Music News

Davido’s ‘5ive’ Dominates U.S. Afrobeats Songs Chart, Adds Three Top 10s

Davido floods the Billboard U.S. Afrobeats Songs chart (dated May 3) with tracks from 5ive, his fifth and newest studio album. In total, 16 of the album’s songs populate this week’s 50-position chart, which ranks songs based a formula blending U.S. streaming and sales totals. Of those, 14 are debuts on the list, including collaborations with Chris Brown, Becky G and Victoria Monét.

5ive, released through DaVido/RCA Records, debuts at No. 2 on the World Albums chart with 7,000 equivalent album units earned in the tracking week of April 18-24, according to Luminate.

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“Offa Me,” featuring Monét, leads Davido’s parade on U.S. Afrobeats Songs with its No. 5 arrival. The collaboration was 5ive’s most-streamed track for the week, with 1.37 million U.S. official streams. Directly behind “Offa Me,” Davido’s “Titanium,” featuring Brown, opens at No. 6, as “With You,” featuring Omah Lay, begins at No. 7. The former registered 900,000 streams for the week, while the latter pulled 1 million. (Although streams contribute the majority share for both tracks, a stronger sales total for “Titanium” pushed it above “With You” for the final rankings.)

“Titanium,” notably, reunites Davido with Chris Brown after the pair’s hit “Sensational,” also with Nigerian singer-songwriter Lojay. “Sensational,” from Brown’s 11:11 album, reached No. 1 on the Mainstream R&B/Hip-Hop Airplay chart in March 2024 and was nominated for a Grammy Award for best African music performance.



In addition to the three new top 10s, three prior 5ive cuts have landed in the upper tier. “Awuke,” with YG Marley, reached No. 9 last November and spent 23 weeks on the list, “Funds,” featuring ODUMODUBLVCK and Chike achieved a No. 5 best last December and rebounds 18-16 on the current chart, while “Be There Still” rallies 22-10 this week, after having reached a No. 7 peak in March.

As Davido expands his collection, here’s a review of his nine songs to reach the top 10 in the three-year history of the U.S. Afrobeats Songs chart:

Song Title, Artist, Peak Position, Peak Date
“Stand Strong,” feat. Sunday Service Choir; No. 9, May 28, 2022
“Over Dem,” No. 10, April 15, 2023
“Unavailable,” feat. Musa Keys; No. 3, Aug. 26, 2023
“Awuke,” with YG Marley; No. 9, Nov. 16, 2024
“Funds,” feat. Odumodublvck & Chike; No. 5, Dec. 21, 2024
“Be There Still,” No. 7, March 29, 2025
“Offa Me,” feat. Victoria Monét; No. 5, May 3, 2025
“Titanium,” feat. Chris Brown; No. 6, May 3, 2025
“With You,” feat. Omah Lay; No. 7, May 3, 2025

Expanding beyond the top 10, Davido’s 16 simultaneous placements falls one short of his personal record, a 17-title week on the chart dated April 15, 2023 upon his Timeless album’s debut. Still, this week’s haul makes the Nigerian-American star only the second act with multiple weeks of 15 or more entries. He joins Burna Boy, who peaked with a record 23 spots on the July 23, 2022, chart and Wizkid, who set his best mark with a 17-song week on the Dec. 7, 2024, ranking.

Here’s a recap of Davido’s full set of placements on this week’s U.S. Afrobeats Songs chart:

No. 5, “Offa Me,” feat. Victoria Monét
No. 6, “Titanium,” feat. Chris Brown
No. 7, “With You,” feat. Omah Lay
No. 10, “Be There Still”
No. 11, “Anything”
No. 13, “R&B,” feat. Shenseea & 450
No. 15, “10 Kilo”
No. 16, “Funds,” feat. ODUMODUBLVCK & Chike
No. 17, “Tek,” feat. Becky G
No. 18, “CFMF”
No. 19, “Holy Water,” feat. Victony & Musa Keys
No. 20, “Don’t Know”
No. 21, “Lover Boy,” feat. Tayc & Dadju
No. 22, “Lately”
No. 23, “Nuttin Dey”

Don’t Blame Cardi B For Delay Of 2nd Album, Blame Her No-Show Features: ‘I Need Y’all To Hurry Up!’

