Music News
Page: 692
Rosé & Bruno Mars’ “APT.” stays at No. 1 for a second week on the Billboard Japan Hot 100, making chart history as the only song by a Western act to score multiple weeks atop the Japan song chart.
On the chart dated Nov. 27, the pop-punk duet sees an increase in downloads, streaming, radio airplay and video views, with radio in particular increasing by 2.3 times compared to the week before perhaps due to the buzz surrounding the 2024 MAMA Awards. The track rules streaming and radio this week, while also hitting No. 2 for video and No. 6 for downloads.
Creepy Nuts’ “Otonoke” follows at No. 2. While the points for the Dandadan opener have decreased overall, karaoke is up to 125% week-over-week. The hip-hop hit has held in the top 5 for 7 consecutive weeks.
Trending on Billboard
timelesz’ “because” debuts at No. 3. This is the title track off the group’s first single under this name and also the last as a trio. The group’s 27th single launched with 277,505 copies to rule physical sales, and also came in at No. 18 for radio.
Mrs. GREEN APPLE’s “Lilac” moves 5-4. Streaming for the Oblivion Battery opener has gained 104%, radio 201%, and video 106% compared to the week before.
Kenshi Yonezu’s “Azalea” bows at No. 5 this week. The theme song for the Netflix series Beyond Goodbye was released digitally Nov. 18 and debuted at No. 1 for downloads, No. 14 for streaming, No. 5 for radio, and No. 13 for video.
This week’s chart is the last for 2024; the new chart year begins next week. The year-end charts for 2024 will be released Dec. 6 at 4:00 am Japan time.
The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from Nov. 18 to 24, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.
Jelly Roll has never been shy about his long, hard road to stardom, which included multiple run-ins with the law as a teenager and twentysomething that landed him behind bars. But now that he’s on the straight-and-narrow path and has catapulted from juvenile delinquent to chart-topping global country superstar, the 39-year-old singer told People magazine that he’s making sure his 16-year-old daughter Bailee doesn’t hit the same roadblocks he did when he was her age.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
“[I said], ‘I don’t judge you based on what you do. I judge you based on what I know you’re capable of,’” he said of a recent chat he had with his daughter in which he reminded Bailee of how much potential he sees in her in the cover story titled “From Inmate to Icon: How Jelly Roll Beat the Odds.”
Trending on Billboard
“‘You’re so much smarter than I was at 16. You’re so much better, so much more emotionally intelligent,’” he said he told his daughter, who was born in 2008 when he was in prison. “‘You can read a room so much better. So don’t try to talk your way out of getting in trouble, Miss Sassy, by weaponizing my past,’” added the “Save Me” singer who was 14 the first time he got arrested. Jelly and wife Bunnie XO have had full custody of Bailee since 2017 because of her biological mother’s reported substance use struggles.
The good news for the father of two — he also has an eight-year-old son named Noah — is that he thinks Bailee is “totally ahead” of where he was at her age, confident that she has a promising future. “When I look at what she does that I consider horrible, I look back at what I was doing at 16, and I’m like, ‘Oh man…’ When I’m hard on her about stuff or a little pushy, she knows it’s from love,” he said.
As proof, Bailee was with Jelly when he performed at last week’s 2024 CMA Awards. “We were really, really close before it exploded, but she understands what it’s doing for her future and the family’s future,” he said of the path the father-daughter relationship has taken as his career has gone supernova over the past two years. “She’s a really hammered down kid. She’s been in the same public school district for 10 years and had the same friends since me and Bunnie have had custody of her. I think a lot of that has helped.” In a recent appearance on Bunnie’s Dumb Blonde podcast, Bailee said she hopes to attend Columbia University to study criminal law after high school.
The six-time country Airplay chart-topper closed out his Beautifully Broken arena tour at Nashville’s Bridgestone Arena on Tuesday night (Nov. 26) where he was joined by guests including Snoop Dogg, ERNEST, Morgan Wallen, Keith Urban and Skylar Grey. He is slated to support Post Malone on the singer’s 2025 Big Ass Stadium Tour next spring.
Following Kendrick Lamar’s name-dropping of Lil Wayne on GNX opener “Wacced Out Murals,” Weezy allegedly attempted to check in with Lamar and take his temperature on what he meant exactly, according to Joe Budden.
