Music News

Here’s How to Vote for the 2025 American Music Awards

The American Music Awards are fan-voted, and now that the 2025 nominations have been announced — with Kendrick Lamar leading the way thanks to a whopping 10 nods — here’s how to cast your ballot for your favorite stars.

There are a few different ways to vote: First, you can cast your vote online at VoteAMAs.com. Simply check out the site to click in favor of the artists you want to see win at this year’s ceremony, which takes place May 26 (also Memorial Day).

The second is via Instagram by visiting the AMAs’ profile, where fans can find a pinned “VOTE HERE” post. Under the post, comment your vote by using one of the promoted hashtags, which can be found on the show’s website. Each artist in every category has a unique hashtag for each award they’re up for — meaning artists up for multiple prizes will have different voting tags for each.

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Also, take note: You can only include one hashtag per comment, so make sure to leave individual comments for each artist/award you’re voting for. Your Instagram account must also be public in order for your vote to be counted!

Using both methods, fans can cast up to 25 votes per category, every day up until the awards. The exceptions to that rule come on “Turbo Days” — April 29, May 6 and May 13 — on which you can vote double that amount.

Instagram voting closes Thursday, May 15, at 11:59 p.m. PT. Web voting closes at the same time in all categories except collaboration of the year and social song of the year, which will stay open until the show is already in progress, on Monday, May 26, at 5:30 p.m. PT.

Hosted this year by Jennifer Lopez, the AMAs will air live from Las Vegas on Memorial Day. The show will also stream live on Paramount+ in the U.S.

Happy voting!

The American Music Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.

Tennessee Parole Board Recommends Governor Pardon Jelly Roll

The Tennessee Board of Parole recommended on Tuesday (April 22) that the state’s Governor consider pardoning Jelly Roll for his past convictions. According to the Associated Press, the board issued its nonbonding recommendation after voting unanimously on the move following a nearly two hour session that included testimony from Nashville Sheriff Daron Hall and several others.

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Jelly Roll has long talked about the his remorse for the multiple arrests in his youth and the long road he’s taken to make amends, including frequently visiting jails and rehab centers before his shows. Following the board’s action, it is now up to Gov. Bill Lee to decide if the singer (born Jason DeFord) will be pardoned. The move could pave the way for the singer to travel internationally to perform, something he has not been able to do to date.

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“This was incredible,” Jelly Roll said of the board’s decision. “I pray this goes through. But today was special for me, regardless.” During the board meeting, Jelly Roll described falling in love with songwriting while in detention, explaining, “It started as a passion project that felt therapeutic and would end up changing my life in ways that I never dreamed imaginable and opened doors that I’ve never thought possible.”

Jelly Roll, 40, was convicted on robbery charges at 17, when a female friend helped him and two other young men enter a house in 2002; both of the other men were armed, though Jelly Roll was not. They demanded money and got $350 and an empty wallet. Because the victims knew the woman and Jelly Roll, they were both arrested right away and he was sentenced to a year in prison. Then, in 2008, police found marijuana and crack cocaine in his car, which resulted in a sentence of eight years of court-ordered supervision. He has been jailed more than 40 times over the years for a variety of drug charges dating back to when he was 14.

Due to those incidents, and a number of other brushes with the law, until last year Jelly was unable to secure a passport in order to book shows outside of the U.S. due to legal restrictions on travel by former felons.

The parole board began considering Jelly Roll’s pardon application since Oct. 2024, which marked at least five years since his sentence expired.

Following Tuesday’s recommendation, Republican Gov. Lee told reporters that “the reporting on Jelly Roll, that’s encouraging for his situation, but there are steps yet to happen in that case.” A number of friends and civic leaders wrote to the board about Jelly Roll’s generosity and transformation to bolster his case, according to the AP.

Sheriff Hall — who runs Nashville’s jail — wrote in a note that Jelly Roll had an “awakening” in one of the jails he managed, while Live Nation Entertainment CEO Michael Rapino wrote about the generous donations the singer has given to charities for at-risk youth.

Among the reasons Jelly Roll gave for needing the pardon was the current difficulty he faces traveling to Canada to perform due to his criminal record. Last June, Jelly booked his first-ever international shows when he scheduled gigs in Ontario and Ottawa. A week before announcing the shows, Jelly told Howard Stern that he had just gotten off the phone with his lawyer about the travel ban. “We are working … it’s getting good, it’s starting to look promising. It didn’t look good even just six months ago, but it’s starting to look really promising,” he said at the time.

