Music News

Paris Hilton Gets a Tom Cruise Deepfake to Serenade Her With Elton John & Britney Spears’ Song: Watch

Hold me closer, Tommy Deepfake. In a bizarre video posted by Paris Hilton to TikTok Thursday (Oct. 20), the DJ tells a viral Tom Cruise impersonator, who uses deepfake technology to cosplay the actor, to serenade her with one of her favorite songs: “Hold Me Closer,” Elton John‘s 2022 duet with Britney Spears, which is an update of his 1971 classic hit “Tiny Dancer.”

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In the video, Paris and the faux Tom Cruise lean against a kitchen counter, the former in a bubblegum pink tracksuit and the latter in a checkered bathrobe. “Tom, can you sing me that song again?” Hilton asks, sipping from a bedazzled cup. “You know which one.”

“Hold me closer, tiny dancer/ Count the headlights on the highway,” sings the fake Cruise. “Lay me down in sheets of linen/ You had a busy day today.”

But while the impromptu kitchen concert was Paris’ idea, she wasn’t impressed by the results. “It’s good but not great. You should stick to acting,” she tells fake Tom.

“Yeah … I probably should,” he replies, slightly embarrassed.

“Nothing like being serenaded with my favorite @Britney Spears and @Elton John song,” the former Simple Life star captioned the TikTok, writing one of her signature catchphrases in the hashtags: “#ThatsHot #ButCouldBeHotter.”

Hilton also tagged her serenader’s TikTok page, confirming him to be @deeptomcruise, an account with nearly 4 million followers that went viral for posting absurd videos starring a very convincing Tom Cruise lookalike. It turned out to be the deepfake editing work of AI artist Chris Umé, who manipulates the face of stand-in Miles Fisher — the real-life man standing next to Paris in her TikTok — to look identical to the Top Gun star.

Watch Paris Hilton get serenaded by a Tom Cruise deepfake below:

Hacker Who Stole Unreleased Songs From Ed Sheeran & Lil Uzi Vert Sentenced to Prison

A computer hacker who stole unreleased songs from British pop star Ed Sheeran and American rap artist Lil Uzi Vert has been sentenced to 18 months in prison, U.K. prosecutors said Friday.

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Adrian Kwiatkowski, 23, of Ipswich in southern England, hacked the artists’ cloud-based accounts and sold their songs on the dark web in exchange for cryptocurrency. City of London Police, which investigated the case, said Kwiatkowski made 131,000 pounds ($147,000) on the transactions.

“Kwiatkowski had complete disregard for the musicians’ creativity and hard work producing original songs and the subsequent loss of earnings,” said Joanne Jakymec of the Crown Prosecution Service. “He selfishly stole their music to make money for himself.”

In August, Kwiatkowski pleaded guilty to a variety of charges, including 14 copyright offenses and three counts of computer misuse. He was sentenced Friday (Oct. 21) in Ipswich Crown Court.

City of London Police worked with authorities in the United States to investigate the case after the management companies of several musicians reported that an individual, known online as Spirdark, had gained access to their clients’ cloud-based accounts and was selling their content.

The Manhattan District Attorney’s Office launched an investigation in 2019, and linked the email address used for Spirdark’s cryptocurrency account to Kwiatkowski. It then identified the IP address of the device used to hack one of the accounts as his home address.

After further investigation, Kwiatkowski was arrested by the City of London Police’s Intellectual Property Crime Unit in September 2019.

“Cybercrime knows no borders, and this individual executed a complex scheme to steal unreleased music in order to line his own pockets,” Manhattan District Attorney Alvin L Bragg Jr. said.

Kelsea Ballerini, Carly Pearce & Kelly Clarkson to Team Up for CMA Awards Performance

Three top female artists will team up for a searing performance during the upcoming CMA Awards, which is slated to air on ABC on Nov. 9 from Nashville.

On her latest album, Subject to Change, Kelsea Ballerini welcomed friends Carly Pearce and Kelly Clarkson on the rowdy track “You’re Drunk, Go Home.” The trio of artists will make their debut live performance of the song during the CMA Awards. TMZ first reported the news, and Billboard has independently confirmed the trio will be performing the song together during the awards ceremony.

