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Before they reunite in 2025 after nearly two years apart, j-hope says that the members of BTS had to grow separately.
In a new interview on the Zach Sang Show posted Tuesday (May 6), the K-pop star opened up about how he and his bandmates had to go through the sometimes difficult process of evolving as individuals and solo artists amid BTS’ break, during which the guys enlisted in the South Korean military while releasing music independent of the band. “In order to make music as a team in a healthy way, as each of us are making their own music, we each go through personal growth and growing pains that come with it,” j-hope explained.
“We learn many things,” he continued. “And then when we reunite after doing our own things, these experiences will fill us with new strength and energy. And now that’s very soon. Everyone has grown while pursuing their solo projects. I think that will contribute to the music we create as BTS.”
The interview comes nearly seven months after j-hope was discharged from the military, becoming the second member of BTS to finish his service requirements after Jin. In the two years since the band announced that it would be taking a break as the members carried out their mandatory civic duties, j-hope has released an album, 2022’s Jack in the Box, as well as an EP, 2024’s Hope on the Street Vol. 1; both projects charted in the Billboard 200 top 10. His latest single, “Mona Lisa,” dropped in March.
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RM, Suga, V, Jimin and Jung Kook are currently closing in on the end of their respective enlistments, after which the band is expected to reunite. “We will quickly get together and talk about what BTS can do in the future,” j-hope recently told Apple Music 1’s Zane Lowe of the band’s plans post-military. “I think it’s going to be a massive energy.”
On Zach Sang, the “Chicken Noodle Soup” singer also revealed the first thing he did after finishing his own time in the military. “I came to L.A. right away,” he said, laughing. “I wanted to get back into the groove right away. Since I was in a different environment, I wanted to quickly dive back into the places and the culture I loved. I wanted to have fun while gaining new experiences and making music.”
Watch j-hope’s full interview with Zach Sang above.
PinkPantheress is ready to step back into the spotlight after taking a few months to herself. You might recall that last August the 24-year-old British singer born Victoria Walker canceled all of her remaining 2024 tour dates — including festival shows and slots opening for Olivia Rodrigo and Coldplay — to focus on her physical health after saying she’d “hit a wall.”
Now, in a new interview with Apple Music’s Zane Lowe, the singer says that despite the pushback from her team on hitting pause when things were really starting to hit for her she knew it was the right thing to do.
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“100%. But not even just because things are rolling, but more because of financial reasons why,” she told Lowe. “If you agree to do shows and you don’t follow through, there’s a lot of money being missed out on. There’s also a lot of… the opportunity for backlash to be. Really the least of my concerns, was the money.”
Pantheress said she’s naturally someone who is prone to not looking after herself in an effort to “push through” difficult times, which has caused problems in the past. “And that’s honestly one of the reasons I lost my hearing this ear because of that,” said the singer who in 2022 called off a performance at Spain’s Primavera Festival due to “partial hearing loss” that left her 80% deaf in her right ear. “So after that happened, I don’t know what it was. I think it was when I started cutting my hair with razor blades where I realized, you know what? I’m actually going to stop now.”
The singer who moved to Los Angeles two years ago and now spends her time bouncing between L.A. and London debuted a chopped bob earlier in January and told Lowe that when she cut her hair off she had an epiphany. “I was like, ‘you know what? I’m going to probably take a step back and chill,’” she said. “And I’m not someone that generally… I don’t really suffer with any kind of lapse in judgments when it comes to myself usually, but that’s when I knew… I had an impulse to literally get follicles of hair off of me. So I needed to… I was full up.”
That’s whey she made a decision to step out of the spotlight, something she has no regrets about. “There was something that I needed to address and so I had to leave,” she said. “And I did that for my own good. And obviously it was a very sad moment for people that wanted to see me but couldn’t see me. But obviously, what goes around comes around, and I’ll be back again.”