Jelly told the board that he needs the pardon to be able to play more shows in Canada because currently he needs to apply for a special permit to travel north, which can sometimes be a lengthy process. “I want to be an inspiration for people who are now where I used to be — to let them know that change is truly possible,” Jelly told the board. “One of the reasons I’m asking for your recommendation for this pardon is because I’m looking to take my message of redemption through the power of music and faith through the rest of the world.”

He said that due to his criminal record, every time he travels it takes a “team of lawyers and a mountain of paperwork to secure my entry into those countries.” He noted last year’s inaugural Canadian shows, as well as his first trip to the U.K., where he traveled to speak about a rehab program.

Check out Hall’s post about the hearing below.

Deltron 3030 to Play Debut Album in Full for 25th Anniversary Tour

As Deltron 3030 reportedly prepare the release of their long-awaited third album, they’ll first be taking a look back at their debut, performing the record in full on their upcoming North American tour.

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The revered hip-hop supergroup – comprising rapper Del the Funky Homosapien (aka Deltron Zero), producer Dan the Automator (the Cantankerous Captain Aptos) and turntablist Kid Koala – will be returning to the live stage this summer, launching a 16-date tour in Vancouver, BC on July 18 before traveling throughout the U.S. and Canada over the next three months.

The tour will see Kid Koala pulling double duty as he opens the shows alongside Lealani, while the main event will see Deltron 3030 performing their self-titled debut album in full.

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Originally released in May 2000, Deltron 3030 didn’t reach dizzying commercial heights, instead peaking at No. 194 on the Billboard 200 and No. 18 on the Independent Albums charts. However, it was highly-regarded by critics, with the hip-hop concept album pairing stark social commentary with tongue-in-cheek humour as atmospheric beats accompanied narratives of dystopian society in the year 3030.

Deltron 3030 were largely inactive in the years following their debut album’s release, though they would re-emerge in 2013 with a sequel record titled Event 2. The album would hit No. 41 on the Billboard 200 and reach No. 6 on the Top R&B/Hip-Hop Albums chart, with the group touring in earnest in the following years. 

Currently, the release of a 2016 live album (fittingly-titled Live) is the group’s latest commercial release, though Deltron 3030 have hinted towards a third studio LP in previous years. Alongside news of their forthcoming tour, it’s been confirmed that a new record is indeed in the works, though it’s likely that fans will have to wait until the completion of their live commitments before new material or updates arrive.

Deltron 3030 – 2025 Tour Dates

July 18 – Commodore Ballroom, Vancouver, BC
July 19 – Summer Concerts at the Pier, Seattle, WA
July 21 – Revolution Hall, Portland, OR
July 23 – The Regency, San Francisco, CA
July 25 – Bellwether, Los Angeles, CA
July 26 – Observatory, Santa Ana, CA
July 27 – House of Blues, San Diego, CA
Sept. 24 – Uptown, Minneapolis, MN
Sept. 25 – House of Blues, Chicago, IL
Sept. 27 – Majestic Theatre, Detroit, MI
Sept. 28 – The Concert Hall, Toronto, ON
Sept. 29 – Théâtre Beanfield, Montreal, QC
Oct. 2 – Big Night Live, Boston, MA
Oct. 3 – Union Transfer, Philadelphia, PA
Oct. 4 – 9:30 Club, Washington, DC
Oct. 6 – Webster Hall, New York, NY

Sharon Osbourne Calls for Kneecap’s Work Visas to Be Revoked After Coachella Set

Sharon Osbourne has shared her disdain of Northern Irish hip-hop trio Kneecap and the outspoken messaging present in their recent Coachella set, going so far as to call for the revocation of their work visas.

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Osbourne shared her comments on social media on Tuesday (April 22), days after Kneecap played the second weekend of the Coachella festival. The Friday (April 18) performance drew recognition for the band’s use of strong anti-Israel sentiments during their set – sentiments which they had claimed were censored during their first weekend appearance.

“Israel is committing genocide against the Palestinian people,” the projected messages read. “It is being enabled by the U.S. government who arm and fund Israel despite their war crimes. F–k Israel; free Palestine.” 

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These messages weren’t the only pro-Palestinian sentiments shared during the 2025 edition of the festival. Notably, Green Day altered lyrics to reflect the plight of Palestinian children, while names such as Bob Vylan and Blonde Redhead displayed Palestinian flags during their sets. In the case of the latter, the onstage event was soundtracked by audio of Mahmoud Khalil – the detained Columbia University graduate student currently being held in an immigration detention center following his role in on-campus protests.

