Music News

HAIM Says Upcoming Single Is Their ‘Favorite Song We’ve Written in the Last Couple Years’

Billboard Women in Music 2025

HAIM’s next single is coming soon.

The group unveiled the cover art for “Everybody’s Trying to Figure Me Out,” the next song off their upcoming album. In the photo, lead singer Danielle leans against a black SUV with her eyes closed, soaking in the sun. The snap is a reference to an iconic Kate Moss photo from 25 years ago.

The sibling trio previously recreated an early 2000s moment with their last single, “Relationships,” paying tribute to a series of viral Nicole Kidman paparazzi pictures.

“Everybody’s Trying to Figure Me Out” arrives on Friday (April 4), and in the caption of the cover art post on Instagram, Danielle shared more about the single. “This next song we will be releasing is my favorite song we’ve written in the last couple years ? writing it has gotten me through some hard times, and we felt this might be of some use to get our vibes right for this summer!” she wrote. “I started writing this after a panic attack I had the night I got home from tour. I was very confused because I was SO SO SO happy about our incredible tour, but something about being alone with myself scared the shit out of me. after a lot of reflecting I realized I’ve let a lot of people try and tell me how I should live my life, but I realized in making everyone else happy, I lost myself. I wrote this as a way to believe in myself again and quit being scared to do what I want. I hope this finds anyone who needs it.”

See the post here.

At press time the trio also featuring drummer Alana and bassist Este Haim have not announced the title, or release date, of their upcoming album. Haim’s last studio album, Women in Music Pt. III, was released in 2020. It reached No. 13 on the Billboard 200 and received a Grammy nomination for album of the year. In 2021, Haim was honored with the international group award at the BRITs.

Drake Can Seek Kendrick Lamar’s Record Deal & Other Docs in ‘Not Like Us’ Lawsuit, Judge Says

A federal judge says Drake can move forward with discovery in his defamation lawsuit against Universal Music Group (UMG) over Kendrick Lamar’s diss track “Not Like Us,” allowing his attorneys to begin demanding documents like Lamar’s record deal.

UMG had asked Judge Jeannette A. Vargas to halt the discovery process last month, arguing that Drake’s case was so flawed that it would likely be quickly dismissed — and that the star was unfairly demanding “highly commercially sensitive documents” in the meantime.

But at a hearing Wednesday (April 2) in Manhattan federal court, the judge denied that motion in a ruling from the bench. The judge had hinted in earlier rulings that she does not typically delay discovery before deciding if a case will be dismissed, barring extraordinary circumstances.

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In response to the ruling, Drake’s lead attorney Michael Gottlieb said: “Now it’s time to see what UMG was so desperately trying to hide.” An attorney for UMG declined to comment, and a spokesman for the company did not immediately return a request for comment.

Lamar released “Not Like Us” last May amid a high-profile beef with Drake that saw the two stars release a series of bruising diss tracks. The song, a knockout punch that blasted Drake as a “certified pedophile” over an infectious beat, eventually became a chart-topping hit in its own right and was the centerpiece of Lamar’s Super Bowl halftime show.

In January, Drake took the unusual step of suing UMG over the song, claiming his label had defamed him by boosting the track’s popularity. The lawsuit, which doesn’t name Lamar himself as a defendant, alleges that UMG “waged a campaign” against its own artist to spread a “malicious narrative” about pedophilia that it knew to be false.

UMG filed a scathing motion seeking to dismiss the case last month, arguing not only that it was “meritless” but also ridiculing Drake for suing in the first place. Days later, the company asked Judge Vargas to pause discovery until she ruled on that motion, warning that exchanging evidence would be a waste of time if the case was then immediately tossed out of court.

But in a quick response, Drake’s lawyers argued discovery must go on because the lawsuit was not going anywhere: “UMG completely ignores the complaint’s allegations that millions of people, all over the world, did understand the defamatory material as a factual assertion that plaintiff is a pedophile.”

