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Lil Durk delayed his Deep Thoughts albumsince being arrested by U.S. Marshals in Florida on conspiracy, murder-for-hire and firearms charges in October, but the project finally has a release date.
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Durk released a trailer on Monday (March 17), announcing that his Deep Thoughts LP will arrive on March 28 as he remains behind bars without bond. The clip gives fans a look into his creative process as members of the OTF crew communicate with him on calls and run through songs making the tracklist’s cut.
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“I like the energy [of] what y’all are putting together,” Durk said. “Even the list of songs you sent me is good so I know y’all putting better changes on that s–t. I know it gon’ be bigger and better.”
Prior to being arrested, Durk heated up in the second half of 2024 with singles such as “Monitoring Me” and “Turn Up a Notch,” as well as “Opportunist” and “Late Checkout” with Hunxho. He even appeared on Central Cee’s Can’t Rush Greatness standout “Truth in the Lies” to kick off 2025.
Durk — born Durk Banks — was booked into Broward County jail following his arrest on Oct. 26. Los Angeles federal prosecutors unsealed an indictment accusing OTF crew members — allegedly at Durk’s discretion — of a 2022 shooting in Los Angeles targeting Quando Rondo, which led to Rondo’s distant cousin Lul Pab (Saviay’a Robinson) being killed.
Police believe targeting Quando Rondo came in retaliation to Durk’s childhood friend King Von’s murder in 2020 following an altercation between Von (Dayvon Bennett) and Rondo’s crews outside an Atlanta hookah lounge.
“After the [2020] murder, Co-Conspirator 1 made clear, in coded language, that Co-Conspirator 1 would pay a bounty or monetary reward, and/or make payment to anyone who took part in killing T.B. for his role in D.B.’s murder,” prosecutors wrote while using Rondo and Von’s initials.
Prosecutors continued: “Banks put a monetary bounty out for an individual with whom Banks was feuding named T.B. Banks ordered T.B.’s murder and the hitmen used Banks and OTF-related finances to carry out the murder.”
Durk has denied the allegations and pleaded not guilty to all of the charges. He’s remained behind bars without bond and will head to trial on Oct. 14.
The Chicago native’s last studio album, Almost Healed, arrived in 2023. The project debuted at No. 3 on the Billboard 200 and included hits such as the multiplatinum “All My Life” featuring J. Cole, which reached No. 2 on the Billboard Hot 100.
Machine Gun Kelly pays rocking tribute to one of his best friends, late Australian snowboarder Luke “The Dingo” Trembath in the new video for “Your Name Forever.” The Sam Cahill-directed clip features MGK performing the high-adrenaline rap-rock tune on a rooftop overlooking the Hollywood Hills interspersed with footage of Trembath’s many friends in the music and extreme sports world gathered in front of a massive portrait of the beloved powder rider painted by muralist Royyal Dog.
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“I never thought the last time I’d seen you would be the last time I’d seen you/ I hopped on the bike that you gave me the day I rode to nowhere, hoping that I’d reach you/ The last argument that we had, I said things I shouldn’t have/ I hurt you and I didn’t mean to/ Your coat’s on the chair in my house right now,” MGK sings urgently on the high-octane tune that features background vocals from Avenged Sevenfold’s M. Shadows, Bring Me the Horizon’s Oli Sykes, Mod Sun and lead guitar from A7X Synyster Gates, who were all friends of Dingo’s as well.
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“i’ma miss you brother. 😞💔🕊️ i hope this song honors your epic legacy. none of this will be the same without you,” MGK wrote on Instagram on Tuesday (March 18). In an earlier reel last week featuring pictures of the old friends from over the years, Kelly wrote, “crazy…i didn’t even cry this hard when my dad died. 💔😞🕊️ i’ve lost a lot of friends, but i’ve never lost a brother. we’ll never get another Dingo on this planet. a true rockstar without ever needing to make a song, the most loyal, loud, charismatic, funny, and annoying human i’ve ever had the honor of knowing.”
