Music News

Bill Clinton Pays Tribute to Fleetwood Mac’s Christine McVie: ‘I Will Miss Her’

Among the luminaries paying tribute to late Fleetwood Mac singer and lyricist Christine McVie on Wednesday (Nov. 3) was former President Bill Clinton. The two-term democrat and philanthropist mourned the passing of the 79-year-old rock icon, whose family said she died at a hospital at 79 after a “short illness.”

“I’m saddened by the passing of Christine McVie,” Clinton tweeted. “‘Don’t Stop’ was my ’92 campaign theme song – it perfectly captured the mood of a nation eager for better days.” Clinton included a short video with his message, in which the one of Mac’s most beloved singles — co-written by McVie, who also sang it alongside guitarist Lindsey Buckingham — unspools amid footage of the Clinton family on the campaign trail. The video notes that the tradition of presidential campaign songs dates back to 1800, when John Adams supporters sang “Liberty and Adams.”

Clinton, then the fresh face of a new generation of democrat leaders, was one of the first major party presidential Boomer candidates to embrace the rock era, making the Billboard Hot 100 No. 3 hit from Rumours the anthem of his White House bid. “I’m grateful to Christine & Fleetwood Mac for entrusting us with such a meaningful song. I will miss her,” Clinton wrote.

The accompanying video also noted that after splitting in 1987, the famously quarrelsome quintet reunited for one night to perform “Don’t Stop” at Clinton’s 1993 inaugural gala.

According to the singer’s family, she died “peacefully” at a hospital on Wednesday following a “short illness.” In a statement, the band said, “There are no words to describe our sadness at the passing of Christine McVie. She was truly one-of-a-kind, special and talented beyond measure. She was the best musician anyone could have in their band and the best friend anyone could have in their life. We were so lucky to have a life with her.”

Check out Clinton’s post below.

Man Seen at Takeoff’s Fatal Shooting Facing Weapons Charge

A man who has been accused of illegally having a gun at the time that rapper Takeoff was fatally shot last month following a private party at a downtown Houston bowling alley has been charged in connection with the case, authorities said Wednesday (Nov. 30).

But during a court hearing, prosecutors said the suspect, Cameron Joshua, 22, is not believed to have fired a weapon during Takeoff’s shooting. Joshua is facing a charge of unlawful carrying of a weapon for allegedly having a handgun when the rapper was killed around 2:30 a.m. on Nov. 1 as gunfire erupted outside of 810 Billiards & Bowling following a private party.

Takeoff, whose off-stage name was Kirsnick Khari Ball, formed one-third of the Grammy Award-nominated rap trio Migos with uncle Quavo and cousin Offset from suburban Atlanta.

“We believe Cameron Joshua has been appropriately charged in this case and we’re continuing our investigation into the death of Takeoff,” Matt Gilliam, a prosecutor with the Harris County District Attorney’s Office, told reporters in a brief statement after Wednesday’s hearing.

Christopher Downey, Joshua’s attorney, told reporters that he has not seen anything to suggest that his client fired a weapon or had anything to do with Takeoff’s shooting; police have not named any suspects in the incident to date.

“The bottom line is … Cameron Joshua did not shoot Takeoff,” Downey said.

When asked if Joshua knows who shot Takeoff, Downey said, “We will discuss that with the DA’s office if we decide to. Right now, we’re charged with offenses and we’re not saying anything.”

During the hearing, a judge decided to keep Joshua in custody until a bond hearing set for next week.

Joshua is also facing a charge of unlawful possession of a firearm by a felon for allegedly having a weapon when he was arrested on Nov. 22. He had already been out on bond after being charged in Harris County with having a fake ID in September 2021 and with burglary of a vehicle in April. He had also been convicted in October in Los Angeles County of grand theft.

Houston police have said that least two people discharged firearms when Takeoff was killed. Takeoff’s primary cause of death was listed as “penetrating gunshot wounds of head and torso into arm,” according to an autopsy.

Two others were hit by gunfire but had non-life-threatening wounds.

After the shooting, investigators sought to speak with the 40 people who attended the party and fled after the gunfire.

