Music News
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A federal judge says Drake can move forward with discovery in his defamation lawsuit against Universal Music Group (UMG) over Kendrick Lamar’s diss track “Not Like Us,” allowing his attorneys to begin demanding documents like Lamar’s record deal.
UMG had asked Judge Jeannette A. Vargas to halt the discovery process last month, arguing that Drake’s case was so flawed that it would likely be quickly dismissed — and that the star was unfairly demanding “highly commercially sensitive documents” in the meantime.
But at a hearing Wednesday (April 2) in Manhattan federal court, the judge denied that motion in a ruling from the bench. The judge had hinted in earlier rulings that she does not typically delay discovery before deciding if a case will be dismissed, barring extraordinary circumstances.
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In response to the ruling, Drake’s lead attorney Michael Gottlieb said: “Now it’s time to see what UMG was so desperately trying to hide.” An attorney for UMG declined to comment, and a spokesman for the company did not immediately return a request for comment.
Lamar released “Not Like Us” last May amid a high-profile beef with Drake that saw the two stars release a series of bruising diss tracks. The song, a knockout punch that blasted Drake as a “certified pedophile” over an infectious beat, eventually became a chart-topping hit in its own right and was the centerpiece of Lamar’s Super Bowl halftime show.
In January, Drake took the unusual step of suing UMG over the song, claiming his label had defamed him by boosting the track’s popularity. The lawsuit, which doesn’t name Lamar himself as a defendant, alleges that UMG “waged a campaign” against its own artist to spread a “malicious narrative” about pedophilia that it knew to be false.
UMG filed a scathing motion seeking to dismiss the case last month, arguing not only that it was “meritless” but also ridiculing Drake for suing in the first place. Days later, the company asked Judge Vargas to pause discovery until she ruled on that motion, warning that exchanging evidence would be a waste of time if the case was then immediately tossed out of court.
But in a quick response, Drake’s lawyers argued discovery must go on because the lawsuit was not going anywhere: “UMG completely ignores the complaint’s allegations that millions of people, all over the world, did understand the defamatory material as a factual assertion that plaintiff is a pedophile.”
Following Wednesday’s decision, Drake’s attorneys will now continue to push ahead with seeking key documents and demanding to depose witnesses. That process will continue unless the judge grants UMG’s motion in the months ahead and dismisses the lawsuit.
In the earlier filings in the case, UMG attached the actual discovery requests filed by Drake’s team, detailing the materials his attorneys are seeking.
Among many others, they want documents relating to decisions on “whether to omit or censor any lyrics” from “Not Like Us” during the Super Bowl halftime show; anything related to the promotion of the song on Spotify and Apple Music; and any communications with the Recording Academy ahead of Lamar’s string of award wins at the Grammy Awards in February; and “all contracts and agreements between you and Kendrick Lamar Duckworth, his agents, or anyone working on his behalf.”
Country music label Monument Records, home to artists including Walker Hayes and Tigirlily Gold, is folding, with some aspects of the label to be overseen by Sony Music Nashville, Billboard can confirm. No reason was given for the label’s shuttering. Country Aircheck first reported the news. Sony Music songwriter/producer Shane McAnally and manager Jason Owen […]
While some recent industry statistics show a slowdown in the U.S. streaming market, spending remains quite healthy, according to new figures from market research firm MusicWatch.
Most notably, 50 million more Americans bought recorded music in 2024 than a decade earlier. Products included in that count are on-demand music subscriptions, paid internet radio subscriptions, physical formats such as CDs and LPs, and digital downloads. Some of that increase can be attributed to population growth over the last 10 years. The total U.S. population — including people under 13 and non-internet users who are typically not counted in market research surveys — grew by roughly 19 million over that period. But since the number of music buyers far outstripped population growth, most of the growth came from an increased interest in music products.
By MusicWatch’s estimate, about half of all Americans aged 13 to 70 — 132 million people — paid for a music subscription in 2024, including on-demand music streaming and satellite radio. Recently released RIAA figures put the subscription count at 100 million, which is an average for 2024 (meaning the subscriber count at the end of the year was higher than 100 million). Satellite radio company SiriusXM finished 2024 with 31.6 million self-pay subscribers, according to its latest financial results.
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Not only are more Americans spending money on music, they’re spending more — even after adjusting for inflation. Americans spent $112 per capita on recorded music in 2024, up nearly 10% from $102 in 2023, according to MusicWatch. Back in 2014, per-capita spending was approximately $80, which is about $91 when adjusted for inflation. Taking inflation into account, per-capita spending increased approximately 32% over the past decade.
Live music spending fared even better than recorded music, jumping 17% to $281. Ticket inflation explains some of that increase, but not all — the percentage of people who bought a ticket rose to 56% from 51% in 2023. What’s more, spending on music merchandise such as T-shirts rose 45%.
Over the last decade, streaming turned U.S. recorded music revenue growth positive after an approximately 15-year downslide caused by digital piracy and a shift to selling single-track downloads rather than albums. Digital download sales have declined sharply over the past decade — from $2.3 billion in 2015 to $329 million in 2024, according to the RIAA — and piracy still exists despite the sharp rise in music buyers. MusicWatch found that 14 million Americans admitted to stream ripping music files in 2024. “Music piracy isn’t the scourge it was 20 years ago,” MusicWatch wrote, “but it’s still happening.”
