Music News
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Megan Thee Stallion risked it all for the ‘gram. The Houston Hottie pulled up to the 2025 Met Gala on Monday night (May 5) and broke the event’s no-phone policy to post a video to social media of her sampling appetizers with Doechii and WNBA star Angel Reese. Thee Stallion went live from the “Hottie […]
Linkin Park have been on such a roll over the past year that they recently did something they’ve rarely done in the past: write new music on the road. Fans will get to hear the fruits of that labor on May 16 with the release of a deluxe edition of last year’s surprise comeback album, From Zero.
Two of the three new bonus tracks on that special edition, “Up From the Bottom and “Let You Fade,” were finished after the initial sessions for the long-running rock band’s first effort with new singer Emily Armstrong; the former was written in between tour dates and the latter was started during the album sessions and finished after its release.
With “Up From the Bottom” just out, Billboard asked what it feels like to keep the chart momentum of the 2.0 lineup rolling after the group announced their revival in 2024, seven years after the 2017 death of original singer Chester Bennington. “A day in the life,” Armstrong laughed, as singer/guitarist Mike Shinoda teased that his newest bandmate is already “super jaded” at this point. “She’s just so used to it,” he said in the video you can watch in full above. “She was so down to earth in the beginning.”
Shinoda said LP wrote “Up From the Bottom” at the end of last year and though it was the last new song they laid down for the deluxe, it was the quickest one to wrap. “It’s kind of fun having that shorter momentum,” he said, noting that typically the band is “so meticulous” that it was a breath of fresh air to turn something so quickly.
He also said that “Let You Fade” started off as a not-as-loud song on a demo that just didn’t make the cut before the group pivoted to a piano-and-vocals only arrangement that was transformed into a song that starts off really loud and goes quiet on the bridge. “That piano and vocal thing was the second demo [we recorded during the initial sessions],” Shinoda said. “Of the three it’s probably my favorite.”
The expanded album will also feature the new song “Unshatter,” a track Shinoda said LP began working on when they were first just getting to know Armstrong.
In fact, she was so new that Shinoda said when he began playing back Armstrong’s wailing vocal on the song new drummer Colin Brittain heard the screaming on the bridge from the control room and said, “‘oh you know who she sounds like? The singer from Dead Sara,’” which, of course is exactly who she is. “He said, ‘dude, really? She’s soooo good!’”
And while Armstrong said they’re thinking about putting a small recording studio on their tour bus, Shinoda cautioned fans not to expect more new music this year since LP will be on the road for much of 2025. Speaking of which, with a 27-song, two-hour running time straining their ability to get all the fan favorites and deep tracks into the mix, Armstrong joked, “I think we should play four hours.”
Perhaps it’s that adrenalin, or maybe her take-no-prisoners performance style, but Shinoda said having Armstrong front the band has earned him some serious cool dad points at home. “I have daughters and having them see Emily and be like, ‘Whoa! She is so cool!’,” is a huge boost. “They say this all the time… they’re like, ‘Emily’s so cool,’” he said as Armstrong soaked up the kind words. “They think she’s the coolest human on Earth. They’re like, ‘dad, you’re not that cool. She’s very cool.’”
The band will be on stage on Tuesday night (May 6) at the Lenovo Center in Raleigh, N.C.
British rocker Yungblud announced on Tuesday (May 6) that his new album, Idols, will be released on June 20, and confirmed that it is the first part of an upcoming double LP; the second part of the collection is yet to be announced.
The release is the artist born Dominic Harrison’s fourth album under the Yungblud moniker, and is described by the Doncaster-born musician as “a love letter to self-reclamation … to rock music … [and] to life in all it’s f–king madness.”
In an accompanying statement, Yungblud said that the record explores the theme of hero-worship. “We turn to others for an identity before turning to ourselves. Self-belief, self-reclamation, self-evolution and change. As we grow up, we lose our belief in magic and mystery. We begin to rationalize everything; our cage walls build up.”
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The LP was recorded in Leeds, England, near his hometown of Doncaster in Yorkshire, and he said in the press release that he “wanted to make a project that didn’t focus on singles or anything else except feeling and world-building,” and described the project as having “no limitations.”
