Music News

Laura Dern Got Fangirled By Swiftie For ‘Bejeweled’ While Literally Standing Next To ‘Jurassic Park’ Sign

No major spoilers, but if you tuned in to the second season of HBO’s hit vacation nightmare series White Lotus you may have missed a super low-key guest appearance from Oscar-winning actress Laura Dern. On Jimmy Kimmel Live! on Thursday night (Jan. 5), the host asked Dern to describe how she ended up making a hush-hush cameo on the series.

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And, of course, what it’s like to be spotted by Taylor Swift fans in the wild thanks to her role in the singer’s “Bejweled” video.

“Recorded from the closet of my room,” Dern said of the secret bit she laid down as a favor to her old friend, Lotus writer and creator Mike White, who previously teamed up with Dern on his previous HBO series, Enlightened. As explained by Kimmel, Dern had an uncredited voice role as star Michael Imperioli’s estranged wife, who is heard, but never seen, in the show.

“It was amazing,” Dern said of the drop-in. “I loved literally recording into my phone and him saying, ‘just go to town, be as angry as you want.’” Dern said she didn’t tell anyone about phoning it in, but noted that her son figure it out when they watched the show together.

Kimmel also asked Dern about her on-screen cameo as the evil stepmother to the Haim sisters in Taylor Swift’s Cinderella-inspired “Bejeweled” video. “Taylor asked me and it sounded like such an incredible time and I was amazed by what a great filmmaker she is, how prepared she was, how improvisational and fun it was. I had the time of my life,” Dern said of Swift’s turn as a director on the shoot for the song from her Midnights album.

Sure, it was fun and tens of millions of people saw the video, but Dern noted that on a recent trip to Hawaii with family she happened to be standing near a sign for a tour of scenes from the Jurassic Park series — Dern has appeared in three films in the series — when a Swiftie spotted her in the wold. Not wanting to do the “whole Jurassic Park thing” while trying to enjoy a vacay with her family, Dern was expecting the girl to ask for a selfie with legendary paleobotanist Dr. Ellie Sattler.

Instead, the fan squealed, “‘Oh my God! Oh my God! Aren’t you the girl in the Taylor Swift video?’” A good sport, Dern said she agreed to a photo marking her pivotal role as a Swift-adjacent actress, which, of course, was framed with the “Welcome to Jurassic Park” sign in the background.

Watch Dern on Kimmel below.

Here Are the Top-Gaining Songs of the 2022 Holiday Season

The presents have been opened and wallets closed, as the 2022 holidays have concluded. But which holiday songs made the biggest gains over the latest holiday season?

Here’s a look at the seasonal songs that logged the 10 top increases in on-demand audio and video streaming over the 2022 holidays as compared to 2021, according to Luminate, among the 50 most-streamed songs, on-demand, this holiday season.

Overall, streaming of holiday songs surged 12.1% over the latest holidays (Nov. 18-Dec. 29, 2022, correlating to the tracking period of Billboard‘s Holiday 100 songs chart dated from Dec. 3 through Jan. 7), as compared to the corresponding period the year before (Nov. 19-Dec. 30, 2021), per the top 500 holiday titles in each of the last two holiday seasons. (For this research, UGC [user-generated content] was included, although it does not contribute to Billboard‘s charts.)

Below is a recap of the 10 top-gaining seasonal songs year-over-year during the latest holidays — and their newest chart highlights.

The Top-Gaining Songs of the 2022 Holiday Season

“Here Comes Santa Claus,” Gene Autry

  • 70.5 million on-demand audio and video U.S. streams Nov. 18-Dec. 29, 2022, up 53.5% from Nov. 19-Dec. 30, 2021

The song galloped to a No. 25 high on the Billboard Hot 100 dated Dec. 31, besting its prior No. 28 peak reached three years earlier. Originally released in 1947, it hit the top 10 on Billboard pop and country charts annually through the end of the ’40s.

“Blue Christmas,” Elvis Presley

  • 77.2 million, up 48.8%

The King’s festive favorite logs a new No. 24 best on the Jan. 7 Hot 100. Up from No. 27, it marks his first appearance in the top 25 in exactly 44 years, since “My Way” held at its No. 22 peak on the Jan. 7, 1978, survey.

“Deck the Halls,” Nat King Cole

  • 86.4 million, up 41.1%

The track made a jolly jaunt to a new No. 16 high on the Dec. 31 Hot 100. As previously reported, Cole achieves his first top 10 since 1963 with “The Christmas Song (Merry Christmas to You),” which gained by 5% to 95.4 million on-demand streams this holiday season vs. the same period the year before.

