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Trending on Billboard

A$AP Rocky graced the cover as part of Vanity Fair‘s Hollywood Issue published Tuesday (Nov. 18), which saw the Harlem native expand on his passion for acting, so don’t expect him to slow up anytime soon.

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“Acting is just another component of the great arts,” he told the magazine. “And I’m a Renaissance man … I’ve always had a desire, this innate passion for doing these acting roles.”

2025 was a busy year for Rocky in front of the camera, as he starred in Spike Lee’s Highest 2 Lowest alongside Denzel Washington, and then appeared in A24’s If I Had Legs I’d Kick You. 

“I’m at a place where anytime I’m around an OG,” he added of being around acting royalty such as Denzel. “I just soak in game … I would love to be silver and that wise one day myself. And still be handsome.”

Covering VF‘s Hollywood Issue made Rocky feel like he belonged with the upperclassmen of Hollywood, as he posed alongside actors Callum Turner, LaKeith Stanfield, Glen Powell and Jeremy Allen White.

“To be in that space and to be acknowledged and respected as an actor, or just an artist in general,” Rocky said while recognizing the company he kept. “Honestly, it was the boys, man.”

Over the years, the rapper has carved out a reputation as one of the fashion icons of his generation, but he knows his time in the sun is coming to an end at some point, and he’s ready to pass the torch.

“After me, it’ll be somebody special, and hopefully I know who that person is,” he said. “And it’ll be a person who I feel like deserves it.”

There’s still no update on A$AP Rocky’s much-delayed Don’t Be Dumb album. Rocky and Rihanna welcomed their third child, a baby girl named Rocki Irish Mayers, in September.

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T.I. has revived his expediTIously podcast. The trap pioneer sat down with NBA icon Allen Iverson on Tuesday (Nov. 18) for an unfiltered conversation touching on A.I.’s career, mistakes and the burden that came with being one of the most influential players to ever pick up a basketball.

“You’ve been asking, and I’ve been listening; that’s why I’m bringing expediTIously back,” T.I. said in a statement. “Starting with a brow-raising, insightful conversation with none other than The Answer. League MVP, Hall of Famer and icon of a generation, Allen Iverson.”

The live episode appeared to be taped in Atlanta in the midst of Iverson’s press run in support of his Misunderstood memoir and accompanying docuseries, which was released on Amazon Prime Video in October.

Iverson wanted people to hear his story raw and uncut, while being able to learn from his mistakes as he navigated the good — being an NBA MVP — and the bad — his 1993 bowling alley arrest. “If I can help one person in life, I did my job,” A.I. said. “The book is just a confession of me being like everybody in this room… I bleed just like you.”

Iverson continued: “I was just a bad motherf—er on the basketball court. I’m just like you. I never won a championship, but I’m the people’s champ. I’m the guy you can touch.”

The Answer revealed that the one regret he had throughout his playing career was not listening to Larry Brown, who was his head coach from 1997 through 2003, sooner.

“I don’t regret nothing. The only thing I regret was listening to Larry Brown way before I started listening to him. I would’ve been way better then. It took a while,” he said. “I was always in a tug of war with him and I had to realize that he wanted the same thing for me that I wanted for myself. I wouldn’t change a whole lot.”

He continued: “Now, I wish I had the LeBron blueprint when I was the face of the league. I wish I knew how to put my homeboys on and put them in executive positions. You know what’s crazy about it? I took that a– whipping for taking my guys with me and the NBA ain’t never seen nothing like it. The crazy thing is all those guys who were there then, not around now.”

Fans can expect plenty more from T.I. with expediTIously back in full force. He’s got interviews on the way for the rest of 2025 and into 2026. Tip’s podcast made waves in the industry with illustrious guests in the past, such as Young Thug, 21 Savage, Jadakiss and actor Chris Tucker.

On the music side, T.I.’s “Thank God” featuring Young Dro, Kirk Franklin and Sunday Service reached a peak of No. 9 on the Gospel Airplay chart. The 45-year-old also picked up another Grammy nomination for his assist on Lecrae’s “Headphones” alongside Killer Mike in the best contemporary Christian music performance/song category.

Watch the full interview with Allen Iverson below.

