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Billy Joel has postponed his current tour for four months due to an undisclosed medical condition, it was announced on Tuesday (March 11). The Rock & Roll Hall of Fame inductee underwent surgery recently, and will use the time to recover and undergo physical therapy.
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Joel, 75, is expected to make a full recovery, with the tour resuming at Acrisure Stadium in Pittsburgh on July 5. “While I regret postponing any shows, my health must come first,” Joel said in a statement posted to Instagram. “I look forward to getting back on stage and sharing the joy of live music with our amazing fans. Thank you for your understanding.”
The stadium tour, which includes Joel often pairing with fellow legends Stevie Nicks, Sting or Rod Stewart, was slated to start March 15 in Toronto.
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It is unknown if the surgery was related to the spill Joel took on stage Feb. 22 during a show at the Mohegan Sun Casino in Uncasville, Conn., while tossing his microphone during “It’s Still Rock and Roll to Me.” Joel quickly recovered from the fall, seemingly uninjured, and finished the show.
The delay will not affect Joel’s three New York City-area summer shows, which will lead the Piano Man to setting a record. Joel will play Yankee Stadium in the Bronx on July 18; Metlife Stadium in East Rutherford, N.J., home to the New York Giants and New York Jets, on Aug. 8; and Citi Field, home to the New York Mets, in Queens, N.Y., on Aug. 21, making him the first artist to play all three NYC-area stadiums in one summer. Stewart will join him July 18, Nicks on Aug. 8 and Sting on Aug. 21.
“I’m looking forward to playing these iconic stadiums this summer – each holds personal significance to me,” Joel told Billboard in early February. “There’s nothing like the energy of the crowds in New York, and sharing a stage with my friends Rod Stewart, Sting and Stevie Nicks, whose music always inspires me, is extremely rewarding.”
See below for the rescheduled dates:
Beyoncé has starred in a number of films, but according to Tina Knowles, the 35-time Grammy winner’s big screen days are behind her.
The businesswoman revealed on Instagram March 7 that her superstar daughter has no plans to return to the big screen. Sharing a clip of Bey singing “I’d Rather Go Blind” while portraying Etta James in 2008’s Cadillac Records, Ms. Knowles wrote, “This is still one of my favorite movies, and it makes me miss the fact that my child decided not to continue with movies.”
“She killed it in this movie,” the designer added. “And she so unselfishly donated her salary to the Phoenix house.”
Phoenix House is a nonprofit that offers recovery treatment for individuals struggling with substance abuse. Bey reportedly gave $4 million in earnings from Cadillac Records to the foundation.
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The Darnell Martin-directed musical biography is just one of several films the “Texas Hold ‘Em” singer has starred in, though it’s been many years since she last appeared on screen. She made her acting debut in the 2001 TV film Carmen: A Hip Hopera, after which she had roles in 2002’s Austin Powers in Goldmember, 2003’s The Fighting Temptations, 2006’s The Pink Panther and Dreamgirls, and 2009’s Obsessed.
Since then, Bey has stuck to voice roles in animated projects. In 2013, she voiced Queen Tara in Epic, and she also played Nala in 2019’s The Lion King remake and 2024’s Mufasa: The Lion King.
But while fans may miss seeing her on the big screen, the Ivy Park founder definitely has a lot of other projects on her plate. She’s currently gearing up to embark on her Cowboy Carter Tour supporting her Billboard 200-topping LP of the same name, which won best country album and album of the year at the 2025 Grammys. Last year, she also launched a new haircare brand called Cécred.
The musician still took time to honor one of her former costars, though, after Angie Stone — whom she appeared alongside in The Fighting Temptations — died in a car crash earlier this month. “Thank you for your voice, your strength and your artistry,” read a message dedicated to the R&B icon on Bey’s website. “Your incredible legacy will live on forever.”
Whatta man Jelly Roll is! The country superstar appears in a hilarious new commercial for Zevia, a zero-sugar, zero-calorie natural alternative to soda.
In the clip, shared on Monday (March 10), the “Need a Favor” singer pulls up to an 1950s-looking gas station in his red pick-up truck. Two young boys in the field nearby watch in awe as Jelly Roll emerges from the car in slow motion, running his hands through his mullet as he portrays a classic country man in a cut-off flannel, jean shorts, cowboy boots and black sunglasses. Salt-N-Pepa’s 1993 hit, “Whatta Man,” plays in the background, adding to the drama of the moment.
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“Jelly Roll? In a Zevia commercial? This is huge,” one of the boys says as the star opens a nearby refrigerator and pulls out a Creamy Root Beer flavored beverage. “By choosing him as the spokesperson for their zero-sugar soda with zero artificial ingredients, Zevia is dismantling the notion that quote-on-quote ‘real men’ can’t be conscious of what goes into their body.”