Explore
See latest videos, charts and news
See latest videos, charts and news
On the latest episode of his eponymous podcast, Budden claimed on Wednesday (Nov. 27) that Wayne called Kendrick, and the Compton native didn’t respond.
“I’m hearing that somebody picked up the phone and tried to call and see what the energy was,” Budden stated. “I’m hearing that Kendrick didn’t answer. If I’m calling you rapper to rapper and you don’t answer.”
Trending on Billboard
Joe went on to say that he heard Wayne went in the booth after Kendrick allegedly deaded his olive branch, and presumably recorded something to send in the Compton rapper’s direction.
“Now I’m going in the booth,” he continued. “You have until I get in that booth to hit me back. I’m hearing that Wayne went in the booth.”
Billboard has reached out to reps for Lil Wayne and Kendrick Lamar.
Kendrick raps on the album’s opening track: “Used to bump Tha Carter III, I held my Rollie chain proud/ Irony, I think my hard work let Lil Wayne down.”
Word travels fast and Weezy got wind of Kendrick’s bars not long after GNX‘s arrival. “Man wtf I do?!” he tweeted on Saturday (Nov. 23). “I just be chillin & dey still kome 4 my head. Let’s not take kindness for weakness. Let this giant sleep. I beg u all. No one really wants destruction,not even me but I shall destroy if disturbed. On me. Love.”
Man wtf I do?! I just be chillin & dey still kome 4 my head. Let’s not take kindness for weakness. Let this giant sleep. I beg u all. No one really wants destruction,not even me but I shall destroy if disturbed. On me. Love— Lil Wayne WEEZY F (@LilTunechi) November 23, 2024
Wayne admitted he was hurt by the NFL’s decision to have Kendrick headline the Super Bowl LIX Halftime Show next year with the big game in his hometown of New Orleans, which has seemingly caused static between the two.
“That hurt. It hurt a lot. You know what I’m talking about. It hurt a whole lot,” he said at the time. “I blame myself for not being mentally prepared for a letdown. And for automatically mentally putting myself in that position like somebody told me that was my position. So I blame myself for that. But I thought that was nothing better than that spot and that stage and that platform in my city, so it hurt. It hurt a whole lot.”
Watch Joe Budden’s explanation below.
Joe Budden says Lil Wayne tried to call Kendrick Lamar about Wacced Out Murals and Kendrick didn’t pick up the phone which inspired Lil Wayne to go in the booth and make a response record to him 🧐🧐🧐🧐 pic.twitter.com/fhy14otgN9— Ahmed/The Ears/IG: BigBizTheGod 🇸🇴 (@big_business_) November 27, 2024
The Weeknd announced Wednesday (Nov. 27) that he will perform a one-night-only show at the Rose Bowl in Pasadena, Calif., on Jan. 25, to celebrate the release of his sixth studio album, Hurry Up Tomorrow, which he announced earlier will drop the day before the show via XO and Republic Records. According to the press […]
Back in October, Ariana Grande wowed audiences with her comedy chops while hosting Saturday Night Live — and in a new interview, her Wicked co-star Bowen Yang is breaking down how one of the audience’s favorite sketches came directly from Grande. In an Interview Magazine conversation with SNL legend Will Ferrell, Yang explained that the […]
Malia Obama’s screen credits continue to grow with the release of a music video she directed for Michael Kiwanuka’s new single, “One and Only.”
The filmmaker – who is also the eldest daughter of former U.S. President Barack Obama, and works under the alias Malia Ann – received the Young Spirit award at this year’s Deauville Film Festival for her debut The Heart, which was made in collaboration with Donald Glover‘s production company Gilga. Her fledgling career has also seen her work being played at prestigious film festivals including Telluride, Toronto and Sundance, among others.
In the trippy video, a woman chases her doppelganger through an isolated wooded area, eventually catching and coming face-to-face with the alternative version of herself.
Trending on Billboard
“One and Only” marks the fourth single to be released from London-raised vocalist Kiwanuka’s fourth LP, Small Changes, which landed on Nov. 22. In the U.K.’s Official Albums Chart midweek update released on Monday (Nov. 25), the record is currently on track to reach the summit, albeit he faces stiff competition from Kendrick Lamar’s surprise GNX album.
Speaking to Billboard about Small Changes, Kiwanuka explained how working with super-producer Danger Mouse, one half of pop group Gnarls Barkley, and London-based producer Inflo, gave him a newfound confidence in his creative process. “There’s strength in your voice. People always try to tell you but you don’t hear it,” he said.