Over the years, Paris Hilton has been linked in various ways to many powerful men, from Jeffrey Epstein to Michael Jackson and Donald Trump. And in a new interview with The Times published Saturday (Nov. 15), the businesswoman addressed claims regarding all three.
Starting with Epstein, it has for years been rumored that his former girlfriend — the now-incarcerated Ghislaine Maxwell — once tried to “recruit” Hilton to date the late billionaire and convicted sex offender. It all started with the 2020 documentary Surviving Jeffrey Epstein, in which Maxwell’s former associate Christopher Mason alleged, “A friend of mine was at a party and Ghislaine said, ‘Oh my God, who’s that?’ and was looking at this pretty, young, sort of teenage girl … My friend said, ‘Yes, she’s called Paris Hilton.’ And Ghislaine said, ‘God, she’d be perfect for Jeffrey. Could you introduce us?’”

“The rumors were Ghislaine was scouring New York finding younger girls to go on dates with Jeffrey,” Mason added in the doc, according to Rolling Stone. “At the time it seemed a bit naughty.’”

But what does Hilton, now 44, have to say about it? “I don’t even remember ever meeting her,” she told the publication of Maxwell, with whom she was photographed at the Anand Jon Fashion Show in 2000. “I’m such a good clickbait name.”

Epstein died by suicide while in jail awaiting trial in 2019, after being arrested on charges of running a sex-trafficking operation involving minors, to which he pleaded not guilty. He had previously spent 13 months in prison for the crime of soliciting prostitution from a minor under the age of 18. Maxwell is currently serving a 20-year prison sentence.

The disgraced businessman’s name has continued to be a hot-button issue in the years since his death, especially in 2025. At press time, the House of Representatives is gearing up to vote on a bill that would compel the DOJ to release all of its case files related to Epstein and his alleged list of high-profile clients.

But while Hilton says she never knew Maxwell or Epstein, she was definitely close with the late King of Pop — who she says was “like an uncle to me” — growing up. For years, Jackson’s legacy has been clouded by accusations that he molested young boys, for which he was never convicted. His estate has continued to deny all such claims following his death.

“I never saw him date anyone,” Hilton told The Times of Jackson. “I never saw him be like that with anyone. I didn’t see him as that type of person. So I’ve never paid attention to any of that because I just — I’ve always loved him like family.”

“I just know the man that I knew my whole life, and I could never see him hurting a fly,” she added.

As for Trump — who was also photographed at the fashion show with Hilton and Maxwell in 2000 — the heiress says that she didn’t vote for the sitting POTUS in either 2016 or 2024, despite previously claiming to have voted for him the first time he ran, but recanting that statement in her 2023 memoir. During last year’s election, Hilton says she “didn’t have time” to vote for any candidate.

“My schedule is so insane,” she told the publication. “I was traveling — I think I was in London during all that … and I was, like, moving houses.”

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More than a decade after announcing their Final tour, Mötley Crüe are hitting the road again next year for a massive 2026 North American run of shows. The Vince Neil-led heavy metal legends announced the dates for the 33-city outing they’re calling the Return of the Carnival of Sins in honor of the 20th anniversary of the 2005-2006 tour that birthed their 2006 Carnival of Sins: Live two-CD set.

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The shows slated to kick off on July 17 in Burgettstown, Pa. at the Pavilion at Star Lake will also commemorate the band’s 45th anniversary. The Live Nation-produced tour will feature opening acts Extreme and Tesla on a summer-long outing that will stop in New York, Michigan, Ontario, New Hampshire, New Jersey, Massachusetts, Virginia, Georgia, Florida, North Carolina, Missouri, Illinois, Ohio, Michigan, Indiana, Texas, Arizona, New Mexico, California, Utah and Washington State.

“Bringing back the spirit of Carnival of Sins has been a blast, and we wanted to take it even further for its 20th anniversary,” the band said in a statement. “This new show is for the Crüeheads who’ve been with us through it all and for the new Crüeheads who didn’t get to experience Carnival of Sins last time around. Get ready — we’re coming your way and we can’t wait to see you next summer.”

A general on-sale will kick off on Friday (Nov. 21) at 9 a.m. local time, with VIP packages available starting on Wednesday (Nov. 19) at 9 a.m. local time; more ticketing information can be found here. In addition, the band said that $1 from every ticket will be donated to ASAP! (After School Arts Program) through the Mötley Crüe Giveback Initiative to fund hands-on arts programs for young people.

