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Rod Wave has been arrested by the Atlanta Police Department on multiple weapon and drug charges.
The 27-year-old rapper-singer, whose real name is Rodarius Green, was taken into custody Friday (Nov. 7) in Fulton County, Georgia, and charged with possession of a firearm or knife during the commission of or attempt to commit certain felonies, reckless driving, possession of a Schedule V controlled substance and possession of Schedule II controlled substance, according to TMZ.
Following his arrest, Rod Wave was booked into the Fulton County Jail, Fox 5 Atlanta reports. As of Saturday morning, he remained in custody. His attorney, Drew Findling, told TMZ that the artist had made his first court appearance and that bond had been set at $8,000.
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Further details about what led to the arrest were not available at press time.
This is not Rod Wave’s first legal issue. In May, he was arrested in Georgia and booked into Fulton County Jail on charges of aggravated assault and possession of a firearm. He later faced 12 additional counts, including aiming a pistol at another person, reckless conduct, criminal damage to property, obstruction of law enforcement, evidence tampering, conspiracy to commit a felony, and simple assault.
Court records show that the May arrest stemmed from an alleged April 21 altercation. The musician was released the same day after posting a $50,000 bond. “There is no truth to these charges,” his attorney Findling told Billboard at the time.
The “25” rapper-singer also faced gun charges in April 2024 in Manatee County, Florida, after being accused of illegally possessing a weapon or ammunition. Authorities attempted to connect him to a gang-related shooting at a St. Petersburg sports bar. In May 2022, he was also arrested on a felony charge of battery by strangulation, which was later dropped.
Aside from his legal troubles, Rod Wave released the singles “Westside Connection” and “Sinners” in 2025. The latter appeared on the Sinners movie soundtrack and played during the horror film’s final scene. His most recent album, Last Lap, was released in October 2024, reaching No. 2 on the Billboard 200.
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Britney Spears is back on Instagram after a short break from the platform.
Just days after deactivating her account, the 43-year-old pop star reappeared on Friday (Nov. 7), sharing a new photo with her 42 million followers. In the image, she poses in a white lace bra, gray and black underwear, and black boots.
“So much has happened this year, it’s crazy …,” Spears captioned the image. “I try to live within my means and the book, ‘Draw the Circle’ is an incredible perspective. Get your ballerina 🩰, circle, and own your boundaries.”
She continued, “It’s incredibly strict and somewhat of a form of prayer but with so many endless possibilities in life, it’s important to do you and keep it simple. I know there is a confusing side too. The devil is in the details but we can get to that later 😳😂🤧.”
The “Gimme More” singer’s return comes about five days after she deactivated her account. The brief disappearance coincided with the release of her ex-husband Kevin Federline’s tell-all memoir, You Thought You Knew, which includes several sensational claims about their two-year marriage.
Spears did not address her short-lived absence from Instagram, which went dark on Nov. 2 and displayed an automated message saying the “profile may have been removed.” The pop star has taken several social media breaks in recent years — briefly in 2021 and twice in 2022 — and has periodically stepped away from posting ever since.
Her latest retreat followed a series of mid-October Instagram posts in which she appeared to respond to allegations made in Federline’s book. “Its fun to tell stories at this point because this all might sound so silly but with what garbage literally is being said about me I said why not bring SUBSTANCE to the table,” she wrote.
Prior to that, Spears accused Federline of “constant gaslighting” and criticized those who “profit off my pain,” seemingly referring to her financial relationship with her ex. “No money from Britney for 5 years you trying to get paid that’s what general America is saying weird you both have moved on… your kids are adults it’s a different world now … why is HE SO ANGRY,” she wrote.
Fans have recently expressed concern about the singer’s well-being after she continued posting her trademark dance videos along with cryptic messages about her two sons — Sean Preston, 20, and Jayden James, 19 — with Federline, according to People.
In one video posted on Oct. 7, Spears appeared with bruises on her arms and bandages on both hands and her right knee. “Psss I fell down the stairs at my friend’s house… it was horrible… it snaps out now and then, not sure if it’s broken but for now it’s snapped in !!!” she explained in a TikTok post showing her injuries.
Check out Spears’ latest Instagram post here.
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There are few moments more immediately significant than an artist learning they’ve earned a Grammy nomination. For KATSEYE‘s Megan, that revelation arrived not during the live reveal or from celebratory screams, but in the glow of KATSEYE’s group chat.