He added, “i’ll miss your epic toasts, i’ll miss dapping you up and my hand hurting everytime because you had some odd amount of Australian strength goin on, i’ll miss your bellyflops, i’ll miss watching you walk through the door and lifting the energy of every pivotal event in my adult life, i’ll miss you pissing me off, but most of all i’ll miss your laugh. you were the glue between all of us,” before alluding to the difficulty of thinking about a world without his pal as the singer awaits the birth of his first child with ex-Megan Fox. “i feel like your up there with my new child, dressed up in a hilarious costume making them laugh, getting ready to send them down. i couldn’t ask for a more bittersweet birth blessing,” MGK wrote.
The video features years of footage of loud and brash party-bringer Dingo hanging backstage and goofing around with MGK, as well as a party of black-clad mourners releasing doves in his honor at the mural dedicdation; sponsor Monster Energy confirmed on Feb. 28 that Trembath died at age 38, with no cause of death revealed so far.
“Tell me, did you know it was time to say goodbye?/ Tell me, did the heavens align where angels fly?” MGK sings on the chorus. “What happens, what happens when you kiss the sky?/ Tell me, did you know it was time to say goodbye?”
The clip ends with an extended cut Dingo hanging with MGK over the years, sharing laughs and silly moments backstage, including one in which the rapper/rocker bursts into tears and wonders, “I literally feel like we had the same conversation last year. In this same spot. Are we going to grow up and be doing this when we’re 50?”
Watch the “Your Name Forever” video below.
Lady Gaga is back with a monster week on Billboard’s charts, thanks to her new album, MAYHEM.
The set blasts in at No. 1 on the Billboard 200 with 219,000 equivalent album units earned in the U.S. in its opening week (March 7-13), according to Luminate — the biggest weekly sum for an album by a woman this year.
MAYHEM earns Gaga her seventh career Billboard 200 No. 1, tying her with Janet Jackson for the fifth-most among women in the chart’s history (which dates to 1956). Taylor Swift leads with 14, followed by Barbra Streisand (11), Madonna (nine) and Beyoncé (eight).
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Meanwhile, nine songs from MAYHEM chart on the latest Billboard Hot 100, led by former five-week No. 1 “Die With a Smile,” with Bruno Mars, at No. 2. Here’s a recap (all of which are debuts except where noted):
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Rank, Title:
No. 2, “Die With a Smile,” with Bruno Mars (spent five weeks at No. 1)
No. 19, “Abracadabra” (up from No. 29; peaked at No. 13 in February)
No. 52, “Garden of Eden”
No. 61, “Vanish Into You”
No. 69, “How Bad Do U Want Me”
No. 81, “Perfect Celebrity”
No. 85, “Zombieboy”
No. 93, “Killah,” feat. Gesaffelstein
No. 95, “LoveDrug”
The seven debuts up Gaga’s career count to 46 total Hot 100 entries. She first appeared on the ranking dated Aug. 16, 2008, with “Just Dance,” featuring Colby O’Donis, her first No. 1, for three weeks beginning on Jan. 17, 2009. She boasts six No. 1s, among 18 top 10s.
MAYHEM also debuts at No. 1 on Top Dance Albums, becoming Gaga’s record-breaking eighth leader, as she surpasses Louie DeVito for the most in the chart’s 24-year history. Her 2008 debut, The Fame, has spent a record 193 weeks at No. 1.
Gaga also charts nine songs, all from the new set, on Billboard’s recently launched Hot Dance/Pop Songs chart:
No. 1, “Abracadabra” (up from No. 2; fourth total week at No. 1)
No. 3, “Garden of Eden”
No. 4, “Vanish Into You”
No. 5, “Disease”
No. 6, “Zombieboy”
No. 8, “Killah,” feat. Gesaffelstein
No. 9, “LoveDrug”
No. 12, “Shadow of a Man”
No. 13, “Don’t Call Tonight”
Hollywood can be a very lonely place. Whether you’re at the bottom trying to crawl your way up to the middle, or at the top looking down on all the places you’ve been, it’s not alway easy to find people who can relate, and embrace, who you really are.