That much was obvious with its lead single and album opener “Hello Heaven, Hello,” a nine-minute mini-rock opera and latest single “Lovesick Lullaby.” The record was produced by close collaborator Matt Schwartz, Bob Bradley and touring guitarist Adam Warrington.
Yungblud’s past two records — Weird! (2020) and Yungblud (2022) — both hit No. 1 on the U.K.’s Official Albums Chart, with the latter giving him a career high of No. 45 on the Billboard 200. Idols is his first record on Island Records (U.K.) and Capitol Records (U.S.) following his previous home of Geffen/Interscope.
Speaking to Billboard U.K. in August, he shared details on the label move. “It’s a new phase in my life and these labels are so classic, and this new album feels like it belongs on prestigious labels like that,” he said. “The last few months have been a lot more creatively fruitful and inspiring. I really had a choice about staying in the comfort zone or do I want to go to different places and experiment.”
Following its inaugural edition in 2024, his Bludfest event will return on June 21 in Milton Keynes, England, and features appearances from Yungblud, Chase Atlantic, Rachel Chinouriri and more.
See the Idols tracklist and his album announcement on Instagram below:
“Hello Heaven, Hello”
“Idols Pt I”
“Lovesick Lullaby”
“Zombie”
“The Greatest Parade”
“Change”
“Monday Murder”
“Ghosts”
“Fire”
“War”
“Idols Pt II”
“Supermoon”
Global-facing J-pop group f5ve (pronounced “fi-vee”) may be riding the new wave bringing Japanese music to the world, but the rising five-piece are anything but rookies.
The members each have at least a decade of experience working in the music industry: Sayaka, Kaede, Ruri and Miyuu (ages 28-29) were in LDH Entertainment groups E-girls and Happiness, while 21-year-old Rui is still currently a member of iScream, under the same label. Recently, though, they’ve been taking stock of where there’s room to grow, from English fluency to the basics of recording and performing with a mic. (In J-pop groups, it’s normal to have dancers who don’t sing.)
That’s because, unlike their other projects, f5ve’s expressed mission is to make “Japanese pop music for an international audience,” which also means challenging stereotypes about what sounds the island nation produces. “I think people abroad think J-pop is all anime songs,” Kaede tells Billboard in English from a conference room in Tokyo. “Of course, we have a lot of anime songs,” she adds, “but not just those. We have cool songs; we have different genres of J-pop.”
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Their debut album, SEQUENCE 1, helmed by executive producer BloodPop (Justin Bieber’s “Sorry,” Lady Gaga & Ariana Grande’s “Rain on Me”), makes good on the goal of subverting expectations and bending genres to their will. Tokyo rave beats (“Underground,”) intergalactic hyperpop (“UFO,” co-produced by A. G. Cook,) and sleek runway stompers (“Television”) supplement high-energy, anime-theme-ready J-pop (“リア女 (Real Girl),” “Jump.”) Meanwhile, the music video for bass-heavy trap banger “Sugar Free Venom,” featuring Kesha, self-referentially nods to their previous life as members of E-girls — while simultaneously paying tribute to Beyoncé and The Pussycat Dolls.
They’re likewise meeting global fans where they are — namely, social media, on which f5ve unseriously ask artists for collabs and sport “flop era” tees. “Some people say our account seems unofficial,” Miyuu says, speaking about the brand of cheeky, chronically online posting that their socials engage in. “There’s no other group that has done it like this before. I think that’s what makes people so interested in us.”
Ahead of the release of SEQUENCE 1, out now, f5ve opened up about “fresh” experiences in the studio and their master plan to connect with listeners all over the world.
Billboard: How did you react when your agency approached you about being in a global group?
Kaede: We couldn’t believe it, because we have been doing this job for over 10 years. We built our careers in Japan, but we felt like we could expand more to the world.
Was there anything that scared you about the new group?
Miyuu: At first, honestly, I was scared. All the members were the same, I think. Kaede, Sayaka and I — in our previous group, we had never tried vocals. This group was the first time I tried to sing.