“You’re always accepting advice from other people so you always think the validation is going to come from outside, and then one day you realize it’s not,” he said. “I was always trying to sound like my favorite singers, or [thinking] that [my vocals] weren’t good enough. But now I think I just want to sound like me.”
In November 2019, the 37-year-old put out his third record, Kiwanuka, which charted at No. 2 in the U.K. and went on to win the prestigious Mercury Prize the following year. He has since gone on to tour the U.S. with Brittany Howard, alongside headline a wealth of British festivals including Bannau Brychieniog’s Green Man and Wilderness in Oxfordshire.
Watch the video for “One and Only” below:
How did Fugees member Pras Michél go from being a former member of one of the most beloved hip-hop trios of the 1990s to facing two decades in prison? Slowly, then, it seems, all at once. In a new interview with Variety magazine — his first since a jury convicted him on 10 counts last April in an illegal lobbying case — the 52-year-old MC described his entanglement in one of the world’s largest-ever financial scandals.
Explore
See latest videos, charts and news
See latest videos, charts and news
“I don’t know if subconsciously it was a bit exciting for me too. I like spy movies, but I never wanted to be a spy,” said Michél about his role in an influence peddling scandal that wound up with him convicted on charges of violating campaign finance laws during President Obama’s 2012 re-election bid, as well as illegally lobbying the Trump administration in 2017; Michél is facing up to 22 years in federal prison at his January sentencing hearing.
Trending on Billboard
“I don’t think that’s sexy. But a part of it felt like that,” he said.
The article opens with a spy novel-worthy scene — based on firsthand accounts and court documents — in which the rapper is ordered to go to the front desk of the Four Seasons hotel in Manhattan and used the phrase “banana peel.” That secret message prompted a concierge to hand him an envelope with orders to circle the block twice and await further instructions.
According to the scenario laid out in court, Michél then returned and was ushered into an elevator reserved just for visiting dignitaries facing possible assassination risks on his way to a penthouse suite, where a high-ranking Chinese official booted up an email from then Attorney General Jeff Sessions about three American hostages being held in Chinese prisons. After discussing one prisoner, who was pregnant, the man made a call and moments later showed Michél the itinerary for the woman who was to be flown back to the U.S.
A week after that meeting, federal agents swooped in on Michél, claiming that he was involved in a massive financial scandal that resulted in the siphoning of $4.5 billion from the Malaysian sovereign wealth fun referred to as 1MDB, with the U.S. government tagging the rapper as a Chinese spy.
Recalling the oddity of the hotel meeting, Michél said he noticed a red flag that night in the form of the secret elevator, which, even as a celebrity used to some necessary cloak-and-dagger maneuvers, he was not familiar with.
“I’m going to tell you what was weird to me: the fact that the Four Seasons has a private elevator. I never knew that,” said Michél, who was first charged in the case in 2019. He was accused of funneling money from fugitive Malaysian financier Jho Low through straw donors to Obama’s 2012 re-election campaign, a well as trying to help scuttle a Justice Department investigation into an extradition case on behalf of China during Trump’s first term. “They have a private elevator for just certain people. But my life leading up to that point felt surreal, so part of that night felt natural,” he said.
Michél was convicted in April on counts including conspiracy and acting as an unregistered agent of a foreign government in the long-running investigation and trial that featured testimony for the prosecution by stars including Leonardo DiCaprio and name-drops of Kim Kardashian and Martin Scorsese during testimony. In January, Michél’s former attorney, David Kenner, plead guilty to criminal contempt charges over allegations that he leaked grand jury materials to reporters ahead of the trial.
Low, a free-spending financier who backed the 2013 Scorsese-DiCaprio movie The Wolf of Wall Street, became the toast of Hollywood for a time, with many celebrities partying on his private jet and accepting lavish gifts from the still-missing businessman whom Michél met at a 2006 party after a promoter introduced them. Prosectors said that Low later offered Obama fundraiser Michél $20 million for a photo with the President, money Michél accepted and kept most of, assuming, he said, that was how the rich go about meeting famous people.
Facing decades in federal prison, Yale-educated Michél told the magazine, “technically, I’m a foreign agent.” He said he was never friends with Low, but he connected the businessman to other VIPs and, to date, the rapper is the only in Low’s orbit who has faced serious consequences in the fall-out from the scandal. “The government needed a prize. They needed a head, and he was the low-hanging fruit,” said one of Michél’s attorneys, Robert Meloni.
