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Pearl Jam is continuing the celebration of their 12th studio album, Dark Matter, into 2025. The band — Eddie Vedder (vocalist), Jeff Ament (bass), Stone Gossard (rhythm guitar), Mike McCready (lead guitar), and Matt Cameron (drums)— announced on Thursday (Dec. 5) that they will be heading to five U.S. cities in the spring, kicking off […]
Reading & Leeds Festival has confirmed the first artists to appear on 2025’s lineup, including its four headliners. Travis Scott, Chappell Roan, Hozier and Bring Me the Horizon will top the bill at the dual festivals in Reading, Berkshire, and Leeds, Yorkshire, on Aug. 21-24. The events will take place at Richfield Avenue in Reading, and Bramham Park in Leeds.
Scott’s appearance will be a European festival exclusive, while Hozier and Bring Me the Horizon will be U.K. exclusives. Roan’s appearance at the top of the bill will be an English headline exclusive, and her first ever performance at Reading & Leeds.
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They’ll be joined on the bill by AJ Tracey, Becky Hill, Sammy Virij, Trippie Redd, Amyl and The Sniffers, Conan Gray, The Kooks, The Dare, Enter Shikari, Wallows, Sea Girls, Mannequin Pussy, Soft Play, Lambrini Girls, DJ EZ and more.
Bloc Party will perform Reading & Leeds Festival’s inaugural Icon Set, which the festival said in a press release “will celebrate the defining acts synonymous with the festival.” The London-formed indie band performed in consecutive years between 2005 and 2009 on a variety of stages.
Tickets for the two events go on general sale on Dec. 9 from the festival’s official website, and follow a number of presales that begin Friday (Dec. 6) for customers of Three Mobile and Mastercard.
In 2024, Reading & Leeds Festival was headlined by Blink-182, Fred Again.., Liam Gallagher, Lana Del Rey, Catfish and the Bottlemen, and Gerry Cinnamon. In recent years, artists such as Billie Eilish, Megan Thee Stallion and Halsey have also topped the bill.
The most recent edition in Leeds was impacted by severe weather, with two stages at the festival having to be closed due to high winds brought by Storm Lilian.
See the 2025 lineup below:
German electronic pioneers Kraftwerk are going on tour next spring, announcing on Thursday (Dec. 5) a 25-city North American run that starts on March 6 in Philadelphia. The trek includes the group’s previously announced performances at Coachella 2025. Explore Explore See latest videos, charts and news See latest videos, charts and news Ticket for the […]
Oliver Anthony, who earned a two-week Billboard Hot 100 chart-topper with his song “Rich Men North of Richmond” in August 2023 and became a viral sensation, didn’t hold back in offering his thoughts on Beyoncé’s Cowboy Carter album.
In a video he posted on YouTube on Wednesday (Dec. 4), Anthony spends much of it discussing his experiences with the music industry, including mentioning an unnamed management company that he had begun working with following the success of “Rich Men North of Richmond.”
“In their own words, it was like, ‘We gotta figure out how to make you cool,’” Anthony said, noting that one of the ideas an unnamed music industry member pitched to him involved having the singer-songwriter praise Beyoncé’s Cowboy Carter album — an idea Anthony rejected.
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“One of the guys I worked with, he wanted me to make some stupid f–king post about Beyoncé’s country album, about how it was good, even though it was complete trash. It makes me just want to throw up,” Oliver said. He also disparaged Beyoncé’s reimagining of Dolly Parton’s classic “Jolene,” saying, “Even half trying to listen to the beginning of, like, her version of ‘Jolene,’ it’s just total cringe.”
Anthony added, “It represents how degenerative our society has become, that a song like a Beyoncé version of ‘Jolene’ can come out and anybody actually listen to it and think it’s not just complete trash. So I was supposed to make a post, basically trying to associate myself with Beyoncé in hopes of us doing some kind of song together, but you know, how many people do that? How many artists do you follow on social media that have never even looked at their social media, and you’re just reading words and posts and things that were written by somebody that you’ve never even met, that aren’t the artist, that don’t even necessarily work directly for the artist … It’s so much theatrics and illusion and characterizations that are built in this whole thing to like keep people hanging on for more.”
Billboard has reached out to Beyoncé’s rep for comment.