However, Osbourne shared a lengthy response to the apparent politicisation of Coachella, noting that this year’s edition will be remembered “as a festival that compromised its moral and spiritual integrity.”

“Goldenvoice, the festival organizer, facilitated this by allowing artists to use the Coachella stage as a platform for political expression,” she wrote. “At a time when the world is experiencing significant unrest, music should serve as an escape, not a stage for political discourse. 

“While festivals like Coachella showcase remarkable talent from around the globe, music’s primary purpose is to unite people. It should not be a venue for promoting terrorist organizations or spreading hate.”

As Osbourne continued, she noted that despite being a fan of Saturday headliners Green Day, she felt that their own views of events in the Middle East would have been more appropriate if shared “at their own concert, not at a festival.” Kneecap’s sentiments, however, were deemed so egregious that she closed by asking supporters to join in her “advocating for the revocation of Kneecap’s work visa.”

“Kneecap, an Irish rap group, took their performance to a different level by incorporating aggressive political statements,” Osbourne wrote. “Their actions included projections of anti-Israel messages and hate speech, and this band openly support terrorist organizations. 

“This behavior raises concerns about the appropriateness of their participation in such a festival and further shows they are booked to play in the USA. Reports indicate that Goldenvoice was unaware of Kneecap’s political intentions when they were booked. However, after witnessing their performance during the first weekend, allowing them to perform again the following weekend suggests support of their rhetoric and a lack of due diligence.”

In the wake of Kneecap’s performance, Goldenvoice CEO Paul Tollett reportedly claimed he was “blindsided” by the band’s actions. While HYBE America CEO and former talent manager Scooter Braun – who previously staged exhibits in Los Angeles and Israel about the October 7, 2023 attacks in Israel – defended Tollett, Osbourne expressed disbelief that anyone who attended exhibits such as Braun’s could book an artist such as Kneecap for the festival.

“Furthermore, the Independent Artists Group, which represents Kneecap, includes individuals of Jewish heritage,” she continued. “It is disheartening that they have not used their positions to prevent the promotion of such controversial messages. Shame on them. 

“As someone with both Irish Catholic on my Mothers side and Ashkenazi Jewish heritage on my Fathers side, and extensive experience in the music industry, I understand the complexities involved,” she added. “Goldenvoice’s claim of being ‘blindsided’ by Kneecap’s performance seems implausible given the circumstances. I know for a fact that certain people in the industry had written to Goldenvoice, airing their concerns around the booking of Kneecap.”

For their part, Kneecap have not responded directly to the criticism of their messaging, instead sharing examples of the myriad supportive messages they have received in the wake of their Coachella sets. The group will return to North America in October for another run of live dates.

Lorde Previews New Single in NYC After Police Axe ‘Unscheduled’ Pop-Up Appearance

Lorde has given fans in New York City a preview of her new single after plans for an in-person event fell by the wayside thanks to local law enforcement.

The New Zealand singer is currently preparing to launch new single “What Was That” on Friday (April 25), with the track serving as her first piece of solo music since 2021. The first taste of her upcoming fourth album, Lorde initially teased the single with her first-ever post on TikTok, sharing a video of herself walking through Washington Square Park in New York City while listening to the dreamy synth-pop track. 

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In lieu of traditional social media updates, Lorde has since taken to connecting with fans by way of text messages and voice notes, with her legions of supporters receiving a message on Tuesday (April 22) which told fans to “meet me in the park” at 7pm.

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As a result, fans flooded to Washington Square Park to hopefully catch a glimpse of the musician, though the gathered masses were soon urged to leave by local law enforcement.

Lorde took to her Instagram Stories soon after to address those who had turned out for the last-minute affair. “Omg @thepark the cops are shutting us down I am truly Amazed by how many of you showed up !!!” she wrote. “But they’re telling me you gotta disperse … I’m so sorry.”

According to Rolling Stone, a spokesperson for New York City’s DCPI stated that officers had been alerted to an “unscheduled event” within the park, adding that a “sound and parks permit” is required to hold a concert event in a NYC park. “This individual did not possess either,” the statement added. “Organizers of the event were informed they could not perform and they left the location.”

