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2025 could be Doechii’s year. The TDE rapper continued her winning streak on Friday (May 9) with her surprise guest appearance on The Weeknd and Playboi Carti’s “Timeless (Remix).”
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Days after rumors ran rampant on social media of Doechii hopping on the Pharrell-produced hit, the “Timeless (Remix)” landed on streaming services on Friday (May 9).
Doechii bats leadoff and wastes no time bleeding her swagger into “Timeless” with a braggadocios assist flexing on the competition.
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“Hop in the booth, I advance on the beat/ B—h, it’s a wrap like lettuce and cheese/ Why would I f–k a n—a that’s fanned over me/ I do what you n—-s do with my hands on my knees/ This s–t too easy,” she raps.
The Swamp Princess closes out her guest appearance with a nod to her record label and Kendrick Lamar’s pgLang.
“Top Dawg cashin’ out Doechii stock/ Pull up to the pgLang on the dot/ Now I got a timeshare wrist watch/ I been that girl since hopscotch, I’m too legit,” she boasts.
“Timeless” sits at No. 35 on the Billboard Hot 100 and could receive a boost in the coming weeks thanks to the timely remix.
Coming off a Grammy Award win and her Met Gala debut, Doechii’s been in the mix for the first half of the year and it’s all eyes on when her anticipated debut album will arrive.
As for The Weeknd and Playboi Carti, they’ll kick off the After Hours Til Dawn Tour in Glendale, Arizona’s State Farm Stadium on Friday.
The XO singer and Carti will be invading stadiums throughout North America with stops in Detroit, Chicago, Inglewood, Las Vegas, New Jersey, Philly, Miami, Toronto, Montreal, Atlanta and Orlando before wrapping up in San Antonio on Sept. 3.
Listen to the “Timeless (Remix)” below.
Put American actor Nicolas Cage and Australian musician Nick Cave in the same room, and it seems no one can tell the difference – at least that’s what the former has claimed in a recent interview.
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Cage (that’s the actor, not the musician) is currently promoting his recently-released film The Surfer, which was both filmed and set in Cave’s home country. Speaking to The Guardian, Cave responded to a reader’s question about a 2022 tall tale from Cave which recounts the pair apparently meeting based on their similar names.
“I don’t think there’s a day that goes by where I’m not mistaken for Nick Cave,” Cage explains. “People also say: ‘Hey, Nick, you were great in The Hunger,’ which is this great David Bowie movie.”
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Though Cage didn’t appear in Tony Scott’s 1983 film The Hunger (and neither did Cave), the actor turned his attention to an anecdote in which he claims to have met the musician.
“I do remember that Cave was very nice,” he continued. “We were at an animal sanctuary, I believe – I think Sealy Animal Hospital in Texas – and he was terrific. I said hello and wanted to shake his hand. I said: ‘Only one letter separates us – G. Nick Cave, Nick Cage.’”
Cage’s comments somewhat echo the 2022 story which Cave shared on his Red Hand Files website, responding to readers who respectively asked if Cave has ever met Cage, or added an “untrue component to a story to make it more interesting than it actually is.”
“People mix me up with Nicolas Cage all the time,” Cave recalled. “Like, I’ll be going through customs and the customs officer will look at my passport and say, ‘Happy to have you with us, Mr Cave. Loved you in Face/Off’. Or whatever. Sometimes it can be a bit of a pain in the neck, but you get used to it.”
Cave then continued with a lengthy tale about how he was apparently mistaken for Cage while purchasing a didgeridoo for his late son Arthur from the gift shop of the Healesville Sanctuary in his home state of Victoria. On their way home to Melbourne, Cave claims their meal at a local pub was interrupted by an apparent interaction with Cage.
“I follow the security guy into a small private room, adjacent to the main bar. Sitting there is Nicolas Cage,” Cave writes. “He is wearing a pork-pie hat and holding a didgeridoo. Nicolas Cage shouts, ‘Only one letter separates us!’ and leaps from his seat and eagerly pumps my hand. I’m pretty confused by all of this, but say, ‘It’s an honour to meet you, Mr Cage. Have you just been to Healesville Sanctuary?’ and he shouts, ‘Yes!’ and I say, ‘Well, me too.’”