Elsewhere during his video, he noted that his approach of keeping his concert ticket prices affordable for fans has been monetarily successful, despite industry members who told him he would not be able to make a profit. “It’s ridiculous how greedy these people are. We did this whole tour for this year, we had a $25 ticket option at every show that I did that was mine, and everybody was like, ‘You can’t do that. You won’t make any money.’ I got so sick of listening to everybody who told me how stupid I was for trying to do it,” he said. “I mean, we made great money this year. I made enough money in one year of touring to never have to work again. So, you don’t have to charge $200 for a ticket. It’s just crazy how it is.”
In October, Anthony stated in a separate YouTube video that he was intent on walking away from aspects of the music business to focus on traveling ministry work, though he clarified that he would still be playing shows and making music. In that video, he stated how his involvement with the music business since the launch of “Rich Men North of Richmond” had “opened my eyes to how much control and how much visibility there is on the top down.”
He also said that upcoming music would come as part of his The Rural Revival Project, an organization that he noted would “be set up legally as a ministry,” while helping to revitalize farming and other rural communities. He noted as well his intent to set up his touring in a way that would allow him to visit towns “that haven’t had music in them in a long time. It stimulates their economy, showcases their culture, it uses local vendors and local musicians.” Added Anthony, “You’re not having to drive out to Pittsburgh to a concrete amphitheater to see a show. It’s done out on a farm or on a main street that desperately needs the economic impact.”
On Easter Sunday, Oliver Anthony released the project Hymnal of a Troubled Man’s Mind, which featured a mix of songs and recitations of Bible verses. The set reached No. 13 on Billboard‘s Heatseekers chart.
In April, Beyoncé’s Cowboy Carter debuted at No. 1 on the all-genre Billboard 200, marking her eighth No. 1 on that chart. Cowboy Carter also launched at No. 1 on Billboard’s Top Country Albums, Americana/Folk Albums and Top Album Sales charts. Meanwhile, the album’s “Texas Hold ‘Em” spent 10 weeks at No. 1 on the Hot Country Songs chart. Cowboy Carter featured collaborations with Miley Cyrus, Post Malone, Dolly Parton and Willie Nelson, while spotlighting country music trailblazer Linda Martell and highlighting the talents of Shaboozey, Willie Jones, Tanner Adell, Tiera Kennedy, Reyna Roberts, Brittney Spencer.
Beyoncé was also just named Billboard‘s Greatest Pop Star of the 21st Century, and is up for several Grammys at next year’s ceremony, including album of the year and best country album.
See Oliver Anthony’s full video below:
Ariana Grande and The Weeknd couldn’t love each other harder.
The “Blinding Lights” singer sang the praises of his longtime friend and collaborator in a recent post on Instagram Stories, sharing a poster for Wicked — in which the R.E.M. Beauty founder stars opposite Cynthia Erivo — and writing, “this was fantastic.”
“congrats @arianagrande so proud,” The Weeknd added.
Shortly afterward, Grande reposted the The Idol star’s words on her own Story. “thank you, my friend,” she wrote, adding a bubble emoji to emulate Glinda’s famous method of travel in Wicked.
The “Yes, And?” vocalist and The Weeknd have been working together for years, starting with “Love Me Harder” in 2014. Six years later, the Canadian musician jumped on Ari’s Positions track “Off the Table,” while she helped propel his “Save Your Tears” to No. 1 on the Billboard Hot 100 by joining him on a remix.
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In 2023, while Grande was still filming Wicked, she again gave one of The Weeknd’s tracks a lift by adding her magic to “Die for You,” which then shot up to the top of the Hot 100. “Wrote and recorded a verse for my friend after a 14 hour day on set,” she wrote of the project at the time. “This certain exception had to be made….”
The Weeknd is just one of many fans who are loving Wicked. Following its Nov. 22 premiere in theaters worldwide, its soundtrack album opened at No. 2 on the Billboard 200 — the highest ever debut for a big-screen adaptation of a stage musical on the chart — and the film has brought in over $260 million in North America so far, making it the highest grossing movie ever at the domestic box office based on a Broadway musical.