Fans who remained within Washington Square Park were rewarded for their patience, however, with the singer later showing up to play her new single. Though Lorde didn’t perform the track live, she danced along to “What Was That” while it was being played by producer Dev Hynes of Blood Orange fame.

Lorde’s appearance in New York City comes just over a week after she made a surprise appearance during Charli XCX’s Coachella set to guest on a performance of “Girl, So Confusing.”

With her new single set to arrive in a matter of days, Lorde’s new era is fast-approaching, telling fans in her recent voice note that “everything is about to change.” She added, “These are the last moments where it’s just us, which is crazy. But so right. I’m so ready.”

Mustard Claps Back at Gordo After Being Called Out for Unfollowing Drake Producer

It all started last week when Drake collaborator Gordo tweeted out that Mustard unfollowed him on Instagram. “Oh, my God. Just noticed Mustard unfollowed me on IG,” he wrote on X. “Sad day…headlining [Coachella] must of got to his head.”

Mustard caught wind of the post and responded in kind, saying, “Ain’t going back and forth with a n—a that’s happy to change music on another n—a’s toilet seats,” he tweeted. “Let’s just end it here: I’m richer than you and have more hits than you. I have multiple houses with my own toilet seats and many of my own chains to wear.”

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He added, “The guy wants attention. Keep slaving at those overseas shows, brother. Don’t forget to buckle dude’s pants after you done,” he wrote, before mocking Gordo’s chain picture.

Drake’s “Sticky” producer then responded by saying that Kendrick Lamar didn’t bother to drive out to support Mustard’s Coachella set. “Imagine devoting your entire Coachella set to a guy that wouldn’t drive an hour to pop out for you.”

Earlier this month, Gordo tweeted that he apparently changed the music on a couple of Drake’s toilets up at the Embassy (his mansion) in Toronto. “When you use the bathroom at Drake’s house usually the toilet will play 2Pac,” he said. “But today I changed one toilet to play ‘Healing’ and the other one to play ‘Sideways.’”

Gordo also tweeted a picture of himself wearing Drake’s recently purchased N.E.R.D chain that was once owned by Pharrell and Kid Cudi, saying that he found it in Drake’s kitchen and that he’s “100 percent taking it.”

Roy Thomas Baker, Producer of Queen’s ‘Bohemian Rhapsody,’ Dies at 78

Roy Thomas Baker — the producer behind some of rock’s biggest hits, including Queen’s “Bohemian Rhapsody” — has died at age 78, his family announced Tuesday (April 22).

Baker died at his home in Lake Havasu City, Arizona, on April 12. No cause of death has been revealed.

The producer’s credits feature a who’s who of rock stars over the past half-century, including Journey, Yes, Foreigner, The Cars, Alice Cooper, Cheap Trick, Devo, Mötley Crüe, Guns N’ Roses and Smashing Pumpkins. Baker worked with Queen on five of the band’s 1970s albums, including on their bombastic A Night at the Opera lead single “Bohemian Rhapsody,” which is reportedly the most-streamed song recorded in the 20th century. The 1975 single debuted on the Billboard Hot 100 in January 1976 but didn’t hit its No. 2 peak on the chart until its inclusion in the film Wayne’s World in 1992.

Born in Hampstead, London, in 1946, Baker’s career began as second engineer to Gus Dudgeon and Tony Visconti at London’s Decca Records. He graduated to chief engineer in the ’70s and moved to Trident Studios to begin working with the then-unknown Queen. Columbia Records later asked him to relocate to the U.S. to work with Journey and others.

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“We did [1978 album] Infinity with the infamous Roy Thomas Baker,” recalled Journey’s Neal Schon, “and we did so many different things on that record that I’d never tried, or even thought about doing. I learned a lot from Roy.”

Elektra Records, Queen’s U.S. label, connected Baker with Lindsey Buckingham, Dokken and The Cars — for whom he produced their first four albums, from 1978 to 1981.

Baker is survived by his wife, Tere Livrano Baker, and his brother, Alan Baker.

Taylor Swift Unseated as World’s Youngest Self-Made Woman Billionaire: Who Took Her Place?

Taylor Swift claimed the title for youngest self-made woman billionaire in the world in 2023 when Forbes first reported the pop superstar’s billionaire status. Two years later, she’s been dethroned by Lucy Guo, the 30-year-old co-founder of Scale AI, Forbes recently reported.