Here’s the thing. It’s not Cardi B‘s fault that her long-in-the-works sophomore studio album hasn’t been released yet. At least that’s what Cardi said during an Instagram Live session with fans this week, in which the rapper claimed that the real hold-up is the feature verses she’s waiting on from her guests.

“I really need these f–king features,” she said in a repost of the session. “And it’s like I’m not really trying to press or go crazy on these artists because I love them down. But it’s like come on now! I need that! I need that right now! Helloooo! Y’all don’t want to miss this opportunity. I’ll sing this s–t myself! But I really need y’all and I need y’all to hurry up and I love y’all. I feel like nobody want to miss being on this album.”

In an X Spaces chat on March 31 Cardi said, “the features on my album are really good… I don’t have a lot of features but I’m working with artists, some that I have worked before and some that I haven’t worked before. And the ones that I have not worked before, I feel like it’s gonna really, really surprise y’all.”

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In the Insta chat this week, she admitted to fans that she often doesn’t “feel too confident” about a lot of things, but that she’s “very confident” about the unnamed follow-up to her smash 2018 debut, Invasion of Privacy. “These motherf–kers almost cried listening to my s–t,” she said of her team, noting that they told her there were “no skips” on the album.

“It’s iconic! This album is so good!” Cardi raved. “I put my whole p–sy on it! I rapped with the bottom of my p–sy! So hurry up!” While Cardi did not specify who she is waiting on, she again encouraged them to get in the booth because, flipping her hair back and forth across her face she promised, “this album is for the books!… Like, the production, the production, the feelings, the words, the rap… it’s just, it’s really there. Y’all not even understanding.”

At press time no release date or track list for the untitled album had been announced.

Kneecap Videos With Reported ‘Up Hamas’ Chant and Call for Death of MPs Under Investigation By U.K. Counter-Terror Police

Counter-terror police in London have announced an investigation into videos of Belfast rap trio Kneecap allegedly calling for the death of elected British MPs and shouting “up Hamas, up Hezbollah.”

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The update comes after a period of intense scrutiny on the band following the group’s activity following their recent Coachella sets. At the end of their shows, Kneecap displayed messages on the war in Gaza, writing: “Israel is committing genocide against the Palestinian people. It is being enabled by the U.S. government who arm and fund Israel despite their war crimes. F–k Israel; free Palestine.”

The group have since faced criticism from a number of industry figures including Sharon Osbourne who called for the group’s U.S. visas to be retracted. Artists such as Massive Attack, Pulp and Fontaines D.C. have since expressed support for the group in a new open letter.

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On Thursday (May 1), a spokesperson for London’s Metropolitan Police said: “On April 22, we were made aware of an online video believed to be from a music event in London in November 2024. Following this, we were made aware of a further video, believed to be from another music event in London in November 2023. Both videos were referred to the Counter Terrorism Internet Referral Unit for assessment by specialist officers, who have determined there are grounds for further investigation into potential offenses linked to both videos.

“The investigation is now being carried out by officers from the Met’s Counter Terrorism Command and inquiries remain ongoing at this time.” The band are yet to be charged with any offence.

A video from the November 2024 concert appears to show one member of the band shouting “up Hamas, up Hezbollah.” Both groups are ascribed terror status in the U.K., and it is an offense to express support for either under anti-terror laws. A second video from November 2023 later emerged of the group allegedly saying: “The only good Tory is a dead Tory. Kill your local MP.”

Earlier this week the band issued a statement on the remarks, offering an apology to the families of Sir David Amess and Jo Cox; both were killed while standing as MPs in separate incidents in 2021 and 2016, respectively. “Let us be unequivocal: we do not, and have never, supported Hamas or Hezbollah. We condemn all attacks on civilians, always. It is never okay,” the group said. “We know this more than anyone, given our nation’s history. We also reject any suggestion that we would seek to incite violence against any MP or individual. Ever. An extract of footage, deliberately taken out of all context, is now being exploited and weaponised, as if it were a call to action.”