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“I woke up a little bit later so I woke up to the group chat going crazy — that’s literally how I found out,” she tells Billboard exclusively during a phone interview just two hours after the Recording Academy announced the 2026 nominees in full. “It’s just me here right now, but the group chat is blowing up.”
With nods in best new artist and best pop duo/group performance, Megan says KATSEYE’s two nominations feel like a confirmation of the whirlwind experience the sextet has been on from their 2023 Dream Academy competition series to climbing up the Billboard Hot 100 as “Gabriela” reaches a new peak of No. 37 this week.
“It’s all settling in and I feel like I haven’t fully come to my — I don’t know — I feel like it hasn’t settled in fully that we are nominated for two Grammy Awards,” she adds. “It’s crazy, I literally woke up to the news. I think throughout the day it’s gonna settle a little bit more, but feeling super grateful.”
Megan
Austin Hargrave
With best pop duo/group performance, “Gabriela” is recognized in a stacked category in this year of superstar team-ups. KATSEYE is up against Cynthia Erivo and Ariana Grande‘s Wicked duet “Defying Gravity,” Kendrick Lamar and SZA‘s latest collab “30 for 30,” ROSÉ and Bruno Mars‘ multicultural smash “APT.” as well as “Golden” from KPop Demon Hunters’ HUNTR/X group of Ejae, Audrey Nuna, Rei Ami. Megan says the recognition is particularly significant for their position as a global girl group.
“With any award or nomination, it means so much to us because we work so, so hard,” she says. “So, it’s like all of the hard work, those long hours and all the dedication are really paying off. But especially for the best pop duo/group [performance], we really do rely so much on each other; we are literally sisters at the end of the day. So, being able to get nominated with my five best friends is literally a dream come true. It’s the best feeling ever. And especially with what we represent globally, it means so much to each and every one of us. We’re just like so excited and so happy about everything.”
That happiness doesn’t just extend to KATSEYE’s nods, but also to her fellow best new artist nominees, which include friends of the band like Addison Rae, sombr and Alex Warren.
“It’s insane that we’re even in the same category — it’s literally crazy,” the Honolulu native adds. “But yeah, Addison, sombr, even Leon Thomas, Alex Warren, Lola [Young], every single one of them, they’re literally all amazing and we all look up to them in our own ways. We’re so new, so to even be in the same category as these amazing artists is so, so cool. But to be able to share the nomination with some of our friends like Addison, sombr and Alex, it’s really, really cool and I’m proud of each and every one of them as well.”
As for the whole group, KATSEYE shared the following statement on their social media following the Grammy nominations reveal: “We can’t even believe this is real life!! two nominations?! thank you to the Recording Academy we are truly humbled, and congrats to all the nominees today, you inspire us! we wouldn’t be here without our EYEKONS — words can’t describe how grateful we are to you.”
The 68th Annual Grammy Awards will take place Sunday, Feb. 1, at Crypto.com Arena in Los Angeles. Before that, KATSEYE dropped a new teaser clip today as well, seemingly hinting at something special coming on Nov. 11, tagging the Valorant video game and its accompanying esports league in the caption. Watch below:
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Last season, Stranger Things had a major impact on the Billboard charts, giving Kate Bush her first Hot 100 Top 10 with “Running Up That Hill” at No. 3. The cast of the 5th & final season of Stranger Things gives us their anthems for taking on the “Upside Down” in Hawkins. Millie Bobby Brown, Finn Wolfhard, Noah Schnapp, Gaten Matarazzo and more share their favorite tunes on the red carpet of the premiere.
Catrise Johnson:
Before heading into the upside down, what would your character be blasting in their headphones?
Millie Bobby Brown:
Beyonce.
What Beyonce song?
Millie Bobby Brown:
“American Requiem.”
That’s a good one. That’s a good one.
Millie Bobby Brown:
Or “YA YA.”
What is your character playing in their headphones?
Finn Wolfhard:
Probably some punk or some metal. Eddie from season four probably got into his got into his head, and got him into some heavier music. So maybe Metallica?
Noah Schnapp:
It’s Will Byers, I feel like he’s very like indie, maybe like boy genius, like just a little indie.
I like that.