At the time she hopped off the tours, PinkPantheress told fans, “It is with the heaviest heart that sadly have to announce that i will not be able to continue with the rest of my live shows this year in order to focus on my physical health and overall wellbeing. It appears i have reached a wall which i am struggling to penetrate through. this will include my GUTS tour, Field Day, Summer Sonic, FORM, III Points, and Australia/NZ appearances.”
In January, she was featured on Shygirl’s “True Religion” single, which she followed up in April with her own songs, “Tonight” and “Stateside,” which will appear on her upcoming nine-song sophomore mixtape Fancy That, due out Friday (May 9).
Watch PinkPantheress describe her break to Lowe below.
From Medellín to the biggest stadiums in the world, Karol G shares the story of her life in the new documentary Tomorrow Was Beautiful, premiering on Netflix Thursday (May 8).
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Directed by Cristina Costantini and produced by This Machine, Interscope Films and Bichota Films, the documentary offers an intimate look at Karol G’s rise to global stardom, along with a behind-the-scenes glimpse of her record-breaking Mañana Será Bonito World Tour and the challenges she faced along the way. Known for her sincerity and unbreakable connection with her fans, Karol G aims to show her most human side in this project. The tearjerking film brings together key moments from her life and career while highlighting her deep bond with her family, who have always provided her unwavering support.
Over two years of production, Tomorrow Was Beautiful captures moments such as a terrifying flight during which Karol G thought she was going to die, and painful memories including an experience when she was nearly abused by someone in the industry at age 16. The documentary also highlights her heartfelt tribute to Selena in Texas, with a cameo by Suzette Quintanilla, as well as her recognition as Billboard Women in Music’s Woman of the Year in 2024.
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“This is a very special piece for my fans. It’s an opportunity to show people who Carolina is, beyond just Karol G,” the singer told Billboard Español on the red carpet ahead of the documentary’s premiere on Tuesday (May 6) in New York City.
“Watching the documentary gave me the chance to reflect on the incredible journey I’ve had as a person— in the way I think, and even changes physically,” La Bichota shared. “I feel like it all started when I had blue hair, and then came the whole process with red hair, blonde hair and finally pink hair. I can see how my mindset evolved, how my sense of responsibility and commitment to my fans grew, and even how I view myself physically. I also feel that the beautiful kind of self-love you start to develop begins to blossom and becomes more noticeable.”
To capture this more intimate side of Karol G, Costantini took a vulnerable and up-close approach, aiming to showcase both the singer’s triumphs and challenges. “Most of her fans know a lot about her public image, but not so much about the personal side. Our goal was to document the intimate moments, above all,” explained the director to Billboard Español.
Karol G y Cristina Costantini hablan en el escenario durante la premiere en Nueva York del nuevo documental de Netflix Mañana Fue Muy Bonito, el 6 de mayo de 2025 en The Whitby Hotel.
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“In our first meeting, she told me she wanted to show the real side of touring. [She said,] ‘I don’t want to just show the glamour, what social media portrays. I want to show the realness,’” Costantini shared. “That really surprised me as a filmmaker. It’s a dream for us as documentary filmmakers.”
At the screening, Karol G was surrounded by her closest circle, including her family and members of her team — dancers, musicians and songwriters who have supported her throughout her career. Key guests included Edgar Barrera, Keityn, DFZM, Elena Rose, Myriam Hernández and Feid.
For more red carpet interviews from the premiere, check out Billboard Latin’s social media accounts.