A number of the band’s shows have been cancelled by organizers in Germany following the remarks, and Cornwall’s Eden Project dropped the band from the Eden Sessions concert program. Festivals such as Glastonbury have faced calls from politicians to remove the band from its lineup.

In an open letter organised by Heavenly Recordings, Kneecap label, artists such as Massive Attack, Paul Weller and more say that “in a democracy, no political figures or political parties should have the right to dictate who does and does not play at music festivals or gigs that will be enjoyed by thousands of people.”

Billboard U.K. has approached Kneecap’s team for comment on the news.

Selena Gomez & Benny Blanco Announce Deluxe Version of ‘I Said I Love You First… And You Said It Back’ LP With Special Guests

Selena Gomez and Benny Blanco are not done saying I love you. The couple announced on Wednesday (April 30) that their debut collaborative album will get a deluxe edition on Friday (May 2) when they drop I Said I Love You First… And You Said It Back.

“The deluxe version of my album with @itsbennyblanco is called I Said I Love You First…And You Said It Back and it’s out this Friday, 5/2!” Gomez wrote on Instagram. “There are some new songs, some favorites you might recognize, and reimagined songs from the original album. Can’t wait for you to hear them!”

Among the guests who join them on the beefed-up LP, according to Gomez, are GloRilla, Cigarettes After Sex and DJ Sliink. Gomez’s announcement included a photo of the original keyhole album cover as well as a candid, casual Polaroid of the two chilling on a couch. Gomez also teased that the video for the song “Talk” will drop on Thursday night (May 1), encouraging fans to “pick out your prom outfit.”

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Last week, Blanco posted a video on Instagram of the couple going to the mall to get their prom pics taken after revealing that Gomez never got to go to her prom. The video shows Gomez getting ready in a purple ballgown and planting a kiss on her fiancé as they do a classic walk-down-the-stairs dress reveal. In the limo ride to the mall, Blanco excitedly leans out the window of their stretch limo and tells the driver in the lane next to him: “We’re going to prom!”

At press time the full track list for the expanded album had not yet been announced, though GlorRilla was featured in a spoken word bit at the end of the original album track “Cowboy.” In March, I Said I Love You First debuted at No. 2 on the Billboard 200 album chart. Among the guests on the first version were Gracie Abrams on “Call Me When You Break Up,” Charli XCX on “Bluest Flame,” The Marías on “Ojos Tristes” and Tainy and J Balvin on “I Can’t Get Enough.”

Check out Gomez’s announcement below.

Scorpions Cancel South American Dates as Singer Klaus Meine’s Battles Respiratory Infection

German rockers the Scorpions have run into health issues amidst their 60th anniversary celebrations, cancelling a pair of South American dates due to a respiratory infection suffered by singer Klaus Meine.

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The group took to social media on the weekend to reveal they would be cancelling their Saturday (April 26) date in Buenos Aires, Argentina to Meine’s health.

“It is with great regret that Scorpions will be unable to perform in Buenos Aires tonight,” the band wrote. “Klaus has contracted a virus and suspected laryngitis and is unfortunately unable to sing. The band send huge apologies to all their beloved fans in Argentina and are extremely disappointed not to be able to play.”

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Now, the group have been forced to cancel another date as Meine’s condition fails to improve, with the band again noting that their appearance at the Monsters of Rock festival in Bogotá, Colombia has now been axed.

“Klaus has still not recovered from the virus and respiratory infection that forced the recent Buenos Aires cancellation for Scorpions and is unfortunately still unable to sing,” a statement read. “The band send massive apologies to all their loyal fans in Colombia and are again extremely disappointed not to be able to play in one of their favourite countries.”

In both instances, the group noted their determination to “make every effort to return” to Argentina and Colombia.