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The track is a piercing kiss-off to a drunk guy trying hopelessly make a romantic gesture, and proves to be a fine female empowerment moment. Notably, all three of the women have weathered divorces in recent years, with Clarkson splitting from Brandon Blackstock in 2020. That same year, Pearce divorced fellow country artist Michael Ray, and in August 2022, Ballerini revealed her split from fellow country artist Morgan Evans.

Ballerini previously told Billboard about the song’s origins and how Pearce and Clarkson came to be on the track.

“I felt that there’s some sass and comedy to this song,” Ballerini explained. “So I thought, ‘Who are the women in my life that are artists that have both of those things?’ Carly and I have been friends for, like, 10 years, before either of us had anything going on and we’ve just seen each other personally and professionally through so many seasons of life. We’ve always wanted to do a song together and this made sense.”

When it came to Clarkson, Ballerini said, “I thought the biggest ask I could make is Kelly Clarkson, and I texted her that morning. She did her vocals that night.”

At last year’s CMA Awards, Ballerini picked up two wins for “Half of My Hometown,” her collaboration with Kenny Chesney, netting video of the year and musical event of the year. This year, the song is nominated for single of the year heading into November’s awards ceremony.

Pearce is one of the most nominated artists leading into this year’s awards show, with five nods, including musical event of the year, music video of the year, and single and song of the year (all for “Never Wanted to Be That Girl” with Ashley McBryde), as well as female vocalist of the year. Pearce took home the CMA’s female vocalist of the year honor for the first time last year.

To date, Clarkson has earned six CMA Awards nominations, as well as a win for musical event of the year in 2011 for her collaboration with Jason Aldean, “Don’t You Wanna Stay.”

Here Are All of Taylor Swift’s Self-Directed Music Videos, From ‘All Too Well’ to ‘Anti-Hero’

Taylor Swift has been telling stories through her song lyrics for nearly two decades, but it’s only been the second half of her career that she’s been trying her hand at illustrating them visually. Ever since she first took the plunge of overseeing the visual for her Lover single “The Man” in 2019, though, more of her music videos than not have been directed entirely by the country-turned-pop star herself.

Her directorial journey started years before that, however. In 2010, she tried sitting in the director’s chair when she teamed up with Roman White — who’d previously directed Swift’s “You Belong With Me” and “Fifteen” videos — in supervising her Speak Now lead single’s mini-motion picture, “Mine.” It would take around nine years after that for the Grammy winner to step back onto the other side of the clapperboard, eventually taking on the role of co-director again with “Me!”

Several self-directed projects later, Swift’s video-making prowess culminated in the form of her very first short film All Too Well. The project doubled as a music video for the 10-minute “Taylor’s Version” re-release of a 10-year-old fan-favorite song of the same title, originally released on her 2012 record Red. After that would come a portfolio of music videos made by Swift for her 2022 10th studio record Midnights, the first taste of which came with the Oct. 21 premiere of “Anti-Hero.”

But what will come next for the full-time pop star, part-time filmmaker? “I’d like to keep taking baby steps forward and I’m at a place now where the next baby step is not a baby step,” she revealed at the Toronto International Film Festival in September 2022. “It would be committing to making a film and I feel like I would absolutely love for the right opportunity to arise, because I absolutely adore telling stories this way.”

“I think I will always want to tell human stories about human emotion,” she added. “I never say never, but I can’t imagine myself filming an action sequence. If it happens one day, that will be funny character growth. Could see it going in a more comedic, irreverent place. I don’t always see myself telling stories about extreme guttural heartbreak at your most formative age.”

Not counting music videos such s “The Best Day” and “Christmas Tree Farm,” which are comprised of childhood footage curated by Swift, keep reading to see all of Taylor Swift’s self-directed music videos.

Lucy Simon, ‘Secret Garden’ Composer & Carly’s Sister, Dies at 82

Lucy Simon, the composer who received a Tony nomination in 1991 for her work on the long-running Broadway musical The Secret Garden, has died. She was 82.

Simon, sister of pop superstar Carly Simon, died Thursday at her home in Piedmont, New York, a family spokesperson said. Simon had breast cancer.

