was like, ‘What about these chords?’ … She was like, ‘You know what? I think we’re going to lose them here, so let’s just do this.’ I’m like, ‘Okay, that’s fine.’ What I learned, I suppose, [is] just she’s very good in the studio, and she knows what works.”
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The interview comes more than 10 years after “Clean” arrived in 2014 on Swift’s critically acclaimed fifth studio album 1989, which spent 11 weeks at No. 1 on the Billboard 200. Shortly after the album dropped, Heap gushed in a blogpost that her studio session with the 14-time Grammy winner was a “special one” and clarified, “I’ve also been reading the odd report or tweet here and there that the reason the lyrics to ‘Clean’ are so good is because I wrote the song with her but FOR SURE they are all hers she deserves all the credit!”
In 2023, when Swift re-released 1989 as part of her ongoing Taylor’s Version re-recording project, she once again tapped Heap to produce the updated “Clean.” “This is Taylor playing a bada– card to stay in control of her work in a commercial music industry that largely works against musicians,” Heap wrote on Instagram after the reissue’s release. “Thank you Taylor for inviting me into your world!”
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If you’re a fan of super-shiny lips and glittery eyeshadows that capture the light, the disco glam trend is for you.
This trend has been showing up everywhere from music videos and movies to red carpets and at music festivals — it’s even transcended from a nighttime trend to an around-the-clock option. Celebrity makeup artist Hannah Jaclyn created a stunning disco glam looks on Miley Cyrus in the past, similar to the one seen in her new “Something Beautiful” music video. We spoke with different makeup artists to find out how to create this look so you can try out the trend for yourself.
How to Create a Disco Lip Look
To create a more sheer but glitter-heavy look, Jaclyn starts with a lip oil that helped smooth the lips so that the base was hydrated and devoid of any flakiness or texture. From there, she uses Jouer’s lip topper, which is super shiny and incredibly long-lasting.
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If you want even more depth and shine, Urban Decay’s head of global artistry Steve Kassajikian explains how to use eyeshadow on the lips. While it may seem odd, he suggests starting by setting your lips with a translucent setting powder before applying your favorite lipstick. “Then take a loose or pressed glitter eyeshadow and press it against the lips with your finger and finish it off with a gloss,” Kassajikian told Billboard. “For depth, you can line the lips as well to give the glitter a bit of dimension.”
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Kassajikian notes that liquid lipsticks are often known for their long-lasting qualities, so they may be the best option for music festivals when you need real staying-power. Here are the products recommended by Jaclyn and Kassajikian.
Jouer Long Wear Lip Topper
Urban Decay Vice Lip Bond Glossy Longwear Liquid Lipstick
Urban Decay 24/7 Glide-On Waterproof Lip Pencil
$20.00
$25.00
20% off
Urban Decay 24/7 Moondust Glittery Eyeshadow
How to Create a Disco Eye Look
Both Jaclyn and Kassajikian suggest applying a base layer to the lid, either a cream or liquid eyeshadow or a primer intended specifically for the lids. This not only helps the glitter pop, but it will help the shadows really stick and prevent fallouts. “You can also use a powder glitter first and then use a liquid glitter on top with a fluffy eyeshadow brush,” says Kassajikian.
From there, press powder shadows into the lid with your fingertip or a dense flat brush. If you’re partial to a brush, Kassajikian suggests spraying it with a setting spray before dipping it in the shadow. To further prevent fallouts, apply a layer of translucent setting powder under the eyes so that any glittery particles can be swept away with a brush. Kassajikian also notes that liquid eyeshadow formulas can be easier to use and more long-lasting. Here are product recommendations from both artists.
Jouer Cosmetics Crème Eyeshadow Stick
Jouer Paris Lights Eye Paints
Urban Decay 24/7 Glaze-On Shimmer Liquid Eyeshadow
Urban Decay All Nighter Waterproof Makeup Setting Spray
Following the recent release of their debut EP’s lead single “MORE AND MORE,” PROME Band — formed and fronted by Timmy Xu (许魏洲) — has officially dropped their first EP, Prometheus.