The Scorpions launched their 60th anniversary tour in March, launching with a series of dates in Mexico before appearing in Brazil and Chile. Initially, the shows were scheduled to launch in February with a Las Vegas residency at PH Live at Planet Hollywood. However, these dates were postponed due to drummer Mikkey Dee’s ongoing recovery process following a diagnosis of sepsis.

“We regret to inform you that due to Mikkey Dee’s ongoing recovery from his recent hospitalization, we have made the decision to postpone our Coming Home to Las Vegas Residency to August 2025,” Scorpions wrote at the time. “The health and well-being of our brother is of the utmost importance. We wish Mikkey a full and speedy recovery and look forward to rocking with you all again soon!”

Currently, Scorpions are scheduled to resume their tour with a Ecuador show on May 3, with shows in Mexico to follow days later. A series of European dates throughout June and July will precede their U.S. return in August, where they will perform their postponed Las Vegas residency.

Bloc Party Announce 20th Anniversary Reissue of ‘Silent Alarm’

Two decades on from the release of their critically-acclaimed debut album, English indie-rock veterans Bloc Party have announced a reissue of their Silent Alarm LP.

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Set for release on September 26, the group will be reissuing the record as an extensive four LP box set. The first two LPs feature the original record, while the remaining LPs collect a number of B-sides and rarities, alongside their 2004 BBC Radio 1 John Peel session, and seven demo recordings. A two CD reissue and a two LP repress of the record will also be made available.

Silent Alarm was originally released in February 2005 as Bloc Party’s eagerly-anticipated debut release. Following a string of singles and a self-titled EP released across the previous year, the record generated widespread acclaim upon its arrival, and went on to hit No. 3 in the band’s native U.K. 

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In the U.S., the record would hit No. 114 on the Billboard 200 and No. 7 on the Independent Albums chart. It also received a nomination for the 2005 Mercury Prize, and helped to establish the group on the global stage amidst the mid-’00s indie-rock explosion.

In 2018, Bloc Party announced a series of international tour dates performing the record in full for the first time, with the band set to reprise this undertaking this year. Launching in Mexico in May, the group will visit California for the Just Like Heaven festival on May 10, before returning to the U.S. later in the month for a series of shows to perform the album in full alongside a selection of other hits.

“It’s nice to be able to go back and listen to those records, and to remember where I was when I wrote them, the conversations that I was having and the people that were in my life,” frontman Kele Okereke told Billboard in January. “That’s the stuff that comes back to me when I go back to these songs and I don’t really do that so often. 

“I had to do it for Silent Alarm as I had to relearn the songs. I’ve always been obsessed with looking forward, but I am recognizing that we’ve done something quite good and it’s nice to bask in that sometimes.”

Bloc Party’s biggest U.S. success came about in 2007 with second album A Weekend in the City, which hit No. 12 on the Billboard 200. Their most recent record, Alpha Games, was released in April 2022, while Okereke’s latest solo album, The Singing Winds Pt. 3, arrived in January.

Massive Attack Throw Their Support Behind Kneecap: ‘Gaza Is the Story’

English trip-hop outfit Massive Attack have shared their support for Belfast hip-hop trio Kneecap in response the controversy that has followed their pro-Palestinian messaging.

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Massive Attack shared their comments on Instagram on Wednesday (April 30), criticizing the disproportionate amount of condemnation that Kneecap have received when compared to the attention received by pertinent matters in Gaza.

“If senior politicians can find neither the time, nor the words to condemn, say, the murder of fifteen voluntary aid workers in Gaza, or the illegal starvation of a civilian population as a method of warfare, or the killing of thousands & thousands of children in the same territory, by a state in possession of the highest precision weapons on earth; how much notice should a music festival take of their moral advice on booking performing acts?” the band wrote. 

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“As a band that has spoken publicly for more than 30 years about the illegal occupation, apartheid system and killing with impunity of thousands of Palestinians, we are hyper aware of the both the human cost of abject political silence, and the commercial implications of publicly expressing solidarity with an oppressed people.”

Kneecap’s overtly political messaging made global headlines following their appearance at the Coachella festival in April, where they projected strong anti-Israel sentiments during their set – sentiments which they had claimed were censored during their first weekend appearance.