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The Secret Garden, with a book by Marsha Norman, opened in New York in 1991. Reviews were mixed, but it won a Tony for best book of a musical and went on to play for almost two years. A slightly revised version opened in London’s West End, and a pared-down-from-Broadway version went on tour.

The musical — adapted from Frances Hodgson Burnett’s 1911 children’s novel — focuses on Mary, a young English girl forced to move to England from colonial India when her parents die of cholera. She moves in with her Uncle Archibald, a hunchback who is mourning his late wife, Lily, and blaming his bedridden son for her death.

While living in her uncle’s home, Mary discovers a hidden and neglected garden that once belonged to Lily, and she and a young gardener bring it back to life. At the same time, she brings new life to her uncle and cousin. The songs include “The Girl I Mean to Be” and “How Could I Ever Know.”

Steven Pasquale and Sierra Boggess were among the Broadway stars mourning Simon’s passing. “Her music is her gift to the world. In one of her last messages to me she said ‘I was going to ask you to carry my voice onward’ and I sat and wept,” Boggess wrote on Instagram.

Simon was born in New York on May 5, 1940, to publishing giant Richard Simon and his wife, Andrea. She was the second oldest of four children Joanna, Lucy, Carly and Peter.

Carly and Lucy once performed as The Simon Sisters, opening for other acts in Greenwich Village folk clubs. Their recording of “Winkin’, Blinkin’ and Nod” hit No. 73 on the Billboard Hot 100 in 1964.

While Carly Simon would find huge success with such hits as “Anticipation,” “Haven’t Got Time for the Pain” and “You’re So Vain,” Lucy went to nursing school.

After marrying and having children, Lucy Simon recorded two solo albums, Lucy Simon (1975) and Stolen Time (1977), for RCA. Lucy and her husband, David Levine, produced two Grammy-winning children’s albums, In Harmony (1981) and In Harmony 2 (1983).

Her return to Broadway with Doctor Zhivago in 2015 was less successful. The tale of five intertwined lovers set during final days of czarist Russia lasted less than two months after blistering reviews.

She is survived by her husband; her children, Julie Simon and James Levine; and four grandchildren Sophie, Ben, Charlie and Evie.

Ask Billboard: Taylor Swift’s Career Streaming, Airplay & Sales, Ahead of the Chart Debut of ‘Midnights’

Submit questions about Billboard charts, as well as general music musings, to askbb@billboard.com. Please include your first and last name, as well as your city, state and country, if outside the U.S.

Or, tweet @gthot20.

Let’s open the latest mailbag.

Taylor Swift’s Career Streaming, Airplay & Sales Totals

There’s a good chance you’re listening to Midnights if you’re reading this, so let’s not make this too much of an interruption and get right to it.

Here is a rundown of Taylor Swift‘s career album sales and top songs measured by on-demand official streams, radio airplay and digital song sales in the U.S., through Oct. 13, 2022, according to Luminate.

Taylor Swift’s Album Sales in the U.S.:
7.3 million, Fearless / 6.3 million, 1989 / 5.8 million, Taylor Swift / 4.8 million, Speak Now / 4.5 million, Red / 2.4 million, Reputation / 1.7 million, Folklore / 1.5 million, Lover / 1.1 million, The Taylor Swift Holiday Collection (EP) / 913,000, Evermore / 774,000, Red (Taylor’s Version) / 596,000, Fearless (Taylor’s Version) / 376,000, Speak Now: World Tour Live CD + DVD / 369,000, Beautiful Eyes (EP)

Taylor Swift’s Most-Streamed Songs (on-demand, official) in the U.S.:
1.5 billion, “Shake It Off” / 1 billion, “Blank Space” / 992 million, “Look What You Made Me Do” / 720 million, “I Knew You Were Trouble” / 711 million, “You Need to Calm Down” / 708 million, “You Belong With Me” / 656 million, “Bad Blood” (feat. Kendrick Lamar) / 655 million, “Delicate” / 638 million, “Love Story” / 603 million, “Lover”