Grande’s performance in the film is also being widely lauded, and the star will soon receive the the Rising Star Award at the Palm Springs International Film Awards. “In Wicked, Ariana Grande’s portrayal of Glinda elevates her to new heights with a powerful acting performance that beautifully combines her outstanding musical talent, brilliant characterization and impeccable comedic timing,” chairman Nachhattar Singh Chandi said in a recent statement. “Ariana is an iconic global performer, who has seamlessly transitioned to film in her first major starring role, proving herself to be a multifaceted and undeniable talent.”
Billboard‘s Joe Lynch felt similarly. “Grande is a revelation,” he wrote in his review. “This performance signals the arrival of a formidable cinematic talent with a lot more to show us.”
In the opening moments of his latest project, Troye Sivan makes it clear that his career would not be what it is today had it not been for the queer artists who came before him. “I’m definitely not fighting for my life on the street — I get to make music videos and I get to be true to who I am,” he said. “I do feel like I really carry that with me with kind of a sense of guilt because of how lucky I feel.”
The acknowledgement comes from Sivan’s appearance on a new installation of the Audible original series Origins. Throughout the episode, Sivan dives deep into his personal backstory, examining key moments from his early life that helped foster his love of music today. In the process, he takes a look forward at where his career is headed — and what that means for music at large.
Sivan isn’t the only artist taking a deep dive on the new series. With four episodes released on Thursday (Dec. 5), Origins also delves into the childhood stories of Victoria Monét, Kali Uchis and Dominic Fike.
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Ahead of his appearance on the series, Billboard spoke with Sivan about the importance of acknowledging his queer forebearers, the “lightning in a bottle” feeling of his co-headlining Sweat Tour with Charli XCX and what’s giving him hope in dark times.
You speak a bit in this episode about the queer artists and bits of pop culture who came before you that helped pave the way for your career. Why is it important for younger listeners to learn more about our queer elders?
I feel that understanding the contributions of queer artists who came before us is vital. They navigated challenges we can’t even imagine, often at great personal risk, to express their truths and create art that resonated with their experiences. For me, it’s about honoring their legacy and understanding the cultural and historical context that shapes our present.
When you look at the very queer pop moment that we’re living in now, how do you acknowledge your place in pushing this genre forward?
I feel incredibly fortunate to feel a small part of a moment where queer voices are more visible and celebrated in pop culture. My aim has always been to create authentic art that felt true and genuine to me. I’ve always felt that people are smart and in tune to what is real, which actually makes my job fairly easy — to listen to myself and to make something real to me, that I like, and that I am proud of.
You also speak in the episode about the internet as a place for you to explore your sexuality. Obviously, the internet has changed a lot, especially over the last few years. Do you find yourself worrying for the continued curation of those safe spaces online?
I don’t know what I would have done without the internet — it has been a crucial platform for so many in the LGBTQ+ community to explore and express themselves. It’s changed a lot, and I think people always need to be weary and keep safety in mind, but I do also feel that there will always be those safe havens and communities online that foster a feeling of being seen and heard, if you know where to look.
We also get to hear you talk about the start of your acting career in the episode. Do you see yourself returning to acting any time soon, or are you more interested in focusing on your musical career?
Acting has always been a passion of mine, and I cherish the opportunities I’ve had in that realm. While music remains my primary focus, I’m open to exploring acting projects that resonate with me and scare me. I feel lucky to be able to approach acting like this, as a passion, rather than a day job.
You wrapped up the Sweat Tour with Charli last month. How do you feel looking back now on that experience today in terms of the arc of your career?
The Sweat Tour felt like lightning in a bottle. Reflecting on it, I already feel so nostalgic for it and see it as a bright highlight in my life. It spoke to all the things that feel so important to me — pop, community, collaboration, friendship.
We’re living through some pretty scary times for queer and trans people around the world. What’s giving you hope about our collective future with everything going on?
The resilience and solidarity within the queer and trans communities gives me hope. The same strength and resilience that’s got us to this point is present in our communities today.
Rihanna recently said that she wants to collaborate with Billie Eilish — and according to the 22-year-old pop star, she’s waiting by the phone for the Fenty mogul’s call.
In a new cover story interview with Complex published Thursday (Dec. 5), Eilish gushed about the moment RiRi shouted her out in October — “If I could only do a song with Billie Eilish, she’s so good,” the superstar said at the time — which the two-time Oscar winner said she “literally thought … was AI.”
“I’ve never met Rihanna,” Eilish continued to the publication. “She’s literally my idol. She’s the greatest of all time. She’s my complete dream collab.”