“Israel is committing genocide against the Palestinian people,” the projected messages read. “It is being enabled by the U.S. government who arm and fund Israel despite their war crimes. F–k Israel; free Palestine.” 

The backlash to Kneecap’s comments were swift and varied, with Sharon Osbourne calling for the band’s work visas to be revoked ahead of another North American tour later in the year, while the trio would soon split with their booking agent, Independent Artist Group.

More recently, Kneecap issued an apology for archival footage which showed the group allegedly calling for the death of British MPs (members of parliament). 

Filmed at a London gig in November 2023, it appears to show one member of the band saying: “The only good Tory is a dead Tory. Kill your local MP.” At the time, the Conservative Party – also known as the Tories – were in government with a large majority.

“Language matters of course. The hideous murders of elected politicians Jo Cox and David Amess means there’s no scope for flippancy or recklessness,” Massive Attack continued.

“But do politicians and right-wing journalists strategically concocting moral outrage over the stage utterings of a young punk band, while simultaneously obfuscating or even ignoring a genocide happening in real time (including the killing of journalists in unprecedented numbers) have any right to intimidate festival events into acts of political censorship?

“Kneecap are not the story,” they concluded. “Gaza is the story. Genocide is the story. And the silence, acquiescence and support of those crimes against humanity by the elected British government is the real story. Solidarity with all artists with the moral courage to speak out against Israeli war crimes, and the ongoing persecution and slaughter of the Palestinian people.”

Soon after Massive Attack’s message, London-based independent label Heavenly Recordings also shared a statement which was signed by Massive Attack alongside Fontaines D.C., Pulp, The Pogues, Thin Lizzy, Sleaford Mods, Paul Weller, and myriad others.

“This past week has seen a clear, concerted attempt to censor and ultimately deplatform the band Kneecap,” the statement read. “In Westminster and the British media, senior political figures have been openly engaged in a campaign to remove Kneecap from the public eye, with veiled threats being made over their scheduled performances at gigs, outdoor events and music festivals, including Glastonbury.”

“In a democracy, no political figures or political parties should have the right to dictate who does and does not play at music festivals or gigs that will be enjoyed by thousands of people,” it continued. “The question of agreeing with Kneecap’s political views is irrelevant: it is in the key interests of every artist that all creative expression be protected in a society that values culture, and that this interference campaign is condemned and ridiculed.

“Furthermore, it is also the duty of key leadership figures in the music industry to actively defend artistic freedom of expression — rather than seek to silence views which oppose their own.”

L.A. Kings Put Koreatown Senior Center Harmonica Class at Center Ice for Stanley Cup Playoffs National Anthem

So far, the NHL‘s Los Angeles Kings have played three home games in their first-round Stanley Cup Playoffs matchup against the Edmonton Oilers. For all three of those games, the Koreatown Senior and Community Center harmonica class was also in Crypto.com Arena.

The L.A. hockey team invited the amateur harmonica troupe to play the national anthem at Game 1 of the series, on April 21, after they were so well-received during the Kings’ Korean heritage night celebration last month. Then, when the Kings won that first match, the seniors were invited back for Game 2 on April 23 — and they went 2-for-2 with their lucky-charm opening act.

Unfortunately, even though the Koreatown Senior and Community Center harmonica class was back for Tuesday night’s Game 5 this week, that home winning streak snapped, and now the Oilers lead 3-2 in the best-of-seven series. The two teams meet next on Thursday night at Edmonton’s Rogers Place arena.

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While Sophia Ko from the class was hoping for a win heading into their Tuesday night “Star-Spangled Banner” performance, she tells Billboard that “it’s hard to put into words” what this overall Stanley Cup Playoffs experience has meant to her.

“It feels like South Korea has grown so much, and that growth has brought us this amazing opportunity,” Ko tells Billboard. “I can truly feel the rising status of the Korean community here in L.A.”