Noah Schnapp:
Maybe I should just go with a classic. My favorite, “Forever Young.”
Gaten Matarazzo:
This is very good, like a hype up song. We need something to hype you up a little bit. Maybe we could go with like…
Beyonce?
Gaten Matarazzo:
Oh my gosh. How about all of ‘Renaissance.’
Oh, my God. ‘Renaissance?’
Gaten Matarazzo:
The tour was amazing. I didn’t get to see ‘Cowboy Carter’
Act three we have to be there.
Gaten Matarazzo:
Yes, I’ll be able to make it two for three.
Priah Ferguson:
Maybe Whitney Houston.
Oh, what Whitney Houston song?
Probably, I believe our children are the future.
Keep watching for more!
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Jelly Roll has been forced to cancel the final date of his debut Australia and New Zealand tour, citing illness, just hours before the headline show was set to kick off.
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The Grammy-nominated, multi-platinum artist announced via Instagram on Friday (Nov. 8) that he would not be performing at The Outer Fields at Western Springs in Auckland, New Zealand, as originally scheduled for tonight.
“Dear Auckland, I’ve done everything I can,” he wrote on Instagram. “I just can’t shake it. It breaks my heart, I’ve probably missed three shows in the last decade. I pride myself on showing up no matter what. Just couldn’t do it this time. Please forgive me.”
Fans reported that they didn’t discover news of the cancellation until arriving at the venue. The late notice left many frustrated and disappointed, particularly as some had travelled long distances to attend Jelly Roll’s first-ever New Zealand performance.
The cancelled concert was set to wrap Jelly Roll’s tour across Australia and New Zealand, which marked the country-rock star’s first-ever visit to the region. The run included back-to-back shows at Melbourne’s Rod Laver Arena (Oct. 28–29), a sold-out night at Sydney’s Qudos Bank Arena (Nov. 4), and an Adelaide show at AEC Theatre (Oct. 26). He also headlined the inaugural Strummingbird Festival on the Sunshine Coast (Oct. 25), followed by dates in Newcastle (Nov. 1) and Perth (Nov. 2).
In 2023, his album Whitsitt Chapel peaked at No. 3 on the Billboard 200, and in 2024, his follow-up Beautifully Broken debuted at No. 1 — marking his first chart-topping release on the all-genre tally. He has also earned eight consecutive No. 1 singles on the Billboard Country Airplay chart, including fan favourites like “Heart of Stone,” “I Am Not Okay,” and “Liar,” the latter of which held the top spot for six weeks.
No official update has been issued yet regarding potential rescheduling or refunds for the cancelled Auckland date.
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Mod Sun is looking back on his high-profile engagement to Avril Lavigne — and how the fallout helped him grow.
Appearing on the Nov. 6 episode of Bunnie Xo’s Dumb Blonde podcast, the multi-genre artist opened up about the relationship’s end with surprising clarity, saying: “We’re two different people, but I think I had a great influence on her.” He added that the “Sk8er Boi” singer helped him “grow up,” and that he’s now more secure in his identity than ever before.
The former couple met in early 2021 while collaborating on music, and their joint single “Flames” dropped just weeks later. A whirlwind romance followed, with Mod proposing in Paris in April 2022. Less than a year later, the pair called off the engagement in February 2023.
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Though Lavigne has remained publicly silent on the split, Mod has continued to speak openly. In July 2023, he released the breakup track “Strangers,” with lyrics detailing the rise and fall of their relationship. The Paris-shot music video — filmed in the same city where he proposed — added further emotional weight.
On the podcast, Mod said that his perspective on the breakup has shifted over time: “We’re two different people, but I think I had a great influence on her.”
He continued, “Like now, I’m very secure of who I am, because I’ve been lost in the last three years of wondering, ‘Where do I fit in?’”
He added later, “If we had done this talk three months ago, I might’ve been like, ‘F— that person,’ but now… If I run into you? It’s all love.”
He also spoke about developing greater empathy in the aftermath, saying, “When someone does you wrong, stop thinking, ‘You did me dirty, and I’m out for revenge.’ Step in their position.”
Lavigne was briefly linked to rapper Tyga following the split, but the pair separated in mid-2023. Mod, meanwhile, focused on his tour and healing. “Being surrounded by love every night on tour has been an absolute blessing,” he wrote on Instagram days after the breakup. “I just know there’s a plan for it all.”