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Snow White star Rachel Zegler knows that journey all too well, and now that she’s earning high praise for her title role in the live action remake of the classic Disney tale, the West Side Story veteran has opened up to Allure in a cover story about all the fellow A-listers who have had her back over the years.
“She reached out to me — kind of apropos of nothing — and was like, ‘If you need anything, I am here,’” Zegler, 23, said of Ariana Grande’s generosity. “She is so deeply kind. She has gone through so much in the public eye, and I have always really, really admired her courage in the face of all of that.”
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Among the other women who have stepped up to offer support according to Zegler are actor and activist Jameela Jamil, who she considers to be a “big sister” at this point. “I love that she has no regrets about being outspoken, about being strong-willed and strong-minded,” Zegler said of She-Hulk: Attorney At Law star. She also gotten props from her Shazam! Fury of the Gods costars Helen Mirren and Lucy Liu, who she called “my keepers in all of this, where I feel very held by them.”
While Hollywood is always a competitive place, Zegler said she doesn’t conform to the idea that it has to pit women against each other. “All I’m ever really looking for in this business is a sister and they’re not always easy to find. We’re often told that other women have to be your competition and I don’t subscribe to that,” she said, noting that she’s all for “championing your friends” and co-workers.
“So the second that there’s any intimidation or competition, just put on ‘Girl, so confusing’ by Charli XCX and talk it out,” she counseled. “I’ve come to know that in the last couple of years, in search of female friendship in the industry, there is room for all of us no matter what anybody else will have you think.”
The story also touches on Zegler, whose family is Colombian, stepping into the role that was described in the original Brothers Grimm story in 1812 as one inhabited by a woman “white as snow,” at a time when the Trump administration is rolling back DEI initiatives and scrubbing the government’s websites of any words tied to diversity or inclusion.
“The reality is, I was given a chance because I could sing,” she told the magazine about her bona fides to play the role that has traditionally been inhabited by white actresses in the film opening on Friday (March 21). “They saw something. Something they could invest in for the future,” she said of Snow White coproducer Marc Platt and director Marc Webb’s recognition that it was her talent, not her appearance, that mattered when casting her in the role.
“Snow White has an optimistic, youthful grace. Even in her darkest moments, she finds humanity and beauty in others,” Webb said. “I think Rachel has that in her spirit. And it doesn’t hurt that during her screen test, she made us weep with her rendition of ‘Waiting on a Wish.’”
Lizzo has some things to get off her chest. In a series of posts on X Monday (March 17), the star clapped back at critics of her new music before calling out the way Black women have historically been mistreated.
Four days after the release of her latest single “Still Bad,” Lizzo began by writing, “Saying my brand of ‘poptimism’ doesn’t work in a ‘post Covid world’ is a lazy take.”
“As if I didn’t write ‘about damn time’ to be a post lockdown anthem to inspire us to get outside and together again.. and was successful at it btw,” she continued, referring to her 2022 Billboard Hot 100-topping single that won record of the year at the 2023 Grammys. “I think seeing and hearing a black woman make real music with radical joy triggers miserable people … but I follow in the footsteps of Janet [Jackson], of Funkadelic, of Earth Wind and Fire… nobody’s doing it like me for Us.”
It’s been a long time since Lizzo used X, having made the switch to Jack Dorsey’s Bluesky in November after declaring, “I hate the internet.” But on Monday, the hitmaker said of her return to Elon Musk’s platform, “Yall really got me off Bluesky … but I got time today.”
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The next day, the “Truth Hurts” rapper returned with a few closing thoughts. “The way this world treats black women is sickening,” she wrote, citing Jackson, Whitney Houston and Tina Turner as examples of Black women musicians who faced adversity in their careers. “The least protected person in America…”
“What happened to me was supposed to destroy me but it has only set me free!” Lizzo added. “Now I know none of this is real. The only thing that’s real is the love that I share with my family, my friends, nature, my fans, in Real Life.”