She also says she’s “truly grateful” for the response from the Kings organization and the fans in supporting the repeat anthem performances. “As someone older, being treated with such warmth and respect has been incredibly moving,” Ko says. “It honestly feels like a dream — I can’t tell if this is real or not.

“This is our fourth performance, but I still clearly remember the emotions and excitement of that very first time performing in such a big arena. I’m so thankful to all the Kings staff who’ve been so kind to us, and above all, I thank God from the bottom of my heart.”

Below, watch the class’ Game 5 performance from Tuesday night:

The Weeknd Is Ready for His ‘Seal Moment’ After ‘The Batman’ Director Says ‘Call Out My Name’ Inspired Superhero Sequel

While The Weeknd is starring in his first feature film next month with Hurry Up Tomorrow, one of his old hits is inspiring a different film.

Matt Reeves, who directed 2022’s The Batman starring Robert Pattinson and Zoë Kravitz, had previously told IGN that Pattinson’s titular character will be heartbroken in the beginning of the sequel, The Batman Part II. And earlier this month, Reeves told IndieWire: “The Weeknd’s ‘Call Out My Name’ was a big inspiration for what Bruce is dealing with when we see him again.”

“Call Out My Name” is the opening track from the Canadian-Ethiopian superstar’s 2018 EP My Dear Melancholy. The song reached No. 4 on the Billboard Hot 100 and No. 3 on Hot R&B/Hip-Hop Songs. And the music video, which has surpassed 1 billion views on YouTube, starts off with the artist walking down an empty street before a cauldron of bats flies out from his mouth when he belts out the hook.

The Weeknd (real name Abel Tesfaye) posted a snippet of the IndieWire article on his Instagram Story on Wednesday (April 30) with the pair of eyes, broken heart and bat emojis. He later shared a still from the bat scene in his “Call Out My Name” visual and wrote, “lemme know if ya’ll want that seal moment” while Seal‘s smash “Kiss From a Rose” plays in the background of the IG Story slide.

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“Kiss From a Rose” was initially released as the second single from Seal’s 1994 self-titled sophomore album, but didn’t gain much traction. Joel Schumacher, who directed the 1995 film Batman Forever, reached out to him about needing a song for a love scene between the late Val Kilmer as Batman and Nicole Kidman as Dr. Chase Meridian and picked “Kiss From a Rose,” while later including it in the end credits and the film’s official soundtrack. Boosted by the film, the song eventually hit No. 1 on the Hot 100 and won best video for a film at the MTV VMAs that year, as well as three Grammys for record of the year, song of the year and best male pop vocal performance in 1996.

The Batman Part II is currently slated for a theatrical release on Oct. 1, 2027.

Lady Gaga & Bruno Mars’ ‘Die With a Smile’ Video Hits 1 Billion Views on YouTube

If the party was over and our time on Earth was through… could you say you’ve watched Lady Gaga and Bruno Mars‘ “Die With a Smile” video?

Since its release more than eight months ago, the music video has officially racked up 1 billion views on YouTube — so yes, a few people can say they have.

The country-styled video — featuring Mars in an off-white cowboy hat and Gaga with a mile-high bouffant and an ever-present cigarette in her mouth — was released at the same time as the superstar duet on Aug. 16, following the pair’s live debut of the song as part of Mars’ venue-opening concert at the Intuit Dome in Inglewood, California.

“Die With a Smile” spent five weeks at No. 1 on the Billboard Hot 100 earlier this year — first hitting the top of the chart dated Jan. 11 — and was included on Gaga’s Mayhem, which debuted atop the Billboard 200 albums chart last month. In February, the duet picked up the 2025 Grammy for best pop duo/group performance.

This marks Mars’ 10th video to join YouTube’s Billion Views Club and Gaga’s fourth. It’s Mars’ second video to hit the milestone this year, after his “APT.” duet with ROSÉ became the fifth fastest music video to reach the milestone in February, 105 days after its release. (Adele’s “Hello” remains the fastest, hitting 1 billion views in just 87 days back in 2015.)

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If you want to give it one more view, watch the “Die With a Smile” video below: