Music News

Travis Barker Fawns Over His Wife Kourtney Kardashian’s ‘Angel Feet’ in Bathtub Pics

Love is in the air between Kourtney Kardashian and her Blink-182 drummer husband, Travis Barker. Barker recently took to Instagram on Thursday (Oct. 27) to dote over his wife as she appeared to sit nude in bathtub photos.

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In the first photo, Kardashian appears to pose with Barker Wellness body oil. In the second photo, the reality star sits in a bathtub engulfed by bubbles, showcasing her legs and feet. In the third flick, Kardashian only shows off her legs and feet with Barker Wellness bath flakes visible.

“My wife @kourtneykardash has angel feet,” Barker captioned the post before adding a shout out to their own personal brand, Barker Wellness, a vegan wellness company. The post garnered over 250,000 likes from Barker’s followers.

“My obsession with taking baths, wellness, and taking care of my body has led me to this collaboration — and I could not be happier with how the products turned out,” Kardashian said of their joint wellness brand in a press release. “Kourtney and I live and love health and wellness,” Barker added. “Creating products we love and need to help with recovery and wellness is fun to share with the world.”

Barker and Kardashian’s relationship dates back to Valentine’s Day in 2021. The pair then got engaged in October, with the two having a “practice” wedding with Barker in Las Vegas.

Sources confirmed to Billboard at the time that the Vegas ceremony was all for fun and a photo op for the couple. The duo officially tied the knot in mid-May during a small ceremony in Santa Barbara, Calif. “Till death do us part,” the two captioned photos from the celebration.

Then on May 22, Kardashian and Barker said “I do” yet again during a luxury ceremony in Portofino, Italy surrounded by close family and friends. “Happily ever after,” Kardashian and Barker captioned photos on Instagram of them kissing at the altar. (Photos of Kardashian and Barker from their luxurious Italian wedding ceremony are on their Instagram accounts here and here.)

See Barker fawn over his wife’s bathtub photos in the Instagram post below.

Kelly Clarkson Pays Tribute to Soundgarden With Epic Kellyoke Cover: Watch

No one sings like you anymore, Chris Cornell. But if anyone could do justice to the late singer-drummer-guitarist, it would be Kelly Clarkson, who performed a passionate cover of Soundgarden‘s “Black Hole Sun” for the Friday (Oct. 28) episode of The Kelly Clarkson Show.

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For the latest installment of her show’s Kellyoke live music series, Clarkson and her band, My Band Y’all, transformed from country-pop vocalist and her daytime talk show’s in-house musicians to a full-on grunge rock group as they performed Soundgarden’s biggest hit. Everyone dressed in black, they made it rain with the sounds of razor-sharp electric guitars as the “Stronger” singer soared through Cornell’s famous lyrics.

“Black hole sun / Won’t you come and wash away the rain?” Clarkson belted, lit by flashing blue-green stage lights. “Black hole sun / Won’t you come / Won’t you come / Won’t you come?”

“Black Hole Sun” was released in 1994 at the height of Soundgarden’s popularity. A single off their Billboard 200-topping record Superunknown, the track spent seven weeks in the No. 1 spot on the Mainstream Rock Airplay chart and earned the Seattle rock band a Grammy Award for best hard rock performance and a nomination for best rock song.

Clarkson may be on a rock kick this week; just one day prior to the Soundgarden cover, she and My Band Y’all performed a charged rendition of Jimmy Eat World’s 2001 smash “The Middle” for Kellyoke. Three days before that, she opted for a softer approach to the genre, singing Peter Frampton’s “Baby, I Love Your Way.

Watch Kelly Clarkson take on Soundgarden’s “Black Hole Sun” above.

Keith Urban Gives a Nod to Iconic ‘Say Anything’ Scene in the Artwork for His New Song

Keith Urban released his new song, “Street Called Main,” on Friday (Oct. 28), and the single artwork will look a tad familiar to fans of a certain 1980s movie.

On Instagram, Urban shared a photo of himself in a long trench coat and standing in the middle of a street, holding a boombox over his head. The image is strikingly similar to the iconic scene in the Cameron Crowe-directed 1989 romantic teen comedy movie Say Anything.