Coinciding with the tour announce, the deluxe box set version of the 40th anniversary of their Theatre of Pain album is out now, featuring reimagined artwork, the newly remastered album on color vinyl and bonus material including a 1985 Long Beach live concert, rare demos and a 76-page hardcover book with never-before-seen photos and memories from that era.

The veteran band featuring original members bassist Nikki Sixx and drummer Tommy Lee as well as more recent member guitarist John 5 wrapped up their Las Vegas residency at Dolby Live at Park MGM last month after pushing the start date back six months due to a debilitating stroke suffered by singer Neil last Christmas. “I had to learn to walk again, and that was tough,” Neil told the Las Vegas Review-Journal in September. “The doctors said they didn’t think I’d be able to go back on stage again. I go, ‘No, no, I’m gonna do it. Watch and see.’”

Luckily for the band, Neil did not lose his voice after the stroke, but things were so bad for the 64-year-old rocker that he said he had to be carried to the bathroom, before graduating to a wheelchair, a walker and then a cane. Following months of physical therapy at his Nashville home he said he’s able to walk unassisted again.

Check out the dates for Mötley Crüe’s 2026 Return of Carnival of Sins North American tour below:

July 17: Burgettstown, Pa. @ The Pavilion at Star Lake

July 18: Buffalo, N.Y. @ Darien Lake Amphitheater

July 20: Clarkston, Mich. @ Pine Knob Music Theatre

July 22: Toronto, Ontario @ RBC Amphitheatre

July 24: Gilford, N.H. @ BankNH Pavilion

July 25: Bangor, Maine @ Maine Savings Amphitheater

July 27: Camden, N.J. @ Freedom Mortgage Pavilion

July 29: Saratoga Springs, N.Y. @ Saratoga Performing Arts Center

July 31: Holmdel, N.J. @ PNC Bank Arts Center

Aug. 1: Mansfield, Mass. @ Xfinity Center

Aug. 3: Bristow, Va. @ Jiffy Lube Live

Aug. 12: Alpharetta, Ga. @ Ameris Bank Amphitheatre

Aug. 14: West Palm Beach, Fla. @ iTHINK Financial Amphitheatre

Aug. 15: Tampa, Fla. @ MIDFLORIDA Credit Union Amphitheatre

Aug. 17: Charlotte, N.C. @ PNC Music Pavilion

Aug. 19: St. Louis, Mo. @ Hollywood Casino Amphitheater

Aug. 21: Shakopee, Minn. @ Mystic Lake Amphitheater

Aug. 22: Tinley Park, Ill. @ Credit Union 1 Amphitheatre

Aug. 24: Cuyahoga Falls, Ohio @ Blossom Music Center

Aug. 25: Cincinnati, Ohio @ Riverbend Music Center

Aug. 27: Grand Rapids, Mich. @ Acrisure Amphitheater

Aug. 28: Noblesville, Ind. @ Ruoff Music Center

Sept. 8: Kansas City, Mo. @ Morton Amphitheater

Sept. 10: Dallas, Texas @ Dos Equis Pavilion

Sept. 11: The Woodlands, Texas @ The Cynthia Woods Mitchell Pavilion

Sept. 13: Albuquerque, N.M. @ Isleta Amphitheater

Sept. 16: Phoenix, Ariz. @ Talking Stick Resort Amphitheatre

Sept. 18: Chula Vista, Calif. @ North Island Credit Union Amphitheatre

Sept. 19: Long Beach, Calif. @ Long Beach Amphitheater

Sept. 21: Salt Lake City, Utah @ Utah First Credit Union Amphitheatre

Sept. 23: Wheatland, Calif. @ Toyota Amphitheatre

Sept. 24: Mountain View, Calif. @ Shoreline Amphitheater

Sept. 26: Ridgefield, Wash. @ Cascades Amphitheater

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Billboard’s Power Pets is a feature focusing on musicians’ best friends — no, not the humans, but the furry (and some scaly and feathery!) ones who bring extra joy and companionship to artists. Celebrities will be sharing sweet details about their beloved pets and how their furbabies enrich their lives. For the sixth story in the series, we talked to country star Orville Peck.

In the summer of 2023, Orville Peck was coming out the other side of the hardest years of his life. After years of growing his profile as an emerging country artist, the singer pressed pause on his rapid ascent to go to rehab. After finishing his program and learning how to live sober, Peck looked around at his life and knew that he needed to change a few things.