When did you start working on SEQUENCE 01, and what was the process like?
Kaede: We’ve been working on this album for about two years. So now it feels like… finally. When we were in the studio with BloodPop, we discussed what music we like and listen to. Then he created music from that conversation. He actually loves Japanese anime — us too. While we were talking about our favorite anime, he said, “Why don’t we try to make a song that has anime themes?” That’s how “リア女 (Real Girl)” was born. It was a fresh experience for us, because it was very different from how Japanese people create music.
How does that usually go?
Kaede: Producers bring us the [completed demo].
So this way, it was more collaborative?
Kaede: Yes. He always includes our ideas for f5ve’s music.
What are some of your favorite anime series? Which did you take inspiration from?
Miyuu: Oshi no Ko and its theme, “Idol” by Yaosobi. We texted him so many.
Rui: My favorite anime are My Hero Academia, Tokyo Ghoul and Kakegurui.
Is there any advice that BloodPop gave you while recording that stuck out to you?
Rui: There isn’t one comment from him, but when we were in the studio with him, [he asked which version of demos we prefer.] It’s so fresh for me. We can have our own opinion and tell him about what we think.
Kaede: When we were recording, BloodPop and our creative director said to me, “More b–chy, more slay,” because my personality and my voice are so energetic.
Are there other ways you feel like your on-stage personas differ from who you are in real life?
Kaede: I’m a totally different person. On stage, I have confidence and I can be more…slayish?
Miyuu: It’s kind of the same for me. Off stage, I’m not outgoing, and I can be pretty shy. But when I perform, it’s like “Look at me, look at me.” [Laughs]
One of f5ve’s goals is to “eradicate self-doubt,” but we all have moments of insecurity. How do you overcome that yourselves?
Rui: We have a lot of practice being on stage and shooting. f5ve is the best team, so I always trust the members, trust the staff and trust myself. And I can be natural, be positive.
Kaede: We compliment each other before we go on stage, always.
Miyuu: “You look so cute. You look so pretty. You look so gorgeous.”
Rui: “Beauty! Sexy!”
What compliment would you give to the person sitting next to you right now?
Kaede: Miyuu is our number one face expression queen.
Miyuu: Sayaka is one of the smallest members, but the way she performs and her aura make you feel otherwise.
Sayaka: Rui is a true idol. She has perfect expressions and is always on point on stage.
Rui: Ruri has… face card. Always beautiful. I’m also addicted to Ruri’s powerful voice. And she is so kind.
Ruri: Kaede is the sunshine of the group. She’s always talking to people, always communicating.
In the music video for “Magic Clock,” there were child dancers who played younger versions of you. Some of you have been in the entertainment industry since you were around their age, so did you have any advice for them?
Rui: They were so nervous during the music video shoot, so we were always by their side. [We told them,] “You are so cute, your dancing is so amazing. Please have confidence.” We gained power from them. I think that situation was my dream come true. I was so happy.
Why was it a dream come true?
Rui: I was a student at [Japanese entertainment training school] EXPG starting at a young age, and during that time, I looked up to E-girls and all the LDH groups.
Besides Kesha, who features on “Sugar-Free Venom,” which artists do you hope to collaborate with in the future?
Rui: I want to collaborate with Addison Rae someday. I love her music videos and her vibes. I’m a huge fan.
Sayaka: I want to collaborate with Tyla.
Miyuu: I love Doja Cat. [Her music embodies] woman empowerment, which is why it matches us.
Kaede: I want to collaborate with Justin Bieber. I’ve been a huge fan of his since I was a junior high school student. He was my first celebrity crush. [Laughs.] I love his voice, I love his music.
Ruri: Taylor Swift. I recently listened to The Tortured Poets Department, and that got me into her.
You also worked with producers like A. G. Cook and Count Baldor on SEQUENCE 01. Who would you love to have write or produce a song for f5ve in the future?
Rui: Of course, I want to create more music with BloodPop, but I want to collaborate with Zedd.