Taylor Swift’s Most-Heard Radio Songs in the U.S. (audience impressions):
6.9 billion, “You Belong With Me”/ 6.2 billion, “Love Story” / 6 billion, “Blank Space” / 5.7 billion, “Shake It Off” / 5.4 billion, “I Knew You Were Trouble” / 5.1 billion, “Style” / 4.9 billion, “Wildest Dreams” / 4.3 billion, “Delicate” / 3.7 billion, “Bad Blood” / 2.9 billion, “Teardrops on My Guitar”

Taylor Swift’s Top Digital Song Sales in the U.S.:
6.2 million, “Love Story” / 5.5 million, “Shake It Off” / 5.46 million, “I Knew You Were Trouble” / 4.9 million, “You Belong With Me” / 4.6 million, “Blank Space” / 4.1 million, “We Are Never Ever Getting Back Together” / 3.5 million, “Our Song” / 3.2 million, “Bad Blood” / 3 million, “Teardrops on My Guitar” / 2.6 million, “Mean”

Swifties Can‘t Get Enough of Taylor Swift’s ‘Midnights’: ‘There Are No Skips In This Album’

Taylor Swift unveiled her 10th album Midnights at midnight ET on Friday (Oct. 21), and Swifties have spent every hour since devouring the LP’s 13 songs and seven bonus tracks.

Naturally, the ardent fandom took their opinions to social media, with one fan declaring on Twitter, “THERE ARE NO SKIPS IN THIS ALBUM.”

Several Swifties honed in particularly on highlight “Anti-Hero.” “When Taylor said, ‘IT’S ME, HI, I’M THE PROBLEM IT’S ME. AT TEA TIME, EVERYBODY AGREES. I’LL STARE DIRECTLY AT THE SUN BUT NEVER IN THE MIRROR. IT MUST BE EXHAUSTING ALWAYS ROOTING FOR THE ANTI HERO.’ my self-sabotaging a– felt that deeply,” one wrote. Another called the track “officially the anthem of my life.”

A separate Swiftie made a number of callbacks to past fan-favorite songs when dissecting Midnights, saying, “midnights is for the cruel summer, call it what you want, I know places, back to december, if this was a movie, the story of us, seven, don’t blame me, getaway car, I think he knows, message in a bottle, false god, and the very first night enjoyers.”

Three hours after dropping the standard version of Midnights, Swift followed it up at 3 a.m. ET with seven bonus tracks including “The Great War,” “Would’ve, Could’ve, Should’ve,” “Glitch” and “High Infidelity.”

Friday morning, she also released the music video for “Anti-Hero,” featuring three different versions of herself as well as John Early, Mike Birbiglia and Mary Elizabeth Ellis as her fictional adult sons and daughter-in-law.

Check out some of the best fan reactions to Swift’s Midnights below.

First Spin: The Week’s Best New Dance Tracks From Bonobo, Gorgon City & More

This week in dance music: The first full-fledged Amsterdam Dance Event kicked off in the Dutch capital on Tuesday (watch for our full recap early next week), Claude VonStroke’s iconic Dirtybird label was acquired by the San Francisco-based EMPIRE, Oliver Tree and Robin Schulz hit the Hot Dance/Electronic Songs chart, and we went deep with one of the actual inventors of electronic music Jean-Michel Jarre.

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And bangerz with a Z? We’ve got those too. Let’s dig in.

Bonobo, “Defender”

Before Bonobo completes his North American tour this weekend, he’s leaving a parting gift. New single “Defender,” out on his Outlier label in partnership with Ninja Tune, is another surprise drop following previous loosie “ATK.” Both deliver on the producer’s rich, textural electronica, but whereas “ATK” was bouncy and more straightforwardly upbeat in its approach, “Defender” sees the return of his tender touch. Floating above propulsive drums, the crystalline thumb-piano melody is light as a lullaby, joined by a gentle vocal scat. Even when blaring foghorn synths add heaviness, Bonobo keeps the magic alive with swirling synths and accents that twinkle like stars at midnight. “Defender” might not be your first thought when it comes to club tracks, but we’d still rave to this any day (or night). — KRYSTAL RODRIGUEZ

Fred again.., “Delilah (Pull Me Out Of This)”

If you don’t know about Fred Again.. by now, you probably just won’t ever. That said, to quote Drake, if you’re reading this, it’s too late and you have now been bitten with the collective Fred-a-mania. Much like aforementioned hip-hop superstar, the pop-hit producer-turned-hypest act in electronic dance loves to turn bits of voicemails, samples and IRL recordings into divine slices of melodic funk, and he names these tracks after the friends and artists he folds into the music. His latest portrait is dubbed “Delilah (pull me out of this),” and he paired the video with a recording his buddy nabbed at a festival in Los Angeles.