“I had been very isolated in the last bit of my life leading up to that point,” he recalls. “For the first time in my life, I had finally taken some time off of touring. So I thought it was the perfect opportunity for me to have some company in my life and to have something to take care of other than just myself.”

Moving through a series of rescue organizations, Peck began looking for a dog to adopt. While searching for “the right match,” as he called it, the singer found himself struggling to find an animal that was the perfect fit for himself and his home. Then a friend of a friend called him — she had just rescued a 1-year-old dog from a local kill shelter and thought they might be a good fit. “I went to meet her in a park, and immediately I just knew that this was my dog,” he says. “I think I adopted her later that day.”

Orville Peck’s dog Queenie

Orville Peck

A little more than two years later, Peck is practically inseparable from Queenie, his “three years young” mixed-breed companion. While her name may denote a certain regal countenance, Peck says that Queenie actually “isn’t very high maintenance.” Instead, her name was born out of a nature fact that Peck learned growing up in Johannesburg, South Africa.

“When I first got her, especially when she was a little younger, she looked a little bit like a hyena. She had this interesting pattern in her coat that’s faded a lot since she’s gotten a bit older,” he says. “I’m South African, I love animals, and I knew hyenas have a queendom. They’re one of the few animal species that have a matriarch, and the head of a hyena pack is called a queen. So I decided to call her Queenie.”

The pair live together with Peck’s partner in Los Angeles, though Peck is quick to point out that Queenie tends to accompany him in his sojourns out of the Golden State.

“It’s very handy because my partner flies planes, so often he will fly her up to meet me on tour and she comes on the bus for a few weeks. So Queenie’s been everywhere with me,” he says. “I want her around my life as much as humanly possible, so anytime that it feels kind of realistic and comfortable where she won’t be too mixed up by it, I try to bring her out with me.”

Earlier this year, Peck found himself living in New York City for his Broadway debut in Cabaret at the Kit Kat Club. After he’d settled into his routine (and the grueling Broadway schedule), Peck brought Queenie out to the city to live with him for the final months of his performance — and learned the hard way that she is not necessarily a big city dog.

Orville Peck and his dog, Queenie

Courtesy of Orville Peck

“Yeah, she is a Los Angeles dog through and through. She has only ever really learned to do her business in a backyard, so she’s kind of pee shy — she likes having her little spot, and she doesn’t want to have people around,” he says, noting how difficult that made her bathroom breaks in New York. “We found one park in the city where she finally felt comfortable doing her business, and so I would just have to take her there every time she needed to go to the bathroom, which is totally ridiculous. But also, why are we judging? I don’t want people watching me do that either!”

It’s one of very few tendencies Queenie has that can be occasionally taxing for the country singer. Though he emphasizes that he is “one of those crazy pet people where there’s just nothing that she could do that could ever make me angry,” Peck says there is one habit of Queenie’s in particular that does create something of a hazard for him.

“When I come home, even if it’s just from the store, she acts like I’ve gone away to war for 20 years and we’re being reunited — which is genuinely so sweet and so comforting. The problem is, I also have quite a steep staircase going up from my front door to my house,” he says, laughing. “Multiple times when I’ve gotten to the top of the staircase, she will jump up to pound her paws on my chest as a show of love. I have almost literally tumbled, probably to severe injury, if not death.”

Yet Peck points out that he’s seen Queenie transform since he first adopted her. A key example he uses involves his own music — when the singer first adopted Queenie, she was not a fan of his guitar, taking multiple opportunities to make that known. “Even when I would just pick up the guitar, she would run out of the room,” he says. “There were a few times where in the middle of the night, she went and pissed by the guitar, which I like to think was the harshest review I’ve ever gotten.”

Orville Peck’s dog Queenie

Orville Peck

But as time went on, Queenie not only began to tolerate his guitar playing, she looked forward to it. “She really loves when I sing, so she’s not nearly as afraid anymore. When I sing, she actually tilts her head to the side, and she’ll come over and sit next to me. I think she genuinely likes it now.”

That change applies beyond just Queenie’s musical taste. Shortly after adoption, Peck notes how his dog — like many other rescue animals — exhibited lots of fear and anxiety, even when he could tell “that there was a curiosity, and that she wanted to be friendly.”

As their relationship developed over time, Peck says he watched Queenie blossom into an affectionate, fun-loving animal who wasn’t scared to show her love. “You could just see a very happy dog emerging that was not afraid at all. Now, I joke that she would go home with a burglar,” he says. “She is really just the most playful, curious, happy dog. I’m so grateful for that, because I never have to worry about her with other people.”

