Music News

Watch Olivia Rodrigo ‘Pretend Like I’m An Influencer’ in Guts World Tour Backstage Video

If you’re wondering what Olivia Rodrigo gets up to on tour when she’s not on stage, just know it involves Sex and the City and chocolate cake.

In a TikTok posted Tuesday (April 1), the star takes fans on a day in her life on the road amid her ongoing Guts World Tour, for which she just closed out a run of festivals in South America. “I love watching these [types of] videos,” Rodrigo says at the beginning, showing off how she starts her mornings: eating an omelet, doing some yoga and reading a book by her hotel’s pool.

The clip — which Rodrigo paired Billie Eilish’s “Birds of a Feather” — then transitions into the Grammy winner’s pre-show routine, which features skincare, steaming her vocal cords, practicing piano and getting her makeup done. After she’s all ready, she shows off her view from backstage right before going on at Lollapalooza Brazil in São Paulo.

“This is the hardest part of my day, I just always get so nervous,” she confesses in a voice-over, sharing clips of herself and her band getting hyped up in a pre-show circle. “The fans were incredible, I had so much fun. Look at that crowd, so beautiful.”

Once the performance is over, Rodrigo heads back to her hotel for her post-show ritual: taking an ice bath “because my body hurts so bad after a show,” followed by cake and Carrie Bradshaw. “Thanks for letting me pretend like I’m an influencer, it was fun,” she signs off.

The High School Musical: The Musical: The Series alum has been traveling in support of her Billboard 200-topping sophomore album Guts for over a year now, kicking off the trek in February 2024. She had a few months off between the end of her Australian leg and the beginning of her 2025 run, which will feature several more festival gigs — including headlining slots at Glastonbury, Gov Ball and Lollapalooza.

Watch Rodrigo’s day in the life on tour below.

Kendrick Lamar’s Movie With ‘South Park’ Creators Delayed Until 2026

Kendrick Lamar’s movie with the creators of South Park has been pushed back into 2026, according to Variety. Paramount’s comedy debut for Lamar with Trey Parker and Matt Stone is now slated to arrive on March 20, 2026. The flick was scheduled to arrive on July 4 of this year.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

No reason was given behind the delay, but the untitled movie will now join the I Can Only Imagine sequel starring Dennis Quaid on the release calendar for 2026. Not much is known about the casting of the film — which was first announced in 2022 — outside of comedian Vernon Chatman (Wonder Showzen, The Heart, She Holler) serving as the primary writer.

The comedy will follow an African-American intern who plays a slave actor at a local history museum who discovers that the ancestors of his white girlfriend were slave owners of some of his relatives. PgLang’s Dave Free is also on board as a producer alongside Lamar. The release date reshuffle was made official ahead of this week’s Cinemacon in Las Vegas.

2025 was already shaping up to be a busy yet decorated year for Lamar. He’s coming off of Song of the Year and Record of the Year wins at the Grammy Awards and a headlining slot at the Super Bowl LIXHalftime Show a week later.

Kendrick Lamar and SZA are gearing up to hit the road for the Grand National Tour, which will hit 19 stadiums across North America. The trek is slated to kick off in Minneapolis on April 19 and make stops in Houston, Philly, New Jersey, Los Angeles, Chicago, Detroit, Toronto, Washington, D.C. and more.

Skrillex Releases Dubstep-Heavy Fourth Studio Album ‘F*CK U SKRILLEX’: Stream It Now

After months of teasing and anticipation, Skrillex‘s fourth studio album, the astoundingly titled ‘F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3>‘, is out now.

While the producer announced the project would be coming out today (April 1) only yesterday (March 31), its release also isn’t too much of a surprise, given recent posts indicating that it was in the works and then, as he posted on March 20, “done.”

The 34-track dubstep-forward LP features a long list of both new and frequent collaborators including Virtual Riot, Naisha, Whitearmor, jamesjamesjames, Parisi, Boys Noize, 100 Gecs’ Dylan Brady, G Jones, ISOxo, G Jones, Bibi Bourelly, Starrah, Wuki, Space Laces, Swae Lee and more.

The album is a 46-minute continuous mix that plays like a very hyped radio station and ends with a long list of end credit thank yous, the final going out to “you, the fan, the listener, the supporter, the believer. Without you, none of this would have been possible. Thank you.” See the cover art and stream the album below.