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In the movie, the character Diane Court (played by Ione Skye) is awakened by the sound of music and looks out her bedroom window to see Lloyd Dobler (played by John Cusack) standing in front of his car outside of her house, holding a boombox over his head as it plays Peter Gabriel’s “In Your Eyes.” The gesture is meant as a reconciling moment between the couple, who had previously broken up.

Urban said of “Street Called Main” via a press release, “Some memories are triggered by the simplest of things, like finding yourself anywhere in the world – even on a ‘street called main’ – and suddenly ‘she’ comes flooding back.”

The country star is currently in the studio working on a new album slated to release in 2023, and recorded “Main” in Nashville with his longtime producer Dann Huff. He has also been criss-crossing the country on his The Speed of Now World Tour 2022, which will conclude its U.S. run with shows in Wisconsin, Illinois and Minnesota, before heading to Australia.

Urban’s current radio single, “Brown Eyes Baby,” is at No. 34 on Billboard‘s Country Airplay chart.

Niall Horan Promises New Album, Tour in 2023

Niall Horan is gearing up for a return in 2023. After releasing his his second studio album, Heartbreak Weather, at the beginning of the COVID-19 pandemic, the former One Direction singer and solo star told fans on Thursday (Oct. 27) that he’s ready to step back into the spotlight.

“Hello lovers, it’s Niall here. It’s been a while, which I know you’re very aware of,” the singer said in a video posted on Twitter. “But I just wanted to give you an update as to what’s going on. I’m back. I’ve got new music coming in the new year that I’m really, really proud of, and I appreciate you being so patient with me while I’ve done it.”

He noted that he’s shooting the upcoming 23rd season The Voice, which is slated to air in the spring. He’ll be slipping into the red chair alongside fellow newbie Chance the Rapper, as well as returning judge Kelly Clarkson and Blake Shelton, who will step down at the end of the upcoming season after holding down a coaching position since the series’ 2011 premiere.

“I’ve got a whole new album too,” he added, noting that he will also be doing something he’s wanted to try his entire career: playing festivals. “I’ve never really had the opportunity to do it. So I think we will be announcing some festivals in the next couple of days and weeks and months for next year, which I’m really excited about. Can’t wait to get back on the road and see you guys all over the world.”

And, as promised, Horan revealed his first festival date on Friday morning. The singer will join Pulp, Sam Fender, The 1975, Royal Blood, Kasabian, George Ezra and more at next July’s TRNSMT fest in Glasgow. The singer’s 2017 solo debut, Flicker, debuted at No. 1 on the Billboard 200 album chart, while Weather landed at No. 4 in its first week.

See Horan’s announcement video and festival poster below.

Maren Morris Mocks Brittany Aldean Feud With Halloween Costume Meme

Maren Morris is saying “Boo!” to Brittany Aldean, Tucker Carlson and anyone else who doesn’t support trans rights. In a hilarious Thursday (Oct. 27) Instagram post, the 32-year-old singer-songwriter shared her idea for a Halloween costume this year: “Lunatic Country Music Person,” aka the title she was given by the Fox News host after she hit back at transphobic comments made Aldean, who is married to country artist Jason Aldean.

Morris’ post comes on the heels of a popular meme that’s taken off on the internet in the past few days, in which people creatively edit a photo of a Spirit Halloween package to look like a fake, funny costume idea. For her take on the trend, the “Middle” singer plastered a photo of herself on the package, labeled “Lunatic Country Music Person.”

The faux costume set features a list of included items: “tambourine, inclusive fans, pickleball paddle, wig, beef with transphobes.”

That last item is likely a nod to her highly publicized feud with Brittany Aldean, which started in August when Morris took shots at transphobic comments Brittany made on Instagram.

“It’s so easy to, like, not be a scumbag human?” the Grammy winner tweeted about Brittany, who went on to say gender-affirming care was equivalent to the “genital mutilation of children.” Continued Morris, “Sell your clip-ins and zip it, Insurrection Barbie.”

