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Megan Thee Stallion (Megan Pete) and her legal team have been granted permission to depose Tory Lanez (Daystar Peterson) behind bars following a ruling by a federal judge on Monday (Feb. 24). “Plaintiff may take the oral deposition of Daystar Peterson, either remotely via videoconference technology or as otherwise arranged upon agreement with the California […]
Kate Bush, Damon Albarn, Annie Lennox and Hans Zimmer are among the artists who have contributed to a new “silent” album to protest the U.K. government’s stance on artificial intelligence (AI).
The record, titled Is This What We Want?, is “co-written” by more than 1,000 musicians and features recordings of empty studios and performance spaces. In an accompanying statement, the use of silence is said to represent “the impact on artists’ and music professionals’ livelihoods that is expected if the government does not change course.”
The record was organized by Ed Newton-Rex, the founder of Fairly Trained, a non-profit that certifies generative AI companies that respect creators’ rights. The tracklisting to the 12-track LP reads: “The British government must not legalise music theft to benefit AI companies.”
Is This What We Want? is now available on all major streaming platforms.
Also credited as co-writers are performers and songwriters from across the industry, including Billy Ocean, Ed O’Brien, Dan Smith (Bastille), The Clash, Mystery Jets, Jamiroquai, Imogen Heap, Yusuf / Cat Stevens, Riz Ahmed, Tori Amos, James MacMillan and Max Richter. The full list of musicians involved with the record can be viewed at the LP’s official website. All proceeds from the album will be donated to the charity Help Musicians.
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The release comes at the close of the British government’s 10-week consultation on how copyrighted content, including music, can lawfully be used by developers to train generative AI models. Initially, the government proposed a data mining exception to copyright law, meaning that AI developers could use copyrighted songs for AI training in instances where artists have not “opted out” of their work being included.
The government report said the “opt out” approach gives rightsholders a greater ability to control and license the use of their content, but it has proved controversial with creators and copyright holders. In March 2024, the 27-nation European Union passed the Artificial Intelligence Act, which requires transparency and accountability from AI developers about training methods and is viewed as more creator-friendly.
Speaking at the beginning of the consultation, Lisa Nandy, the U.K.’s Secretary of State for Culture, Media and Sport, said in a statement: “This government firmly believes that our musicians, writers, artists and other creatives should have the ability to know and control how their content is used by AI firms and be able to seek licensing deals and fair payment. Achieving this, and ensuring legal certainty, will help our creative and AI sectors grow and innovate together in partnership.”
Industry body UK Music said in its most recent report that the music U.K. scene contributed £7.6 billion ($9.6 billion) to the country’s economy, while exports reached £4.6 billion ($5.8 billion).
“The government’s proposal would hand the life’s work of the country’s musicians to AI companies, for free, letting those companies exploit musicians’ work to outcompete them,” said Newton-Rex in a statement on the album release. “It is a plan that would not only be disastrous for musicians, but that is totally unnecessary: the UK can be leaders in AI without throwing our world-leading creative industries under the bus. This album shows that, however the government tries to justify it, musicians themselves are united in their thorough condemnation of this ill-thought-through plan.”
Jo Twist, CEO of the British Phonographic Institution (BPI), added, “The UK’s gold-standard copyright framework is central to the global success of our creative industries. We understand AI’s potential to drive change including greater productivity or improvements to public services, but it is entirely possible to realise this without destroying our status as a creative superpower.”
Speaking to Billboard U.K. in January, alt-pop star Imogen Heap — a co-writer on Is This What We Want? — expanded on her approach to AI. “The thing which makes me nervous is the provenance; there’s all this amazing video, art and poetry being generated by AI as well as music, but you know, creators need to be credited and they need to tell us where they’re training [the data] from.”
Hank Azaria‘s Bruce Springsteen tribute band has gotten The Boss’ stamp of approval.
The Friends actor joined Live With Kelly and Mark on Monday (Feb. 24), where he discussed his Springsteen tribute band, the EZ Street Band, and what inspired its formation. “I’m from Queens. Queens is just like Asbury Park but less water,” he joked of his and Springsteen’s different hometowns, before explaining while imitating the rocker, “I’ve been imitating Bruce since I was a teenager. A lot of my early impressions are based on hero worship, Bruce being at the top.”