Kaede: I want to collaborate with ASOBISYSTEM in Japan. We saw ATARASHII GAKKO!’s show in LA, so I hope ASOBISYSTEM or Nakata Yasutaka creates our music with ATARASHII GAKKO!
The video for “Underground” had Dekotora trucks and Para Para. What other elements of Japanese culture do you want to share with the world?
Kaede: Natsumatsuri is a summer festival in Japan, and when I was a kid, I practiced and played traditional drums in the festival. So, one day, I want to show you my drum skills in our songs. I can surprise people abroad with that.
Rui: I want to wear a kimono or yukata in a music video or a live show.
The J-pop industry used to be pretty much exclusively interested in the Japanese market, but now we’re starting to see that open up. Why do you think that is?
Miyuu: Lately, I’ve been feeling that the international reception of J-pop is starting to shift. In the past, there weren’t many chances for people to get exposed to J-pop, so the Japanese music industry mainly focused on the domestic market, as you said. But I believe digital culture has played a huge role in introducing J-pop to a global audience.
How does f5ve plan to reach that audience?
Rui: Being natural and being ourselves. Just having fun with our music, loving our music. And each other.
Miyuu: Social media is a very important tool for us. It’s a space where we can really connect with our fans and make them feel close to us. We react to a lot of comments, responding to what fans are curious about. Some people say our account seems unofficial, in the best way. And there’s no other group that has done it like this before. I think that’s what makes people so interested in us.
Since you brought up social media, who is the most online in f5ve?
Miyuu: Rui’s always on her phone, taking selfies.
Kaede: During lunch, during dinner…
Rui: I love searching for TikTok trends.
Is anyone never on their phone, and has no idea what these trends are?
Kaede: Ruri. She could live without her phone.
What did you learn about yourself while making this album?
Kaede: I’ve learned from BloodPop and A. G. Cook that work is not just work. They said not to forget to bring a playful mind to it, enjoy the moment and put yourself into creation.
Sayaka: In my previous group, I was a performer, so I never had a chance to sing. While recording, I discovered what I can express to the world with my voice. I found my new power.
What is still on your bucket list as a group?
Kaede: I want to attend Billboard Women in Music, because recently I saw JENNIE and aespa attend. One day, we want to go and represent Japan.
Rui: I love anime, and our members like anime too, so one day we want to have an anime theme song.
Miyuu: I want to make a role-playing game where we each create our own weapon.
What would everyone’s weapon be?
Rui: Noodle slasher! I eat noodles every day.
Kaede: My big voice.
Miyuu: Lipstick sword, because I love makeup.
Sayaka: Bomb. [Members laugh.] I always say something awkward in conversations and it’s like a bomb.
Ruri: My long hair, like a whip.
Any other bucket list items?
Ruri: Attending Coachella.
Sayaka: I want to meet fans all over the world.
Is there a world tour in the works?
Kaede: There isn’t a date decided yet, but we’re planning.
Rui: Soon!
Kaede: Yes, coming soon.
Lorde attended her first Met Gala in four years Monday (May 5), but she wasn’t just there for fun. According to the pop star, she also used the event to tease something coming in the future, revealing that the look she wore on the red carpet is an “Easter egg” that also happens to express […]
The Blue Note Jazz Festival’s Black Radio Experience will be returning to California this summer, and the lineup is stacked. On Tuesday (May 6), The festival unveiled its 2025 lineup, which includes headlining performances from Jazmine Sullivan, The Roots and a third mystery headliner that has yet to be announced. Additionally, the fest will of […]
What will Doja Cat‘s fifth album, Vie, sound like? The more apt question after Monday night’s (May 5) 2025 Met Gala might be: what will Vie look like? Doja hit the blue carpet at the high fashion superbowl in a Marc Jacobs pinstripe bodysuit with a velvet ocelot-print bustier design and dramatic shoulder pads on […]
Nicki Minaj walked the carpet at the Met Gala on Monday night (May 5), which is the Queens legend’s eighth appearance at the prestigious May fashion event. Minaj stopped on the blue carpet for an interview with Entertainment Tonight, where she explained the inspiration behind her Thom Browne navy pinstripe dress to match the “Superfine: […]
Please recognize she’s trying! Shortly before arriving at the Met Gala in New York City on Monday (May 5), Rihanna revealed that she’s pregnant with her third child with partner A$AP Rocky. So not surprisingly, in addition to discussing what she was wearing for fashion’s biggest night, there were questions about whether growing her family would mean delaying her already long-awaited ninth studio album.