Though it remains to be seen whether Cage’s own claims of mistaken identity are truthful (and for that matter, where the truth – if any – lies in Cave’s own story), Cage also used his interview with The Guardian to comment on the existence of Australian band Nicolas Cage Fighter.
“I think they’re terrific,” he explained. “Their songs are empowering. The lyrics are all about taking ownership of your mistakes, never being a victim, figuring out how you can fix your problems.”
Even before the ACM Awards got underway Thursday (May 8), winners had been announced in six categories. And in one of those categories, the voters delivered a big surprise. Country traditionalist Zach Top took the award for new male artist of the year, beating Shaboozey, whose “A Bar Song (Tipsy)” had spent 19 weeks at […]
Talk about the trailblazers! Country icon Reba McEntire joined Lainey Wilson and Miranda Lambert to debut the trio’s emotional new collaboration “Trailblazer” toward the end of the 2025 ACM Awards Thursday (May 8) at The Star in Frisco, Texas. The song had dropped on streaming services just hours earlier, at 8 p.m. ET.
The celebrated country artists took to a stage that was dressed to appear like a barren desert, the skies behind them a warm orange as the silhouettes of birds fluttered through the the scene. Dressed in matching brown suede outfits accented with turquoise, the three women traded lyrics before harmonizing on the chorus, singing, “Talk about a trailblazer, cuttin’ one half at a time/ Running like a dream chaser, living on a prayer and a rhyme/ Put a flag in the ground to the country sound, to the rhythm of your own highway/ Talk about a trailblazer, I’m rolling down the road you paved.”
At the end of the song, McEntire, who was also hosting the show for the 18th time, took the hands of her collaborators, and together, the three women walked to the front of the stage and took a bow together.
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The day before the ACM Awards, the trio spoke to Billboard‘s Melinda Newman about their new ballad, which pays tribute to those who influenced them and paved the way. “We wanted to lean in pretty hard to paying tribute to each person,” shared Lambert, who was the focus of Billboard‘s inaugural Power Pets feature alongside her dog Bellamy. “We had to do it strategically, though, because we didn’t want it to be so blatant — but more like a secret thing that you would have to listen to it twice.”
“We were just having a conversation about how [Lambert and McEntire] have influenced me and [about] passing the torch and blazing trails for each other,” Wilson also noted. “Generation after generation, it’s going to continue, but we got to keep blazing those trails for the next one.”
The ACM Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.
Some of the best harmonies in pop and country music joined forces on Thursday night (May 8) when Backstreet Boys hit the ACM Awards stage to close the 2025 show alongside Rascal Flatts. The eight men teamed up for four songs, starting with 2006’s “What Hurts the Most” — which the two groups just re-recorded […]
Jelly Roll was living the dream on Thursday (May 8) when he performed “Heart of Stone,” the third single from his sophomore album, Beautifully Broken, at the 2025 Academy of Country Music Awards held at at Ford Center at the Star in Frisco, Texas.
“I’m wide awake and I’m dreamin’/ Wonderin’ where and when I fell apart/ Oh, I fell apart/ I had enough of my demons/ Angels only meet you where you are,” he sang emotionally, his voice powerful, during the chorus from the track about some very dark days in his life. As he belted out the chorus, Bunnie XO, who is married to the country star, sang along in the audience. “And I’m in the dark/ Least for now, Lord, I ain’t losin’ hope/ That somehow you can make a heart of gold/ From this heart of stone.”
As the tune ended, Jelly pointed to the heavens and mouthed, “Thank you.” The cameras then shifted to Shaboozey, who stood alone as he began his new single, the two men’s collaboration “Amen,” off the “A Bar Song (Tipsy)” singer’s Where I’ve Been, Isn’t Where I’m Going. After the chorus, Jelly joined in as he walked through the crowd, giving Wynonna Judd a hug before he made his way onto the stage next to ‘Boozey to finish the upbeat tune as Keith Urban and Nicole kidman sang along from the audience.
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At the end of the Jelly and Shaboozey’s duet, the “Need a Favor” singer turned to his song partner, who turns 30 on Friday (May 9), and said, “Happy birthday, ‘Boozey!” before giving him a big hug.
Jelly Roll — who is nominated for entertainer of the year, male artist of the year and album of the year for his Billboard 200 chart-topper Beautifully Broken — spoke about “Heart of Stone” while appearing on The Jennifer Hudson Show in April. “I love the lyrics of this song,” he explained to the host, specifically pointing out the lyrics to the second verse. “When I hear ‘Lord, can you hear me? I’m shackled in these chains/ I’m haunted by the lies of every time I said I’d change.’ Wow, that just reminds me of all the times that I went and looked in the mirror and said, ‘I’m gonna be different today’ and I wasn’t different that day. … It still gives me goosebumps and it makes me want to stand up and do something about it. It makes me want to quit being a man that puts it off and start being a man that does it right now.”
Country icon and 16-time ACM Awards winner Reba McEntire is the host of the show; it is her 18th time helming the ceremony. The show streamed live on Amazon’s Prime Video.
The ACM Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.
Becky G has officially dropped her first single of 2025 — and it’s a complete contrast to the Música Mexicana era she’s been in for the past two years.
Reeling in Colombian sensation Manuel Turizo, “Que Haces” is a merengue/bachata hybrid produced by Nup and Ciey. Lyrically, the song is flirty, cheeky and, in Becky’s own words, “atrevida” (daring), narrating the story of two people who like each other and have the urge to start dating.
“It really encompasses how romantic relationships are nowadays,” Becky G tells Billboard over a Zoom interview. “We can be super casual and get married tomorrow. The freedom of it is not just in the lyrics, but in the feeling: you can hear me smiling when you’re listening to it. There’s something very contagious about this record, I describe it as serotonin in a song.”
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Marking her first collaborative effort with Turizo, the Mexican-American artist expresses she “definitely slid into his DMs” after the tune was done.
“As soon as I finished doing my thing, I remember thinking that there was only one person who could make this song be what it could be, and that’s when I reached out to Manuel,” she elaborates. “We were both so hands on with it. It’s the perfect synergy for sure.”
The music video, directed by Joey & Joey in the heart of Miami’s Hialeah neighborhood, celebrates the kind of puppy love that grows old together. But beyond the feel-good, romantic, and nostalgic elements found in the song and video, “Que Haces” represents an evolution for Becky.
“Coming out of [my música mexicana albums] ‘Esquinas’ and ‘Encuentros,’ I can confidently say that I’m a genre-less artist,” she notes. “This song is an evolution of me as an artist and a woman. I’m not rebranding or abandoning anything, I’m building something. Moving forward, my main focus is that no matter what music I make, Becky is going to be Becky.”
Watch the music video for “Que Haces” below:
Lil Nas X may be a modern-day fashion icon in the making, but it turns out he doesn’t look back on every one of his risk-taking sartorial choices fondly.
Stopping by The Jennifer Hudson Show on Thursday (May 8), the rapper reflected on nearly baring it all at the Met Gala in 2023.
“There are definitely moments where I’m just like, ‘OK, I love that I did that; I don’t want to see it ever again,” he told Hudson as a compilation of his most editorial ensembles from over the years flashed on screen. Case in point: “The one from the Met Gala like two years ago where I’m, like, kind of naked and covered in crystals.
“I cannot explain to you how it feels walking up to Bad Bunny, like, ‘Hi Bad Bunny’ and just talking, and then walking away knowing that he’s seeing your ass covered in crystals,” Lil Nas confessed before covering his face in embarrassment.
Even still, the rapper managed to defend his jaw-dropping look, telling an amused Hudson, “I don’t regret it. I don’t regret it, I don’t want you to think that. But it was like, ‘I want to get out of my comfort zone, I want to feel good about my body,’ and I just wanted to step out there. And then just looking back, going, ‘Damn, everybody saw my ass covered in, like, silver crystals…”
“Well it was a good ass!” Hudson retorted, to which Lil Nas gamely replied, “Yeah, I love it! One of my favorite asses: mine.”
That year, the dress code for the annual gala organized by Anna Wintour was “in honor of Karl,” to pay tribute to late Chanel creative director Karl Lagerfeld, who was also the subject of the Costume Institute’s 2023 exhibition: “Karl Lagerfeld: A Line of Beauty.” While the Billboard Hot 100 record-holder dazzled in his pearl-encrusted birthday suit for the A-list event, Bad Bunny rocked a breathtaking, backless all-white suit and floral train by Jacquemus on the famed steps of the Met.
Elsewhere during the sit-down, Lil Nas X also opened up about unlocking his “feminine energy” on new single “Hotbox,” teased his upcoming album Dreamboy and more. Watch the rapper’s chat with Hudson below.
Heading into Thursday night’s (May 8) 2025 ACM Awards, country rookie Ella Langley leads the nominations pack with a whopping eight nods — and she picked up three prizes before the show even started. But we’ll have to wait and see who will emerge from the Ford Center at The Star in Frisco, Texas, the night’s biggest winner after tonight’s Prime Video livestream, starting at 8 p.m. ET/5 p.m. PT.
Langley is followed by Cody Johnson, Morgan Wallen and Lainey Wilson with seven nominations; Chris Stapleton with six; Langley’s “you look like you love me” duet partner Riley Green and Post Malone with five; and Kelsea Ballerini with four, including her first nod for entertainer of the year.
You can follow along with Billboard all night as we update our ACM Awards winners list live below:
Entertainer of the Year
Kelsea Ballerini
Luke Combs
Cody Johnson
Jelly Roll
Chris Stapleton
Morgan Wallen
Lainey Wilson
Female Artist of the Year
Kelsea Ballerini
Ella Langley
Megan Moroney
Kacey Musgraves
Lainey Wilson
Male Artist of the Year
Luke Combs
Cody Johnson
Jelly Roll
Chris Stapleton
Morgan Wallen
Duo of the Year
Brooks & Dunn
Brothers Osborne
Dan + Shay
Muscadine Bloodline
The War and Treaty
Group of the Year
Flatland Cavalry
Little Big Town
Old Dominion
Rascal Flatts
The Red Clay Strays
New Female Artist of the Year
Kassi Ashton
Ashley Cooke
Dasha
WINNER: Ella Langley
Jessie Murph
New Male Artist of the Year
Gavin Adcock
Shaboozey
WINNER: Zach Top
Tucker Wetmore
Bailey Zimmerman
New Duo or Group of the Year
Restless Road
WINNER: The Red Clay Strays
Treaty Oak Revival
Album of the Year
Awarded to artist(s)/producer(s)/record company–label(s)
Am I Okay? (I’ll Be Fine) – Megan Moroney; producer: Kristian Bush; Columbia Records / Sony Music Nashville
Beautifully Broken – Jelly Roll; producers: BazeXX, Brock Berryhill, Zach Crowell, Devin Dawson, Charlie Handsome, Ben Johnson, mgk, The Monsters & Strangerz, Austin Nivarel, SlimXX, Ryan Tedder, Isaiah Tejada, Alysa Vanderheym; BBR Music Group / BMG Nashville / Republic Records
Cold Beer & Country Music – Zach Top; producer: Carson Chamberlain; Leo33
F-1 Trillion – Post Malone; producers: Louis Bell, Charlie Handsome, Hoskins; Mercury Records / Republic Records
Whirlwind – Lainey Wilson; producer: Jay Joyce; BBR Music Group / BMG Nashville
Single of the Year
Awarded to artist(s)/producer(s)/record company–label(s)
“A Bar Song (Tipsy)” – Shaboozey; producers: Sean Cook, Nevin Sastry; American Dogwood / EMPIRE
“Dirt Cheap” – Cody Johnson; producer: Trent Willmon; CoJo Music LLC / Warner Music Nashville
“I Had Some Help” – Post Malone, Morgan Wallen; producers: Louis Bell, Charlie Handsome, Hoskins; Mercury Records / Republic Records
“White Horse” – Chris Stapleton; producers: Dave Cobb, Chris Stapleton, Morgane Stapleton; Mercury Nashville
“you look like you love me” – Ella Langley, Riley Green; producer: Will Bundy; SAWGOD / Columbia Records
Song of the Year
Awarded to songwriter(s)/publisher(s)/artist(s)
“4x4xU” – Lainey Wilson; songwriters: Jon Decious, Aaron Raitiere, Lainey Wilson; publishers: Louisiana Lady; One Tooth Productions; Reservoir 416; Songs of One Riot Music; Sony/ATV Accent
“The Architect” – Kacey Musgraves; songwriters: Shane McAnally, Kacey Musgraves, Josh Osborne; publishers: Songs for Indy and Owl; Sony/ATV Cross Keys Publishing
“Dirt Cheap” – Cody Johnson; songwriter: Josh Phillips; publishers: Warner-Tamerlane Publishing; Write or Die Music; Write the Lightning Publishing
“I Had Some Help” – Post Malone, Morgan Wallen; songwriters: Louis Bell, Ashley Gorley, Hoskins, Austin Post, Ernest Keith Smith, Morgan Wallen, Chandler Paul Walters, Ryan Vojtesak; publishers: Bell Ear Publishing; Master of my Domain Music; Poppy’s Picks; Sony/ATV Cross Keys Publishing; Universal Music Corporation
“you look like you love me” – Ella Langley, Riley Green; songwriters: Riley Green, Ella Langley, Aaron Raitiere; publishers: Back 40 Publishing International; Langley Publishing; One Tooth Productions; Sony/ATV Tree; Warner-Tamerlane Publishing Corp
Music Event of the Year
Awarded to artist(s)/producer(s)/record company–label(s)
“Cowboys Cry Too” – Kelsea Ballerini, Noah Kahan; producers: Kelsea Ballerini, Noah Kahan, Alysa Vanderheym; Black River Entertainment
“I Had Some Help” – Post Malone, Morgan Wallen; producers: Louis Bell, Charlie Handsome, Hoskins; Mercury Records / Republic Records
“I’m Gonna Love You” – Cody Johnson, Carrie Underwood; producer: Trent Willmon; CoJo Music LLC / Warner Music Nashville
“we don’t fight anymore” – Carly Pearce, Chris Stapleton; producers: Shane McAnally, Josh Osborne, Carly Pearce; Big Machine Records
“you look like you love me” – Ella Langley, Riley Green; producer: Will Bundy; SAWGOD / Columbia Records
Visual Media of the Year
Awarded to producer(s)/director(s)/artist(s)
“4x4xU” – Lainey Wilson; producer: Jennifer Ansell; director: Dano Cerny
“Dirt Cheap” – Cody Johnson; producer: Dustin Haney; director: Dustin Haney
“I’m Gonna Love You” – Cody Johnson, Carrie Underwood; producers: Christen Pinkston, Wesley Stebbins-Perry; director: Dustin Haney
“Think I’m In Love With You” – Chris Stapleton; producers: Wes Edwards, Angie Lorenz, Jamie Stratakis; director: Running Bear (Stephen Kinigopoulos, Alexa Stone)
WINNER: “you look like you love me” – Ella Langley, Riley Green; producer: Alex Pescosta; directors: Ella Langley, John Park, Wales Toney
Artist-Songwriter of the Year
Luke Combs
ERNEST
HARDY
Morgan Wallen
WINNER: Lainey Wilson
Songwriter of the Year
Jessi Alexander
WINNER: Jessie Jo Dillon
Ashley Gorley
Chase McGill
Josh Osborne
Producer of the Year
Dave Cobb
Ian Fitchuk
Charlie Handsome
Jon Randall
Alysa Vanderheym
Audio Engineer of the Year
Brandon Bell
Drew Bollman
Josh Ditty
Buckley Miller
F. Reid Shippen
Bass Player of the Year
J.T. Cure
Mark Hill
Rachel Loy
Tony Lucido
Craig Young
Drummer of the Year
Fred Eltringham
Tommy Harden
Evan Hutchings
Aaron Sterling
Nir Z
Acoustic Guitar Player of the Year
Tim Galloway
Todd Lombardo
Mac McAnally
Bryan Sutton
Ilya Toshinskiy
Piano/Keyboards Player of the Year
Dave Cohen
Ian Fitchuk
Billy Justineau
Gordon Mote
Alex Wright
Specialty Instrument Player of the Year
Dan Dugmore
Jenee Fleenor
Josh Matheny
Justin Schipper
Kristin Wilkinson
Electric Guitar Player of the Year
Kris Donegan
Jedd Hughes
Brent Mason
Sol Philcox-Littlefield
Derek Wells
Casino of the Year – Theater
Deadwood Mountain Grand – Deadwood, S.D.
Foxwoods Resort Casino – Mashantucket, Conn.
Harrah’s Cherokee Casino Resort – Cherokee, N.C.
The Theater at Virgin Hotels – Las Vegas, Nev.
Yaamava’ Theater – Highland, Calif.
Casino of the Year – Arena
Golden Nugget Lake Charles – Lake Charles, La.
Hard Rock Live at Etess Arena – Atlantic City, N.J.
Harveys Lake Tahoe – Stateline, Nev.
Mystic Lake Casino Showroom – Prior Lake, Minn.
Turning Stone Resort Casino – Verona, N.Y.
Festival of the Year
C2C Country to Country – London
CMC Rocks – Ipswich, Queensland
Stagecoach Festival – Indio, Calif.
Two Step Inn – Georgetown, Tex.
Windy City Smokeout – Chicago
Fair/Rodeo of the Year
Calgary Stampede – Calgary, Alberta
California Mid-State Fair – Paso Robles, Calif.
Cheyenne Frontier Days – Cheyenne, Wy.
Minnesota State Fair – Falcon Heights, Minn.
Houston Livestock Show and Rodeo – Houston
Club of the Year
Billy Bob’s Texas – Fort Worth, Tex.
Brooklyn Bowl – Nashville
Cain’s Ballroom – Tulsa, Okla.
Georgia Theatre – Athens, Ga.
Joe’s on Weed St. – Chicago
Theater of the Year
The Caverns – Pelham, Tenn.
MGM Music Hall at Fenway – Boston
The Met Philadelphia – Philadelphia
The Rave/Eagles Club – Milwaukee, Wisc.
Tennessee Theatre – Knoxville, Tenn.
Outdoor Venue of the Year
BankNH Pavilion – Gilford, N.H.
CMAC – Constellation Brands Marvin Sands Performing Arts Center – Canandaigua, N.Y.
Saint Augustine Amphitheatre – St. Augustine, Fla.
The Wharf Amphitheater – Orange Beach, Ala.
Whitewater Amphitheater – New Braunfels, Tex.
Arena of the Year
Dickies Arena – Fort Worth, Tex.
Moody Center – Austin, Tex.
TD Garden – Boston
Thompson-Boling Arena at Food City Center – Knoxville, Tenn.
Van Andel Arena – Grand Rapids, Mich.
Don Romeo Talent Buyer of the Year
Deana Baker
Bobby Clay
Gil Cunningham
Weston Hebert
Stacy Vee
Taylor Williamson
Promoter of the Year
Brent Fedrizzi
Alex Maxwell
Patrick McDill
Anna-Sophie Mertens
Rich Schaefer
Aaron Spalding
The ACM Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.
Clipse continue to tease their highly anticipated fourth album Let God Sort Em Out thanks to a new video from Pusha T. The Virginia Beach rapper posted a video of himself getting ready for the 2025 Met Gala on Tuesday (May 7), featuring a snippet of an unreleased song seemingly titled “So Far Ahead.” The […]