When asked if Springsteen knows about the band, Azaria revealed that he does — thanks to his friend, who is an oral surgeon in New York City. “He texted me one day, ‘Text me your favorite video of the band.’ So, I text him ‘Thunder Road’ — he’s a big Springsteen fan,” he recalled. “Later that night, he texted me that Patti Scialfa, Bruce’s wife, was in his chair. I said, ‘Oh, dear, if I had known that, I really wouldn’t have sent the video.’ Then he sent me a text that Patti showed it to Bruce, and they had watched it twice, actually. What he got is that it’s a loving tribute, which is what it is. I was like, ‘Please make sure they know it’s all for charity.’”
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While Springsteen hasn’t made it to a show yet, Azaria said that “is a goal of ours.”
Azaria and the EZ Street Band went on to perform Springsteen’s 1985 hit “Glory Days” on the show, with Azaria looking and sounding exactly like the superstar. Watch the performance here.
The EZ Street Band are touring throughout the spring, with a full list of tour dates and ticket information available on the group’s website here.
Watch Azaria’s full Live With Kelly and Mark interview below.
From now on, the Yankees will celebrate being the kings of the hill only if they’ve earned it. As announced this week, the Major League Baseball team has decided to end its tradition of playing Frank Sinatra‘s “New York, New York” over stadium speakers at the end of each game, win or lose, now opting […]
Kevin Durant wants rap fans to stop arguing and enjoy the music. Over the weekend, the Phoenix Suns star took to X to share his opinion on J. Cole‘s latest song “Clouds” in a since-deleted tweet. “I don’t care about none of that fake tough guy sh–,” he quote-tweeted over a post sharing the song. […]
Roberta Flack, the chart-topping, Grammy-winning singer-songwriter whose string of hits bridged sophisticated pop and vintage soul, died Monday (Feb. 24) at age 88. A product of piano-based classical training and the gospel stylings of the AME Church, Flack signed with Atlantic Records in 1968 after years as an educator and club performer around Washington, D.C.
In January 1970, Flack’s debut album, First Take, arrived on Billboard’s charts, including a No. 195 start on the Billboard 200. Among its eight tracks was a cover of a popular folk song, “The First Time Ever I Saw Your Face,” which emerged as a mainstream hit after Clint Eastwood borrowed it for his film directorial debut, Play Misty for Me, in late 1971. The track became Flack’s fourth career hit on the Billboard Hot 100 in March 1972, and by mid-April, became the singer’s first No. 1. Six weeks at the summit fueled “Face” to the year-end No. 1 Hot 100 honor, and it won Grammy Awards for record and song of the year in 1973. First Take, too, enjoyed spoils, pushing to No. 1 on the Billboard 200 for a five-week reign.
The following year repeated many of the same triumphs, with another No. 1 Hot 100 single, “Killing Me Softly With His Song,” and the record of the year Grammy Award. Flack nearly landed both victories for a third consecutive year, as her third and final Hot 100 leader, 1974’s “Feel Like Makin’ Love,” was also nominated for record of the year.
In all, Flack achieved 18 Hot 100 hits in her career, including six duets with her most frequent collaborator, Donny Hathaway, with classics “The Closer I Get to You” (No. 2) and “Where Is The Love” (No. 5) finding the strongest success. Her last appearance came in 1991, with the Maxi Priest collaboration “Set the Night to Music,” which peaked at No. 6.
Her material touched a new generation, too, through the Fugees’ rendition of “Killing Me Softly” from their seminal album, The Score. The hip-hop trio’s version soared to No. 2 on the Radio Songs chart from chart-topping results across multiple formats, including Pop Airplay and R&B/Hip-Hop Airplay, and won a Grammy Award for best R&B vocal performance by a duo/group.
To review the legend’s impact across popular music, here’s the official recap of Roberta Flack’s biggest hits on the Billboard Hot 100.
