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Space Ranger Brings First Taylor Swift Cover to ‘Masked Singer’ Just Before His Exit: ‘They Only Cleared It Because of Me!’

The following story contains spoilers about the celebrity revealed on Wednesday night’s (March 12) episode of The Masked Singer.

Space Ranger made his debut on last week’s Masked Singer, bounding out with his neon-tinged swagger and a silver space suit topped by a glowing, planet be-decked cowboy hat. It was a fitting ‘fit for what came next: an electrifying performance in which he bounced around, dropped to his knees and flashed finger guns with so much rizz that judge Jenny McCarthy-Wahlberg was convinced he must be a famous comedian.

If you were paying any attention at all, the clues (and his one-of-a-kind voice) made it pretty obvious: He’s futuristic, lives on his own planet and a childhood report card included an A+ in, ahem, “PE.” Oh, also, sometimes, he said, you have to show them all that you’re “worth the hype,” as he showed off a belt that appeared to have a clock face on it.

His debut performance, of a track by his “bestie,” was a spirited run through Taylor Swift’s “Bad Blood” that left judge Ken Jeong dumbstruck, while host Nick Cannon knew right away that it was one of his “favorite people” on the planet.

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Both Robin Thicke and Jenny McCarthy-Wahlberg agreed that it could be comedian/actor Tracy Morgan, while always-wrong Jeong — who said he’s opened for Morgan on the road — thought the space case was retired boxer Floyd Mayweather Jr., and Rita Ora suggested a showman like actor/comedian Marlon Wayans.

Wednesday night’s Ghostbusters-themed episode was back with more super obvious clues, including one about his gig “schlepping furniture” in New York as a young man before he and his partner came up with a crazy idea for a career change with help from a “beastly band of boys” who boosted their career.

For his second song, he went in another direction with the swinging Busboys’ Ghostbusters soundtrack album tune “Cleanin’ Up the Town,” which further showcased his showmanship and vocal dexterity. The second performance made Jeong think it was DJ Jazzy Jeff, even as Thicke doubled down on his Morgan guess, while Ora and McCarthy-Wahlberg totally figured out that it was none other than Public Enemy hype man rapper Flavor Flav.

Before his elimination, Billboard spoke with Flav, who described the joy of getting the special dispensation to cover Swift, his shock at the judges’ guesses, and why he wanted to hang around just a bit longer.

You said being on the show has been on your bucket list for years. Why? What took you so long?

I don’t know what took it so long ’cause I’ve been wanting to do this show for years! So when I was asked to be on the show, I said, “Wow! Finally? OK, let’s go!” One thing about me is I love surprising people, I love amusing people, and I love keeping people in suspense. So this show put me on that platform to do all of these things.

People know you as the hype man from PE, but were you nervous to try singing on national TV, especially a Taylor Swift song?

One thing about Flav — Flav is never, ever nervous. I always love being the center of attention. I love being the most positive, talked-about. I’m the biggest hype man, I’m the original hype man, so I could not wait to get out there on that stage and hype up the world.

You are the self-proclaimed “King Swiftie” and there’s never been a Taylor song on Masked Singer. Was that an extra layer of pressure?

Nah, I wasn’t nervous at all, and I was honored that Taylor Swift and them did clear the song for me to do. Because Masked Singer been trying to get a Taylor Swift song cleared for years and they could not get one cleared, until Flavor Flav, King Swiftie, came on their show. [A spokesperson for the show confirmed that it was the first-ever Swift cover on the series.] They cleared it for King Swiftie. I’m honored and proud that Taylor Swift and them cleared me to do “Bad Blood.” I said, “I’m gonna have fun with this song and I know I’m gonna do a good job with it.” I ain’t gonna lie, I am my biggest fan and I do amuse myself and I love watching me on TV.

Did she approve it because she knew you were going to do it?

They knew I was going to do it, that’s why the song got cleared. They only cleared it because of me! They weren’t clearing it for nobody else! And you know what? I don’t think they’re gonna get another Taylor Swift song after this.

You have an iconic, signature look. So how did it feel to be in that ridiculous costume? Did it help you relax to be covered up?