Trending on Billboard The nominations for the 68th annual Grammy Awards were announced Friday morning (Nov. 7), with the Recording Academy once again recognizing the dance/electronic genre across four categories: best dance electronic recording, best dance/electronic album, best dance pop recording and best remixed recording. These categories welcome back a list of familiar faces, specifically […]
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When Young Miko set out to create her second studio album, Do Not Disturb, she was going through a difficult time personally and professionally. She had just come off a tour that, for the first time, kept her away from her home in Puerto Rico for months, experiencing the loneliness of hotel rooms, the exhaustion of travel, the stress of figuring out what she would do next.
“I was missing my family a lot, and I don’t know, I was also coming from a moment of a lot of movement and speed,” recalls the Puerto Rican star in an interview with Billboard Español. “I didn’t allow myself to be present and enjoy all the fruits of the work I had been doing for so long. And all this chaos affected everything in my life: it affected my personal relationships, my work, my family relationships. I felt a bit dull and disconnected from myself, and I felt like I was losing my color, my aura, and my essence.”
But Miko found solace — and herself — in the blank page, opening up to tell personal stories like never before, prioritizing peace, intimacy, and self-expression, and offering fans a window into her artistic evolution.
“It was a process where I felt closer to myself than ever before. It was a space I wanted to give to myself to embrace myself, to listen, and heal. To perhaps understand why I was feeling the way I was feeling, and within all that uncertainty, within all this emotional chaos and uncharted territory I hadn’t encountered before, this whole album was born.”
Released on Friday (Nov. 7) under The Wave Music Group, Do Not Disturb is a 16-track introspective journey that invites listeners to disconnect from the noise and reconnect with their inner peace — but also to dance. Throughout the record, Young Miko showcases her versatility, exploring genres like drum and bass, R&B, and afrobeats, while continuing to shine with the trap and reggaeton beats that made her popular.
With more intimate lyrics, loaded with honesty and sensuality, the album — which follows her 2022 EP Trap Kitty and her Grammy-nominated debut album att. (2024) — includes the previously released singles “WASSUP,” “Meiomi,” and “Likey Likey,” as well as titles like “What’s Your Vibe,” “En el Ritz,” “Sexo de Moteles,” “Esa Nena,” and “Algo Casual.” It features only one collaboration, “Traviesa” with Eladio Carrión, with whom she had previously recorded “AMG.”
Below, Young Miko breaks down five essential tracks from her new album, Do Not Disturb. To listen to the full set, click herea.
Young Miko, “Do Not Disturb”
The Wave Music Group
“Ojalá”
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Thirty-five years after being half of the first (and, to date, only) act to have a Grammy Award revoked, Fab Morvan of Milli Vanilli landed a second Grammy nod on Friday (Nov. 7) – best audio book, narration, and storytelling recording for You Know It’s True: The Real Story of Milli Vanilli.
Milli Vanilli, the red-hot pop duo of Fab Morvan and Rob Pilatus, was crowned best new artist on Feb. 21, 1990, beating out Neneh Cherry, Indigo Girls, Soul II Soul and Tone Loc. The award was presented by legendary songwriter Kris Kristofferson and rapper Young M.C., who also won a Grammy that night for best rap performance for his hit “Bust a Move.”
Their win was expected: By that point, their debut album Girl You Know It’s True had topped the Billboard 200 for eight weeks and had spawned five top five singles on the Billboard Hot 100 – the title track, “Baby Don’t Forget My Number,” “Girl I’m Gonna Miss You,” “Blame It on the Rain” and “All or Nothing.” They performed “Girl You Know It’s True” on the live telecast, making them the only best new artist nominees who performed on the show that year.
There had already been rumblings that Morvan and Pilatus had not actually sung on the album; that they were merely hired because they had the right look to push the act’s upbeat pop/dance/R&B confections to the top of the charts. But it was hard to know if the rumors were true or merely the product of jealousy because of the duo’s outsized success.
On Nov. 14, 1990, their producer, Frank Farian, confessed that Morvan and Pilatus had not sung on the records and announced that he was firing them. Five days later, the Recording Academy announced that it had revoked the duo’s Grammy. Ever since, the academy has acted like Milli Vanilli never existed. If you call up Milli Vanilli in the academy’s awards look-up tool, you will get no results. Their list of best new artist winners skips from Tracy Chapman, who won in 1989, to Mariah Carey, who won in 1991. If you call up Pilatus on the look-up tool today, it shows that this new nomination is his first.