Roberta Flack’s Biggest Billboard Hot 100 Hits ranking is based on weekly performance on the Hot 100 from its Aug. 4, 1958, start through Feb. 22, 2025. Songs are ranked based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at lower spots earning the least. Due to changes in chart methodology over the years, eras are weighted differently to account for chart turnover rates during various periods.
“If Ever I See You Again”
WNBA star Cameron Brink probably never thought an answer to a red-carpet question would eventually produce the “highlight of her life.” Brink, along with other WNBA future stars, was asked by Complex last April to choose between Kendrick Lamar and Drake at the WNBA draft, and the Stanford alum was the only one to stand […]
A certain Material Girl is still a Jimmy Kimmel Live! virgin, and the late-night host is holding out hope to have Madonna on his show for the very first time. In a new interview with People, the comedian revealed which A-list celebrity he most wants to have as a guest on his show, despite never […]
Billy McFarland‘s against-all-odds comeback festival has an official ticketing partner, location and new date, but skeptics still have plenty of reasons to doubt the convicted fraudster’s claims that Fyre Fest 2 won’t be a repeat of his 2017 disaster in the Bahamas.
On Monday (Feb. 24), Austin-based secondary ticketing site soldout.com announced an exclusive ticketing partnership with Fyre Festival 2, which the release announced was to be held on Isla Mujeres in Mexico from May 30 to June 2, 2025 (roughly a month later than the previously-announced dates of April 25-28). Isla Mujeres is a popular tourist destination in the Caribbean Sea about a 30-minute ferry ride from Cancun, located in the state of Quintana Roo.
Tickets for Fyre Fest 2 start at $1,400 a piece for a four-day pass (airfare and hotel not included) and go as high as $25,000 for artist passes that include backstage access and overnight stays at one of two high-end hotels on the island. There’s even a $1 million package for eight people that McFarland says includes access to luxury villas, a private marina with high-end yachts and a private jet to and from Cancun.
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Fyre is handling the primary sale of tickets through its own internal system and is utilizing soldout.com for secondary sales. On its website, soldout.com guarantees fans a 100% refund of their money if an event is canceled and not rescheduled. Notably, fans seeking a refund for the 2017 festival received pennies on the dollar due to the festival’s bankruptcy.
Andrew Hentrich, president of Soldout.com, affirms that his company does guarantee refunds if the fest is canceled, noting that “all proceeds from Fyre Festival ticket sales on SoldOut.com are held securely and will not be settled with Fyre until after the event has successfully taken place. Additionally, SoldOut.com is fully insured and financially equipped to issue refunds if necessary, ensuring buyers are protected in the event of cancellation or significant changes to the festival date. This policy applies to all events listed on SoldOut.com, not just Fyre Festival.”
McFarland has been teasing Fyre Festival 2 as a redemption project and personal rebrand since being released from prison and into a halfway house in May 2022. McFarland served four years of his six-year sentence after admitting to defrauding investors in the disastrous 2017 Fyre Festival, which was promised as a luxury destination music event via extravagant promotion from A-list celebrity influencers. But when ticketholders showed up on Great Exuma island in The Bahamas, they found the event they were promised was totally unrealized. McFarland also pleaded guilty to charges in a later ticket-selling scam.
McFarland promises Fyre Festival 2 will be different, and nailing down a location and locking in a date for the festival are major milestones. A press release also announced that Mexican concert production company LostNights would handle festival logistics.
“FYRE Festival 2 is about the adventure into the unknown, curating elite, once-in-a-lifetime experiences,” McFarland said in a statement. “Soldout.com’s background in the music festival world will ensure that our guests have a seamless ticket-buying process from start to finish. Soldout.com is a great addition to the team which also includes Lostnights, our talented and accomplished festival producer and operator.”
The next step will be securing talent for the festival. Billboard reached out to two of the largest booking agencies for music festivals and both said no one has contacted them from Fyre Festival or LostNights to book musical talent.
Drake and producer Elkan are giving fans a glimpse of how one of the standout tracks on $ome $exy $ongs 4 U came together. Reposted from Elkan’s Instagram, Drake shared a video on his plottttwistttttt IG account of the producer crafting the beat to “Nokia” in a studio in Freetown, Sierra Leone, timestamped on Wednesday, […]