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“Mr. Roll is now, quite literally, the poster child for sweet authenticity,” the boy gushes — much to the confusion of his friend — as Jelly Roll takes a sip of his drink, burps and smiles into the camera.
For Jelly Roll, the partnership was a no-brainer, as he’s been focusing on his health in recent months, revealing at the end of 2024 that he lost more than 100 pounds over the course of the year. “Making small, intentional choices daily is a real thing that I have honed in on and that has been so impactful during this process,” he tells Billboard of his health and wellness journey. “I think it’s changed my ability to keep up with my progress, since it has been an honest conversation of ‘in that moment’ which one is the better option to stay on track?”
He also just loved filming the advertisement. “What I loved about this is it felt like we got to really play into the skit and have some fun with it,” he recalls. “When I got to do the season premiere of SNL this year, I got to also be a part of a skit, and this was another version of being able to really lean into having fun with a character. And everyone else on set was so game too which made it such a great experience.”
As for that “sweet poster child of authenticity” comment, he agrees. “One thing you can say about me is that I am me — even when I get chances to play up a character — and I hope that comes through in this spot. What you see is what you get,” he says.
Watch Jelly Roll keep it real in the new Zevia commercial below.
K-pop singer and songwriter Wheesung (born Choi Whee-sung), was found dead in his home in Seoul, South Korea on Monday night (March 10). According to The Hollywood Reporter, no cause of death has been determined yet and foul play is not suspected, with Seoul police saying a “substantial” amount of time appeared to have passed before the singer’s body was discovered.
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“The artist Wheesung has left us. He was found in cardiac arrest at his residence and was later pronounced dead,” his agency, Tajoy Entertainment, said in a statement. The singer’s mother reportedly discovered his body and called emergency services.
Wheesung rose to prominence in the early 2000s with his soulful vocals and smooth R&B style in a career cut short by a drug-use scandal.
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Born on Feb. 5, 1982, Wheesung made his performance debut in 1999 with the K-pop boy band A4. After a short stint in the group, Wheesung broke solo in 2000 and released his debut single, the emotional R&B ballad “Can’t We?” in 2002, followed by his R&B/soul-inspired debut solo album, Like a Movie.
After winning best new artist at the 2002 Golden Disc Awards, he dropped his sophomore effort, It’s Real, in 2003, expanding his sound to include hip-hop and pop vibes. Several more albums followed in 2004 (For the Moment), 2005 (Love… Love… ? Love… !) and 2007 (Eternal Essence of Music); his most recent release was the 2018 EP In Space.
Wheesung bounced between a number of different management companies in the ensuing years and a decade into his solo run reverted to his early career stage name, Realslow. His career went into a downswing in 2013 when he was accused of using the surgical anesthetic propofol — the drug that contributed to Michael Jackson’s death — for several years for what he said was treatment for a herniated disk and hair loss.
Within days in March and April in 2020, Wheesung was found passed out in public bathrooms near syringes and vials containing etomidate, another sleep-inducing drug similar to propofol, according to BBC News. Following those incidents, his agency at the time, Real Slow Company, issued a statement in which it said, “He has been going through an incredibly difficult period due to the sudden passing of his father and close friends. He has been suffering from depression and panic disorder and has been receiving psychiatric treatment,” according to the Korea Herald.
In 2021, Wheesung got a two-year suspended sentence for abusing propofol.
The singer, who was also a well-respected producer and songwriter, also worked with a number of other K-pop artists, including the girl groups Twice, T-ara and Orange Caramel, as well as Younha, G. NA and Ailee. He was scheduled to co-headline a show with singer KCM dubbed “The Story,” in Daegu, South Korea at EXCO Auditorium on Saturday (March 15); that show has been cancelled.
Corridos bélicos pioneer Luis R Conriquez is set to hit the road with his Trakas HDSPM U.S. Tour, Billboard can announce. The Live Nation-produced stint will kick off April 25 in New York at the UBS Arena and will visit major cities across the country, including San Antonio and Las Vegas before wrapping up Oct. […]
You know how you know you’re a huge pop star? When the mere mention of your name, or a brief, dance-y cameo during the host’s monologue drive the studio audience into uncontrollable shrieking. BTS‘ j-hope knows this feeling.
The singer got ARMY in formation early on Monday night (March 10) during his appearance on The Tonight Show when he snuck out during Jimmy Fallon’s monologue for a bit making fun of the host’s lame dance moves. “I wish I could dance even a 10th as good as he can,” Fallon lamented of his skills compared to his guest, as Roots drummer Questlove assured Jimmy that he indeed had smooth moves. Busting into some seriously cringe dad choreo, Jimmy gyrated to massive screams as a smiling Hobi slipped on stage to show him how it’s done, leaving Fallon thinking that he’d killed it. “You love my dancing!” Fallon blushed.