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“I don’t even answer that question when people are like, ‘Who would you like to collab with?’” she added. “But I always think Rihanna. I’m not going to say that, though! Why would I say that?! It’s not real. I would think, like, ‘She probably doesn’t even like me.’ I’ve never heard from her, and I’ve never had any interaction with her, so why would I have ever even thought about it?”
When the “Umbrella” singer first sang Eilish’s praises, the latter simply wrote in disbelief on Instagram Stories, “what in the absolute f–k.”
A few weeks later, the “Birds of a Feather” artist says she finds the whole thing funny. “I was like, ‘Well, b—h, I’ve been sitting here this whole time!’” Eilish told Complex, laughing. “What the f–k is she even talking about? Like, as if I’ve been saying, ‘No.’ Rihanna! Riri!? I’ll literally do anything you want. That’s insane.”
The interview comes about six months after Eilish released her third studio album, Hit Me Hard and Soft, which reached No. 2 on the Billboard 200. The star — who is currently on tour in support of the LP — also recently sat down with CBS News Sunday Morning and spoke about how she came into her own as a songwriter while working on the project with her older brother and producer, Finneas.
“My passion has never been songwriting,” she said in a video snippet from the interview airing Dec. 8. “My passion is music, and performing, and singing. And songwriting is something that I do so that I can then sing it and perform it … I did way more writing on this album than anything ever.”
Watch the clip from the upcoming episode of CBS Sunday Morning below.
Superstar singer-songwriter and two-time Oscar winner Billie Eilish opens up about her evolving view of songwriting. While her brother Finneas has always had a deep passion for it, Ellish saw songwriting as a means to perform and express herself. pic.twitter.com/CsnVg1NtAa— CBS Sunday Morning 🌞 (@CBSSunday) December 5, 2024
Ice-T is a multi-hyphenate already, but the gangsta rap legend might want to consider adding diplomat to his extensive resumé. On The Tonight Show on Wednesday (Dec. 4), Ice sat down with Jimmy Fallon to explain how he managed to get two of the most bitterly divided men in rock to finally agree on something.
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Falllon noted that the new Body Count album features a cover of Pink Floyd’s iconic 1979 song “Comfortably Numb,” which Ice-T somehow got clearance to record despite the rock band never granting such clearance due to the long-running animosity between former singer/lyricist/bassist Roger Waters and singer/guitarist David Gilmour.
“Not only David Gilmour, but David Gilmour and Roger Waters,” Ice-T confirmed. “Who haven’t agreed on anything in 20 years!” Explaining that rappers are always listening to old tracks to find something they can sample or rap over, Ice-T said he always loved Waters’ rumbling bass part on the original, so he wrote new lyrics to rap over the song from the landmark The Wall album.
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“We lay it out and then I just don’t think about the politics. So they go, ‘Okay, you gotta send this to Pink Floyd to get it approved,’ and everybody’s like, ‘That’s not gonna happen,’” he said. So, he sent it to the band’s publishers, who immediately said no, explaining that Pink Floyd doesn’t allow samples or covers. “So it was dead in the water, I was ready to trash the song,” he said of the update that features his new narrative about his fears for humanity’s future amid perpetual war and strife.
But then his manager found a way to reach Gilmour’s manager, who sent it along to his client, who was “blown away” by the new lyrics. “He said, ‘I totally approve it’” Ice-T told Fallon of the unexpected thumbs-up. Then, they had to get Waters’ approval, with Ice-T admitting that he had no idea what the origin is of the decades long beef between the two men.
So, Waters listened and asked who was singing on the track, and when he heard it was the rapper, he approved it as well. “So now you’ve got two people on opposites sides that approved the song, which made me feel really good, ’cause that means that the song is honest and real,” Ice-T said. Then came the cherry on top: Gilmour said he wanted to perform on the cover and appear in the video as well.
“Body Count’s version of ‘Comfortably Numb’ is quite radical, but the words really struck me,” said Gilmour, 78, in a statement about the new version featuring his guitar work when the single was released in September. “It astonishes me that a tune I wrote almost 50 years ago is back with this great new approach. They’ve made it relevant again. The initial contact from Ice-T was for permission to use the song, but I thought I might offer to play on it as well. I like the new lyrics, they’re talking about the world we’re living in now, which is quite scary.”