Carlson entered the ring not long after that. While interviewing Brittany in September about the online showdown, he blasted Morris for being a “lunatic country music person.” Not only did Morris take the jab in stride, but she also printed the phrase on a line of merchandise that ended up raising more than $100,000 for GLAAD’s Transgender Media Program and Trans Lifeline.

The “Make You Stay” artist also poked a little fun at herself, namely the height difference between her and her husband, Ryan Hurd, with whom she shares 2-year-old son Hayes. “Tall guy not included,” reads her fake Spirit Halloween package, referencing Hurd’s height of 6-foot-3 (according to Google).

And as a quip about her own 5-foot-1 stature, the bottom of the costume reads, “Child size costume.”

See Maren Morris’ “Lunatic Country Music Person” Halloween costume idea below:

Jerry Lee Lewis Dead at 87

Jerry Lee Lewis, piano-bashing rock n’ roll founding father, swaggering country shouter and the last surviving member of the inaugural (1986) class of the Rock and Roll Hall of Fame, has died. His death was announced on Friday (Oct. 28).

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Lewis is known for recording such rock standards as “Whole Lot of Shakin’ Going On,” “Great Balls of Fire,” “Breathless” and “High School Confidential.”  Both “Whole Lot of Shakin’ Going On” and “Great Balls of Fire” have been named to the Grammy Hall of Fame. Sometime collaborator Kris Kristofferson told USA Today that Jerry Lee Lewis is “one of the best American voices ever.” A 2022 inductee into the Country Music Hall of Fame, Lewis is one of just 16 people to have been inducted into both the Country and Rock and Roll Halls. 

Lewis was born on Sept. 19, 1935, in East Louisiana to indigent parents Elmo and Mamie Lewis.  He was brought up Christian and raised on a family farm in Ferriday that “produced more famous people per square mile than any other American small town.” The young Lewis taught himself to play piano at the age of 8 and sang gospel music in church. His two cousins, Mickey Gilley, who became a successful country singer, and Jimmy Swaggart, eventually a renowned TV evangelist, shared similar musical interests. Lewis’ formative influences included listening to the Grand Ole Opry radio broadcasts, which featured the likes of Jimmie Rodgers, Hank Williams and Moon Mullican.

Lewis moved to Memphis in 1956 to audition for Sam Phillips, the owner of Sun Records and the man who first recorded Elvis Presley, Johnny Cash and Carl Perkins. Phillips wasn’t there when Lewis arrived, so producer Jack Clement recorded Lewis’ debut single, a rockabilly version of Ray Price’s “Crazy Arms.” Lewis went on to work at the studio as a session musician, playing piano on numerous recordings including records by Cash, Billy Lee Riley (“Flyin’ Saucers Rock ‘n’ Roll)” and Perkins (“You Can Do No Wrong” and “Your True Love”), among others. The Million Dollar Quartet sessions, recorded by Phillips, was the result of a spontaneous jam session at Sun involving Presley, Cash, Perkins and Lewis. He was also part of the legendary Class of ’55 album with Cash, Perkins, Elvis and Roy Orbison.

As a piano player, Jerry Lee had a very unique style, blending rockabilly, gospel, blues and country while feverishly banging away on the keys, his long blond hair flying around, as he jumped on the bench, a veritable whirling dervish, and unabashed rock star. “No one wanted to follow Jerry Lee onstage,” said Cash. “Not even Elvis.”

Jerry Lee Lewis was nicknamed “The Killer,” and his “wild” man performances were kinetic, filled with flamboyant flair as he pounded the higher keys with his right hand, kicking and standing on top of the piano, knocking over the bench and anything left standing on the stage. He even lit his piano on fire, making it impossible for anyone to upstage him, a forerunner of the likes of The Who and Jimi Hendrix.

Lewis’ rockabilly version of “Whole Lot of Shakin’ Going On,” first recorded by Big Maybelle, hit No. 1 on Billboard‘s country and R&B charts, as well as No. 3 on the (pre-Hot 100) pop chart in ’57.  It was the first song played on the national edition of American Bandstand on Aug. 5, 1957. Said Lewis: “I knew it was a hit when I cut it, but Sam Phillips thought it was too risqué.” Wrote Memphis critic Robert Gordon: “Jerry Lee began to show that in this new emerging genre called rock ‘n’ roll, not everybody was going to stand there with a guitar.”