When asked about that on the blue carpet, Ri — who was in a custom Marc Jacobs — had a very confident answer. “Noooooo!” she insisted about the upcoming album’s arrival to Entertainment Tonight before admitting some things might come a little later. “Maybe a couple videos! I can still sing!”
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The “Umbrella” singer — who shares sons RZA, nearly 3, and Riot Rose, 1, with Rocky — also joked earlier on to reporters as she was walking the carpet at the star-studded event that she “brought the kid!” Though she was dressed to the nines and in high heels, she told ET that she was feeling good that night. “‘m shockingly feeling OK and not too overwhelmed at the moment,” she shared before admitting that perhaps her third pregnancy did have her feeling a little bit overwhelmed in the beginning. “At first, it was kinda like, ‘Ahhhhhhhh,’ and ‘I’m tired,’” the nine-time Grammy winner said. “But then I’m excited.”
As for the “Tailor Swif” rapper, he was excited to let the world in on the couple’s happy news. “We were tired of holding that, and it was time to show the people what we was cooking up,” he told the Associated Press. “I’m glad everybody’s happy for us, because we’re definitely happy.”
And hopefully soon, Ri’s Navy will also be happy with the eventual arrival of R9. The “Disturbia” singer last released an album nearly a decade ago when she dropped Anti in February 2016. As for the delayed set? Ri shared in her March Harper’s Bazaar cover story that contrary to what she called “way off” rumors, the album would not be reggae.
“There’s no genre now. That’s why I waited,” the star explained. “After a while, I looked at it, and I was like, this much time away from music needs to count for the next thing everyone hears. It has to count. It has to matter. I have to show them the worth in the wait. I cannot put up anything mediocre. After waiting eight years, you might as well just wait some more.”
Watch Ri talk about R9 and her pregnancy with ET above.
Sabrina Carpenter, Hozier, Doja Cat, Luke Combs, The Strokes, John Summit and Doechii are among the headliners of the 2025 Austin City Limits Festival. The fest that takes place in Zilker Park over two weekends — Oct. 3-5 and Oct. 10-12 — will also feature sets from Feid, Cage the Elephant, T-Pain, Empire of the Sun, DJO, Pierce the Veil, Rilo Kiley, Maren Morris, Mk.gee, Zeds Dead, Rainbow Kitten Surprise, Modest Mouse, Wet Leg, King Princess and many more.
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The artists will spread out on nine stages, with this year’s event again slated to stream on Hulu, which will air select live performances, interviews and more during the first weekend, with a full broadcast lineup and schedule to be announced later this summer.
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Other acts on this year’s roster include: Role Model, Japanese Breakfast, Car Seat Headrest, Magdalena Bay, Olivia Dean, Marina, Gigi Perez, MJ Lenderman, Phantogram, Passion Pit, The Dare, Ca7riel & Paco Amoroso, Panda Bear, Anderson East, Lucius and many more.
Three-day general admission, GA+, VIP and platinum tickets will go on sale today at 1 p.m. ET here, with plans available starting at only $25 down; one-day tickets will be available at a later date.
Fans can also catch some shade at the Bonus Tracks stage, which organizers call a hub of “culture, connection, and good vibes [that] comes alive between music sets with a diverse lineup of programming. Expect artist and thought leader interviews, podcast recordings, cooking demos, drag performances, and creative ways to move your body and recharge your mind.”
Among the past highlights on that stage are author and podcaster Brené Brown in conversation with Foo Fighters singer Dave Grohl and Ted Lasso‘s Brett Goldstein, as well as intimate chats with Billie Eilish and Noah Cyrus and dance parties with Bob’s Dance Shop, and the best of Austin Drag hosting bingo and live shows.
Check out the full lineup and 2025 ACL poster below.