Guo co-founded the San Francisco-based artificial intelligence company Scale AI in 2016 when she was 21 years old, alongside then-19-year-old Alexandr Wang. Wang was CEO, while Guo ran the operations and product design teams, and both made Forbes‘ 30 Under 30 list in 2018. But Wang allegedly fired Guo that same year when they disagreed on how to run the company.

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She still owns an estimated stake of 5 percent of Scale AI, which is now worth nearly $1.2 billion after Business Insider first reported that the company is seeking valuation as high as $25 billion in a potential tender offer. Forbes estimates Guo is worth $1.25 billion, considering her stake in Scale AI and her holding in her second startup, Passes.

Guo is now one of only six self-made women billionaires on the planet who are under the age of 40. Out of those six extraordinary women are two powerhouse artists: Swift, 35, who has a $1.6 billion net worth, and Rihanna, 37, who has a $1.4 billion net worth.

Swift surpassed Rihanna as the world’s richest female musician last October. Forbes reported that Swift’s earnings from her international Eras Tour and the value of her music catalog made her a billionaire, becoming the first musician to reach that rank primarily based on her songs and live performance. Her fortune includes $600 million from touring and royalties, $600 million from her catalog and $125 million in real estate holdings.

Lil Uzi Vert Hospitalized in NYC for Illness: Report

Lil Uzi Vert was reportedly hospitalized in New York City on Monday (April 21) after falling ill at a Manhattan hotel.

Billboard has reached out to the rapper’s reps for confirmation.

According to TMZ, paramedics responded to a call for Uzi — who identifies as nonbinary — during the afternoon and transported them to a local hospital for treatment.

TMZ released footage from an eyewitness video showing someone who appears to be Uzi being wheeled into an ambulance around 2:30 p.m. ET. Along with City Girls rapper JT, Uzi’s girlfriend, security also accompanied the rapper and held up black umbrellas in an attempt to protect their identity.

Details of Lil Uzi Vert’s condition are not known at this time.

On the music side, the 29-year-old has laid low for much of 2025. They have yet to put out a single, but hopped on Skrilla’s “Walking Dead” in February.

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Lil Uzi returned in 2024 with their Eternal Atake 2 sequel, which debuted at No. 3 on the Billboard 200 with 59,000 album-equivalent units earned in the opening tracking week.

Earlier in February, Uzi made headlines by jabbing at Philadelphia Eagles quarterback Jalen Hurts, which saw the rapper flex that their “diamonds are better lil big bro.” The post to their Instagram Story was accompanied by a photo of Hurts, but the Eagles QB has yet to respond to Uzi.

Wiz Khalifa May Be a Flat Earther ‘Because I’ve Traveled So Much’

Wiz Khalifa seems to believe that the Earth is flat.

The Pittsburgh rapper is rolling out his latest album Kush + Orange Juice 2 and stopped by The Joe Budden Podcast to discuss a variety of topics — one of which is the age-old (and centuries-ago-answered) question: Is the Earth flat or round?

There’s clip floating around from the popular podcast’s exclusive Patreon episode where co-host Melyssa Ford asks Wiz straight up if the Earth is round. “I would say no,” he answered. And when she asked what shape the planet is, Wiz replied: “I just believe that we live on a flat plane, like a huge flat plane.”

He further elaborated after receiving an agreeable dap from co-host Ish and said he believes this “flat plane” theory because of how much he travels. “It’s only because I’ve traveled so much.” However, when guest host and academic Marc Lamont Hill asked him if he’s ever reached the edge of the Earth, Khalifa tried to clarify his point. “Nah, it’s not that. I think that there’s more masses than just what we see because it was one thing before and it spread out,” he tried to explain as he referred to the supercontinent Pangea.

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He continued by saying that there has to be way more land mass out there that humans haven’t discovered, adding, “Because when I travel, the routes that we take and how we do it, it’s not possible to go up and down. You’re just going straight. That’s the only reason I think that.”

He also questioned space exploration in general. “I don’t believe in space exploration at all,” he admitted. “I don’t believe that they explore space as much as they say that they do.”

The subject came up because the pod has been discussing the Flat Earth Theory recently — something they’ve done in the past — and Marc Lamont Hill had gotten into it with a Flat Earther on his YouTube series Night School Debate.

For what it’s worth, the conversation wasn’t that serious and fans jokingly pointed out that Wiz used a round Earth on the cover of Kush + Orange Juice 2.

Check out our recent interview with Wiz where we talked about his run of freestyles and his latest tape.