Marilyn Hue

The project comes two days after Skrillex headlined the mainstage at Ultra Music Festival for the first time since 2015, a peformance during which he played some of this new music, brought out special guests including Young Miko, Naisha, Flowdan and Damian Marley and played a bass edit of Avicii’s “Levels.”

This new album will presumably be Skrillex’s final project for his longtime label, Atlantic Records, given that in November he tweeted that ““I’ve never felt more inspired and in lockstep with my intentions as an artist. As I’m nearing completion of my next work and my final project for Atlantic Records I can’t help but feel very existential about it all.” (The majority of Skrillex’s releases have been through Atlantic subsidiaries, including Big Beat Records and Skrillex’s own OWSLA imprint, with the partnership going back to his 2010 debut EP Weekends!!!)

In November on X, Skrillex also referred to what seemed to this then unannounced project, saying, “I’m thrilled to get this out and focus on more release[s] in 25 as an ‘independent’ artist. But ‘independent’ is such a strange term because I still depend on my team as well as all the other creatives and executives to do what I do.”

The album is Skrillex’s first since 2023’s Quest For Fire, which he released on February 17, 2023, and Don’t Get Too Close, a surprise release that came the day after. (This day, February 18, 2023, was also when Skrillex headlined Madison Square Garden in New York alongside Four Tet and Fred again…)

This pair of albums marked Skrillex’s first full-length albums since his 2014 debut, Recess

Chris Brown’s ‘Residuals’ Reaches No. 1 on Adult R&B Airplay Chart

Chris Brown crowns Billboard’s Adult R&B Airplay chart for a sixth time, as “Residuals” climbs from the runner-up spot to lead the list dated April 5. The single was the most-played song on U.S. panel-contributing adult R&B radio stations in the tracking week of March 21-27, according to Luminate, and rose 12% in week-over-week plays. Thanks to its improvement, “Residuals” nabs the chart’s Greatest Gainer award, given each week to the song with the largest increase in plays.

With “Residuals,” released and promoted through CBE/RCA Records, Brown achieves his sixth Adult R&B Airplay No. 1. Here’s a review of his collection:

  • “No Guidance,” feat. Drake; 11 weeks at No. 1, beginning Jan. 18, 2020
  • “Go Crazy,” with Young Thug, seven, Dec. 26, 2020
  • “Come Through,” H.E.R. feat. Chris Brown; one, Jan. 1, 2022
  • “See Through Love,” Tank feat. Chris Brown; one; May 20, 2023
  • “Sensational,” feat. Davido & Lojay, eight, Aug. 24, 2024
  • “Residuals,” one (to date), April 5, 2025

Notably, all six of his leaders have come in the 2020s decade, tying the R&B superstar with H.E.R. and Usher for the most champs in that time. Prior to capturing the summit with “No Guidance,” Brown appeared on Adult R&B Airplay with 15 different titles, dating to his first visit – at age 16 – in 2006 with “Yo (Excuse Me Miss),” which reached No. 25. Before his half-dozen leaders, Brown earned a No. 4 best with “Undecided” in 2019.



Elsewhere, “Residuals” repeats at No. 2 on the audience-based R&B/Hip-Hop Airplay chart, after having previously topped the tally for three weeks. Despite the static rank, the single added 3% in audience to 19.7 million in listenership for the tracking week. On the plays-based Mainstream R&B/Hip-Hop Airplay chart, “Residuals” rises 4-3, having previously ruled for four frames. The track’s position ascent helps offset a 3% decline in plays for the week.

While “Residuals” largely holds steady after conquering several formats in the R&B/hip-hop sector, it is a promising newcomer in the pop realm. The track logs a fifth week on the Pop Airplay chart, and despite a 35-36 reverse, it remains essentially even in plays for the tracking week compared with the week prior.

“Residuals” is from the April 2024 deluxe edition of Brown’s most recent studio album, 11:11. The song was nominated for this year’s Grammy Award for best r&b performance, while 11:11 won for best R&B album, the singer’s second career trophy.

Grace Jones to Headline 2025 Blue Note Jazz Fest Series in New York

The Blue Note Entertainment Group announced the participating artists in its 14th annual Blue Note Jazz Festival New York on Tuesday morning (April 1). Among the dozens of top name artists participating are: Grace Jones & Janelle Monaé, Branford Marsalis & Charles Lloyd, Emily King, Joshua Redman Quartet, Kenny Garrett, The Soul Rebels, Spyro Gyra, Marcus Miller, Tank and the Bangas, Santigold and many more.