The academy may wish Milli Vanilli never existed, or that its voting members had chosen another best new artist winner that year, but they did, in fact, win. To pretend otherwise is revisionist history.
Who might have won best new artist if Milli Vanilli hadn’t taken the prize? Soul II Soul won in two categories that night – best R&B performance by a duo or group with vocal for “Back to Life” and best R&B instrumental performance for “African Dance.” Indigo Girls won in one category – best contemporary folk recording for Indigo Girls. Tone Loc was nominated for best rap performance for “Funky Cold Medina.”
Will Morvan win on Feb. 1? The competition is tough, and almost comically eclectic. The other nominees are The Dalai Lama for Meditations: The Reflections of His Holiness The Dalai Lama; U.S. Supreme Court Justice Ketanji Brown Jackson for Lovely One: A Memoir; comedian and five-time Grammy host Trevor Noah for Into the Uncut Grass; and Kathy Garver, an actress who played the oldest child on the 1960s sitcom Family Affair, for Elvis, Rocky & Me: The Carol Connors Story.
Morvan was part of the Grammy process last year when the documentary Milli Vanilli was entered for best music film, but it wasn’t nominated. The doc was directed by Luke Korem and produced by Korem and Bradley Jackson.
While the story of Milli Vanilli’s rise and fall is amusing in some respects — there was endless mockery of them on the popular sketch variety show In Living Color and by such talk show hosts as Arsenio Hall and David Letterman — one must not forget that one of the members of the duo, Rob Pilatus, died young (in his early 30s) and tragically. Pilatus was found dead in April 1998 from an alcohol and prescription drug overdose. The death was ruled accidental.
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Today is officially Music Creator Day.
Spearheaded by SOCAN, the date was acknowledged by Senator René Cormier on Nov. 4 in the Canadian Senate and by Member of Parliament David Myles in the House of Commons two days later.
As of 2025, Nov. 7 will now be annually observed as Music Creator Day across the country.
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It coincides with beloved Canadian singer-songwriter Joni Mitchell’s birthday, paying tribute to her contributions and representing a lasting legacy for the next generation of musicians.
“Thank you for honouring my work in this manner,” Mitchell says in a statement. “Although I have lived mostly in the States since I was 21, I live part-time in B.C. I have always been proud to be a Canadian and lately more than ever.”
Earlier this year, Mitchell was honoured with SOCAN’s 2025 Cultural Impact Award, recognizing her impact as a Canadian songwriter. Canadian singer-songwriter Allison Russell performed a showstopping rendition of “Both Sides Now” at the SOCAN Awards and spoke to Billboard Canada about her work with the legendary artist. “Getting to be in creative communion and community with her has been one of the most surreal gifts of my life,” she said.
“I invite you all to sit down and enjoy your favourite Joni song, or a song by any other amazing Canadian, and honour the great musical creators of this country on Music Creator Day,” says MP Myles.
The declaration is accompanied by a recent survey conducted by Pollara for SOCAN on the connection between Canadian music and culture. They report that 81% of Canadians believe supporting local music creators is vital to ensuring our culture thrives for future generations, with 77% claiming local music helps define Canadian culture.
It’s reflected on the charts, too. As of November, five Canadian artists have hit No.1 on the Billboard Canadian Albums chart, including two albums from The Weeknd, PARTYNEXTDOOR & Drake’s collaborative $ome $exy $ongs 4 U and Tate McRae’s So Close to What, marking the pop singer’s first No. 1 on the chart. The most recent was Justin Bieber’s Swag, which sat at No. 1 for one week.
Read more here.
Canadian Government Renews Canada Music Fund in 2025 Budget
The Canada Music Fund has been renewed.
After a few weeks of uncertainty from independent Canadian music industry groups, yesterday (Nov. 4), the government officially renewed and allocated $48 million to the fund, in the first federal budget tabled by Finance Minister François-Philippe Champagne — it will be distributed over the next three years, beginning in 2026.
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The decision serves as a moment of celebration for Canadian music organizations. Québec music organization ADISQ shares that it’s a relief for the industry.