The follow-up, “Great Balls of Fire,” was an even bigger hit, reaching No. 2 on Billboard‘s pop chart. From this point until 1961, the billing on Lewis’ singles was “Jerry Lee Lewis and His Pumping Piano.” “Breathless” followed, reaching No. 7. Hollywood took notice: Lewis appeared in the 1957 film Jamboree! In 1958, Lewis sang the title song in the film High School Confidential, starring Russ Tamblyn. The result was another hit (No. 21 on the pop chart).

Lewis’ career stumbled in 1958 with a media backlash, led by British journalist Ray Berry, who revealed that Lewis secretly married his 13-year-old cousin Myra Gale Brown, who became his third wife. Lewis was 22 at the time and was quickly blacklisted by the music industry. Radio stations boycotted Lewis’ music. Dick Clark himself canceled Lewis’ appearances on American Bandstand. Before his marriage, venues paid him nearly $10,000 a night; the scandal lowered his asking price to a rock-bottom $250 an engagement.

He was still under contract to Sun Records, though, and a subsequent recording of Ray Charles’ “What’d I Say” reached No. 30 on the Hot 100 in 1961. His contract with Sun ended in ’63 and he went on to release other songs with Smash Records, but nothing hit the crossover peaks of those first releases, even if he did continue to experience success on the country charts. His Live at the Star Club, Hamburg album in 1964 is considered one of the most spectacular live concert discs ever released.

In ’68 he transitioned into country, recording the top 10 hit “Another Place Another Time,” which reached No. 4 on Billboard‘s Hot Country Singles chart, as it was then called. Four subsequent singles reached No. 1 on that chart: “To Make Love Sweeter for You,” “There Must Be More to Love Than This,” “Would You Take Another Chance on Me” and a cover version of  The Big Bopper’s 1958 smash “Chantilly Lace.” (The latter song brought Lewis his first Grammy nomination, for best country performance, male.) In 1981, he released “Thirty Nine and Holding” on Elektra Records and then briefly signed to MCA Records.

In February 1987, Lewis won his only competitive Grammy — best spoken word or non-musical recording as one of the narrators of Interviews From the Class of ’55 Recording Sessions. His co-winners were Johnny Cash, Chips Moman, Rick Nelson, Roy Orbison, Carl Perkins and Sam Phillips. Lewis received a Lifetime Achievement Award from the Recording Academy in 2005.

Winona Ryder, Dennis Quaid and Alec Baldwin starred in the 1989 biopic of Lewis life, Great Balls of Fire!, which brought Lewis’ career back into the limelight. The movie was based on Myra Lewis’ book detailing his life and controversy. Jerry Lee recorded the songs for the soundtrack.

In 2006, Lewis’ aptly titled Last Man Standing album reached No. 26 on the Billboard 200, his highest-charting title on that chart. Raw concert footage was put together in the companion DVD, Last Man Standing Live, featuring duets with Mick Jagger, Rod Stewart and Jimmy Page, among others. He teamed up in 2010 with Eric Clapton and Merle Haggard, along with Jimmy Page and others, on Mean Old Man, which reached No. 30 on the Billboard 200.

In April 2013, he opened Jerry Lee Lewis’ Café & Honky Tonk on Beale Street in Memphis. He also released Rock & Roll Time and was the subject of Jerry Lee Lewis: His Own Story, a biography written by Pulitzer Prize winner Rick Bragg. Lewis’ version of the title track, originally co-written and recorded by Kris Kristofferson, features guitarists Doyle Bramhall, Jon Brion and Kenny Lovelace, along with vocalists Vonda Shepard and Bernard Fowler. “This is a rock ‘n’ roll record,” he told Rolling Stone. “That’s just the way it came out.” The rest of the album is cast with many artists he inspired, including Keith Richards and Ron Wood, Neil Young, Robbie Robertson, Nils Lofgren and Shelby Lynne, among others. The album included covers of Chuck Berry, Bob Dylan, Lynyrd Skynyrd, Paul Rodgers and old pal Johnny Cash (“Folsom Prison Blues”), one of two songs on which he played guitar.