“Still Bad” and Lizzo’s previous single, “Love in Real Life,” mark her first proper releases since 2022’s Special album. The songs also serve as her comeback after a few of her former dancers sued her in August 2023 on allegations of sexual harassment and hostile work environment, all of which the Yitty founder has repeatedly and emphatically denied. She was also sued by her former stylist, Asha Daniels, for similar claims — which Lizzo also thoroughly refuted — but the musician was dismissed from the case in December. Her Big Grrrl Big Touring Company Inc. remains a defendant in the latter case.
Lizzo has been open about how her mental health has suffered in the aftermath, and perseverance is already a major theme in the two new songs she’s dropped this year leading up to new album Love in Real Life. She also elaborated on the subject during Tuesday (March 18) interview with SiriusXM’s The Morning Mashup, saying of her struggles with depression, “I think we like to shame ourselves for feeling bad, especially as Black women.”
“I’m like, ‘Get it together. Why can’t I just be in a good mood? Why can’t I just be happy? Why can’t I just be strong?’” she continued on the program. “And it’s just like, you have to be easy on yourself and let yourself feel what you’re feeling.”
See some of Lizzo’s messages on X below.
Saying my brand of “poptimism” doesn’t work in a “post Covid world” is a lazy take..As if I didn’t release ‘about damn time’ post pandemic..— LIZZO (@lizzo) March 17, 2025
As if I didn’t write ‘about damn time’ to be a post lockdown anthem to inspire us to get outside and together again.. and was successful at it btw 😉— LIZZO (@lizzo) March 17, 2025
I think seeing and hearing a black woman make real music with radical joy triggers miserable people… but I follow in the footsteps of Janet, of Funkadelic, of Earth Wind and Fire… nobody’s doing it like me for Us. And I stand on that.— LIZZO (@lizzo) March 17, 2025
Yall really got me off Bluesky 😂 but I got time today 🙂↕️— LIZZO (@lizzo) March 17, 2025
The way this world treats black women is sickening… blacklisted Janet and now 20yrs later yall calling her music “cute black girl bops” & giving her flowers… Dogged Whitney for her love life & called her a drug addict for laughs but now yall wanna honor her Yall laughed at…— LIZZO (@lizzo) March 18, 2025
What happened to me was supposed to destroy me but it has only set me free!Now I know none of this is real. The only thing that’s real is the love that I share with my family, my friends, nature, my fans, in Real Life ♥️— LIZZO (@lizzo) March 18, 2025
An Evening With Elton John and Brandi Carlile, a one-hour concert special featuring live performances, stories about the pair’s friendship and an intimate look at their new collaborative album, will air on CBS on Sunday, April 6 (8-9 p.m. ET/PT) and stream on Paramount+. Filming on Wednesday, March 26, at London’s iconic Palladium Theatre and […]
Ja Rule’s decades-long feud with 50 Cent will seemingly never die, but Ja believes there could’ve been a different outcome had the internet and social media been more prevalent in the early 2000s.
The Murder Inc. rapper pulled up to Hot 97 on Monday (March 17) to discuss myriad topics, including Irv Gotti’s death and the Drake–Kendrick Lamar feud, which led to him recalling beef of his own, such as clashing with 50.
“I kind of wish I had the internet when I had my beef going on,” Ja said. “They would’ve seen things in real time, you know what I’m saying? They would’ve seen who this guy is in real time and then then it would have been a different outlook on what this is. You would’ve been like, ‘Oh, now I get it. This guy’s a f—ing fraud.’ You don’t get a chance to see that, feel that.”
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He continued: “Nowadays, with the internet, sometimes you get to feel too much. With the Drake and the Kendrick beef, you got these guys that break down the whole f—ing battle lyric for lyric for lyric. I don’t know if this is good or battle … We just live in a different time right now.”