Following Wednesday’s decision, Drake’s attorneys will now continue to push ahead with seeking key documents and demanding to depose witnesses. That process will continue unless the judge grants UMG’s motion in the months ahead and dismisses the lawsuit.

In the earlier filings in the case, UMG attached the actual discovery requests filed by Drake’s team, detailing the materials his attorneys are seeking.

Among many others, they want documents relating to decisions on “whether to omit or censor any lyrics” from “Not Like Us” during the Super Bowl halftime show; anything related to the promotion of the song on Spotify and Apple Music; and any communications with the Recording Academy ahead of Lamar’s string of award wins at the Grammy Awards in February; and “all contracts and agreements between you and Kendrick Lamar Duckworth, his agents, or anyone working on his behalf.”

Monument Records, Home to Walker Hayes & Tigirlily Gold, Folds After Eight Years

Country music label Monument Records, home to artists including Walker Hayes and Tigirlily Gold, is folding, with some aspects of the label to be overseen by Sony Music Nashville, Billboard can confirm. No reason was given for the label’s shuttering. Country Aircheck first reported the news.

Sony Music songwriter/producer Shane McAnally and manager Jason Owen collaborated to revive the storied Monument label in 2017. In addition to Hayes and Tigirlily Gold, its roster included Shelby Lynne, Brandon Ratcliff and Alex Hall. Tigirlily Gold will transition to Sony Music Nashville.

Through his management company The Sandbox, Owen will work with Sony Music to create new ideas and approaches for artists to help propel their stories across various mediums, including film and TV, while McAnally will continue working with artists through creative routes including A&R, production and songwriting. Meanwhile, Monument Records general manager Katie McCartney is moving on to a new opportunity to be announced soon; other Monument staffers have also been impacted by the label’s folding. Owen and McAnally did not immediately respond to a request for comment.

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Music executive/producer/songwriter Fred Foster co-founded Monument Records with Buddy Deane in 1958. Over the years, the label became known for a roster that included such major stars as Kris Kristofferson, Roy Orbison and Dolly Parton. The label closed in 1990 but was then reactivated for a period in the late 1990s, when it boasted a roster that included hugely successful acts like Little Big Town and The Chicks (then called The Dixie Chicks).

50 Million More Americans Are Buying Music Than a Decade Ago: MusicWatch

While some recent industry statistics show a slowdown in the U.S. streaming market, spending remains quite healthy, according to new figures from market research firm MusicWatch.

Most notably, 50 million more Americans bought recorded music in 2024 than a decade earlier. Products included in that count are on-demand music subscriptions, paid internet radio subscriptions, physical formats such as CDs and LPs, and digital downloads. Some of that increase can be attributed to population growth over the last 10 years. The total U.S. population — including people under 13 and non-internet users who are typically not counted in market research surveys — grew by roughly 19 million over that period. But since the number of music buyers far outstripped population growth, most of the growth came from an increased interest in music products.

By MusicWatch’s estimate, about half of all Americans aged 13 to 70 — 132 million people — paid for a music subscription in 2024, including on-demand music streaming and satellite radio. Recently released RIAA figures put the subscription count at 100 million, which is an average for 2024 (meaning the subscriber count at the end of the year was higher than 100 million). Satellite radio company SiriusXM finished 2024 with 31.6 million self-pay subscribers, according to its latest financial results.

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Not only are more Americans spending money on music, they’re spending more — even after adjusting for inflation. Americans spent $112 per capita on recorded music in 2024, up nearly 10% from $102 in 2023, according to MusicWatch. Back in 2014, per-capita spending was approximately $80, which is about $91 when adjusted for inflation. Taking inflation into account, per-capita spending increased approximately 32% over the past decade.

Live music spending fared even better than recorded music, jumping 17% to $281. Ticket inflation explains some of that increase, but not all — the percentage of people who bought a ticket rose to 56% from 51% in 2023. What’s more, spending on music merchandise such as T-shirts rose 45%.