Explore

See latest videos, charts and news

See latest videos, charts and news

“This is one of our strongest lineups to date and Im so proud of the series we have curated this year,” says Alex Kurland, director of programming and talent buying for Blue Note. “These artists represent some of the best in jazz, soul and contemporary music and their participation this year speaks to the strength of the Blue Note brand.”

Kicking off May 27 with a concert honoring saxophonist James Moody’s 100th Birthday Celebration at Sony Hall, the festival includes stops at a number of popular venues all over the city, including the Blue Note Jazz Club in the West Village, Town Hall near Times Square, SummerStage in Central Park, Sony Hall on W 46th Street, Celebrate Brooklyn Prospect Park and more. Tickets and more information can be found here.

“We look beyond genre to curate this festival and strive to create outstanding musical experiences,” Kurland tells Billboard. “We’re excited to present artists this year who are singular and innovative. Artists who have their own unique individuality and voice, and that are truly one of a kind.”

Blue Note has a busy schedule for 2024, including two concerts slated for the Quarry Amphitheater on the campus of UC Santa Cruz in Northern California. Blue Note is also bringing back The Black Radio Experience with Robert Glasper in Napa, opening a new Blue Note Los Angeles in Hollywood and curating and producing the newly renamed Blue Note Jazz Festival at the Hollywood Bowl in June.

Blue Note recently wrapped up The Roots’ iconic celebration of their major label debut album, Do You Want More?!!!??!, at Blue Note, the annual month-long Robtober residency curated by Robert Glasper and critically acclaimed residencies with artists including Esperanza Spalding, Chris Botti and others.

Dates for the 2025 Blue Note Jazz Festival are below. More information here.

  • May 27 — James Moody 100th Birthday Celebration @ Sony Hall
  • May 29 — Kenny Garrett @ Blue Note
  • May 30 — Kenny Garrett @ Blue Note
  • May 31 — Kenny Garrett @ Blue Note
  • June 1 — Kenny Garrett @ Blue Note
  • June 1 — Harlem Gospel Choir [BRUNCH] @ Blue Note
  • June 1 — Chuck Prophet & Cumbia Shoes @ Sony Hall
  • June 2 — Infinity Song @ Blue Note
  • June 3 — Infinity Song @ Blue Note
  • June 6 — Emily King @ Blue Note
  • June 7 — “Forever Ray” [BRUNCH] @ Blue Note
  • June 7 — Emily King @ Blue Note
  • June 7 — Louie Vega & The Elements Of Life @ Sony Hall
  • June 8 — Harlem Gospel Choir [BRUNCH] @ Blue Note
  • June 8 — Emily King @ Blue Note
  • June 9 — Brandee Younger @ Blue Note
  • June 9 — Grace Jones & Janelle Monaé @ Celebrate Brooklyn Prospect Park
  • June 10 — THE REVERENCE PROJECT: John Patitucci, Darryl Jones, Nate Smith & James Francies @ Blue Note
  • June 11 — THE REVERENCE PROJECT: John Patitucci, Darryl Jones, Nate Smith & James Francies @ Blue Note
  • June 11 — Santigold @ Sony Hall
  • June 12 — THE REVERENCE PROJECT: John Patitucci, Darryl Jones, Nate Smith & James Francies @ Blue Note
  • June 13 — THE REVERENCE PROJECT: John Patitucci, Darryl Jones, Nate Smith & James Francies @ Blue Note
  • June 13 — Spyro Gyra @ Sony Hall
  • June 14 — Strictly Sinatra [BRUNCH] @ Blue Note
  • June 14 — THE REVERENCE PROJECT: John Patitucci, Darryl Jones, Nate Smith & James Francies @ Blue Note
  • June 14 — Rebirth Brass Brand @ Sony Hall
  • June 15 — Harlem Gospel Choir [BRUNCH] @ Blue Note
  • June 15 — THE REVERENCE PROJECT: John Patitucci, Darryl Jones, Nate Smith & James Francies @ Blue Note
  • June 15 — Gallant @ Sony Hall
  • June 16 — Warren G with Chris Rob & Live Band @ Blue Note
  • June 16 — Harlem Gospel Motown @ Sony Hall
  • June 17 — The Baylor Project @ Blue Note
  • June 18 — SABA @ Sony Hall
  • June 18 — The Baylor Project @ Blue Note
  • June 18 — Gino Vannelli @ Sony Hall
  • June 19 — The Baylor Project @ Blue Note
  • June 20 — Joshua Redman @ Blue Note
  • June 20 — Bas @ Sony Hall
  • June 20 — Babehoven @ National Sawdust
  • June 21 — A Tribute To The Golden Age Of Cuba – 
The Music Of The Buena Vista Social Club [BRUNCH] @ Blue Note
  • June 21 — Joshua Redman @ Blue Note
  • June 22 — Harlem Gospel Choir [BRUNCH] @ Blue Note
  • June 22 — Joshua Redman @ Blue Note
  • June 23 — Julius Rodriguez @ Blue Note
  • June 24 — Julius Rodriguez @ Blue Note
  • June 25 — Willie Nile @ Sony Hall
  • June 25 — Julius Rodriguez @ Blue Note
  • June 25 — Vopli Vidoplyasova @ Sony Hall
  • June 26 — Julius Rodriguez @ Blue Note
  • June 26 — Moses Yoofee Trio @ Blue Note
  • June 26 — Jesus Molina @ Sony Hall
  • June 27 — Savion Glover featuring PROjECt.9 @ Blue Note
  • June 27 — Baby Rose @ Sony Hall
  • June 28 — Savion Glover featuring PROjECt.9 @ Blue Note
  • June 28 — Branford Marsalis / Charles Lloyd Co-Bill @ Town Hall
  • June 29 — BALTHVS @ Sony Hall
  • June 29 — Harlem Gospel Choir [BRUNCH] @ Blue Note
  • June 29 — Savion Glover featuring PROjECt.9 @ Blue Note
  • June 29 — Azymuth @ Sony Hall
  • June 30 — Sungazer @ Blue Note
  • June 30 — Rickie Lee Jones @ Sony Hall
  • July 1 — Sungazer Plus @ Blue Note
  • July 2 — Sungazer Plus @ Blue Note
  • July 2 — Dora Morelenbaum @ Sony Hall