Yet the biggest change Peck has noticed is not in his pet, but in himself. In the two-plus years that he has had Queenie, the singer says that he has grown into a more loving, caring person from being in constant companionship with a dog who shows that came level of love and care for him.

“At the risk of sounding like a total cliché, she rescued me in a lot of ways. My boyfriend laughs at me because I say it all the time, but I’m actually constantly in disbelief that I get to have this creature living with me and hanging out with me,” he says. “She still saves me constantly. It’s truly the most comforting thing in my life to know that when I get home, she’s going to try and push me down the stairs and kill me because of how much she loves me.”

Trending on Billboard It was a family affair at the Warped Tour in Orlando, Fla. on Saturday (Nov. 15) when MGK teamed up with his 16-year-old daughter Casie for a Baker clan emo showcase. The teen the singer shares with his ex, Emma Cannon, hopped on the mic with her dad at the revived punk […]

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After taking a few days off to mourn, Jimmy Kimmel was back on the air on Monday night (Nov. 17), less than a week after the death of his lifelong best friend and late Jimmy Kimmel Live! bandleader, Cleto Escobedo III. Longtime viewers of the show likely noticed that when announcer Lou Wilson ran down the night’s guests, Samuel L. Jackson and comedian Ms. Pat, instead of ending with a shout-out to Cleto and the Cletones, Wilson debuted the house band’s subtly tweaked new name: The Cletones.

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The small, but significant change was another example of the huge hole left behind by Escobedo’s death on Nov. 11 due to the heart condition cariogenic shock. After a lifetime of friendship beginning when they were neighbors as children in the Las Vegas suburbs, Escobedo had been by Kimmel’s side during the entire run to date of his late night show, beginning in 2003.

Fighting through tears, Kimmel paid loving tribute to his pal during last Tuesday’s show when he announced Escobedo’s passing, calling his 22-minute homage the “hardest” monologue he’s ever had to do. “We loved all the same things. Baseball, fishing, boxing, [Muhammad] Ali, Richard Pryor, Eddie Murphy, Woody Allen, Michael McDonald, Huey Lewis, Stevie Wonder, and most of all, we loved David Letterman,” Kimmel said.

“I wanted Cleto to lead my band,” he said of the late night ensemble that also featured Escobedo’s horn-playing father, Cleto Escobedo Sr. “The idea that anyone other than him would lead the band was terrifying. It had to be him. “ was so scared they would say no and I would have to have another band. I had to work up the nerve to bring it up. Because I knew [saying], ‘My best friend from growing up plays the saxophone, he could lead the band,’ wasn’t a great pitch.”

In further tribute to Escobedo, Kimmel announced over the weekend that he has started two fundraisers to celebrate the musician’s life and give back, one for UCLA Health in honor of the care Escobedo received there and The Animal Foundation to honor his “love of animals.”

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Elon Musk has hit back at Billie Eilish after the singer slammed the world’s richest man last week in an infographic suggesting how the Tesla CEO could use his historically massive wealth to do some charitable good. Borrowing a page from his former DOGE boss Donald Trump’s book of sexist insults targeting women’s intelligence, Musk posted a message responding to Eilish’s graphic, saying, “She’s not the sharpest tool in the shed.”

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Eilish’s post came amid news last week that Musk, 54, could soon become the world’s first-ever trillionaire. The 23-year-old “Bury a Friend” singer has had America’s wealth gap on her mind lately, including at WSJ Magazine‘s 2025 Innovator Awards last month, where late night host Stephen Colbert presented her with the honor, noting that she has raised more than $11.5 million for organizations addressing food insecurity and climate change through her Hit Me Hard and Soft tour.

Eilish then proceeded to lay down the gauntlet for American billionaires — including Meta boss Mark Zuckerberg (net worth $228 billion), who was in the room — suggesting that perhaps they could use some of their cash to help others in need. “I’d say if you have money, it would be great to use it for good things and give it to some people that need it,” Eilish said. “Love you all, but there’s a few people in here that have a lot more money than me. If you are a billionaire, why are you a billionaire? No hate, but give your money away, shorties.”