Over the last decade, streaming turned U.S. recorded music revenue growth positive after an approximately 15-year downslide caused by digital piracy and a shift to selling single-track downloads rather than albums. Digital download sales have declined sharply over the past decade — from $2.3 billion in 2015 to $329 million in 2024, according to the RIAA — and piracy still exists despite the sharp rise in music buyers. MusicWatch found that 14 million Americans admitted to stream ripping music files in 2024. “Music piracy isn’t the scourge it was 20 years ago,” MusicWatch wrote, “but it’s still happening.”

Music piracy isn’t the only old habit that dies hard. While CD sales have fallen 61% over the last decade, 56 million Americans still listen to CDs in the car, and 48 million listen to digital downloads while driving. Both numbers are in decline, MusicWatch notes, “but nevertheless they represent a massive pool of listeners.”

Peso Pluma, J Balvin, Sanz & More Go Behind the Scenes in Billboard’s Mic’d Up

¡Bienvenidos a Mic’d Up! This exciting first episode is an exclusive and immersive behind-the-scenes experience of Billboard chief content officer for Latin and Español Leila Cobo’s life during Billboard Latin Music Week, a notable event in the Latin music calendar.

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Viewers will gain access to intimate moments as Cobo interacts with some of the industry’s most prominent artists, including Mexican star Peso Pluma, global sensation J Balvin, hip-hop icon Fat Joe, Thalía, María Becerra, and more throughout the week.

Mic’d Up features artist interactions and captures the excitement and energy of the various live shows and high-profile events from Billboard’s annual event celebrating Latin music. A notable highlight from the clip is the prestigious Latin Power Players event night, which is part of Billboard‘s annual recognition of Latin executives. In 2024, George Prajin was honored with the executive of the year award for his significant contributions to the Latin music landscape and closing out the week with the celebration of Billboard Latin Week’s impressive 35th anniversary, marking a milestone that reflects the growth and evolution of Latin music over the years.

The unique format of Mic’d Up intends to offer viewers an in-depth and personal look at the inner workings of the Latin music industry, celebrating key highlights and pivotal moments that define this vibrant world. It promises to be a captivating journey through Cobo’s lens, illuminating both the glamour and hard work behind the scenes of Latin music’s most significant events.

Watch the full clip above, featuring behind-the-scenes footage of Peso Pluma, J Balvin and more.

BTS’ ‘Blood Sweat & Tears’ Video Hits 1 Billion YouTube Views

Billboard Women in Music 2025

BTS has added yet another hit music video into YouTube‘s Billion Views club, as their 2016 clip for “Blood Sweat & Tears” has surpassed the milestone.

“Blood Sweat & Tears” is the group’s eighth music video to reach one billion views, and the list also includes “Butter,” “Dynamite,” “Boy With Luv” featuring Halsey and “DNA,” among others. In the “Blood, Sweat & Tears” music video, the septet — including V, Suga, Jung Kook, Jin, RM, Jimin and J-Hope — explores a Renaissance-style art museum before delving into slick choreography. Throughout the cinematic visual, which represents purity juxtaposed with giving into temptation, the members drink elixirs, wear blindfolds, blow smoke. Jin even comes dangerously close to sharing a kiss with a white angel statue with black wings at the end of the video, before V is portrayed looking into the camera with his own angel wings ripped off.

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Suga, RM and J-Hope co-wrote the sensual lyrics, which declare in the chorus, “It doesn’t matter if it hurts/ Make it tighter so I can’t escape/ Hold me tight and shake me/ So I’ll be unconscious/ Kiss me on the lip, lips/ This is a secret between the two of us/ I am addicted to the prison that is you.”  

The song, released in 2016, topped Billboard’s World Digital Song Sales chart and was featured on the group’s Wings album. The project topped the US World Albums chart and hit No. 26 on the all-genre Billboard 200 albums tally.

To celebrate their newest accomplishment, watch BTS’ “Blood Sweat & Tears” music video below.