Lewis had six children by seven wives, and his personal life was marred by several tragedies. He married Dorothy Barton in ’52 when he was just 17 years old. They divorced in ’53, one month before he married Jane Mitchum, with whom he had two children, Jerry Lee Lewis Jr. and Ronnie Guy Lewis. Jerry Lee Jr. died at 19 in 1973 in a car accident when his Jeep overturned. Lewis married Myra Gale Brown, his teenage cousin, and had two children, Steve Allen Lewis and Phoebe Allen Lewis. Steve drowned when he was 3 years old in 1962. His fourth wife, Jaren Elizabeth Gunn Pete, gave birth to their daughter Lori Lee Lewis before dying in a friend’s swimming pool before their divorce was final. He married Shawn Stephens in ’83 before her untimely death — just three months after they were married. His sixth marriage, to Kerrie McCarver, lasted 20 years, from 1984 to 2004, producing one son, Jerry Lee Lewis III. He married his seventh wife, Judith Brown, in 2012 with whom he spent his final days on their Nesbit, Mississippi, ranch. Jerry Lee Lewis is survived by his wife, sons Ronnie and Jerry Lee Lewis III, and daughters Phoebe and Lori Lee.

First Spin: The Week’s Best New Dance Tracks From Fred again.., Alison Wonderland, CamelPhat & More

This week in dance music: we recapped the whirlwind that was ADE 2022, the dance world mourned the loss of producer Mighty Mouse, we went inside the Kyiv club that opened for one night amidst the ongoing war, we got exclusive Dirtybird Campout West 2022 sets from a trifecta of acts, we met the production wizards behind Porter Robinson’s Second Sky festival this weekend, David Guetta and Bebe Rexha hit the apex position of Dance Mix/Show Airplay and the CW Network announced that it will air the U.S.’s first ever all electronic awards show in May.

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As for new music, we’ve got that too. Let’s dig in.

Fred again.., Actual Life 3 (January 1-September 9 2022)

It’s here. After months of waiting and what’s felt like an open faucet of singles — including scene-uniting collaborations with Four Tet and Swedish House Mafia — Fred again..’s Actual Life 3 is out today. AFter becoming the moment’s most relevant electronic producer following a post-pandemic run of buzzy, teary sets including Coachella and record-setting Boiler Room performance, Fred Again..’s latest album makes good on the considerable hype, providing 13 sonically and emotionally nuanced tracks cobbled together from digital ephemera, pulling off the rare achievement of being as rich in meaning as they are effective on the dancefloor. — KATIE BAIN

Alison Wonderland, “Down the Line”

When you’re feeling low and the future looks dark, one of the best forms of medicine is a scream-along anthem about being down in the pits. Alison Wonderland is a magician when it comes to moody lyrics and spirited drops, and her latest single “Down the Line” is exactly the sort of re-energizing depression candy any good “I can’t get off of the couch because life sucks” moment requires. 

“We need the dark times in order to get to the light,” the artist says. “We need that experience to know that it’s going to be okay one day. The track is me acknowledging that I was alone during a difficult time but knew that I was going to get through it and be okay, down the line. We’re all going through a dark time right now, and sometimes we need to be reminded that it’s going to be okay. No matter what happens, we will be okay.” – KAT BEIN

Jimmy Edgar Feat. LIZ, “EUPHORIA”

With his new single “EUPHORIA,” Detroit producer Jimmy Edgar shares another preview of his forthcoming album LIQUIDS HEAVEN, out on November 11 via Innovative Leisure. The track is a concentrated dose of ear candy, made of pastel synths that swirl with the richness and silkiness of milk chocolate, and bright background melodies that sparkle like sonic Pop Rocks. And like how eating sweets leads to a woozy sugar rush, “EUPHORIA” too is about chasing that buzzy peak in love. Through the track’s chest-swelling builds, vocalist LIZ declares: “I’ll keep looking for you / I’ll keep looking for euphoria.” Edgar’s latest is all confectionary goodness without the risk of cavities. — KRYSTAL RODRIGUEZ