“This renewal was essential for our companies to continue investing fully in the career development of local artists, and thus maintain the sector’s competitiveness,” says Eve Paré, executive director of ADISQ, in French. “Public funding provides leverage for our industry. It plays a vital role in reaching the full potential of our cultural vitality.”
For over four decades, the Canada Music Fund has been a cornerstone of Canada’s music economy, supporting FACTOR and Musicaction, two of the country’s biggest and most important music grants.
The Canada Music Fund’s $48 million renewal extends the $16 million annual boost that was announced as a temporary two-year top-up in 2024, with another $16 million for the next three years.
Securing stable funding will enable music orgs to meet the challenges they face, such as declining contributions to private radio broadcasting, and will serve as a boost after the paused 5% revenue funds for major foreign-owned digital streaming platforms under Bill C-11.
The Canadian Independent Music Association (CIMA) notes that the renewal is a sign of recognition and validation for homegrown artists and organizations.
“Canadian music companies and the artists they work with represent a dynamic economic engine powering the growth of Canada’s cultural economy. This budget announcement is an encouraging step forward,” says Andrew Cash, president and CEO of CIMA.
The renewal will benefit live music organizations, too. The Canadian Live Music Association (CLMA) enthusiastically welcomed the federal government’s continued investment in Canada’s cultural sector, “including the commercial live music infrastructure of venues, festivals and promoters that connect artists to audiences across the country.”
In addition to the renewal, the government has announced a $150 million funding increase for CBC/Radio-Canada, with hopes of the country securing a spot on Eurovision’s international song contest.
“Public funding preserves a dynamic local ecosystem that values what makes us unique. We must now work to guarantee the sustainability of this funding and thus ensure the future of our music,” says Paré.
Read more here.
Music Streaming Services Call On National Assembly of Québec to Forego French-Language Quotas
Music streamers are speaking out against new French language music streaming legislation.
The Digital Media Association (DiMA), the trade association and lobby group that represents platforms including Spotify, Apple Music and Amazon Music, has raised concerns about Bill 109, a proposed new law that would ensure French-language content is prioritized by digital platforms operating in the province.
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Bill 109, titled An Act to affirm the cultural sovereignty of Quebec and to enact the Act respecting the discoverability of French-language cultural content in the digital environment, was introduced in May by Québec’s Culture Minister Mathieu Lacombe.
If passed, the act would “enshrine the right to discoverability of and access to original French language cultural content” into Québec’s Charter of Human Rights and Freedoms, and allow the province’s government to mandate “the quantity or proportion of original French-language cultural content that must be offered by digital platforms.”
The bill states that the Quebec government has to establish content quotas on how much music needs to be produced or featured on these platforms, although no numbers were specified. All platforms would be required to register with Lacombe.
According to DiMA, the major streaming services don’t want any new discoverability requirements and French language quotas.
In a submission to the Committee on Culture and Education in the Québec National Assembly, the music association writes that “mandating quotas and the discoverability of certain tracks or types of tracks risks altering the business model that has made streaming so attractive and has delivered vital revenues to artists and the music industry.”
The organization fears that if there is government intervention, it will affect how the streaming services operate, and “degrade the user experience,” which may limit the flow of revenue to Francophone artists and rightsholders.
Additionally, DiMA raises logistical issues with the government’s implementation of content quotas.
DiMA highlights that the key to ensuring both parties are satisfied is prioritizing the ultimate objective — to promote the language and culture of Québec.
“We believe the most effective path forward is one focused on listener choice, not constraint. Québec artists and Francophone music are thriving on streaming services today because audiences are empowered to find and listen to music organically,” says Graham Davies, DIMA’s president and CEO.
“By working together — combining the government’s cultural vision with the streaming services’ reach, expertise and innovation — we believe Francophone and music of Québec can continue to thrive both at home and on the global stage.”
While Quebec is pushing discoverability of French-language music, the online platforms are pushing back against the cross-country “streaming tax battle,” pushing against the Canadian Radio-television and Telecommunications Commission (CRTC)’s now-paused plan to require major foreign streaming companies to invest 5% of their income to support Canadian content.
DiMA has led a campaign called “Stop The Streaming Tax,” which some in the music industry have called “disingenuous.” Services like Spotify, meanwhile, have been touting the success of francophone music on its platform.
Read more here.