But it was what she said last week about Musk that appeared to get under his skin. Eilish posted the series of infographics suggesting the world of good that Elon could do with his money, including spending $40 billion every year to end hunger by 2030 or provide universal safe clean water for the planet for the next seven years with for $140 billion, save all 10,443 critically endangered species by spending $1-$2 billion annually to bring them all down to endangered status, or rebuild war-ravaged Gaza and the occupied West Bank for $53.2 billion.

Eilish doubled-down on her suggestion last Thursday (Nov. 13), specifically slamming Musk in her Instagram Story, calling him a, “f–king pathetic p–sy b–ch coward.” Billie’s remarks came after a shareholder vote paved the way for Musk — already the world’s richest man with a net worth of $465 billion — to rake in $1 trillion in Tesla stock if he delivers on specific performance goals over the next decade.

While Musk reportedly donated nearly $1.9 billion shares of Tesla to unnamed charities in 2022 — as well as $5.7 billion worth of shares in 2021 — a March 2024 New York Times story said that unlike fellow billionaire Bill Gates, who has used his massive wealth to improve health care across Africa, Musk’s philanthropy has “been haphazard and largely self-serving, making him eligible for enormous tax breaks and helping his businesses.” The paper reported that Musk has seeded his charity with tax-deductible donations of more than $7 billion in stock since 2020, noting that the foundation housing the money has “failed in recent years to give away the bare minimum required by law to justify the tax break.”

In addition, according to the Times, the foundation has not hired any staff, with the billions in its coffers overseen by a board consisting of Musk and two volunteers, one of whom devoted the equivalent of six minutes per week working on its charitable works. A Times analysis also found that the Musk Foundation’s giving in 2021 and 2022, the latest years for which the full data was available at the time, about half of the donations had some link to Musk, one of his employees or one of his businesses.

At press time a spokesperson for Eilish had not returned Billboard‘s request for comment on Musk’s post.

Check out Musk’s post below.

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Independent U.K. live music company Electric Group has announced the launch of Electric Studios at the former site of The Leadmill in Sheffield.

Set to open its doors in spring 2026, a £2 million ($2.6 million) transformation is set to take place, with upgraded interiors and increasing capacity to 1,050 for live gigs and 1,450 for club events. It joins an established Electric Group portfolio of live music venues across the U.K., including the Electric Brixton in London, Electric Bristol (formerly known as SWX), and NX Newcastle. 

A specific opening date has not yet been revealed, but Electric Group has launched a new web page where fans can sign up for updates and make booking enquiries via email.

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The refurbished venue will also operate a subsidised creative hub across its second and third floors, housing a workspace, rehearsal room, communal area and kitchen for use by emerging artists from the local area. 

A new PA system, paired with advanced lighting and production installations, has also recently been installed in the space. Other upgrades include a redesigned venue layout with all-new bars and improved stage sightline. There are also new customer staircases, as well as new toilets and a cloakroom on the first floor with full DDA (Disability Discrimination Act) compliance.

In collaboration with national promoters, bookings will be helmed by Mike Weller, head of music at Electric Group. The independent music venue operator became freeholder of the Sheffield Leadmill building in 2017, and as of August 2025 owns and operates Electric Studios Sheffield.

“This is one of the most exciting projects I’ve been involved in, bolstered by the positivity and support from local bands, DJs, and promoters,” Weller said in a statement.

“The Electric Studios Sheffield music programme is built on our demonstrable passion and success in delivering an eclectic mix of live music, club, and wider events across our venues. I hope to collaborate with the best in the business, from local and up-and-coming future stars, to established and international teams and artists, in the mission to make this venue a must-book and must-attend destination for promoters, producers, performers and music fans.”

The Leadmill first opened in 1980, serving as a multi-arts co-operative that was rooted in social and political issues, while also helping to lower youth unemployment in the city. It later became a charity before operating as a live music venue, welcoming local legends Arctic Monkeys and Pulp to its stage, as well as huge acts including Oasis, Coldplay, and The Killers over the years.

Dominic Madden, co-founder of Electric Group, added: “Sheffield is a special city, and with the plans for Electric Studios, we are committed to a programme of substantial investment, refurbishment and curation for it to thrive – with a modern vision that respects the cultural significance of the building and history of the existing venue while putting the artist and fan experience front and centre of our plans.

“Work here so far is creating over 100 jobs, as it is being finalised for opening next spring, when we look forward to welcoming music lovers to the latest addition to the Electric circuit of special music venues.”