The Weeknd unveiled a never-before-seen scene from his upcoming Hurry Up Tomorrow film on Wednesday (May 7) that’s inspired by a real-life incident. Fans can unlock the secret scene he posted on Instagram Reels with a password. (Spoiler alert! If you can’t figure out the code, it’s “ICANTSING.”) The clip shows the singer (real name […]
Sabrina Carpenter was the lucky lady in Usher‘s crowd at the 2025 Met Gala who got to share a sensual moment with the R&B powerhouse Monday (May 5) — but the cherry on top was her dad’s hilarious reaction to the moment after the fact. In a photo taken that night inside New York City’s […]
While the 2025 Met Gala was a star-studded affair on a rainy Monday night (May 5) in NYC, one influential face missing from the hip-hop realm was Playboi Carti. The Atlanta native took to Instagram to post a dapper photoshoot he had with his girlfriend, Gio, where Carti claimed he was banned from attending the […]
Maren Morris can speak from experience: No other concert crowd holds a candle to Taylor Swift‘s.
While on The Jennifer Hudson Show Wednesday (May 7), the Texas-born singer-songwriter opened up about performing her Fearless (Taylor’s Version) collaboration, “You All Over Me,” with Swift at one of the pop superstar’s 2023 Eras Tour shows in Chicago. “I’ve never seen a crowd like that, and there’s not a crowd like hers,” Morris raved.
“They’re so supportive, they’re listening to all the lyrics, they want to hear every nuance and breath between words,” she continued. “They’re truly locked in. It was a real treat to experience on that plane.”
The duo sang together at the “Fortnight” musician’s second of three Soldier Field shows in June 2023, which came two years after they first teamed up for the re-release of Swift’s blockbuster 2008 sophomore album. The performance marked the first time they’d ever played “You All Over Me” — a From the Vault bonus track on the revamped Fearless — live.
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But Morris and Swift had been friends long before that, performing the former’s smash “The Middle” together in Arlington, Texas, on the latter’s Reputation Tour in 2018. In November 2023, the “Circles Around This Town” singer told Jimmy Fallon that her onetime collaborator has “been so supportive of me and my career over the years,” adding, “We’re the same age, but looking up to her since I was a teenager, and watching her navigate her country music to pop career so gracefully, and the way she treats her fans is so kind and generous … she’s setting a high bar.”
Morris echoed those sentiments on Hudson’s talk show, telling the host, “I fell in love with [Swift’s] songwriting back in high school, and I just turned 35, so I feel like even before I met Taylor, I had this friendship in my mind with her.”
The interview comes two days ahead of Morris’ fourth studio album, Dreamsicle, which features the five tracks she previously dropped in August on EP Intermission. The new project is also preceded by two singles, “Carry Me Through” and “Bed No Breakfast,” released in March and April, respectively.
Watch Morris gush about Swift on The Jennifer Hudson Show below.
The 2025 ACM Awards are almost upon us. Hosted by 16-time ACM Award winner Reba McEntire, the show will stream live for a global audience on Prime Video and the Amazon Music channel on Twitch on Thursday, May 8, at 8 p.m. ET/7 p.m. CT/5 p.m. PT from the Ford Center at The Star in Frisco, Texas. The show will be expanded from two to two-and-a-half hours.
The show will open with 12 straight minutes of music highlighting ACM Award-winning song of the year winners from across six decades. The segment will feature Clint Black, Dan + Shay, LeAnn Rimes, McEntire, Sugarland and Wynonna Judd. Four of those artists popularized songs that won ACM Awards for song of the year, so you’re very likely to hear these songs in that medley: Dan + Shay’s “Tequila,” The Judds’ “Why Not Me,” Rimes’ “Blue” and Sugarland’s “Stay.”
The show will also feature collaborative performances by Jelly Roll & Shaboozey; Backstreet Boys & Rascal Flatts; and Brooks & Dunn with Cody Johnson. Jelly and Shaboozey performed together at last month’s Stagecoach Festival in Indio, California. Backstreet Boys were also on the bill for the three-day country festival.
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Keith Urban will finally receive the ACM Triple Crown Award, which he clinched in 2019 when he was named entertainer of the year (having won new male artist of the year in 2001 and male artist of the year in 2005-06). The ACM had somehow never actually presented him with the award, and it is going all out this year. Chris Stapleton, Megan Moroney and Brothers Osborne will perform Urban hits in the segment.