It was real fun jumping in and out of that costume. When I first seen the costume, I was like, “Wow, how am I gonna pull this off?” But, you know, I can make anything work, I can pull this off. I really had fun… but it was a little hot and muggy up in there and I was running out of fresh air. But I said, “Keep it going. KIM — keep it movin’ Flav, you got this!”

Not gonna lie, I’ve been covering you for 30 years and so this was the easiest mystery to guess in the history of the show. From the way you walked out , to the super obvious clues and your one-of-a-kind voice it seemed almost too easy. 

What do we say when we pick up the phone? “Heloooooooo?” C’mon now, it was the biggest, easiest giveaway! My voice is distinctive like James Earl Jones, like Samuel L. Jackson, like Morgan Freeman. I have the most sampled voice in the history of music and my voice is very, very recognizable. So when you take my voice and match it up with them easy-ass clues… the easiest clues! The first one was “PE.” C’mon now, everybody knows Flavor Flav is Public Enemy! Everybody knows that I’m famous for my hardware that I wear around my neck [holds up giant clock pendant]. It’s clocks. And also the other easy giveaways was the clock belt and they showed the belt twice! I’m like, “C’mon man, everybody knows that’s Flav!” I was trending number 3 on Twitter [after his first episode] and everybody on Twitter was like, “Man, that was the most easiest giveaway ever!” I think they should have did me better.

Be honest: Did you want to win?

I didn’t go on that show to win. I went on that show to have fun. Did I expect to win? No. But I did want to last a little longer than I did and last as long as I can. At least I could say I had fun. At least I could say I was onstage with one of my favorite people on the planet too, Nick Cannon. I’ve always been a Nick Cannon fan and when Nick said “I know who this is! This is one of my favorite people on the planet!” When he said that, you don’t know how honored I was and how proud I was to hear those words come out of his mouth. ‘Cause before Nick Cannon was Wildin’ Out, I was wildin’ out first, since 1986! The surprising thing was when the judges were trying to guess me… where the hell did they get Tracy Morgan from? [Laughs] The weirdest one was Floyd Mayweather. What in the world is Floyd Mayweather going to be doing in a costume?

Benson Boone Admits He Wasn’t Familiar With Taylor Swift’s Music Before Eras Tour

It’s been almost a year since Benson Boone opened for Taylor Swift at London’s Wembley Stadium during her record-breaking Eras Tour, and while he’s a big fan now, that wasn’t always the case.

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The 22-year-old singer sat down with Rolling Stone for a new interview published this week, in which he recalls the moment he was told about opening for Swift. “I didn’t even know much about her,” Boone told the publication. “Her team reached out, and I literally, like, s— my pants. I could not believe it. It was insane, so I started listening to more of her music. I didn’t want to go to that show and not know anything.”

He’s since grown into a fan. “She is an unbelievable performer and has an unbe­lievable world built around her that is unmatched,” he explained. “It is incredible to see how vastly gigantic her show is, just countless moving parts behind the scenes that nobody knows about. She is one of a kind. Such a genuine person. I got the privilege to talk to her, for a while, and she’s so kind.”

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Boone continued, “And she shouted me out onstage, which you do not need to do. It really changed my perspective on so many things that I want to carry into my own career. Just the way I treat people and my crew, watching the way that she treats people. There’s a lot of people who don’t like Taylor Swift. Everybody is entitled to their own opinion, but if you have something against her and you don’t know her, I don’t think that is fair.” 

2024 was a breakthrough year for Boone beyond his gig at the Eras Tour, thanks to the release of his Billboard Hot 100 No. 2 hit, “Beautiful Things.” He performed the track at the 2025 Grammy Awards, where he was nominated for best new artist.

Morgan Wallen Becomes First Artist to Have Two Albums Spend 100 Weeks in Billboard 200 Top 10

Morgan Wallen reaches another Billboard chart milestone, as his latest studio album, One Thing at a Time, collects its 100th nonconsecutive week in the top 10 on the Billboard 200 chart (dated March 15). It’s his second album to notch at least 100 weeks in the region, following his previous studio set, Dangerous: The Double Album, which surpassed 100 weeks on the Dec. 24, 2022-dated chart, and currently has 158 total weeks in the region – the most of any album by a singular artist.

Wallen is the only singular act with two albums (or even one album) with at least 100 weeks in the top 10.

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On the March 15, 2025-dated chart, One Thing at a Time holds at No. 9, while Dangerous climbs 15-12. Both titles debuted atop the list, with One Thing at a Time spending 19 weeks at No. 1 in 2023-24, and Dangerous notching 10 weeks in the lead in 2021.

Since the Billboard 200 began publishing on a regular weekly basis, with the March 24, 1956-dated chart, the album with the most weeks in the top 10 is the original cast recording of the stage musical My Fair Lady, with 173 weeks in the top 10 between 1956-60. Of the six albums with at least 100 weeks in the top 10, four are either cast recordings or film soundtracks.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multimetric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.

Albums With Most at Least 100 Weeks in the Top 10 on the Billboard 200 Chart

Weeks in Top 10, Artist, Title, Year First Reached Top 10
173, Original Cast, My Fair Lady, 1956
158, Morgan Wallen, Dangerous: The Double Album, 2023
109, Soundtrack, The Sound of Music, 1965
106, Soundtrack, West Side Story, 1962
105, Original Cast, The Sound of Music, 1960
100, Morgan Wallen, One Thing at a Time, 2023
(March 24, 1956-March 15, 2025-dated charts)

Because of how the Billboard 200 chart is now compiled, where streaming activity is blended with album sales and track sales, albums tend to spend a longer time on the list thanks to continued streaming activity. The chart only began utilizing streaming information in its methodology in December 2014. Previous to then, the chart was based solely on traditional album sales.

Also, a lengthy tracklist with multiple popular songs can help accrue large streaming totals, so albums like One Thing at a Time and Dangerous (each with more than 30 songs apiece) benefit from the continued weekly streams of their long tracklists.

Further, older albums (known as catalog albums; generally defined today as titles at least 18 months old), were mostly restricted from charting on the Billboard 200 from May 25, 1991-Nov. 28, 2009. After that, catalog and current (new/recently released) albums chart together on the Billboard 200. In turn, older albums now regularly spend hundreds of weeks on the chart. On the March 15, 2025-dated list, for example, there are more than 30 albums with least 400 total weeks on the chart. Before the rule change in December 2009, allowing catalog albums back onto the chart, only three albums had spent more than 400 weeks on the list – led by Pink Floyd’s chart-topping The Dark Side of the Moon. Today, it continues to hold the record for the most weeks on the list, with 990.

Carrie Underwood Is Exposed as a Major Nu-Metal Fan on ‘American Idol’

Sure, Carrie Underwood is the country star behind hits like “Before He Cheats” and “All-American Girl,” but turns out, she’s also a huge fan of nu-metal.

In a clip from season 23 of American Idol, in which Underwood took over for Katy Perry on the judges panel alongside Luke Bryan and Lionel Richie, an 18-year-old musician named Insite auditions. The long-haired Florida native begins his audition by performing “Freak On a Leash” by Korn, much to Underwood’s excitement.

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“You’ve got the hair for it,” she tells the young aspiring star. As he begins to belt the lyrics and head bang along to the beat, Underwood is seen grooving and singing with Insite, which surprised her fellow judges Bryan and Richie. “She knew every word! Who are you?” Richie said to the country star.

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When the judges ask for another “softer” audition song, Insite opts for “Bodies” by Drowning Pool.

“We’re starting to learn about Carrie’s alter egos,” Bryan says as Underwood joins Insite for the “Bodies” performance, as she dances and sings along with the teenager — even inspiring Bryan to head bang at one point.

“That was high school for me,” Underwood explains. “I’ve even crowd surfed, people.”

Ultimately, Insite got three approvals for his auditions, earning his way to the next round of the show. Watch his full audition below. American Idol airs on Sunday nights at 8 p.m. ET/PT on ABC. Episodes are available to stream on Hulu the next day.

The Great Escape Announce First Speakers for 2025 Conference, Including Rizzle Kicks’ Jordan Stephens

The Great Escape has confirmed its first wave of keynote speakers for its 2025 conference, led by Jordan Stephens of Rizzle Kicks.

The Brighton festival will be returning from May 14 to 17, and will play host to a raft of speakers from across the industry. Rapper and broadcaster Stephens will be joined by BBC Introducing DJ Abbie McCarthy to discuss his career thus far, offering insights into the evolving music landscape. 

Stephens — who was born in Brighton — has also been named the first-ever recipient of the Grassroots Hero award from conference collaborators Youth Music. The national charity invests in creative projects for young people experiencing challenging circumstances.

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“I’m buzzing to be part of The Great Escape’s conference this year. Music has always been my foundation, but my career has taken me down so many unexpected paths — from acting to writing to mental health advocacy,” he said in a statement. “Sitting down with Abbie to unpack that journey and celebrate the grassroots movements that are keeping this industry alive is going to be something special.” 

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Another of the keynote speeches will be delivered by Scottish broadcaster, footballer and DJ Pat Nevin, who will be joined by Simon Raymonde, Cocteau Twins member and the founder of Bella Union records.

Meanwhile, Mark Mulligan is scheduled to lead the conference’s opening conversation on Thursday, May 15. During his talk, the music analyst and MIDiA Research founder will explore trends in streaming and creator economies.

Other additions to the conference lineup include Songkick’s Head of Product Jordan Gemli, SoundCloud’s Industry Relations Manager Hope Hale and BBC Radio 1 presenter Jodie Bryant.

Earlier this month, it was announced that Mercury Prize winners English Teacher will headline The Beach stage at The Great Escape as part of the Billboard U.K. Live takeover. Additional names will be added to the stage’s bill in the coming weeks.

Speaking on the announcement, Mo Ghoneim, president of Billboard U.K., said: “The Great Escape has long been a launchpad for breakthrough artists, making it the perfect partner for Billboard U.K. Live’s debut. With Billboard Live, we’re creating immersive experiences that connect fans with the artists shaping the future of music. English Teacher are leading this new wave, and we’re excited to have them headline our stage as we bring Billboard U.K. Live to one of the U.K.’s most essential festivals.”

Elsewhere, the likes of Chloe Slater, Clara Mann, Corto.Alto, Jordan Adetunji and Luvcat are set to perform at the new music showcase. More names are expected to be announced in the coming months.

The Great Escape has a storied history of playing a role in launching the careers of emerging artists. Previous performers at the festival include Charli XCX, Stormzy, Fontaines D.C., Sam Fender, Sigrid and more.

SZA ‘Speechless’ Over ‘SOS’ Tying Michael Jackson ‘Thriller’ Billboard Chart Record

SZA has hit another chart milestone. The singer/songwriter’s SOS has tied with Michael Jackson’s Thriller, notching 79 total, nonconsecutive weeks each in the top 10 on the Billboard 200.

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According to Luminate, no other Black artist has as many, or more, weeks in the top 10 for an album.

“My album tying MJ’s Thriller record … Got me speechless,” a shocked SZA told TMZ Hip-Hop following her appearance on Jimmy Kimmel Live! on Tuesday evening. In his own social media post on X, Top Dawg Entertainment president and SZA manager Terrence “Punch” Henderson succinctly described the momentous occasion with one word: “Insane,” followed by two praying hands emoji.

SOS reached its 79th week in the top 10 on the latest chart, dated March 15, when it held steady at No. 4. MJ’s Thriller claimed its 79th week in the top 10 when it jumped 115-7 on the Dec. 2, 2022-dated chart following its 40th-anniversary reissue.

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For those wondering, the record for most weeks in the top 10 reached by any album is the original cast album to My Fair Lady, with 173 weeks in the top 10 of the Billboard 200.

SZA’s latest chart achievement comes in the wake of other good news this week: “Luther,” her duet with soon-to-be tourmate Kendrick Lamar, is celebrating its third week at No. 1 on the Billboard Hot 100. That feat also finds Lamar tying his prior longest Hot 100 reigns: three nonconsecutive weeks with “Not Like Us” between last May and this February and three weeks in a row last April with “Like That” alongside Future and Metro Boomin.

Lamar and SZA’s highly anticipated Grand National Tour kicks off April 19 in Minneapolis.

Jelly Roll Has Finally Grown Chest Hair & Bunnie XO Is Loving It

Jelly Roll is a Billboard 200-topping artist, a CMT Music Awards and CMA Awards winner, as well as a Grammy nominee. Now he has a new accomplishment to celebrate — the growth of his chest hair.

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The country superstar’s wife, Bunnie XO, took to TikTok on Tuesday (March 11) to share a video in which she playfully exposes Jelly’s new body hair. “I’ve been with this man almost a decade & he just sprouted chest hairs,” she wrote over the clip with a laughing emoji.

In the video, while Jelly Roll is in the middle of a discussion, the Dumb Blonde podcast host zooms in on the brown hair forming on his chest. The “Need a Favor” singer quickly zips up his jacket and begins laughing, before the scene cuts to Bunnie trying to get her husband to unzip the jacket again. “Show the taco meat,” she jokes before Jelly hilariously claps back, “Don’t show my cleavage!”

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The couple first met back in 2015, when Bunnie watched Jelly Roll perform at Sin City’s Country Saloon in Las Vegas. They tied the knot a year later, in August 2016.

Bunnie and Jelly are currently undergoing IVF to conceive a child, which Bunnie shared on a July episode of her podcast. “I’m in my baby mama gardening era,” she joked, adding that Jelly said he would “love” to have a baby with her. “That was not the response that I thought he would say,” she admitted, noting that he’s “so excited” about the possibility of having children together. Bunnie is the stepmother to Jelly’s 15-year-old daughter, Bailee.

Watch the chest hair saga via TikTok below.

Wiz Khalifa & Ty Dolla $ign Rap About Becoming ‘Billionaires’ in New Video

“Conductor, we have a problem!”

Wiz Khalifa, who went from the rap blogs to mainstream superstardom, has gone back to the basics these past few weeks as he’s been randomly releasing freestyles and linking back up with old friends like Curren$y and now fellow Taylor Gang member Ty Dolla $ign.

Produced by current underground darling and Griselda affiliate Conductor Williams, Wiz and Ty give fans an impromptu jam with “Billionaires” as they hang out in the studio. “Can he do it all again? That’s the big question,” Wiz asks while Ty Dolla starts his verse off by singing, “Put one in the air, you rockin’ with the Taylors/I bulletproofed the Maybach/We ride around like the mayor.”

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So far in this young year, the Pittsburgh rapper has dropped about eight freestyles and did tracks with LaRussell and streamer PlaqueBoyMax as he gets ready to drop the sequel to his classic mixtape Kush & Orange Juice on April 18 just in time for 4/20 which lands on Easter Sunday this year, so make sure to respect your family and go on a “cousin walk” instead of blazing up in the crib or hotboxing the whip.

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Wiz most recently hopped on J. Cole’s loosie “Clouds” that he posted on his Algorithm blog and his recent run of freestyles is what inspired Cole to reach out. “Wiz skating. Taylor Gang or Die,” he wrote. “And he been on a wave.”

Tales will be told about Wiz’s current run of loosies.

You can check out the video below.

Music Sustainability Summit Announces Speakers, Agenda for April Event

The second annual Music Sustainability Summit has announced the speakers and agenda for the event that’s set to take place next month in Los Angeles.

Topics to be discussed during the day-long gathering include:

  • Live Music Emissions in the U.K. and U.S.
  • Behind the Tracks: Music Production, Delivery, and Consumption
  • Beyond Backlash: The High Stakes of Climate Advocacy
  • Can Live Music Weather the Storm?
  • Designing for Impact: The Critical Role of Production
  • Entertainment Allies: Strategies in Film, Sports and Broadway
  • Power Shift: The Evolving Landscape of Clean Energy
  • Recipe for Success: Why Menus Matter Most
  • Wear the Change: Rethinking Merch

Speakers will include Maggie Baird, the mother of Billie Eilish and Finneas and the founder of food security and climate change nonprofit Support + Feed; Rev Lennox Yearwood, Jr., a minister, community activist and president of the Hip-Hop Caucus, which works to empowers young people to participate in elections, policymaking and service projects; and John Fernandez and Norhan Bayomi, co-founders of the MIT Climate Machine, who will present a preview of their study of the live music industry’s carbon footprint, which was funded and supported by Warner Music Group, Live Nation, Coldplay and Hope Solutions.