The singer came back for a sit-down chat, beginning with his favorite things to do when he visits the U.S. Fallon noted that the K-pop superstar recently made his first visit to In-N-Out Burger and he asked how it went. Switching from Korean to English, j-hope said he ordered a cheeseburger, animal-style, a vanilla milkshake and fries. “It was good…. very salty and cheesy and sweety… but not healthy,” he smiled.
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After Fallon shared a recent Instagram post in which Hobi busted out his best Kendrick Lamar “Not Like Us” shuffle dance, the singer confirmed that he’s never met K-Dot, but is definitely down for a collab. “I’m ready for work with you, Kendrick,” he said to screeches from the studio audience as he did a command performance of the signature dance from Lamar’s Drake-destroying single.
In addition to talking about his early days in the underground dance crew Neuron — which was inspired by the first time he heard the clothes-to-the-back kid rap duo Kriss Kross — j-hope said that, like Fallon’s pal Justin Timberlake, when he’s in the studio he can’t help dancing to his own songs and dreaming about what it will be like to perform them live.
“Whenever I listen to music, something come up in my mind,” he said. “And I think of how I want to express that on stage.”
The singer also came back to close the show with a performance of his new solo single, “Sweet Dreams,” with Miguel. Standing on a platform on a fog-shrouded set, Hobi harmonized with the soul singer on the song’s love-filled chorus in his first-ever solo spot on the show, before busting out his melodic rap on the verse while rocking the stage in baggy jeans and fuzzy bunny slippers.
Watch j-hope on The Tonight Show below.
Continuing his ascent as one of the U.K.’s most in-demand electronic acts, Barry Can’t Swim has returned with a intense new single. Listen to “The Person You’d Like To Be” below.
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Offering direct spoken-word vocals that cut through discordant arrangements, the track marks the first preview of a forthcoming project from the Scottish artist. More details of the release are expected to arrive soon.
Born Joshua Mainnie, the DJ and producer has had a stratospheric rise over the past 18 months. Following the release of his debut album, When Will We Land?, in October 2023 – which peaked at No. 12 on the Official U.K. Albums Chart – Mainnie has gone on to perform at major festivals across the globe, including Coachella and Australia’s Laneway.
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In September 2024, the record was shortlisted for the prestigious Mercury Prize. His nomination puts him alongside Aphex Twin, Nia Archives, Burial, Jamie xx, Fred Again.. and Jon Hopkins as the only solo British electronic acts to be nominated for the award. Leeds band English Teacher would go on to be named as the winner of last year’s award.
Later that month, Mainnie released “Still Riding,” a dancefloor cut that features a sample of Kali Uchis’ 2015 single “Ridin Round.” It was first aired at one of his sets in 2022, before he released the track – which samples the Colombian-American artist’s vocals – to streaming two years later.
When Will We Land? also led Mainnie to a BRIT Awards 2024 nomination in the dance act category, as well as making the shortlist for the Scottish Album of the Year awards. He performed three sold-out shows at London’s iconic O2 Academy Brixton last October, following a much talked-about slot on The Park stage at Glastonbury earlier in the year.
Mainnie will headline London’s All Points East series on Aug. 22. He will be supported by special guests Confidence Man and Shygirl. Elsewhere, there will be appearances from a bevy of dance acts including DJ Heartstring, Interplanetary Criminal, Salute, Leon Vynehall and ATRIP, among others. The four-night festival will also see RAYE, The Maccabees, and Chase & Status top the bill at their respective all-dayers.
On Aug. 24, Mainnie will appear at Bristol’s Forwards Festival alongside Doechii, Ezra Collective, and Jorja Smith. He is also scheduled to headline Lost Village Festival in Lincolnshire across the same weekend.
He is currently gearing up for a U.S. tour through the spring, which will see him perform in major cities including Boston and New York. The run of dates will culminate with two nights at Los Angeles’ Shrine Expo Hall (May 2-3).
Lil Nas X took some time off, but clearly it was no vacation. The rapper has dropped back-to-back new singles this week and on his latest he’s warning that no games will be played this year. “B–ch, I’m in my prime like a paintbrush/ Big s–t poppin’, walkin’ ’round in a mink vest/ Whoop-whoop, talkin’ […]
The Voice season 27 turned up the heat Monday night (March 10) as the Battle Rounds began, pitting the Top 48 contestants against each other in unforgettable duets to secure their place in the Knockouts.
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Coaches Adam Levine, John Legend, Michael Bublé, and Kelsea Ballerini each paired their artists strategically, but it was Team Adam’s matchup between Fran Posla and Ethan Eckenroad that sparked one of the evening’s most memorable performances.