This will be the 18th time McEntire has hosted or co-hosted the ACM Awards. She first co-hosted the show in 1986 with John Schneider and the late Mac Davis. McEntire is fast closing in on Bob Hope’s record as the most frequent host of any major awards show. Hope hosted or co-hosted the Oscars 19 times between 1940 and 1978.
Other performers include Ella Langley and Zach Top, who have already been announced as the winners of new female and male artist of the year.
The ACM also announced presenters on the show, most of whom are top country stars past and present. Other presenters include music legend and American Idol judge Lionel Richie, actress/singer Rita Wilson, NASCAR driver Chase Elliott and Amazon Music’s co-hosts of the Country Heat Weekly podcast Amber Anderson and Kelly Sutton.
Broadcaster Bobby Bones has also been added to the program. The five-time ACM winner will have multiple moments throughout the show in which he conducts artist interviews.
Raj Kapoor is executive producer and showrunner of the 2025 ACM Awards, with Patrick Menton as co-executive producer. Damon Whiteside serves as executive producer for the Academy of Country Music, and Jay Penske and Barry Adelman serve as executive producers for Dick Clark Productions. John Saade will also continue to serve as consulting producer for Amazon MGM Studios.
Established in 1966, the Academy of Country Music Awards is the longest-running country music awards show. The ACMs made history in 2022 as the first major awards ceremony to exclusively livestream, in collaboration with Prime Video. Carnival Cruise Line is the presenting sponsor of this year’s show.
Here’s the full list of performers and presenters for the 2025 ACM Awards
Opening Segment
Clint Black
Dan + Shay
LeAnn Rimes
Sugarland
Reba McEntire
Wynonna Judd
Keith Urban Triple Crown Award Segment
Brothers Osborne
Chris Stapleton
Megan Moroney
Collaborations
Backstreet Boys & Rascal Flatts
Brooks & Dunn with Cody Johnson
Jelly Roll & Shaboozey
Other Performers
Alan Jackson
Blake Shelton
Brothers Osborne
Chris Stapleton
Ella Langley
Eric Church
Kelsea Ballerini
Lainey Wilson
Megan Moroney
Miranda Lambert
Zach Top
Amber Anderson & Kelly Sutton
Blake Shelton
Carly Pearce
Chase Elliott
Clint Black
Crystal Gayle
ERNEST
Gabby Barrett
Gretchen Wilson
Lee Ann Womack
Jordan Davis
Lionel Richie
Little Big Town
Martina McBride
Parker McCollum
Riley Green
Rita Wilson
Sara Evans
Sugarland
The Oak Ridge Boys
Wynonna Judd
The ACM Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.
The Backstreet Boys have extended their upcoming summer residency at Las Vegas’ Sphere. On Wednesday (May 7) the veteran man band added a final three shows to the Into the Millennium run, revealing that their final shows of 2025 will take place on August 22, 23 and 24.
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With that trifecta — which will also be the group’s final shows of 2025 — the total number of Sphere gigs has run up to 21. The Live Nation-produced shows from AJ McLean, Kevin Richardson, Brian Littrell, Howie Dorough and Nick Carter will be the first by a pop act in the futuristic venue that has to date hosted U2, Phish, Dead & Company, the Eagles and EDM act Anyma; country star Kenny Chesney will set up shop from May 22-June 21.
Tickets for the newly added dates will go on sale first through the Backstreet Boys Fan Club presale that kicks off on Monday (May 12) at 12 p.m. PT, followed by an artist presale on Tuesday (May 13) beginning at 10 a.m. PT; fans can sign up for the artist presale here through Sunday (May 11) at 10 p.m. PT. A general onsale will kick off on May 16 at 10 a.m. PT here.
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The group will celebrate the 25th anniversary of their landmark Grammy-nominated Millennium album on July 11 with the release of Millennium 2.0. The revamped album will feature 25 tracks, including all 12 remastered originals, as well as live recordings, demos and b-sides.