Music piracy isn’t the only old habit that dies hard. While CD sales have fallen 61% over the last decade, 56 million Americans still listen to CDs in the car, and 48 million listen to digital downloads while driving. Both numbers are in decline, MusicWatch notes, “but nevertheless they represent a massive pool of listeners.”
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Billboard Women in Music 2025
Nogizaka46‘s “Navel Orange” tops this week’s Billboard Japan Hot 100, on the chart released April 2.
The 38th single by the popular girl group launched with 611,511 CDs after dropping March 26, more than its previous single. The song tops sales and comes in at No. 9 for downloads, No. 13 for radio airplay, and No. 21 for video views to give the group its 28th leader on the tally.
Mrs. GREEN APPLE’s “Lilac” drops a notch to No. 2, but continues its domination of multiple metrics. The Oblivion Battery opener rules streaming for the 30th week with 9,912,320 weekly streams, video for the 13th week, and karaoke for the 12th week.
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Sakanaction’s “Kaiju” holds at No. 3. Downloads for the Orb: On the Movements of the Earth opener are down to 74% compared to the week before, streaming 92%, radio 60%, and video 62%, while karaoke gains for the second week in a row to 113%.
Mrs. GREEN APPLE’s “Darling” rises 6-4. Karaoke for the three-man band’s latest hit increased for the ninth consecutive week to 105% and radio is also up to 103% week-over-week. The band’s long-running hit from 2023, “Que Sera Sera,” follows at No. 5, jumping 6 slots this week to re-enter the top 10. The song logs its 101st week on the Japan Hot 100 and boasts over 600 million total streams.
Outside the top 10, JO1’s “BE CLASSIC” debuts at No. 11. The lead title track off the eleven-member boy band’s best-of album, released Apr. 2, tops downloads and comes in at No. 18 for streaming and No. 4 for videos. Also, cherry blossom season is in full gear in Japan and Ketsumeishi’s “Sakura” from 2005 has re-entered the Japan Hot 100. Downloads, streaming, videos, and karaoke for the classic seasonal staple have increased and the track hits No. 89 this week.
The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from Mar. 24 to 30, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.
Billboard Women in Music 2025
Zenyara Desert Nights is back and bigger than ever for 2025.
Global experiential agency Corso Marketing Group (CMG) and underground nightlife tastemakers Framework have revealed the lineup for their invite-only late-night festival series, returning April 11–13 and April 18–20, with exclusive access driven by Dorsia and in collaboration with Tao Group Hospitality.
Held at the sprawling, 70-acre Zenyara estate in the Coachella Valley, the two-weekend affair promises deep grooves, underground legends and the kind of high-touch hospitality money can’t buy — unless you’re on the list.
The 2025 lineup features a stacked roster of talent, including Bob Moses (Club Set), Vintage Culture, Mau P, WHOMADEWHO (Hybrid Set), Dixon b2b Jimi Jules, Mahmut Orhan, Damian Lazarus b2b Dennis Cruz and more. A special guest is also confirmed for Saturday, April 12 — because Zenyara never misses a surprise moment.
2025 lineups
Weekend One
Friday, April 11: Ahmed Spins, Bob Moses (Club Set), Damian Lazarus b2b Dennis Cruz, KILIMANJARO
Saturday, April 12: Special Guest
Sunday, April 13: Dixon b2b Jimi Jules, WHOMADEWHO, Yulia Niko, DESIREE, Sparrow & Barbossa
Desert Nights
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Weekend Two
Friday, April 18: Mahmut Orhan, Vintage Culture, Ahmed Spins, Beltran
Saturday, April 19: ChaseWest, Mau P, Autograf, Miramar
Sunday, April 20: Francis Mercier, Mind Against, Tripolism + more TBA
Desert Nights
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Since launching in 2018, Zenyara Desert Nights has earned a reputation as one of the most exclusive, off-site experiences of Coachella season — where the energy of a club night meets the polish of a luxury brand retreat. Past editions have featured performances from artists like RÜFÜS DU SOL, Kaytranada, Skrillex and Solomun, while attracting an elite mix of artists, designers, athletes and industry leaders from around the globe.
And just when you think they’ve peaked, enter Rodeo Nights, Zenyara’s first-ever country-inspired weekend, set for April 25–27 during Stagecoach. Full lineup details are still under wraps, but expect luxury with a side of cowboy boots.
With premium brand partners including Patrón El Alto, Red Bull, Heineken, Rivian, and Outcast, immersive activations will be spread across Zenyara’s aquatic playground, complete with a private beach, a full spa, golf and tennis courts, and a rooftop-ready infinity pool. Co-produced by CMG and Framework, in association with Dorsia and Tao Group Hospitality, Zenyara 2025 is once again shaping up to be the desert’s most coveted invite—and the late-night party everyone will wish they got into.
Plus, two Beatles and their spouses, Sonny & Cher and more.
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