Billboard has reached out to 50 Cent for comment.
Ja Rule went on to say that “people didn’t want to see Drake win” anymore after being on top for so long. He related it to sports, with NFL fans being tired of Patrick Mahomes and the Kansas City Chiefs winning three Super Bowls in five years. “Kendrick makes a hot record and everybody jumps on it,” he said.
“Drake’s in a position right now, and I know this position well. He’s in a position where two plus two is adding up to seven, and he just doesn’t understand it,” Rule added. “He’s like, ‘How can I be the hottest motherf—er for 10 years and now everybody wants me to lose?’ He’s not understanding the dynamic of that.”
He went on to claim: “Drake could go and make a thousand f—ing dope records right now. People are rejecting his deposit. So that’s what he’s going through right now. But if he was an athlete, and you go put up f–king 55 — you gonna put up 60 points in the night, I can’t deny that, man.”
Ja Rule’s overarching advice to rappers? “Stay out of beef,” he said, before going back to his 50 feud. “I don’t give a f–k what happened. I’m a real one, you know what I’m saying? I don’t think about that s–t, it don’t bother me.”
Watch the full interview below. Ja speaks on his feud with 50 as well as Drake and Kendrick shortly after the 43-minute mark.
Feeling good can definitely lead to sounding good. That’s the lesson Selena Gomez said she learned while working in secret on her first album with fiancé Benny Blanco, I Said I Love You First.
In an joint interview with Rolling Stone, the happy couple said that while they are super psyched to plan their wedding — “I think every day she’s planned a new wedding in her head” said Blanco — for now, they are focusing on promoting and talking about the LP due out this Friday (March 21).
On her first album since 2020’s Rare, Gomez said the sessions were the “most intimate” she’s ever had in a studio, helped by the fact that she was working with her beloved and their trusted group of friends and collaborators. “We did everything from home, and we created it with people that we love,” she said, citing a re-team with songwriters Julia Michaels and Justin Tranter, who she worked with a decade ago on her Billboard Hot 100 No. 5 hit “Good For You.”
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And while the seating arrangements for their nuptials are not being worked out just yet, Blanco said the sessions were a love-filled supplement to their relationship. “I hadn’t seen her excited about music for a long time. And I remember she was like, ‘I have to pull over the car because I’m so happy,’” Blanco said. “And then I knew at that moment. I was like, ‘Well, if it’s making both of us happy, then hopefully it makes a few other people happy.’”
Gomez said she was “very frustrated and kind of confused” about where she wanted to go next musically, confiding in Blanco that she wasn’t sure what her sound is now. Luckily, 11-time Grammy nominee producer/songwriter Blanco was there, with a pad and pen, writing down whatever was on Sel’s mind as soon as she woke up, then jumping right into their home studio to make it a reality. “It was such a cathartic and therapeutic experience,” he said of the sessions they purposely kept “really close to the chest” so that they could write “exactly how we wanted it and to feel exactly now we wanted it to feel.”
After the success of her 2019 No. 1 hit “Lose You to Love Me” Gomez, 32, said she realized that storytelling was her strength and that her vocal sweet spot was in a lower register with a softer tone. Plus, given Blanco’s platinum status contact list, roping in current chart queens like Gracie Abrams (as well as Billie Eilish collaborator and older brother Finneas for two songs) was easy, and made perfect sense.
Blanco has known the “That’s So True” singer since she was 14 — she used to date one of his close friends — so when it came to inviting Abrams, 25, into their circle of trust to record “Call Me When You Break Up” he said it was not only a slam dunk, but seemingly meant to be. “One day, me and Selena were just talking about stuff, and Selena started following her, and they started commenting on each other’s things … She has so many unique characteristics about her, but she also has so many similar ones to Selena,” he said of Abrams. “When they hang out, they’re like, ‘Oh my god, we’re like, the same person.’ And they’re both little hermits that want to stay in and they’re both pretty shy, but somehow turn it on and become the biggest stars in the world.”