Speaking to Billboard earlier this year, Carter promised the shows will provide fans with a “sensory overload” experience as they perform the 1999 album, along with some greatest hits and their new single, “Hey.” McLean also suggested that attendees pack “something all white” for the shows.
Check out the full list of BSB Sphere dates below.
July 11, 12, 13, 18, 19, 20, 25, 26, 27
August 1, 2, 3, 8, 9, 10, 15, 16, 17, 22, 23, 24
Billboard’s Dance Moves roundup serves as a guide to the biggest movers and shakers across Billboard’s many dance charts — new No. 1s, new top 10s, first-timers and more.
This week (on charts dated May 10), Beyoncé, Gryffin, PinkPantheress and others achieve new feats. Check out key movers below.
Beyoncé
Beyoncé’s 2022 LP Renaissance rises 8-5 on the Top Dance Albums chart, earning 6,000 equivalent album units in the U.S. in the April 25-May 1 tracking week (up 26%), according to Luminate, as the superstar kicked off her Cowboy Carter Tour April 28 at SoFi Stadium in Inglewood, Calif. While the setlist primarily highlights her 2024 country album Cowboy Carter, Beyoncé included several Renaissance tracks during the tour’s first three shows (all at SoFi), including “America Has a Problem,” “My House,” “Cuff It” and “Alien Superstar.”
The album wasn’t Beyoncé’s only beneficiary: Her entire solo catalog sports gains following the tour’s launch. Her catalog raked in 57 million official U.S. streams during the tracking week, up 18% from the 48.3 million streams the week before. Cowboy Carter had the largest gains and surges 193-64 on the Billboard 200 with a 73% increase in units.
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Gryffin, Excision & Julia Michaels
Gryffin, Excision and Julia Michaels’ new collaboration, “Air,” debuts at No. 25 on the Hot Dance/Electronic Songs chart, fueled entirely by its 620,000 first-week streams. The track arrived April 25 via 10K Projects.
“Air” earns Gryffin his 38th career entry on the chart, and his second of 2025, after “In My Head,” with Kaskade and Nu-La, peaked at No. 15 in February. It also becomes Excision’s 10th entry and Michaels’ fifth.
PinkPantheress
PinkPantheress lands her second entry on the Hot Dance/Pop Songs chart with “Stateside.” Released April 25 on Parlophone/Elektra/Atlantic Records, the track debuts at No. 11 and joins her previous single, “Tonight,” which ranks at No. 13 after debuting at No. 5 in April. Both songs are set to appear on her second mixtape, Fancy That, a nine-track project due out Friday (May 9).
PinkPantheress previously charted two tracks on Hot Dance/Electronic Songs: “Way Back” with Skrillex and Trippie Redd (No. 13 in January 2023), and Kaytranada’s “Snap My Finger,” on which she’s featured (No. 40 last June). Her breakthrough collaboration with Ice Spice, “Boy’s a Liar, Pt. 2,” climbed to No. 3 on the Billboard Hot 100 in March 2023.
MEDUZA, Innellea, GENESI & Nu-La
MEDUZA, Innellea and GENESI’s “Edge of the World,” featuring Nu-La, debuts at No. 33 on the Dance/Mix Show Airplay chart, marking the highest new entry of the week. It gained by 33% in plays among 24/7 dance reporters and pop stations’ mix show hours.
The release marks a milestone for Italian house group MEDUZA, which scores its 10th career entry and first since “Another World,” with HAYLA, hit No. 1 in December, becoming the act’s third leader. It’s also the first entry for both Innellea and GENESI and the second for Nu-La, whose “In My Head,” with Gryffin and Kaskade, rises to a new No. 14 high.
In a fun twist, the chart’s second-highest debut is the similarly titled “End of the World” — Miley Cyrus’ latest single. It enters at No. 35 with a 30% gain in plays, becoming her 12th career hit on the chart.