Performing Noah Cyrus’s emotional hit “July,” Posla and Eckenroad showcased distinctly different vocal strengths on the soulful track.
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Posla, who Levine encouraged to sing slightly sharp to maintain pitch—advice he insisted “makes sense” despite the initial confusion—captivated the audience immediately with her crisp tone and confident phrasing. Her cool, laid-back delivery earned her praise across the board, with Kelsea Ballerini enthusiastically describing Posla as the “ultimate cool girl,” jokingly adding, “I want to go drink a bourbon with you, and I don’t even drink bourbon, ’cause that scares me.”
Meanwhile, Ethan Eckenroad, who has spent considerable time away from his wife and infant daughter during the competition, brought a softer, emotionally charged vocal style that gained momentum throughout the performance.
While he initially struggled to find his footing, Eckenroad eventually won over the coaches with a soulful climax that highlighted his vocal warmth. Michael Bublé particularly praised Eckenroad’s voice as “soft and beautiful,” recognizing the hidden power beneath his gentle delivery.
However, it wasn’t smooth sailing for Eckenroad from the start, as both Legend and Levine acknowledged he took some time to find his groove.
Legend noted that while Posla appeared effortlessly comfortable with Noah Cyrus’s track “July,” Eckenroad’s initial uncertainty was apparent. Ultimately, Adam surprised viewers with his decision, advancing Ethan Eckenroad to the Knockouts while eliminating Fran Posla, despite universal acclaim for her standout performance.
Levine appeared conflicted, reflecting openly: “Fran, you really did thrive singing this song. Ethan, it’s not that you didn’t thrive, because you did…but it took a little time.” Despite second-guessing the song choice, Levine placed his bets on Eckenroad’s growth potential moving forward.
The Voice Season 27 continues next week as coaches Legend, Levine, Bublé, and Ballerini guide their artists into the Knockout rounds, inching closer to crowning the next vocal star.
Luke Combs has revealed the intense nature of his struggle with Obsessive Compulsive Disorder (OCD), describing the condition as “particularly wicked” during a candid conversation on 60 Minutes Australia.
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The country star shared that unlike common perceptions of OCD—such as compulsive behaviors like flicking light switches—his form, purely obsessional OCD, manifests internally with relentless anxiety and intrusive thoughts rather than outward rituals.
“Probably the worst flare-up of it I’ve had in, I would say three or four years, started about two days before this trip,” Combs told the program prior to his show at Sydney’s Accor Stadium last month.
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“It’s something that in some way I at least think about every day. There’s some tinge of it to some extent every day … The craziness of the particular disorder that I have, it’s the way to get out of it,” Combs told interviewer Adam Hegarty.
“There’s no outward manifestation of it, right? Like you’re talking about the flicking of a light switch, but for me, it’s all going on in here,” Combs explained, adding. “When someone else flicks a light switch, you can see it happening. But for someone like myself, you wouldn’t even know what’s going on—it could be happening right now and you wouldn’t even realise it.”
“It’s thoughts, essentially, that you don’t want to have… and then they cause you stress, and then you’re stressed out, and then the stress causes you to have more of the thoughts, and then you don’t understand why you’re having them, and you’re trying to get rid of them, but trying to get rid of them makes you have more of them.”
He continued, “I’m lucky to be an expert in how to get out of it now… I’m probably 90 per cent out of my flare-up now … and in the midst of doing a world tour, right?”
Combs, known for hits like “Forever After All,” described recent anxiety flare-ups as among the most severe he’s experienced in years, noting periods where obsessive thoughts consumed him for “45 seconds of every minute for weeks.” The intrusive thoughts ranged from unsettling violent images to existential concerns about his identity.
The country star admitted that his OCD significantly impacted his life, explaining, “It held me back so many times in my life where you’re trying to accomplish something, you’re doing really great, and then you have a flare-up, and it just like ruins your whole life for six months.”
Yet, Combs has gradually learned to manage the disorder more effectively by acknowledging these intrusive thoughts without fear.
“When it happens now, I’m not afraid of it because I’m not like, ‘What if I’m like this forever?’ I know I’m not going to be like this forever now.”
Previously, Combs had opened up about first experiencing OCD-related anxiety in middle school during a 2021 interview on AXS TV’s The Big Interview, likening his obsessive thoughts to “fixing the blinds or straightening the carpet,” but occurring entirely in his mind.
Luke Combs has landed four No. 1 albums on Billboard’s Top Country Albums chart: This One’s For You (2017), What You See Is What You Get (2019), Growin’ Up (2022), and The Prequel (EP) (2019). His albums Gettin’ Old (2023) and Fathers & Sons (2024) both peaked at No. 2.
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