For his part, Michél — who reportedly had nearly $80 million seized by the U.S. government as part of their sanctions, with prosecutors claiming he pulled in more than $100 million from his dealings with Low — told Variety that he’s going to fight and appeal his sentence, but realizes he might end up behind bars either way. “There’s a possibility that I’m going in while I’m fighting,” he said. “It’s just the reality.” He added that as he awaits his fate, “every aspect of my life has been disrupted. I can’t bank anywhere, been kicked out of 13 banks… Without getting too philosophical about it, it was about me being at the right place at the wrong time. Or the wrong place at the right time.”
Given the cinematic scope of the story, Variety reported that there are at least three books on the subject in the works, with Idris Elba in talks with Michél’s reps about acquiring his life rights and an upcoming documentary about the rapper’s part in the scandal. Director Ben Patterson showed some footage from the in-process doc during a secret screening at the Toronto Film Festival in September, reportedly to stunned silence from the audience. Some of the footage was reportedly shot by Michél, who kept his camera rolling during a meeting with Chinese Communist Party official Lijun Sun — who was sentenced to death in 2022 for taking bribes — during that fateful hotel room meeting.
In the end, Michél said he’s been abandoned by publicists, friends and, without naming names, seemingly his former Fugees bandmates LaurynHill and Wyclef Jean. “I’m done with that. They’re going to Europe [to tour]. I can’t go,” he said of the bail conditions that prevent him from leaving the U.S.
“It’s what it is. You can’t give people that kind of energy. So you could be frustrated, you could be disappointed, but I really believe in my path and in my journey, and I believe what’s mine, no one’s going to be able to take it away from me,” he said. “So it’s better that you have a small group of people who really believe in you and believe in what you’re doing than to have 100 people around you, and the minute something happens — boom. People just disappear.”
In the meantime, Michél filed a strongly worded lawsuit against Hill in October, claiming she defrauded him over proceeds from the group’s foreshortened 2023 reunion tour and that her “gross mismanagement” led to the abrupt cancellation of their planned follow-up 2024 tour; Hill responded, calling the lawsuit “baseless” and “full of false claims and unwarranted attacks.”
After a seven-week reign for Yeah Yeah Yeahs’ “Maps” on the TikTok Billboard Top 50 chart, there’s a new No. 1, as GloRilla and Sexyy Red’s “Whatchu Kno About Me” vaults to the top of the Nov. 30-dated list.
Explore
See latest videos, charts and news
See latest videos, charts and news
The TikTok Billboard Top 50 is a weekly ranking of the most popular songs on TikTok in the United States based on creations, video views and user engagement. The latest chart reflects activity from Nov. 18-24. Activity on TikTok is not included in Billboard charts except for the TikTok Billboard Top 50.
“Whatchu Kno About Me” leads a slew of songs new to the top 10 of the TikTok Billboard Top 50, some of which are chart debuts. The GloRilla and Sexyy Red collaboration has a lengthier history on the tally, ruling in its sixth week after debuting at No. 39 on the Oct. 26 ranking. It had never even been in the top 20 before the latest chart, with its best having been No. 24 on the survey dated Nov. 23.
Trending on Billboard
So, why now? Though “Whatchu Kno About Me” initially benefited from uploads by high-profile stars such as Taylor Swift, the song’s rapid ascent is thanks to a trend highlighting GloRilla’s “B—h, I’m from Memphis, what you know about me/ Big G-L-O in that GLE” lyric, usually set to lip synchs.
GloRilla earns her first No. 1 on the TikTok Billboard Top 50, which began in September 2023; among eight appearances, her previous best had been a No. 17 peak with “Hollon” earlier this month. Sexyy Red, meanwhile, has her second ruler, as “SkeeYee” was the ranking’s inaugural No. 1 (though she had found success since, paced by the No. 2 peak of “U My Everything,” with Drake, in June.
Concurrently, “Whatchu Kno About Me” jumps 27% in official U.S. streams to 15.3 million in the week ending Nov. 21, according to Luminate. It leaps 26-17 on the multimetric Billboard Hot 100, its first time in the chart’s top 20.