Migos first broke through with the massive hit “Versace” in 2013. They had four Top 10 hits on the Billboard Hot 100, though Takeoff was not on their multi-week No. 1 hit “Bad and Boujee,” featuring Lil Uzi Vert. They put out a trilogy of albums called Culture, Culture II and Culture III, with the first two hitting No. 1 on the Billboard 200 album chart.

At a memorial service earlier this month in Atlanta, fans as well as recording artists such as Justin Bieber and Drake celebrated Takeoff’s musical legacy.

Broadway’s ‘KPOP’ Musical Getting Official Cast Recording Album: Exclusive

KPOP only just held its opening night on Broadway earlier this week, but the brand-new musical is ready to unveil the exciting details of its official cast recording.

Explore

See latest videos, charts and news

See latest videos, charts and news

Next year, listeners worldwide will be able to bring the musical into their daily lives with the release of the KPOP – Original Broadway Cast Recording album via Sony Masterworks Broadway. After being in development since premiering Off-Broadway in 2017, KPOP finally made its Broadway debut this month at the Circle in the Square Theatre shining the spotlight on Korean culture and Korean, Korean-American, and overall AAPI representation on and off the stage.

The KPOP show also features K-pop stars including Luna (of girl group f(x) in the lead role as singer MwE), Kevin Woo (from U-KISS playing the leader of KPOP boy band F8), Min (from miss A who plays Riya in girl group RTMIS) and BoHyung (a member of SPICA and the vocal duo KEEMBO who plays Tiny D in RTMIS).

While the show features music, lyrics, production and arrangements by Helen Park, as well as music and lyrics by Max Vernon, the cast recording album will feature production by Harvey Mason Jr.

On his own and as one-half of the production duo The Underdogs, Harvey Mason Jr. has been close to the K-pop scene for years. The current CEO of the Recording Academy has produced hit K-pop singles like Girls’ Generation‘s “Mr.Mr.,” EXO‘s “Overdose,” BoA‘s “CAMO” and NCT 127‘s “Limitless.”

“I am such a fan of this music and this musical,” Mason Jr. says in a press release statement. “Having worked in the K-pop music space for over a decade, finally experiencing the music live on a Broadway stage has been so exciting. With the popularity and impact of this music, it’s the perfect time for the KPOP show and the cast album.”

With the mix of celebs living the real K-pop experience alongside seasoned and fresh Broadway talent, KPOP has stood out for its genuine attempt to approach the pressure, sacrifices and joy within the industry putting South Korea on the global-music map. Directed by Teddy Bergman, KPOP also features a book written by Jason Kim (who’s written on Girls), choreographer Jennifer Weber (The Hip Hop Nutcracker and & Juliet) and associate choreographer MJ Choi (founder and director of I Love Dance studio).

The KPOP – Original Broadway Cast Recording will drop on Feb. 24, 2023, via Sony Masterworks Broadway and is available for pre-order now.

KPOP‘s full cast recently performed the number “This Is My Korea” live on Good Morning America and released the song digitally ahead of KPOP’s official opening:

Immersive ‘Bob Marley: One Love Experience’ Coming to U.S. in 2023

A massive immersive experience celebrating Bob Marley is heading for its U.S. premiere early next year, complete with photographs, lots of music and even a pair of the reggae giant’s footwear.

The multi-room exhibit “Bob Marley: One Love Experience” will open in Los Angeles on Jan. 27 at Ovation Hollywood, following runs in London and Toronto. The 15,000-square foot (1,393-square meter) experience includes previously unseen photographs, concert videos, lyric sheets, rare memorabilia like guitars, a soccer jersey, sneakers and art that highlight Marley’s influence. There are also a Marley-branded jukebox and a few foosball tables. One area celebrates the Marley family’s legacy and philanthropy.

Inside, a 2,000-square foot (185-square meter) One Love Forest promises to take visitors on a trip to Jamaica in a multi-sensory environment, which also features a cannabis garden. Fans are greeted with headphones at the Soul Shakedown studio to groove out to the curated playlist in the silent disco. Tickets are available exclusively via Fever on Dec. 7.

Born in rural Jamaica in 1945, Marley rose from the gritty Kingston slum of Trench Town to global stardom in the 1970s with hits like “No Woman, No Cry,” ″Get Up, Stand Up,” and “I Shot the Sheriff.” His lyrics promoting social justice and African unity made him an icon in Jamaica and other countries. He died from cancer in 1981 at age 36.

“After being in London and Toronto, it’s going to be amazing bringing the experience here to the U.S. for the first time and just steps from Daddy’s star on the Hollywood Walk of Fame,” Cedella Marley, CEO of Bob Marley Group, said in a statement. The exhibit is produced by the Marley Family and Terrapin Station Entertainment.

Immersive experiences are all the rage these days, with traveling, projection-driven exhibits of King Tut, Vincent Van Gogh, Gustav Klimt, Frida Kahlo and Claude Monet, just to name a few.

Here Are YouTube’s Top Songs of 2022

2022 was a big year for music and music videos, and YouTube officially unveiled on Thursday (Dec. 1) its top 10 songs of the year.

Leading the U.S.-based list is “We Don’t Talk About Bruno” from the Encanto soundtrack, which also rocked the Billboard charts as it ruled the Billboard Hot 100 songs chart for five weeks back in February.

Following the Disney hit is Kodak Black‘s “Super Gremlin” and Jessica Darrow‘s “Surface Pressure” in second and third place, respectively.

Explore

See latest videos, charts and news

See latest videos, charts and news

The songs that appear on the annual YouTube include streams from the official music video, lyric videos and user-generated content that uses the full official song, and cover the period from Jan. 1, 2022 to Nov. 15, 2022. Its lists are restricted to two songs for each artist or album.

It was a big year for Latin music on YouTube, as both Bad Bunny and Karol G had two songs each on YouTube’s top 10 list. Bad Bunny‘s “Tití Me Preguntó” launched in at No. 4 while his Chencho Corleone collaboration “Me Porto Bonito” was No. 6. Karol G’s Becky G duet “Mamiii” came in at No. 7 while her sultry “Provenza” hit No. 9. Lil Baby’s “In a Minute” completes the top 10.

Bad Bunny has enjoyed another massive year across all platforms. The Puerto Rican rapper was, separately, named the top artist in Spotify’s year-end list, and his LP Un Verano Sin Ti was its most-streamed album.

YouTube’s rankings don’t end there. The streaming giant also shares its lists for top trending videos, top shorts, top creators, breakout creators, ads, and more.

See the full list of YouTube’s top songs in the United States below and click here for more.

1. Encanto Cast – “We Don’t Talk About Bruno”
2. Kodak Black – “Super Gremlin”
3. Jessica Darrow – “Surface Pressure”
4. Bad Bunny – “Tití Me Preguntó”
5. Future – “Wait for U” feat. Drake, Tems
6. Bad Bunny, Chencho Corleone – “Me Porto Bonito”
7. Karol G, Becky G – “Mamiii”
8. Imagine Dragons x JID – “Enemy”
9. Karol G – “Provenza”
10. Lil Baby – “In a Minute”

Harp Talks ‘Masked Singer’ Season 8 Win: ‘I Was as Surprised as Anyone When I Made It Through Every Round’

It was a wild ride on season 8 of The Masked Singer, which once again served up its patented mix of non-singing celebs (William Shatner, Jeff Dunham, Mario Cantone, Daymond John, Jerry Springer, Le’Veon Bell, George Foreman, Chris Jericho, Adam Carolla, Linda Blair, Nikki Glaser), veteran pop and R&B singers (Chris Kirkpatrick, Montell Jordan, Gloria Gaynor, Kat Graham, George Clinton and Ray Parker Jr.), as well as some actors who’ve been known to carry a tune (Eric Idle, Brady Bunch trio Christopher Knight, Barry Williams and Mike Lookinland and Joey Lawrence).

But in the end, when all the masks came off, it was seasonlong front-runner Harp who plucked her way to the winner’s circle with a commanding run that began on this season’s first episode when she turned P!nk’s “Perfect” into a soaring R&B ballad that blew the judges away. On episode 2, she soared with Whitney Houston’s “I Have Nothing,” then cruised through the Golden Girls theme song “Thank You for Being a Friend” and easily bounced along to Lizzo’s “About Damn Time” last week.

She showed her versatility by going toe-to-toe with Panther in a battle over Steppenwolf’s road dog classic “Born to be Wild,” easily bested Fortune Teller in the “Everywhere You Look” battle, and absolutely shut it down on finale night with Lady Gaga’s “The Edge of Glory” and a moving version of John Mayer’s “Gravity.”

As is always the case, judge Ken Jeong was wrong all along, absolutely confident that the woman under the golden dome was Oscar winner Jennifer Hudson, giving off super-confident vibes while describing all the reasons he definitely nailed it this time. Fellow judge Robin Thicke was certain it was another triple threat, Jeong’s former Community castmate Yvette Nicole Brown, while Nicole Scherzinger was the one who knew what was up.

Wednesday night’s epic two-hour finale found judge’s favorite Harp facing off against three-headed threat The Lambs, who were in perfect harmony on Chaka Khan’s “I’m Every Woman.” But in the end, the three doe-eyed ladies (Wilson Phillips) were not woman enough to beat former Glee star and Broadway veteran Amber Riley.

Billboard caught up with Riley before the final reveal and spoke to her about how it felt to cruise to victory, what it was like to constantly lie to everyone she loves for months, and when we can expect new music from her.

You came out strong with your P!nk cover, and it felt like you were the front-runner all season. Did you feel pretty good about your chances after that first performance?

I felt great about my performance because it was a song that I really love and I decided every time I go out I was going to leave it all on the floor. I honestly didn’t hear anyone else singing so I didn’t know where I stood. I was just as surprised as anyone when I made it through every round.

Who figured out it was you right away?

Oh my gosh, I’ve been lying my face off for the past couple of weeks. My family has been listening to me sing since I was two-years-old and my sister is calling me like, “I know it’s you little girl!” And I was like, “Huh? I have no idea what you’re talking about!” I had to lie to everyone’s face and it’s been torture.

How did it feel to be crowned first Masked Singer queen?

It felt fitting because I am a queen anyway! [Laughs] Just kidding! It felt great because it was so cool. We’re Americans, so we don’t have kings and queens. If you want to give me a crown, I’ll take it!

I’ve seen a lot of complex costumes on the show, but that giant instrument on your back seemed pretty physically limiting. You said there was no chance you could shake your booty so the vocals had to be super on-point.

[Laughs] Honestly, the costume department is incredible. They are imagineers. It wasn’t as difficult as it looked because they put it on wheels. With every step I took they asked me if it felt comfortable. Even for the moment when I had to get out [of the costume] they imagined a way for me to easily be removed from it… it wasn’t as bad as it looked.  

You mentioned that there’s something freeing about being masked as well as feeling like you were not always appreciated by the industry. What were you able to do in disguise that you can’t as Amber?

I think I’m always myself, but it was a way for people to just listen to my voice and have no preconceived notions of who I am or my gifts. That was cool to me. I’ve been in the industry for a pretty long time and I’m sure people think they know who I am, but knowing that they got to hear me with new ears and see me with new eyes when I was revealed was exciting.  

You’ve been on a hit show [Glee], won an Olivier for playing Effie in Dreamgirls on the West End, and you won Dancing With the Stars back in 2013, but watching you cry through your mask really made it seem like this was a big, cathartic moment for you.

I’ve been in this industry a really long time and just like anyone else I’ve dealt with rejection and second-guessed my gifts. I’ve gone through it when it’s 90% rejection and 10% go for it. Being able to hear my peers and people I admire, especially Nicole [Scherzinger], encourage me and [praise] my gifts brought me to tears. As we try to pretend we are an island, we do need to hear people encourage us. I needed that and it was inspiring to me.

Was it inspiring enough to work on the follow-up to your 2020 Riley album?

Yes! I’ve been working on it the whole year. I went into the studio with an ignited fire and the music coming out of it and the confidence I have now has been absolutely incredible. I didn’t know that was going to happen doing this show.

How did it feel when Jenny [McCarthy-Wahlberg] said your Gaga was the best performance ever on the show?

I couldn’t even believe that. I watched LeAnn Rimes’ season, and she floored me every single week, so hearing that was big.

What’s coming up for you next? It sounds like you’ll be on our screens a lot over the next few months.

I’ve got the Black Beauty Effect [available now on the Black Experience on Xfinity channel], which is an amazing docuseries I got to be part of that is talking about black women in the beauty industry and how we disrupted the status quo. It’s about finding ourselves and making a mark in beauty, makeup and hair in Hollywood. It’s a story of triumph and it’s very inspiring to hear from women behind the scenes. I’m also going to be on Celebrity Name That Tune [premiering Jan. 11 on Fox], which I got to do with my little brother [fellow Glee alum] Chris Colfer. Me and Chris are super competitive, so it was really fun to do that with him. 

Greta Van Fleet Announces Rescheduled Tour Dates

Back in October, Greta Van Fleet were forced to postpone seven shows of their Dreams in Gold tour after singer Josh Kiszka ruptured his eardrum during a show in Bangor, Maine.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

However, the group revealed the rescheduled tour dates on Wednesday (Nov. 30), noting that all seven shows in Jacksonville, Fla.; Hollywood, Fla.; Tampa, Fla.; Greenville, S.C.; Raleigh, N.C.; Tucson, Ariz., El Paso, Texas; Anaheim, Calif. and Sacramento, Calif. will take place in March 2023.

“We appreciate your patience as we navigated logistics and can’t wait to see you again soon,” GVF captioned the post, noting that original tickets are still valid for the rescheduled dates.

After his ear ruptured in Maine, Kiszka said he’d been experiencing a “situation” in his left ear that’s “caused plenty of infections, tinnitus (ringing in the ear) and difficulty hearing” — leading Greta Van Fleet to postpone three shows in support of their latest album, The Battle at Garden’s Gate.

After playing at the AT&T Center in San Antonio, Texas, in early November, the band had to reschedule four more shows. “I just wanted to express how beautiful and how awe-inspiring these couple of shows have really been, truly. Also, unfortunately, they’ve been rather painful,” he said in a video message to fans announcing the postponements. “The last time I spoke with you, I had asked for your understanding; I was dealing with a ruptured eardrum. Unfortunately, while the eardrum continues to heal, it also has continued to cause me great deal of physical pain, which has made it very difficult to perform.”

Billy Ray Cyrus Is All Smiles in New Pic With Fiancée Firerose: ‘Happiness Is Everything’

Billy Ray Cyrus couldn’t be happier. In a new social media post, published Wednesday (Nov. 30), the country star posed with his new fiancée Firerose.

“Happiness is everything,” he captioned the joint post with the Australian singer. In the snap, the “Old Town Road” singer wears his long ombre hair in two pigtail braids under a cream-colored hat while his bride-to-be shows off her engagement ring in a pink-and-white flannel with an all-black manicure.

Cyrus first confirmed his engagement to the 34-year-old in a statement to People earlier this month, revealing that he proposed back in August after Firerose moved into his Tennessee home over the summer.

Apparently, the couple first met more than 12 years ago on the set of Hannah Montana. (Firerose is just four years older than Miley Cyrus and one year younger than her older sister Brandi.) They’ve also collaborated on music together, releasing the single “New Day” in 2021 and the follow-up “Time” earlier this year.

Throughout 2022, the Cyrus family patriarch has also joined forces with the likes of Avila Brothers and Snoop Dogg (“A Hard Working Man”), his younger cousin Bobby Cyrus and wife Teddi (“Roll That Rock”), and youngest daughter Noah Cyrus (the duet version of “Noah (Stand Still)” from her 2022 debut studio album The Hardest Part).

Billy Ray’s landmark 1992 hit “Achy Breaky Heart” celebrated its 30th anniversary back in June, just two months before the music video for “Old Town Road” joined the billion-views club on YouTube.

Check out Cyrus’ latest snapshot with Firerose below.

Here’s Why Olivia Rodrigo’s Fans Think She Has New Music Coming

It’s been nearly two years since Olivia Rodrigo dropped her debut album Sour, and now her army of fans has reason to suspect new music is finally on the way from their queen.

The speculation arose Wednesday (Nov. 30) when the singer sent a special video message to her top fans as part of this year’s Spotify Wrapped. “Hey, it’s Olivia! I just wanted to say thank you so much for listening to my music this year,” she said in the fan-captured clip. “I really, truly couldn’t be more grateful and I’m so excited for next year, and all of the new things and new music that 2023 will bring. So I’m sending so much love your way and thank you again! Bye!”

Rodrigo’s first album shot to No. 1 all over the world upon its May 2021 release and contained the smash singles “Drivers License,” “Deja Vu,” “Good 4 U,” “Brutal” and “Traitor,” as well as fan-favorite cuts like “1 Step Forward, 3 Steps Back,” “Happier” and “Jealousy, Jealousy.”

Plenty has happened in the Disney star’s life since she unveiled Sour, though. She’s embarked on her first headlining tour across North America and Europe, starred in season 3 of High School Musical: The Musical: The Series, and premiered both her concert film Sour Prom and Disney+ documentary Driving Home 2 U (A Sour Film). Oh, and she also picked up her first trio of Grammy Awards at the 2022 ceremony for best new artist, best pop vocal album and best pop solo performance.

Most recently, Rodrigo honored Carly Simon with a performance of “You’re So Vain” at the ’70s icon’s induction into the Rock & Roll Hall of Fame as part of the class of 2022 and interviewed former co-star Jenna Ortega about her starring role in Netflix’s Wednesday.

Watch Rodrigo hint at new music to her Spotify Wrapped fans below.

Christine McVie’s Top 10 Biggest Hot 100 Hits

Late singer-songwriter Christine McVie, who died Nov. 30 at age 79, left a great impression on Billboard’s charts through the decades, thanks to her pure pop/rock sensibility that often lifted Fleetwood Mac, the Rock & Roll Hall of Fame band in which she was a longtime member, to incredible heights.

For most of Fleetwood Mac’s hitmaking career, McVie was one of its three primary singers and songwriters, alongside Lindsey Buckingham and Stevie Nicks. Notably, McVie wrote and sang lead vocals on three of the band’s top four biggest hits on the Billboard Hot 100 – including the group’s biggest song, “Hold Me.”

Billboard has exclusively compiled McVie’s top 10 biggest hits on the Hot 100 chart, based on actual performance on the weekly survey. Included were any charted songs by Fleetwood Mac that McVie wrote and on which she sang lead vocals, as well as her solo recordings outside the band.

McVie’s biggest Hot 100 hit is the 1982 Fleetwood Mac song “Hold Me,” which was released as the first single from the band’s Mirage album. It spent a staggering seven weeks at its peak of No. 4 on the weekly Hot 100 chart – a then-record for that peak rank. McVie sang lead vocals on “Hold Me,” and it was written by McVie and Robbie Patton. (Overall, “Hold Me” is Fleetwood Mac’s biggest Hot 100 hit, while the group’s No. 2 hit is its lone chart-topper on the weekly Hot 100 – 1977’s “Dreams,” penned by Nicks, who also sang its lead vocal.)

McVie’s second-biggest all-time Hot 100 hit is “Little Lies,” which was released in 1987 as the third single from Fleetwood Mac’s Tango in the Night album. McVie had lead vocal duties on the cut, and she co-wrote it with her then-husband Eddy Quintela.

Fleetwood Mac’s “Don’t Stop” – which was solely written by McVie, who shared lead vocals with Buckingham – is her third-biggest Hot 100 hit. The track became one of four top 10-charting singles from the mega-successful Rumours album. The set spent 31 weeks at No. 1 on the Billboard 200 – still a record for any album by a group.

Fleetwood Mac’s “Say You Love Me” and “You Make Loving Fun” (both singularly written by McVie, who sang lead) round out McVie’s top five biggest Hot 100 hits. The former was released in 1976 as the final single from the band’s self-titled album. It was also the first to feature the lineup of Buckingham, Mick Fleetwood, Nicks, Christine McVie and her first husband John McVie.

The Buckingham/Fleetwood/Nicks/McVie/McVie lineup would release five studio albums (from 1975’s self-titled set through 1987’s Tango In the Night) and two live albums (1980’s Live and 1997’s The Dance). All four of the act’s No. 1 albums were by that famed lineup, with the self-titled set, Rumours, Mirage and The Dance all topping the Billboard 200.

Christine McVie’s 10 Biggest Billboard Hits recap is based on actual performance on the weekly Billboard Hot 100 chart. Songs are ranked based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at No. 100 earning the least. To ensure equitable representation of the biggest hits from each era, certain time frames were weighted to account for the difference between turnover rates from those years.