During the shoot for the song’s video, Blanco said the two women had what he described as “almost like telepathy” when they were talking to each other, with Gomez easily slipping into the big sister role. “And low-key, I got cool points from my little sister for having her on [the album],” Gomez added.
The ease of the sessions also helped produce one of Gomez’s cheekiest love songs to date, the lascivious “Sunset Blvd.” which is simply dripping with innuendo that Blanco said had them laughing during the sessions. “‘Can we really get away with it? Is this really something we’re gonna do?’” he remembered asking. “That’s when the best moments come out. A lot of artists won’t do stuff like that. And Selena has the perfect way of dipping her toe in the water of, like, almost too far, but not — but, like, is it? And it’s because she’s so multifaceted.”
Gomez said that toe-dipping came as a result of her being more comfortable playing around with lyrics that she used to be, crediting acts like Chappell Roan, Sabrina Carpenter, Abrams and Charli XCX for giving her “a little bit more freedom to play.”
Clearly at ease in each other’s company, Gomez said the title of the album perfectly describes their relationship and “embodies his stories combined with my stories,” while also leaving some things unsaid. “They have meanings that are really just personal to both of us,” he said. “So one song could actually mean two different things.”
At this point, Blanco said he’s just “happy to be along for the ride” thanks to his “put me in, coach” attitude about his professional and personal relationship with Gomez. “I’m doing whatever it takes,” he said.
Thanks to the “massive” marquise-cut diamond ring Blanco slipped on Gomez’s finger in December, it’s only natural that questions about their wedding plans keep coming up. Blanco said they’re just taking things one day at a time for now, even as Gomez can’t stop staring at the sparkler. “I genuinely feel like this is such a special time that we get to apply it to this album and really just pour our heart into it, and completely translate what we feel and bring it to the world,” she said. “That’s my main focus right now, at least.”
There was once a time when Playboi Carti made Ye’s (formerly Kanye West) list of rappers who never crossed him, but that doesn’t appear to be the case any longer.
The embattled rapper went on an extended X tirade targeting Carti and many of his collaborators and superstar peers throughout hip-hop early Tuesday (March 18).
He initially voiced his issue with Carti (born Jordan Carter) allegedly taking him off his Music album, and felt the “All Red” artist crossed the line when requesting vocals from West’s daughter North after Kim Kardashian posted the project to her Instagram Story.
“I DECIDED NORTH WONT BE DOING ANY SONGS WITH CARTI HOW IT LOOK FOR ME TO GET LEFT OFF THE ALBUM AND THEN HE ASK KIM TO HAVE VOCALS FROM MY DAUGHTER,” Ye wrote. “I DONT A F–K ABOUT NONE OF THIS INDUSTRY SHIT AND HOW ITS A SKIMS LINE IN THE FIRST PLACE AND I DONT GIVE A F–K WHAT NO COMMENTS THE MAN HAS THE FIRST AND FINAL SAY OVER HIS KIDS.”
Ye flipped the script on Carti while using the Atlanta rapper’s ex Iggy Azalea and brought the “Magnolia” musician’s son, Onyx, into the mix.
“HEY IGGG AZALEA I NEED TO GET ONYX VOCALS ON MY SONG THATS MY NEPHEW OH AND IMA RAP ABOUT ONE OF YOUR BUSINESSES THE F–k,” he added. “I HELD MY TONGUE ABOUT MOT BEING ON CARTI ALBUM HIM GOING TO MY EX TO ASK MY DAUGHTER TO BE ON A SONG 2 DAYS LATER WAS TOO FAR NOBODY FINNA PLAY WITH ME.”
Azalea got wind of Ye’s remarks and fired back in her child’s defense. “Ye, I understand the point you want to make. I say this with kindness & as a mother: Please, leave my child out of this. At the end of the day, Jordan has other children (less famous… Does it matter?) but it seems only my son gets harassed in perpetuity about or on behalf of a man he has no relationship with,” she wrote on X. “Does he read it? No. Hes a child. But it creates a digital legacy & an odd (s—-y) situation for him to one day discover & endure in perpetuity from strangers online. Can I please have some peace?”