Gracie Abrams Drops Live O2 Arena Version of Haunting Unreleased Song ‘Death Wish’: Listen

Just a couple weeks after closing out the European leg of her Secret of Us Tour, Gracie Abrams is thanking fans by dropping the live version of unreleased song “Death Wish” recorded at the O2 Arena earlier this month.

Released Tuesday (April 1), the recording finds the 25-year-old singer-songwriter accompanying herself on piano as she sings eviscerating lyrics about a two-faced ex. “How will it end? How long will you give me?/ ‘Til you twist the knife with a smile while you kill me,” Abrams croons to the hushed room. “And you ask me to dance if there’s someone around/ You don’t look the same when I look at you now.”

The Los Angeles native also shared a lyric video for the track, featuring footage of Abrams playing the ballad for the first time at her March 6 show in London.

The track marks the Grammy-nominated artist’s first release since her feature on Benny Blanco and Selena Gomez’s “Call Me When You Break Up,” which arrived in February. Since dropping her sophomore album The Secret of Us last June, Abrams has released a couple other live recordings on streaming services, including “I Love You, I’m Sorry – Live From Vevo” in October and “That’s So True (Live From Radio City Music Hall)” in November.

Abrams’ O2 show was one in a month-long run of performances in Europe as part of her first-ever arena trek. In just a few days, she’ll pick back up with shows in Asia followed by legs in Australia and North America.

During her short break from touring, Abrams was honored as Songwriter of the Year at last weekend’s 2025 Billboard Women in Music Awards. During her speech, the star thanked her “incomparable” “Us.” collaborator Taylor Swift “for the gift of her pen, which very much raised me,” as well as best friend Audrey Hobert, with whom she wrote much of The Secret of Us.

Watch the “Death Wish (Live From The O2 Arena)” lyric video below.

Billy Joel Reads Letter He Wrote in 2014 Urging Rock Hall to Induct Joe Cocker: ‘Great Primal Rock N’ Roll Vocalist of All Time’

Add Billy Joel to the list of artists advocating for late powerhouse rock vocalist Joe Cocker to be inducted into the Rock and Roll Hall of Fame this year. On Tuesday (April 1), Billy Joel posted a video in which he reads a letter he wrote in 2014 to the RRHOF’s induction committee — at a time when Cocker’s health was in decline — imploring the Rock Hall to finally enshrine Cocker in its ring of honor.

Explore

See latest videos, charts and news

See latest videos, charts and news

“As a member of the Rock and Roll Hall of fame since 1999, it has been one of my finest hopes to see Joe Cocker into it as well,” Joel said in a never-before-released clip recorded in 2016 in which he notes that he was “stunned” that he was inducted before Cocker. “When I first heard him in 1969 I was very inspired by the sound of his incredibly raw and soulful vocal style.”

That same “watershed” year, Joel said he attended the Woodstock Festival, bought the first Led Zeppelin album and heard Cocker sing one of his signature, raw-boned covers, the Beatles’ “With a Little Help From My Friends.”

“I thought Joe was the most powerful rock n’ roll interpretive male singer I had heard since first hearing the iconic early recordings of Ray Charles,” Joel continued in the video. “In my opinion, no one has since come even close to him as one of the great primal rock n’ roll vocalists of all time. I feel very strongly that Joe Cocker should be considered for induction into the Rock and Roll Hall of Fame.”

The plea came from a video recorded by filmmaker John Edginton backstage at Madison Square Garden before a Joel performance, which was filmed for the 2017 documentary Joe Cocker: Mad Dog With Soul, but not included in the final cut. The clip posted to Cocker’s Instagram feed last week, ends with Joel asking the committee to consider putting Cocker on the ballot that year (2016). The singer said he never heard back from the Hall, joking, “it shows how much impact I have.” The Edginton video also includes singer-songwriter Randy Newman expressing surprise that Cocker — who recorded Newman’s “You Can Leave Your Hat On” — had not been on the ballot to that point.

Cocker was famous for his ragged, one-of-a-kind covers of other acts’ famous songs, with Joel comparing the late singer to such legendary song interpreters as Frank Sinatra.

In February, Cocker — who died in December 2014 at 70 from lung cancer, just months after Joel penned the letter — was nominated for the RRHOF for the first time after 36 years of eligibility. He’s vying for a spot for the Rock Hall’s Class of 2025 alongside 13 other musical greats, including Bad Company, The Black Crowes, Mariah Carey, Chubby Checker, Billy Idol, Joy Division/New Order, Cyndi Lauper, Maná, Oasis, Outkast, Phish, Soundgarden and The White Stripes. The Class of 2025 will be revealed in late April, and this year’s Rock & Roll Hall of Fame induction ceremony will take place in Los Angeles this fall, with details to be announced at a later date.

In March, Paul McCartney wrote his own letter to the Rock Hall also calling for Cocker’s induction. “Joe was a great man and a fine singer whose unique style made for some fantastic performances,” McCartney wrote. “He sang one of our songs ‘With a Little Help From My Friends,’ a [1968] version produced by Denny Cordell which was very imaginative.”

The two-time HOF honoree added, “All the people on the panel will be aware of the great contribution Joe made to the history of Rock and Roll. And whilst he may not have ever lobbied to be in the Hall of Fame, I know he would be extremely happy and grateful to find himself where he deserves to be amongst such illustrious company.”

Cocker’s widow, Pam Cocker, appreciated Macca support and his “sweet, sweet letter,” saying, “Joe was never anxious for it. The awards and accomplishments and all of that kind of stuff were not his thing — not to say that he wouldn’t be very pleased, as I am, just thrilled. But you just didn’t think about it.”

In addition, ZZ Top guitarist/singer Billy Gibbons has also supported the nomination of “one of a kind” singer Cocker nomination, saying, “Good news in view of the monumental recordings released and amazing performances… the very embodiment of rock and roll in terms of talent and spirit.” 

See Joel’s video below.

Chart Rewind: In 1995, Trisha Yearwood Was ‘Thinkin’ About’ Another No. 1

On April 1, 1995, Trisha Yearwood’s “Thinkin’ About You” hit No. 1 on Billboard’s Hot Country Songs chart, beginning a two-week reign. It became the third of her five career leaders, among 19 top 10s.

The hit was the title song from Yearwood’s 1995 album. It was authored by Bob Regan and Tom Shapiro, with production by Garth Fundis. Thinkin’ About You arrived at its No. 3 peak on Top Country Albums, giving Yearwood her third of 15 top 10s, a haul that includes four No. 1s.

The set’s “XXX’s and OOO’s (An American Girl)” topped Hot Country Songs for two weeks in September 1994. After the title track’s chart run, “You Can Sleep While I Drive” (written by Melissa Etheridge) hit No. 23 and “I Wanna Go Too Far” returned Yearwood to the top 10 (No. 9). Last single “On a Bus to St. Cloud” also dented the survey.

Yearwood was born on Sept. 19, 1964, in Monticello, Ga. In 1984, she graduated from Young Harris College with an associate degree in business. Prior to signing with MCA Records in 1990, she worked various jobs in Nashville, including a stint as a receptionist at MTM Records.

Yearwood’s rookie single, “She’s in Love With the Boy,” crowned Hot Country Songs for two weeks in August 1991. Its 30th anniversary was marked in 2021 with a surprise celebration at the Grand Ole Opry (to which she was inducted in 1999).

Now 60, and married to fellow country cornerstone Garth Brooks since December 2005, Yearwood is active in music and as a TV personality and an author, having published multiple cookbooks.

2025 has already proven to be a busy year for Yearwood. On March 24, she was honored with a star on the Hollywood Walk of Fame, with dedications by Reba McEntire and Carly Pearce, and with Brooks by her side. With a new album due this year, Yearwood will kick-off a seven-city theater tour beginning on April 30 in Austin, Texas.

Banda El Recodo On Upcoming Album ‘En Vivo Desde Japón’: ‘An Incredible Experience & Great Source of Pride’

Legendary regional Mexican group Banda El Recodo is gearing up for the release of their new album, En Vivo Desde Japón (Live from Japan). Recorded last year during their performance at the De Camino a Latinoamérica festival in Tokyo at Odaiba Pier, the album will be rolled out in five weekly installments starting this Thursday (April 3).

Explore

See latest videos, charts and news

See latest videos, charts and news

“We decided to release it this way to offer something different,” says Alfonso “Poncho” Lizárraga, leader of the group that was founded in Mazatlán nearly 87 years ago, in an exclusive interview with Billboard Español. “Each installment will feature a collection of songs grouped under a specific theme.”

The first part, titled Orgullo por México (Pride for Mexico), will include tracks like “Puño de Tierra,” “El Sinaloense/El Corrido de Mazatlán,” and “El Rey/Cielito Lindo/Viva México.” This will be followed by Amor Como Lenguaje Universal (Love as a Universal Language) on April 10, featuring a medley of “Te Presumo/Me Gusta Todo de Ti/La Mejor de Todas,” “Y Llegaste Tú,” and the spotlight track “No Me Aprovechaste,” an unreleased song written by Luciano Luna.

On April 17, the third installment, Separación, Distancia, Desamor (Separation, Distance, Heartbreak), will be released, featuring songs such as “Que te Ruegue Quien te Quiera,” “Yo Sé que te Acordarás/Vas a Llorar por Mí/Acá Entre Nos,” and “Triste Recuerdo/Te Ofrezco un Corazón.” A week later, on April 24, Viva La Fiesta (Long Live the Party) will debut, showcasing the tracks “La Crazy Loca,” “La Culebra,” and “La Quebradora/Vámonos de Fiesta.” Finally, on May 8, En Vivo Desde Japón will be completed with a second unreleased track, “El Malo Soy Yo,” along with “Qué Bonita/El Farol.”

This marks the second time Banda El Recodo has recorded a live album outside of Mexico. Back in 1995, they released Desde París, Francia, La Gira Europa ’95 (En Vivo) (From Paris, France, The Europe Tour ’95 Live). It is also their second time performing in Japan, where they first visited in 2002 to support the Mexican National Soccer Team during the World Cup, playing in five different cities.

“This time, we were part of an event where we were invited to share a piece of our culture with an audience of 5,000 people. It was an incredible experience and a great source of pride,” says Lizárraga. “Nowadays, there’s a growing openness to discovering Mexican music — and we find it very important that mariachi and banda are represented worldwide.”

“It’s important to honor and dignify traditional Mexican music,” Lizárraga continues. “We want the history of Mexican music to be respected and preserved. This doesn’t mean we don’t support new talents or younger generations, but it’s crucial to keep our traditions alive.”

Banda El Recodo will kick off the U.S. leg of their ’90s Banda Tour on May 25 in Newburgh, N.Y., joined by Banda Machos, Banda Los Recoditos, and Banda Maguey. The tour will blend traditional banda hits with technobanda and la quebradita, a music and dance explosion that took the scene by storm during the 1990s.