Stepz’s “Rock” makes an even more sizable jump on the TikTok Billboard Top 50, vaulting 43-2 after previously enjoying a best of No. 29 on the Nov. 9 list. “Rock,” which represents Danish rapper Stepz’s first appearance on a U.S.-based Billboard chart, has had a dance challenge attached to it since October (the month it was released).
Though it’s yet to make a chart outside of the TikTok Billboard Top 50, “Rock” has been a steady climber as of late; in the week ending Nov. 21, it earned 1.1 million official U.S. streams, up 4%.
A pair of debuts round out the top four: Gia Margaret’s “Hinoki Wood” enters at No. 3 as her first TikTok Billboard Top 50 appearance, while Nicki Minaj’s “Anaconda” bows at No. 4.
“Hinoki Wood,” released by singer/pianist Margaret in 2023, is the soundtrack to the “chill guy” trend, with a filter that asks if the creator is a chill guy and asks them to choose between a series of prompts (relationship vs. no relationship, walk vs. run, etc.) before providing its determination. Other times, the “chill guy dog” in question is superimposed into creators’ photos to show how laid back they are.
Meanwhile, “Anaconda,” from Minaj’s 2014 album The Pinkprint, rises concurrent with a 10th-anniversary reissue of the full-length that was released Nov. 22. But its TikTok surge is via the #womeninmalefields trend in which women ask what would happen if they did the same thing a man often does to them in a relationship.
“Hinoki Wood” sports an 82% jump in streams to 310,000 in the week ending Nov. 21, while “Anaconda” is up 16% to 818,000.
Two other songs hit the top 10 for the first time. First there’s The Marias, whose “No One Noticed” soars to No. 6 in its ninth week on the ranking, following a previous peak of No. 28. It benefits from a newly released extended version, with the Spanish-language edition scoring the lion’s share of the engagement.
“No One Noticed,” which is up 111% to 15.5 million official U.S. streams toward the Billboard charts thanks in part to the extended version’s release (including a 68-22 leap on the Hot 100), is mostly used in uploads discussing relationships past and present, more often than not the former.
Then comes NLE Choppa’s “Gang Baby,” which debuts at No. 9 two months after the song’s premiere as part of the rapper’s Slut Szn album in September. Its initial gains on the platform were via a dance challenge that NLE Choppa himself promoted, though a more choreographed dance has taken over in recent weeks.
“Gang Baby” jumps 39% in streams to 4 million in the week ending Nov. 21 and concurrently debuts at No. 42 on the Hot R&B/Hip-Hop Songs chart.
See the full TikTok Billboard Top 50 here. You can also tune in each Friday to SiriusXM’s TikTok Radio (channel 4) to hear the premiere of the chart’s top 10 countdown at 3 p.m. ET, with reruns heard throughout the week.
11/27/2024
Fight the food coma and go on the hunt for treasures from Rage Against the Machine, Olivia Rodrigo and more!
11/27/2024
In a year of some of the brightest African music stars dropping some of the best work of their careers, this month saw Nigerian superstar Wizkid throw his hat into the ring.
“Mama call me, ‘Ayo Balogun, they can never find another you,’” Wizkid sings on the heartfelt closing track “Pray” from his sixth studio album Morayo, which translates to “I see joy” in Yoruba and is dedicated to and named after his late mother. The 16-track project finds the Starboy balancing that joy and grief over impeccable genre-hopping production. And following his 2021 debut album Sounds of My World, Juls, a key hitmaker behind Afrobeats heavyweights like Wiz, Burna Boy and Mr. Eazi, draws inspiration from his travels around the world to unify the Black diaspora through his expert fusion of South Africa’s amapiano, Ghanaian highlife, Jamaica’s dancehall, U.K. rap and more on his sophomore album Peace and Love.
But that’s not all. There have been plenty of great tracks released this month, and several that mix and match genre, instrumentation and tradition in ways that bring out new and innovative sounds, really emphasizing the fusion element of the burgeoning Afrofusion movement — new songs from Fave, Nasty C and Lekaa Beats, King Promise and E’Major all fit the bill in different ways.
Trending on Billboard
We’ve highlighted 10 of our favorite new songs by African acts that have come out roughly within the last month. Check out our latest Fresh Picks, and kick off Thanksgiving break with our Spotify playlist below.