The rapper also told Fallon about celebrating daughter Chanel’s ninth birthday on Thanksgiving and described how his wife Coco “does all” the planning for the Christmas holiday. “If it wasn’t for her there wouldn’t be no holidays as far as Ice-T is concerned,” he said. Ice then dropped a stone cold fact that might get him in trouble with the Recording Academy.
“I won a Grammy recently and I’m like, ‘It didn’t come with no money, right? It’s just a Grammy,” he said of his 2021 best metal performance award for “Bum-Rush” from Body Count’s Carnivore album. “And then all my boys were like, ‘I want a Grammy!’ So I had to actually go make duplicate Grammys — I don’t even know if that’s okay, but I did it — and it cost me money to win the Grammy!”
The long-running Law & Order: Special Victims Unit co-star later returned for a performance of Body Count’s metal-edged cover of “Comfortably Numb,” filling the Tonight Show studio with the strains of their ominous take on the Pink Floyd classic. Bathed in green light, his eyes obscured behind black wrap-around shades, Ice sang/spoke the iconic “hello, hello, is anybody out there/ can anybody hear me?” over pealing guitars and down-tuned, rumbling bass.
Body Count’s cover appears on their eighth studio album, Merciless, which features collaborations with death metal howler Corpsegrinder, Light the Torch singer Howard Jones and Soulfly vocalist/guitarist Max Cavalera.
Watch Ice-T talk “Comfortably Numb” and perform on The Tonight Show below.
Bad Bunny is once again Spotify’s most streamed Latin artist worldwide, the streaming service announced in its 2024 Spotify Wrapped unveiled on Wednesday (Dec. 4). In fact, Bad Bunny was among the top 10 artists that dominated the platform globally. Following Taylor Swift in first place and The Weeknd in second, Bad Bunny took the third […]
It looks like Drake has given Kendrick Lamar‘s GNX a listen.
Two weeks after the Compton rapper surprise-dropped his new album — and amid an ongoing feud that recently culminated in two legal filings by Drizzy — the “God’s Plan” artist poked fun at one of the LP’s most viral lyrics. On “TV Off,” Lamar barrels onto the track with a loud “MUSTARRRRRD!” battle cry to honor producer Mustard, and while watching a recent Los Pollos TV livestream, Drake put his own spin on it.
After commenting “We need a donut emoji in the chat,” according to XXL and multiple other outlets, the Canadian hip-hop star wrote, “CUSTAAAARRRRRD.”
The trolling comes amid Lamar’s reign over the Billboard charts in GNX‘s opening week, with the album debuting at No. 1 on the Billboard 200 and launching seven of its tracks to the top 10 of the Billboard Hot 100. With “Squabble Up” at the top, “TV Off” occupies the No. 2 spot, while “Luther” featuring SZA, “Wacced Out Murals” and “Hey Now” sit at Nos. 3-5, respectively.
The LP dropped Nov. 22. Three days later, Drizzy’s Frozen Moments LLC filed a legal action against his and Lamar’s shared publisher, Universal Music Group, and Spotify over allegations that the two companies conspired to artificially boost the popularity of K-Dot’s Drake diss track “Not Like Us” through bots, payola and other methods. UMG quickly denied the accusations, calling them “offensive and untrue” in a statement to Billboard, adding, “No amount of contrived and absurd legal arguments in this pre-action submission can mask the fact that fans choose the music they want to hear.”
The next day, Drake initiated a second action, this time alleging iHeartRadio accepted payments from UMG to promote Lamar’s song on air. The second filing also accused UMG of defamation for allowing the release of “Not Like Us,” despite its lyrics “falsely” branding Drake a “certified pedophile” and “predator.”
The filings mark an unprecedented escalation of the two musicians’ ongoing beef, which exploded into the court of public opinion in the spring when Drake and Lamar began lobbing rapid-fire diss and response tracks at one another. The former kicked things off with “Push Ups” and “Taylor Made Freestyle,” to which Dot fired back with “Euphoria,” “Meet the Grahams,” “Not Like Us” and more.
As for the Mustard of it all, the producer is celebrating his successes on the charts this week. “I’m just getting started,” he wrote on Instagram Dec. 2 while highlighting the high positions of “TV Off” and “Hey Now” on the Hot 100.