Anyma & CamelPhat, “The Sign”

CamelPhat make their debut on Tale of Us’ Afterlife Recordings with “The Sign,” a collaboration with producer Anyma. A moody, multi-movement progressive house soundscape made for that moment late night turns to early morning, “The Sign” delivers a lot of head nodding deep in the dancefloor moments along with a few satisfyingly crunchy synths, all over an urgent beat that sounds like it’s being beamed to your earholes from deep space. — K. Bain

Ten City, “Love Is Love” 

When you know, you know, and true love can’t be stopped by parents or friends or ne’er-do-well of any kind — not when it feels this silky smooth. True Chicago house and R&B legends Ten City come through with a jazzy, feel-good number that’ll get you real cozy on the dance floor with your favorite cuddle buddy, and remind you that “Love Is Love,” no matter what form is takes. In the words of Ten City co-founder and vocalist Byron Stingly, it’s a “modern Romeo and Juliet meets West Side Story!” This is for the grown and sexy among us, but it’s a message that will resonate with anyone who’s found themself enamored or thinks they’ve found the one, and certainly those among us who have been told their choice in partner isn’t “right,” even though nothing about it could ever feel wrong. It’s the second and titular single from Ten City’s forthcoming album Love Is Love, due out in 2023. – K. Bein

J. Worra feat. Nathan Nicholson, “Lightning to Strike”

From opposite sides of the Atlantic, Los Angeles’ Insomniac Records and London’s D4 D4NCE—Defected Records’ imprint for rising stars—have joined together in a new collaborative venture. Their first joint release, the single “Lightning to Strike,” comes from J. Worra, who’s previously graced both labels with her modern house sound. On “Lightning to Strike,” J. Worra dips into a bolder palette with a bouncy, retro-futuristic bassline; melodic keys and laser-beam synths which balance out Nathan Nicholson’s breezy croons and wispy vocals. Altogether, they create a song that’s as mellow and melancholic as it is hopeful. — K.R.

Rihanna Sends Love to Tems for Writing ‘Lift Me Up’: ‘It’s the Pen For Me’

It’s been six long years, but Rihanna is finally back with her new single “Lift Me Up.” And the singer has Tems to thank for co-writing the heavenly ballad for the Black Panther: Wakanda Forever soundtrack.

The Nigerian singer songwriter, whose full name is Temilade Openiyi, expressed her excitement on Instagram early Friday morning (Oct. 28) over the new song, sharing the stark portrait of RiRi that serves as its cover art, writing, “Blessed to have written this song in honour of Chadwick Boseman and even more blessed to hear the baddest @badgalriri voice it to perfection.”

Rihanna herself was quick to land in the comments section, sending the love right back to Tems by writing, “It’s the pen for me … love to you sistren” with a trio of prayer hands, heart and flexing emojis.

The post also attracted the attention of the likes of Chance the Rapper, Stefflon Don and SZA, with the latter praising the song by commenting, “INCREDIBLE! Such a beautiful record.”

Penning “Lift Me Up” with Ri, Oscar-winning composer Ludwig Göransson and director Ryan Coogler isn’t the only way Tems is contributing to Black Panther: Wakanda Forever. She also recorded a cover of Bob Marley’s “No Woman, No Cry” for the Wakanda Forever Prologue EP that dropped last July and was featured in the powerful teaser for the forthcoming Marvel sequel.

In September, Tems came away as the top winner at the 15th annual Headies Awards along with her “Essence” collaborator Wizkid. The pair took home song of the year and best R&B single while Tems racked up other trophies for best female artiste and best R&B album (for 2021’s If Orange Was a Place). Less than a month later, she also received the BMI Impact Award at the 2022 BMI London Awards.

Check out Tems’ reflection on “Lift Me Up” and Rihanna’s sweet response below.

Rihanna Makes Her Long-Awaited Return to Music & Fans Are Flying High: ‘RiRi Ate This Up’

The drought is finally over for Navy. After years of waiting with bated breath for new music from Rihanna, fans finally got it Friday (Oct. 28) in the form of “Lift Me Up” from the Black Panther: Wakanda Forever soundtrack.