Fave, “Lose My Mind”
The rising Afrofusion star (real name Godsfavour) remains anchored in her faith on “Lose My Mind” from her second EP Dutty Love. The gospel-tinged record is powered by producer Hylander’s skittering drums and Fave’s unshakable conviction that God will keep her sane and on a steady path. “‘Lose My Mind’ is really just one of my many odes to God. He’s such a wonder,” she told Wonderland.
JayO, “High Heels”
JayO adds extra pep to your long-legged step in “High Heels” from the British Nigerian singer-songwriter’s debut EP WHOSDAT. “The way you look in them high heels/ It’s keeping me on my toes,” he cleverly croons about a woman whose spellbinding composure makes JayO struggle to keep his. Ideally, you would strut to JayO and RZ’s scintillating syncopated beats while wearing your favorite stilettos.
Wizkid, “Bend”
Wizkid reflects on love, the loss of his mother and his musical legacy on his new album Morayo. On the highlight track “Bend,” Wiz taps into a nostalgic flow and commands us to dance with his enticing “Bend your body, kọ jó” hook on the Afrobeats club banger. Helmed by Made in Lagos executive producer P2J (who also produced the majority of Morayo) and Gaetan Judd, “Bend” invites you to get lost in its carefree rhythm characterized by bustling percussion.
Juls feat. Nkosazana Daughter, “Muntuwam”
The British Ghanaian hitmaker celebrates his 10-year musical career with a sonic odyssey across the Black Atlantic on his latest album Peace and Love. Crashing waves and chirping seagulls bookend its closing track “Muntuwam,” where Juls dips his toes in private school piano, a soulful amapiano subgenre that accentuates the South African sound’s jazz roots, and enlists popular South African singer-songwriter Nkosazana Daughter’s to add an authentic, breezy flare. “The meaning of the song is ‘the love is right in front of you, I’m here when you need me,’” he told Wonderland.
Nasty C & Lekaa Beats feat. Tiwa Savage, “One Time”
One month after dropping their genre-bending joint EP Confuse the Enemy, Nasty C and Lekaa Beats ran it back in the studio for the Reloaded version. Tiwa Savage blesses us on the smooth track “One Time,” where the South African MC has Hennessy to thank for an unforgettable night that the Afrobeats queen promises will not happen again, with the sweeping violins in Lekaa’s production heightening the drama.
Lil Kesh feat. Fireboy DML & Ayo Maff, “Vex for You”
Lil Kesh has made a name for himself with a series of brash, high-energy songs, particularly in the past few years, so this one is a change of pace for him: more contemplative, laid back and emotional, with an introspective and almost desperately romantic hook. Ayo Maff and Fireboy both slide in easily with the vibe — thematically, it’s right in Fireboy’s wheelhouse, for one — and help round out Kesh’s latest.
King Promise, “Keep It Sexy”
King Promise has a knack for picking the right beats that both provide a high level of musicality and help support and accent his great vocals, and this latest single is no exception. Produced by Killbeatz, the all-Ghanaian collaboration blends in local highlife and hiplife sounds but has broader aspirations, and Promise’s melodies once again help set him apart from his peers. A fun Western-themed music video adds a different element, too, but it’s really the production that helps make this song stand out.
Wizkid feat. Asake, “Bad Girl”
Following on the heels of their latest link up — “MMS,” off Asake’s latest album Lungu Boy, which was just nominated for a Grammy for best African music performance — two of the leading lights of Nigerian music come back together for another joint track that brings out the best of both of them, with Asake and Wiz doubling each other’s lines on the hook. The two vibe so well together that they trade off effortlessly, which helps make this one feel like a true collaboration rather than two stars sending each other verses. From Wizkid’s latest album, this is a standout on an album that is full of them.
E’Major, “All the Love”
E’Major’s brand is truly fusion in every way: the mix of styles, instrumentation, percussion, flows, harmonies and melodies that he employs varies wildly from song to song, giving him a malleable quality, able to pull off anything he puts his mind to. His latest, “All the Love,” fits right into that canon, and lyrically serves as a love letter, with his vocals at times slipping into near-falsetto and back, bringing a joy into the song that also runs through his catalog.
Kizz Daniel & Adekunle Gold, “Pano Tona”
Another big star collaboration in a year that has been full of them, the song is largely helmed by Kizz Daniel, with a verse that emphasizes his individuality, before Adekunle Gold comes through with one that drips with braggadocio. There’s a magnetism to this song that demands repeated listens — one of the reasons this has taken off since it dropped just a few weeks ago.
State Champ Radio