“So a few days ago I played a show in LA and my friend theo was filming stuff in the crowd,” Fred tweets. “He stumbled across this absolutely beauuutiful moment right at the back of it all. 

To me this song is about a time I sorta had a panic attack in a club and needing your person to pull you out of it, so the moment at the end when they both stand up and jump away feels particularly muchhh to me. There’s obviously a whole story that’s goin on for them too, you can see on their friends faces at the end! I’ve spoken to them about it, i think it’s maybe better not to explain that, cos like different people think different stuff when they watch it, n that’s always great to me.”

He also had some good news to share in the YouTube description box: “Okayyyy,” Fred writes on YouTube. “SO I am so so really very VERY happy to say that Actual Life 3 will be out on October 28th!!!!!” After months of hype, we can confidently say we’re very happy, too. – KAT BEIN

Gorgon City feat. Flirta D, “Sidewindah”

Gorgon City lean deeper into their U.K. roots on new single “Sidewindah.” The track has been a frequent fixture and requested ID in the duo’s live dates for a hot minute, and it’s clear why. Their dancefloor-friendly house music gets a grime infusion courtesy of veteran MC Flirta D, whose altered vocals stutter and skid with short-circuiting delirium. Add some serpentine synths, hyperspeed shakers and gigantic, gelatinous bass wobbles, and you’ve got a good time. In addition to releasing “Sidewindah,” Gorgon City have just announced their return to Colorado’s famed Red Rocks next April for a Realm label showcase. — K.R.

Lastlings, “Get What You Want”

Getting up off the couch and getting after your dreams is hard, but music can help. The Rocky theme is a bit played, and while it’s great and all, “Get What You Want” from sibling duo Lastlings has a sultry motivational groove that can move your body, heart and mind toward your greatest self with a bit more electronic edge. 

“We spent a week writing in 2021 and this was one of the first songs that came from the session,” the group’s Josh Dowdle says. “We had two rooms. One writing room for Amy with a piano, and one for me where I made the instrumental.”

“It explores mental health and the relationship that I have with myself,” Amy Dowdle adds. “It’s about putting myself out there and not letting doubt get in the way of what I truly want. ‘I’ve got a lot of enemies that live inside my head.’ This song isn’t about love for another person, it’s about my relationship with myself. ‘You’ refers to a darker version of myself that I am trying to fight and overcome.”

The brother and sister band are signed to RÜFÜS DU SOL’s label Rose Avenue, and this single marks the first bit of original material since its debut album First Contact, which dropped in 2020. – K. Bein

Tiësto’s DJ Mix

Our mainstage main man Tiësto is taking himself on, via a flurry of edits of his own tracks. Produced exclusively for Spotify, the playlist includes edits of hits including “The Business” and “The Motto,” and comes as part of a series that includes similar packages from Aluna, Yung Bae and BLOND:ISH. All of these acts have released these edits in conjunction with the Amsterdam Dance Event, which is wrapping up today in The Netherlands. To celebrate, Spotify is tonight hosting a release party at ADE, during which each act will unveil their edits with an accompanying drone show.

“When playing my mix I hope listeners can feel the energy of my live set,” Tiësto says. “Play it while you workout, while gaming, in your car, anywhere – wherever you play it, it should feel like the soundtrack to the best day or night of your life!” — KATIE BAIN

You Have to See This Sports Reporter Reference Every Track on Taylor Swift‘s ‘Midnights’ During Broadcast

Taylor Swift finally unveiled her Midnights album on Friday (Oct. 21), and to celebrate, Sportsnet anchor Faizal Khamisa challenged himself to reference all 13 tracks of the original album while running through his sports broadcast.

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“Alex Bregman was once baseball’s ‘Anti-Hero,’ but now he’s just plain hero for Houston,” he says at one point, before calling a heated hockey fight some “Vigilante S—.” He flawlessly incorporated all tracks into the broadcast, checking off each song as he went along.