The song — which serves as a tribute to the late Black Panther star Chadwick Boseman, who died in 2020 at 43 after a battle with colon cancer — sees the pop star going the ballad route, accompanied by acoustic guitar as she sings “Lift me up/ Hold me down/ Keep me close/ Safe and sound” in a serene chorus, earning praise from her admirers.

“Rihanna’s voice has matured and turned so rich ?!!!!! Okay mama NOW I need solo new Rihanna no soundtrack attach to it. BAD GAL RIRI,” one fan wrote.

Another remarked how nice it felt to hear the pop star’s signature vocals on a track again, tweeting, “Didn’t realize how much i missed hearing Rihanna’s voice and new music from her until it all hit me when i pressed play on lift me up.”

Another Ri Navy member hilariously added that it will be hard for them to keep their composure when it’s time to watch Wakanda Forever in theaters. “Riri ate this up n left no crumbs, and I’m suppose to sit in the theater and hear this and act normal?!?” they wrote.

See how fans are reacting to “Lift Me Up” below:

Don McLean Calls Kanye West an ‘Attention-Seeking Fool’ Over Antisemitic Rants

“American Pie” singer Don McLean has added his name to the list of artists calling out Kanye West for the rapper’s recent barrage of antisemitic hate speech. The singer released a statement on Friday (oct. 28) strongly condemning Ye (as the MC is now known) for a weeks-long series of interviews in which West has repeatedly made comments disparaging of the Jewish people, actions that have resulted in Kanye losing nearly every aspect of his once-formidable music and fashion empire.

“Lately a flood of antisemitic invective has been triggered by the ranting of a stupid attention-seeking fool we all know,” McLean wrote in the statement that did not mention Ye by name. “I want to say I stand with my Jewish friends and I stand with the state of Israel. When this kind of thing happens we should realize why the state of Israel must be respected and protected.”

McLean noted that he lived in Israel on-and-off from 1978-1982 and he “grew to love the country and the people. Living there changed my life forever.” The Anti-Defamation League, which tracks antisemitic behavior in the U.S. recently reported that there were 2,717 antisemitic incidents in 2021, a 34 percent rise from the year before for an average of more than seven such attacks per day.

The Washington Post reported this week that longtime watchdogs of antisemitism say the type of overtly derogatory comments made recently by Ye — as well as former president Donald Trump — are not new, but that the unapologetic manner in which they’ve been delivered in public forums is concerning at a time when incidents of harassment, vandalism and violence against Jews is at its highest level in the U.S. since the 1970s.

“Empirically, something is different. The level of public animosity towards Jews is higher than it’s been in recent memory,” Jonathan Greenblatt, CEO of the ADL told the paper. “While at a generalized level, antisemitic attitudes have dropped, the incidents have risen because there is less shame. People feel they can say and do anything.”

Over the past several weeks West has been on a bizarre media tour in which he has doubled and tripled-down on comments disparaging Jews after already raising eyebrows by promoting a “White Lives Matter” shirt at his recent Paris Fashion Week show. As a result, over the past week West has been dropped by his reps at CAA, lost partnerships with Adidas, The Gap and Balenciaga, had his Essentials playlist pulled from Apple Music, his products taken off shelves at TJ Maxx and was cut off by Foot Locker. The end of the Adidas deal will reportedly result in a $246 million loss for the company this year and is believed to be the linchpin in Ye’s loss of billionaire status.

In further blows to the once-esteemed rapper’s tattered public image, he was unceremoniously escorted out of the Skechers office on Tuesday (Oct. 26) after showing up “uninvited,” even as his wax figure was removed from Madame Tussauds London and his Donda Academy basketball team was bounced from a tournament over his hate speech.

Lately a flood of antisemitic invective has been triggered by the ranting of a stupid attention-seeking fool we all know. I want to say I stand with my Jewish friends and I stand with the state of Israel. When this kind of thing happens we should realize why the state of Israel must be respected and protected.