Nogizaka46’s ‘Navel Orange’ Debuts at No. 1 as Ketsumeishi’s Cherry Blossom Hit Returns to Japan Hot 100

Billboard Women in Music 2025

Nogizaka46‘s “Navel Orange” tops this week’s Billboard Japan Hot 100, on the chart released April 2.

The 38th single by the popular girl group launched with 611,511 CDs after dropping March 26, more than its previous single. The song tops sales and comes in at No. 9 for downloads, No. 13 for radio airplay, and No. 21 for video views to give the group its 28th leader on the tally.

Mrs. GREEN APPLE’s “Lilac” drops a notch to No. 2, but continues its domination of multiple metrics. The Oblivion Battery opener rules streaming for the 30th week with 9,912,320 weekly streams, video for the 13th week, and karaoke for the 12th week.

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Sakanaction’s “Kaiju” holds at No. 3. Downloads for the Orb: On the Movements of the Earth opener are down to 74% compared to the week before, streaming 92%, radio 60%, and video 62%, while karaoke gains for the second week in a row to 113%.

Mrs. GREEN APPLE’s “Darling” rises 6-4. Karaoke for the three-man band’s latest hit increased for the ninth consecutive week to 105% and radio is also up to 103% week-over-week. The band’s long-running hit from 2023, “Que Sera Sera,” follows at No. 5, jumping 6 slots this week to re-enter the top 10. The song logs its 101st week on the Japan Hot 100 and boasts over 600 million total streams.

Outside the top 10, JO1’s “BE CLASSIC” debuts at No. 11. The lead title track off the eleven-member boy band’s best-of album, released Apr. 2, tops downloads and comes in at No. 18 for streaming and No. 4 for videos. Also, cherry blossom season is in full gear in Japan and Ketsumeishi’s “Sakura” from 2005 has re-entered the Japan Hot 100. Downloads, streaming, videos, and karaoke for the classic seasonal staple have increased and the track hits No. 89 this week.

The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.

See the full Billboard Japan Hot 100 chart, tallying the week from Mar. 24 to 30, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.

Bob Moses, Mau P & More Lead Zenyara Desert Nights 2025 Lineups During Both Coachella Weekends

Billboard Women in Music 2025

Zenyara Desert Nights is back and bigger than ever for 2025.

Global experiential agency Corso Marketing Group (CMG) and underground nightlife tastemakers Framework have revealed the lineup for their invite-only late-night festival series, returning April 11–13 and April 18–20, with exclusive access driven by Dorsia and in collaboration with Tao Group Hospitality.

Held at the sprawling, 70-acre Zenyara estate in the Coachella Valley, the two-weekend affair promises deep grooves, underground legends and the kind of high-touch hospitality money can’t buy — unless you’re on the list.

The 2025 lineup features a stacked roster of talent, including Bob Moses (Club Set), Vintage Culture, Mau P, WHOMADEWHO (Hybrid Set), Dixon b2b Jimi Jules, Mahmut Orhan, Damian Lazarus b2b Dennis Cruz and more. A special guest is also confirmed for Saturday, April 12 — because Zenyara never misses a surprise moment.

2025 lineups

Weekend One

Friday, April 11: Ahmed Spins, Bob Moses (Club Set), Damian Lazarus b2b Dennis Cruz, KILIMANJARO

Saturday, April 12: Special Guest

Sunday, April 13: Dixon b2b Jimi Jules, WHOMADEWHO, Yulia Niko, DESIREE, Sparrow & Barbossa

Desert Nights lineup

Desert Nights

Courtesy Photo

Weekend Two

Friday, April 18: Mahmut Orhan, Vintage Culture, Ahmed Spins, Beltran

Saturday, April 19: ChaseWest, Mau P, Autograf, Miramar

Sunday, April 20: Francis Mercier, Mind Against, Tripolism + more TBA

Desert Nights lineup

Desert Nights

Courtesy Photo

Since launching in 2018, Zenyara Desert Nights has earned a reputation as one of the most exclusive, off-site experiences of Coachella season — where the energy of a club night meets the polish of a luxury brand retreat. Past editions have featured performances from artists like RÜFÜS DU SOL, Kaytranada, Skrillex and Solomun, while attracting an elite mix of artists, designers, athletes and industry leaders from around the globe.

And just when you think they’ve peaked, enter Rodeo Nights, Zenyara’s first-ever country-inspired weekend, set for April 25–27 during Stagecoach. Full lineup details are still under wraps, but expect luxury with a side of cowboy boots.

With premium brand partners including Patrón El Alto, Red Bull, Heineken, Rivian, and Outcast, immersive activations will be spread across Zenyara’s aquatic playground, complete with a private beach, a full spa, golf and tennis courts, and a rooftop-ready infinity pool. Co-produced by CMG and Framework, in association with Dorsia and Tao Group Hospitality, Zenyara 2025 is once again shaping up to be the desert’s most coveted invite—and the late-night party everyone will wish they got into.

10 Albums Made By Couples: From Selena Gomez & Benny Blanco to The Carters

Plus, two Beatles and their spouses, Sonny & Cher and more.

Billboard Women in Music 2025

On the Billboard 200 chart dated April 5, two artists shared the No. 2 spot: Selena Gomez and Benny Blanco, whose friends-to-lovers romance manifested into the sweet couple’s album I Said I Love You First, long after they first started working together as singer and producer a decade prior.

But while the engaged twosome’s opening on the charts was certainly impressive, Gomez and Blanco are far from the first musical couple to craft an LP together. For many, romantic love and musical inspiration have gone hand in hand for decades, with some songwriting pairs starting out in band dynamics that turned romantic, and others deciding to try out music together only after they were in a relationship. There’s iconic duos like Sonny & Cher and Ike & Tina Turner, whose careers and lives as husband and wife were inextricably linked, and of course, there’s power couples such as Jay-Z and Beyoncé orTim McGraw and Faith Hill, where either spouse boasted an illustrious solo music career long before they united on joint albums.

No matter the exact dynamic, it’s easy to see the appeal of making music with a romantic partner. There’s no reason to hold back when it comes to writing lyrics — you probably already know everything about each other — and in many cases, your collaborator is just down the hall if you need them, doubling productivity.

From Selena and Benny to The Carters all the music-making soulmates that came before them, check out 10 albums that were made by couples below.

After Drake Trolls ‘Joe Budden Podcast’ With Melyssa Ford Merch, She Asks ‘Where’s My Check?’

Billboard Women in Music 2025

After dropping the highly anticipated “Nokia” video, Drake made some merch available on his website, andJoe Budden Podcast co-host Melyssa Ford isn’t happy about it.

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On DrakeRelated.com, the Toronto rapper is selling a “Hot Moms Vixen” hoodie with an image of Ford and lettering that says videovixens.ca on the back. And while the web address redirected to the podcast’s Patreon page at first, it now redirects to Ford’s Hot & Bothered with Melyssa Ford podcast YouTube page.

Of course, the pod talked about the hoodie, and when asked if she was given a head’s up, Melyssa Ford said she wasn’t and “woke up to it” like everybody else. She then mentioned that the website that’s printed on top of her image redirects to the pod’s Patreon page. “There is a jacket with my image on it,” she explained. “And underneath it, it says ‘videovixex.ca.’ So, dot c-a is dot com in Canada. You click on that link and it take’s you to Joe’s Patreon.”

She added: “What the f—k is going on? Where’s my check? Where’s my f—king check? That’s what the f—k I want to know.”

She then claimed that she may own the image because it’s from her first calendar and said that she sent Drake a DM about the situation. “There’s a possibility that I do own it,” she suggested. “There’s a possibility that I shot that for my first calendar… I sent a DM, said, ‘Hey.’”

While Drake and Budden’s rift goes back a ways, the former recently mentioned Budden and Ford on the $ome $exy $ongs 4 U song “Gimme a Hug” where he raps, “Melyssa Ford, you a legend from the 6, hate to see you with a d—ksucker,” in reference to Joe’s analysis of his battle with Kendrick Lamar last year.