While the broadcast featured the 13 tracks that dropped at midnight, Swift promised a  “special very chaotic surprise” in the wee hours following the album’s release, and she didn’t disappoint, dropping a trove of seven extra Midnights tracks.

“Surprise!” she wrote on social media. “I think of Midnights as a complete concept album, with those 13 songs forming a full picture of the intensities of that mystifying, mad hour. However! There were other songs we wrote on our journey to find that magic 13.”

The fuller, 20-track version of Midnights is titled Midnights (3am Edition), and includes the previously unannounced songs “The Great War,” “Bigger Than the Whole Sky,” “Paris,” “High Infidelity,” “Glitch,” “Would’ve, Could’ve, Should’ve.”

After a weekend of soaking up those 20 new tunes, Swifties can tune into NBC on Monday for Swift’s previously confirmed appearance on The Tonight Show Starring Jimmy Fallon. Then on Tuesday, Oct. 25, a second, unnamed Midnights music video will drop. And next Friday, Oct. 28, Swift will stop by the BBC for The Graham Norton Show in the U.K.

Here’s What Scooter Braun Had to Say to New Band &TEAM, Produced by HYBE LABELS JAPAN

Scooter Braun, CEO of HYBE AMERICA and founder of SB Projects, was invited as a special guest to &AUDITION – The Howling – FINAL ROUND, which took place Sept. 3 in Tokyo. The audition program produced by HYBE, the company behind BTS, was conducted in an unprecedented style with the aim of launching a global group comprised of members selected from a mix of contestants from I-LAND (the project that launched ENHYPEN) — K, EJ, NICHOLAS and TAKI — and 11 trainees.

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One new aspect of this audition was that its nature was cooperative and not competitive. Audition programs tend to promote ruthless rivalry, but &AUDITION – The Howling placed emphasis on mutual support and growth among the contestants. Sometimes the mission was designed to evaluate the overall perfection as a group rather than the excellence of the individual. As the rounds progressed, a strong bond was formed between all 15 participants, and when the nine debuting members were announced as the new group &TEAM in the final round, the men who weren’t selected congratulated the winners with beaming smiles in the end — though they did shed a few tears when they first learned the results.

Braun is a prominent executive and manager in the music industry. One of his companies, Ithaca Holdings LLC, merged with HYBE in May 2021 to become HYBE America, making it easier for HYBE’s artists — BTS included — and related businesses to penetrate the North American market. The close association between K-pop stars popular in Asian regions and Braun’s artists in North America can further expand the huge base that both companies have in the future.

Braun’s presence at &AUDITION – The Howling – FINAL ROUND shows his commitment to music and artists in Asia. At the same time, expectations for &TEAM’s global expansion are growing.

Braun had some heartfelt and profound words of advice for the nine debuting members of the new band &TEAM. Speaking from experience working with some of today’s biggest stars, he noted that “every great artist has a story of adversity. All the global stars that I’ve had the chance to work with have heard more ‘no’s than ‘yes’es” and “that’s what makes them great.” With that in mind, he encouraged the new members to overcome any adversity together, emphasizing that “you have a team, you have a family now to fight through that together, so never forget that [and] lean on each other.”

Braun promised he would return to Japan for the group’s first stadium show to cheer them on. He concluded his warm message to the group slated to debut as &TEAM by telling them, “Never, never give up. And when one of you falters, the other one pick him up, OK? You are family now. You got it. Congratulations! You can all smile, you’re here now.”

&TEAM consists of nine members: K, FUMA, NICHOLAS, EJ, YUMA, JO, HARUA, TAKI and MAKI. The brand-new band will drop their debut single Dec. 7. There’s a hopeful meaning behind the group’s name: “& is about bonding – people & individuals, humans & the world, fans & artists, fans & fellow fans, and ultimately bonding between nine members each with their vivid colors. In a constant pursuit for a better self, the members’ energy synthesizes to create one team that continues to excel and break through its limits.” Fans of the group will be collectively called LUNÉ, and the group is set to take on the global stage with LUNÉ’s dedicated support.

This article by Suhi Yoon first appeared on Billboard Japan