The band’s name draws inspiration from the Greek titan Prometheus, with “PRO+ME” symbolizing “transcending oneself.” The lineup includes lead vocalist Timmy Xu, guitarist X Yi (易鑫), bassist Major (马际朝), and drummer Yuanyu Xie (谢渊宇). Titled Prometheus, the EP embodies the theme of “guarding the inner spark”: Everyone can become their own Prometheus, igniting their fire.
The lead single “MORE AND MORE” showcased the band’s boldness and fearless spirit, reflecting the raw passion of a rock band. However, Prometheus is not merely a rock album defined by genre conventions. Instead, it emphasizes authentic band chemistry, infused with improvisational energy, creating a cohesive and dynamic listening experience.
The EP is produced by Howe Chen (陈君豪), a Golden Melody Award-winning producer known for his work on albums like Jolin Tsai’s Ugly Beauty, Wu Qingfeng’s Mallarmé’s Tuesday and Faith Yang’s Flow. Blending pop sensibilities with indie authenticity, Chen ensures the EP’s premium quality. Timmy Xu contributed to the lyrics, while all band members collaborated on arrangements, resulting in a powerful synergy of creativity.
PROME
Courtesy of Billboard China
Prometheus features three songs: the title track, “Pandora” and “X.” Rooted in rock, the EP fuses classical, funk and electronic elements, crafting a mythic yet modern sonic universe. The songs intricately narrate the struggles of overcoming adversity, seeking hope in uncertainty, and marching collectively toward the future.
The title track serves as the band’s introspective anthem, declaring that “everyone can be a Prometheus.” With maximalist instrumentals, the band reignites the spark within listeners. “Pandora” empowers audiences to cling to hope amid despair, blending genre-defying innovation. Meanwhile, “X” juxtaposes retro and contemporary vibes, evoking a time-traveling journey that celebrates humanity’s boundless potential when guided by original aspirations.
PROME Band’s mission — to warm dream-chasers with their fiery spirit — came to life during the Prometheus EP launch concert in Shanghai, held one day after the EP’s release. Dressed in sleek black suits, the band delivered a high-energy performance of “MORE AND MORE” and all three EP tracks. Timmy Xu’s explosive vocals, brimming with raw power and emotion, intertwined with guitarist X Yi’s riffs, bassist Major’s grooves, and drummer Yuanyu Xie’s thunderous beats, creating an electrifying synergy. Each crescendo and emotional shift ignited the crowd, culminating in a profound connection between the band and audience as the final notes faded.
PROME
Courtesy of Billboard China
The EP’s narrative resonates beyond music: “Allowing oneself to be authentic” and “letting others be themselves” transform life’s fractures into channels for light. Through their rich musical language, PROME mirrors our battles against the unknown. Even when trauma fragments memory or reality dims our inner fire, time heals, and hope’s flame returns — unapologetically bright.
Lady Gaga and Bruno Mars’ “Die With a Smile” adds an 18th week at No. 1 on the Billboard Global 200 chart. The song also scores a 15th week atop the Billboard Global Excl. U.S. survey. The ballad first led both lists last September.
The Billboard Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
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“Die With a Smile” continues its Global 200 command with 83.9 million streams (down 8% week-over-week) and 6,000 sold (down 6%) worldwide April 18-24. At 18 weeks, the song moves to within one week of potentially tying the longest No. 1 run since the chart began:
19 weeks at No. 1, “All I Want for Christmas Is You,” Mariah Carey (2020-25)
18 weeks, “Die With a Smile,” Lady Gaga & Bruno Mars (2024-25)
15 weeks, “As It Was,” Harry Styles (2022)
14 weeks, “Flowers,” Miley Cyrus (2023)
12 weeks, “APT.,” ROSÉ & Bruno Mars (2024-25)
Alex Warren’s “Ordinary” holds at its No. 2 Global 200 high; “APT.” is steady at No. 3; Billie Eilish’s “Birds of a Feather” keeps at No. 4, following three weeks at No. 1 last August; and Benson Boone’s “Beautiful Things” bumps 7-5, after it logged seven weeks on top in February-April 2024.
“Die With a Smile” tallies a 15th week at No. 1 on Global Excl. U.S., with 67.7 million streams (down 8%) and 3,000 sold (down 3%) outside the U.S. The song solely claims the second-longest rule in the chart’s archives:
19 weeks at No. 1, “APT.,” ROSÉ & Bruno Mars (2024-25)
15 weeks, “Die With a Smile,” Lady Gaga & Bruno Mars (2024-25)
14 weeks, “All I Want for Christmas Is You,” Mariah Carey (2021-25)
13 weeks, “Flowers,” Miley Cyrus (2023)
13 weeks, “As It Was,” Harry Styles (2022)
The rest of the Global Excl. U.S. remains in place from a week earlier: “APT.” at No. 2; “Ordinary” at its No. 3 best; JENNIE’s “like JENNIE” at No. 4, after hitting No. 3; and “Birds of a Feather” at No. 5, following three weeks at No. 1 last August.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated May 3, 2025) will update on Billboard.com Tuesday, April 29. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Born: Aug. 22, 2001 – Cairo, EgyptMusical Influences: Whitney Houston, Aretha Franklin, Mariah Carey, Celine DionCurrently Listening To: Bruno Mars, Beyoncé, AdeleFirst Idol Experience: “I’ve been watching since I grew up in Egypt. As a little kid I was pulling up videos of the show any way I could. I remember Carrie [Underwood’s] journey, the compilation of every performance of hers. And Kelly Clarkson and Fantasia.Favorite Alums: Kelly Clarkson, Fantasia, Carrie Underwood, Ruben Studdard, Katharine McPhee, Phillip Phillips, La’Porsha Renae, Quintavious, Roman Collins
For the first seven years of his life, Filo lived with his family in Egypt, where he was introduced to music by the hymns at his Coptic Orthodox Christian church. “It was very much traditional, group singing with just melody, no instruments. That is where I started using my voice, but I didn’t put any thought into it. It wasn’t until I was 10 years old and my brother started downloading music on our iPad where I was introduced to mainstream music. That’s when I first got to hear Mariah Carey, Bruno Mars, John Legend and Meghan Trainor. From there, I sang in the shower and then my uncle said to my mom, ‘Are you hearing this?’”
But Filo says he never got approval for his “shower shows.” “We had moved to Abu Dhabi and there was a church choir we had put together. I loved the message of one particular song and auditioned to sing the solo. A lot of heads turned around when I started singing and that’s when I noticed, ‘Wow, maybe there’s something there. I love this. I love singing for people.’”
Filo’s mom, who has been an emotional presence on Idol this season, realized her son was interested in music and arranged for him to have voice and piano lessons. “That didn’t last long because after two months we moved to the States,” says Filo.
It was a turbulent time for the family. “There was a big revolution in Egypt where Christians were targeted. They burned mom’s hometown church in Minya down. We were lucky to get a visa to the States from the UAE. Luckily, the U.S. opened its doors and now we’re citizens, which is great.”
Along with his mother and older brother, Filo relocated to San Francisco. “It took a minute for me to fit in. Society here is so different to how it was back home and it was really a challenge finding a community. Luckily there were a few Coptic churches around where we lived, so it was slightly easier to transition. I was this awkward kid in eighth grade until I saw a poster for a school musical. I didn’t even know what a musical was. But I thought I would audition for it – it was the junior version of Shrek the Musical.”
Filo says that everyone else was prepared for the audition but he didn’t know any of the show’s songs and so tried out with Bruno Mars’ “When I Was Your Man.” And then? “I got the part of Shrek! That’s when I first felt like I belonged. People enjoyed what I was doing and I thought, ‘This is what I’m meant to do.’”
Moving on to high school, Filo was cast in all of his school’s musicals: Urinetown, In the Heights, Grease and Rent. He joined the choir and competed in local and national choir competitions, including one at Carnegie Hall. “In high school, everything revolved around my music activities.”
Filo was then accepted by the University of the Pacific in Stockton, Calif., where he studied classical music. But people back home had other expectations. “In Egypt, there are only three acceptable careers: Engineer, doctor or lawyer. That’s it, and nothing else matters. The most random people would come up to me and say, ‘So you’re doing this music thing, but what are you actually doing?’ ‘No, I’m doing music.’ ‘As a hobby. So what are you actually doing?’ I’d reply, ‘Great, thank you for your input.’ I didn’t know what to tell them.”
As a result, Filo studied for a music degree while also following a premed route. “Then, in my senior year, COVID happened.” That’s when Filo told his family he was going to dedicate his life to music.
Being on Idol has reinforced that decision. “I’ve learned how much I love to do this. This has not been an easy journey. You’re putting yourself out there for people to criticize and to have opinions. Often people don’t see the vision that you’re seeing or they’re not seeing the career that you want to have. Choosing music has proven to me how resilient I can be. It affirms not just my singing ability, but my character. Like, I’ve got this. No matter what happens on Idol, I’ve still got a vision and I’ve still got the love for the music. That’s what I’ve discovered about myself.”
Cyndi Lauper is bopping into the Rock and Roll Hall of Fame, and she couldn’t be happier. “I’m humbled to be in the company of so many of my heroes – Aretha, Tina, Chaka, Joni, Wanda, to name just a few,” she shared in an Instagram post on Sunday (April 27), after the class of […]
Kaytranada isn’t the biggest fan of how audiences choose to enjoy live shows in the age of smartphones and social media. Over the weekend, the Montreal-based producer responded to a fan on X who apologized on behalf of “real fans” who dance at his shows as opposed to “standing still” in order to capture content […]
Drake’s first Eau de Parfum is here. Drizzy’s Better World Fragrance House launched the Summer Mink parfum, which is now available on the brand’s website for $148.
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“Summer Mink was inspired by a yin-yang principle of fusing warm, creamy base notes with cold spices and sparkling citruses,” said Michael Carby, senior perfumer at Givaudan, in the press release. “The ingredient composition was uniquely crafted to reflect a multinational culture with aspirations toward a Better World.”
The Amber Woody scent comes in a sleek 3.4 fluid ounce bottle in the shape of a navy blue sphere. Built around a creamy musk base, the Summer Mink mixes in elements of sage and Italian citrus, which is topped off with a layer of jasmine sambac.
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The fragrance is only available on the Better World Fragrance House website for now, but will be coming to 1,400 Ulta Beauty locations across North America on May 12.
Drake also stars in an ad for the Summer Mink fragrance, which finds him playing the role of a mad perfume scientist trying to find the perfect formula.
The clip shows the Toronto superstar scurrying around his home in pajamas as his dog follows along, and then during what appears to be the wee hours of the night, Drizzy finally strikes gold with his fragrance potion.
“F–k. F–k, that’s good,” he says after a few orgasmic sniffs. “That’s it. That’s it.”
Drake’s fans had a laugh and enjoyed his acting in the clip shared on Instagram. “Bruh actually a good actor you can tell he be having fun doing ts,” one person wrote of the star, who rose to fame portraying Jimmy Brooks on CTV’s Degrassi: The Next Generation.
Rapper Roy Woods chimed in looking for a shipment of Summer Mink. “Nah fam I need that,” he wrote.
Summer Mink follows Drake’s Carby Musk fragrance oil, which arrived in February 2024 and gave the OVO faithful a chance to smell just like their rap hero.
Watch the Summer Mink trailer below.