The event is happening on April 15 at L.A.’s Solotech Studios after its original February date was postponed because of the Los Angeles wildfires. Those who registered for the February event will have their registration honored in April. Billboard is the official media partner of the Music Sustainability Summit, which is produced by the Music Sustainability Alliance, a nonprofit that brings together artists, industry leaders and other stakeholders to take on the climate crisis.

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“The music industry is still in its early stages of embracing sustainable practices throughout its operations and supply chains, but the pace of change is accelerating, as is the industry’s impact,” says Music Sustainability Alliance co-founder and CEO Amy Morrison. “The 2025 Summit goes to the heart of our mission, to empower the music business to leverage its platform to tackle the climate crisis. Now is the time for collective action.”

Willie Nelson Spotlights the Songs of Rodney Crowell on ‘Oh What a Beautiful World’ Album

Throughout his career, 91-year-old music icon Willie Nelson has been known to highlight the music catalogs of other artists and songwriters, including Frank Sinatra, Cindy Walker, Kris Kristofferson and Ray Price.

Nelson’s upcoming Legacy Recordings album Oh What a Beautiful World, out April 25, will highlight the songwriting compositions of another lauded singer/songwriter and fellow Texan: Rodney Crowell.

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The dozen-song album, Nelson’s 77th solo studio project, finds the prolific artist offering fresh interpretations of songs written or co-written by Crowell, and reunites Nelson with longtime producer Buddy Cannon.

Crowell himself trades vocals with Nelson on the album’s first release and title track to the project. “Oh What a Beautiful World” appeared as the closing song on Crowell’s 2014 album Tarpaper Sky. Nelson first recorded one of Crowell’s compositions in 1983, and most recently recorded Crowell’s songs for his 2024 album The Border, including the album’s title track (written by Crowell and Allen Shamblin) and “Many a Long and Lonesome Highway,” written by Crowell and Will Jennings.

The album also features instrumentation from Bobby Terry (acoustic guitar, steel guitar, electric guitar), James Mitchell (electric guitar), Jim “Moose” Brown (B-3 organ, piano, Wurlitzer), Mickey Raphael (harmonica), Fred Eltringham (drums, percussion) and Glenn Worf (bass, upright bass), alongside background vocals by Wyatt Beard, Buddy Cannon and Melonie Cannon.

Crowell formed the band The Cherry Bombs in the 1970s, then went on to gain acclaim as an artist and songwriter, releasing his 1978 debut album Ain’t Living Long Like This, while also writing or co-writing songs that became hits for artists including Highway 101 (“Somewhere Tonight”), Gary Stewart, Emmylou Harris, Jerry Jeff Walker and Waylon Jennings (who each recorded versions of Crowell’s “Ain’t Living Long Like This”), and Emmylou Harris and the Oak Ridge Boys (who both recorded “Leaving Louisiana in Broad Daylight”). Crowell’s “Song For the Life” has been recorded by John Denver, Jennings and Alan Jackson, while Keith Urban recorded Crowell’s “Making Memories of Us,” while Tim McGraw covered Crowell’s “Please Remember Me.” “Shame on the Moon” became a hit for Bob Seger and his Silver Bullet Band.

In 1988, Crowell’s album Diamonds & Dirt notched five consecutive Hot Country Songs chart No. 1 singles, including “It’s Such a Small World” (with Rosanne Cash), “I Couldn’t Leave You If I Tried,” “She’s Crazy For Leavin’,” the Grammy-winning “After All This Time” and “Above and Beyond.” The album was also nominated for album at the year at the CMA Awards. Crowell earned another Grammy for best Americana album in 2013 for his album Old Yellow Moon. In 2006, he also earned a lifetime achievement award in songwriting from the Americana Music Association.