The embattled Chicago artist turned his focus elsewhere and claimed he actually “HAAAAAATED” Kendrick Lamar’s “Not Like Us” Drake diss.
He continued to go after Pusha T and Ty Dolla $ign. “NOBODY GET A PASS I WAS A PART OF SO MANY OF THESE NIGGAS SUCCESS AND A LOT OF N—-S,” he ranted, blaming to his antisemitic hate speech — for which he’s been roundly condemned — as the reason for his peers pulling away. “PUSHA TALKING ABOUT HE DONT AGREE WITH MY POLITICAL OPINIONS BRO I HATE ALL THESE N—-S THATBIVE SAT AND CHOPPED SOMGS FOR TY AINT HAVE TO USE THE TERM HATE SPEECH EVERY NIGGA IN THE INDUSTRY IS A SLAVE TO THIS F—-T A– JEWISH INDUSTRY EVERRRYYYYY ONE DO YOUR F–KING DISS SONGS OR PULL UP.”
West also posted photos hugging Kid Cudi, Playboi Carti, Travis Scott and Virgil Abloh while saying they turned their backs on him after his hate speech.
He went on to target Tyler, the Creator, saying he’s never made a “memorable song” and called out Future and Metro Boomin after they allegedly called him to hop on the “Like That” remix only to dead him afterward.
“THIS N—A HAS NEVER MADE A MEMORABLE SONG HES LIKE IF AN ARTIST CHECKED EVERY BOX OTHER THAN HAVING ANY GOOD VERSES OR SONGS AND HIS LAST ALBUM RIPPED OFF MY WHOLE LANGUAGE,” he wrote about his “Smuckers” collaborator.
Billboard has reached out to reps for Future, Pusha T, Ty Dolla $ign, Playboi Carti, Kendrick Lamar, Travis Scott and Tyler, the Creator for comment.
Over the weekend, Ye released a song titled “Lonely Roads Still Go to Sunshine,” which appears to feature Diddy and North. Kardashian had reportedly trademarked their daughter’s name in a legal tactic to block the track’s release.
The lineup for Chicago’s biggest music festival went live Tuesday (March 18), with Sabrina Carpenter, Olivia Rodrigo, TWICE and more major acts set to headline Lollapalooza 2025.
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Also leading the bill for the summer music event are Tyler, the Creator, Gracie Abrams, Doechii, Rüfüs du Sol, Luke Combs, A$AP Rocky and Korn. Dozens of other artists are also set to take one of the festival’s eight stages at Chicago’s Grant Park this summer, including Dom Dolla, Martin Garrix, Cage the Elephant, Clairo, The Marias, Djo, Dominic Fike, Bleachers, Wallows, Young Miko, Mk.Gee, Two Friends, T-Pain, Knock2, Foster the People, Still Woozy, Sierra Ferrell, Role Model, Finneas, Remi Wolf, Mau P, Royel Otis, Marina, Bladee and Barry Can’t Swim.
Mariah the Scientist, Alex Warren, Latin Mafia, Flipturn, magdalena Bay, Gryffin, JPEGMAFIA, ISOxo, Artemas, GigiPerez, Del Water Gap, Katseye, Rebecca Black and more are also on the docket. The full lineup spans more than 170 acts.
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This year, Lollapalooza will take place across four days, from July 31 to Aug. 3. Four-day tickets will go on sale at 10 a.m. CT Thursday (March 20), while one-day and two-day packages will become available for purchase at a later date.
The 2025 festival is set to be a historic one, with the “Vampire” singer’s headlining appearance marking her Lollapalooza Chicago debut. Combs is the Windy City festival’s first-ever country closer, while TWICE is the first K-pop girl group to headline. It’ll also be special for Korn, which hasn’t played Lolla since 1997.
See the full Lollapalooza lineup below.
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