In Mexico, the tour is called Las Más Perronas (Mexican slang roughly meaning the Baddest) and includes only Banda El Recodo and Banda Machos, with three dates announced: July 11 at the Auditorio Telmex in Guadalajara, August 9 at the Arena Ciudad de Mexico, and Sept. 5 at the Arena Monterrey.

Banda El Recodo

Banda El Recodo

Fonovisa/Universal

Summer School New Artist Showcase Festival Announces 2025 Sophomore Run

Summer School is back for its Sophomore session.

On Tuesday morning (April 1) idobi Radio Summer School Tour founders Eric Tobin (Hopeless Records), Michael Kaminsky (management firm KMGMT) and Vans Warped Tour founder Kevin Lyman announced the return of the traveling punk rock showcase for new acts with a lineup that includes headliners Taylor Acorn, Charlotte Sands and Rain City Drive and support from If Not For Me, Beauty School Dropout, Arrows in Action, and Huddy.  

Sponsored by idobi radio and Hot Topic, the coast-to-coast showcase will make an inaugural stop at the July 27 Vans Warped Tour date in Long Beach, Calif.; the Warped tour is returning for a limited three-stop run this summer after a six-year absence.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

“We launched last year and were really encouraged by the reaction to Summer School from the fans — there had been a need in the market for new bands to connect with young audiences looking for new bands to support,” Tobin tells Billboard. He noted that he and his partners had always imagined Summer School as a touring vehicle from a bygone era, working with young bands to focus on artist development, community, ticket affordability and social impact.

Kaminsky tells Billboard that acts on the tour alternate set times at each date and are encouraged to spend time meeting and interacting with fans, describing the tour as an “incubator for the next generation” of headliners.

“If you look at the current touring business, most new acts are given support slots on tours and not given a chance to breakout on their own and shine,” Kaminsky says. “This is a chance for these acts to enjoy some of the spotlight without high priced tickets.”

Lyman said he was immediately sold on the idea once it was pitched by Tobin and Kaminsky last year, noting “the lack of available opportunities for young bands to find audiences. There’s very little artist development for today’s acts and hopefully Summer School creates a vehicle for that development.”

‘Launching July 11 at the Fillmore Detroit, the 2025 run will stop in 23 cities before wrapping at Philadelphia’s Franklin Music Hall. Pre-sale tickets for the 2025 idobi Radio Summer School Tour are available with reduced ticketing fees here beginning today at 12 p.m. ET / 9 a.m. PT. General on-sale tickets are available for $35 plus applicable taxes and fees starting Friday, April 4 at 10 a.m. local time.

Eddie Barella, CEO of sponsor idobi Radio, called the partnership “an incredible honor” for “championing emerging artists, amplifying their voices, and ensuring that alternative music continues to thrive” while Andrea Lewis, Hot Topic VP of Brand Marketing added, “Partnering with Summer School allows us to support the next generation of artists and fans who are shaping the future of alternative culture, and we’re proud to be part of something that creates such an unforgettable experience.”

Dates for idobi Radio Summer School are below. More at summerschooltour.com.

July 11, 2025 – Detroit, MI – The Fillmore Detroit

  • July 12 – Chicago, IL @ Riviera Theatre
  • July 13 – Cleveland, OH @ The Agora
  • July 15 – Newport, KY @ MegaCorp Pavilion
  • July 16 – Chesterfield, MO @ The Factory at The District
  • July 18 – Kansas City, MO @ Uptown Theater
  • July 19 – Denver, CO @ Fillmore Auditorium
  • July 20 – Salt Lake City, UT @ The Union
  • July 22 – Seattle, WA @ Showbox SoDo
  • July 23 – Portland, OR @ Roseland Theater
  • July 25 – Sacramento, CA @ Channel 24
  • July 26 – Long Beach, CA @ Vans Warped Tour*
  • July 27 – Tempe, AZ @ Marquee Theatre
  • July 29 – Dallas, TX @ House of Blues
  • July 30 – Houston, TX @ House of Blues
  • August 1 – Nashville, TN @ Marathon Music Works
  • August 2 – Atlanta, GA @ The Masquerade Heaven
  • August 3 – St. Petersburg, FL @ Jannus Live
  • August 5 – Silver Spring, MD @ The Fillmore Silver Spring
  • August 6 – Pittsburgh, PA @ Stage AE
  • August 8 – Sayreville, NJ @ Starland Ballroom
  • August 9 – Worcester, MA @ The Palladium
  • August 10 – Philadelphia, PA @ Franklin Music Hall 

* Vans Warped Tour Event