“This Christmas,” Donny Hathaway

  • 53.4 million, up 39.1%

The song rises to a new No. 37 highpoint on the Jan. 7 Hot 100. It’s his top-ranking entry since “The Closer I Get to You” – one of his six charted duets with Roberta Flack – a No. 2 hit in 1978.

“Christmas Eve/Sarajevo 12/24,” Trans-Siberian Orchestra

  • 36 million, up 37.8%

The instrumental rock reimagination of “God Rest Ye, Merry Gentlemen” and “Carol of the Bells” reached No. 35 on the Holiday 100 in December, its best rank on the chart in over two years.

“Merry Christmas,” Ed Sheeran & Elton John

  • 41.4 million, up 37.4%

The cheery song by the British superstars fared far better in its second year. On the Hot 100, it climbed to No. 42, after it hit No. 55 in its first year of release. If its momentum continues, it could swell John’s total of top 40 hits beyond his current sum of 59, while Sheeran boasts 23 top 40 entries.

“Let It Snow! Let It Snow! Let It Snow!,” Dean Martin

  • 60.5 million, up 31.7%

After first making notable inroads in streaming in the mid-2010s, the classic has hit the top 20 on the Streaming Songs chart each holiday season since 2018, reaching a No. 5 best in December 2020.

“Jingle Bells,” Frank Sinatra

  • 81.3 million, up 31.3%

The recording ascends to No. 20 on the Jan. 7-dated Hot 100, marking a milestone for the late legend: he ranks in the top 20 for the first time since June 3, 1967, when “Somethin’ Stupid,” with daughter Nancy, placed at No. 16 following four weeks at No. 1.

“Do They Know It’s Christmas,” Band Aid

  • 40.1 million, up 29.7%

The all-star anthem hit No. 34 on the Dec. 3 Holiday 100, its best rank since 2018. Helping its profile, LadBaby’s update, “Food Aid” (also a charity single) topped the Dec. 31 Official UK Singles chart. With the coronation, the husband-and-wife duo of Mark and Roxanne Hoyle became the first act with five Christmas UK No. 1s, surpassing The Beatles’ four in 1963-65 and 1967.

“All I Want for Christmas Is You,” Mariah Carey

  • 262.3 million, up 29.6%

Rounding out the top 10-gaining holiday hits over the most recent Yuletide season, Carey’s 1994 modern classic made more Hot 100 history, upping its total to 12 weeks at No. 1, including four in a row, its most time on top in any holiday period. Its 262.3 million on-demand streams over the 2022 holidays led all songs, followed by runner-up Brenda Lee’s “Rockin’ Around the Christmas Tree” (202.8 million).

In highlights just outside the seasonal songs with the 10 biggest increases over the latest holidays, Wham!’s “Last Christmas” gained by 29.1% to 150.7 million on-demand streams, as it hits a new No. 4 best on the Jan. 7 Hot 100; Sia’s “Snowman,” from 2017, surged by 26% to 39.7 million streams; and Ariana Grande’s “Santa Tell Me,” from 2014, jumped by 18.9% to 115.3 million streams.

Meanwhile, three songs released this holiday season made the top 50 in 2022 holiday on-demand streams, with all three Amazon Original exclusives and covers of classics: Lizzo’s “Someday at Christmas” (44.4 million), Lauren Spencer-Smith’s “Last Christmas” (37.6 million) and Kane Brown’s “Blue Christmas” (36.8 million).

Gloria Trevi Responds to Sexual Assault Lawsuit: ‘I Am Unfairly Accused of Crimes I Did Not Commit’

Gloria Trevi is denying allegations in a newly filed sexual lawsuit that claim she and her former producer Sergio Andrade “groomed” and “exploited” two underage girls in the 1990s.

“My words are directed to everyone who may have seen recent allegations about me but do not know the background and my story,” the Mexican pop star began in a statement published on her social media accounts Jan. 6. “Being a victim of physical and sexual abuse is one of the worst things that can happen to a human being. I say it, and I know it, because I am a survivor. And, my thoughts go out to anyone who, like me, has ever been the victim of any kind of abuse.

“But I will not remain silent while I am unfairly accused of crimes I did not commit. These false accusations, which were first made against me 25 years ago, have been tried in various courts and, in all instances, I have been completely and totally acquitted,” she continued. “For these old, disproven claims to resurface now is tremendously painful for me and for all my family. The accusations were false when they were made and remain false today.”

The new civil complaint was filed Dec. 30 in Los Angeles County. In the suit, which was obtained by Billboard, two Jane Does allege that the Mexican pop star along with Andrade “groomed” and “exploited” them when they were 13 and 15 years old. The 30-page lawsuit — which does not specifically name Trevi or Andrade, though the timeline and album details mentioned make clear they are the defendants — also includes allegations of childhood sexual abuse and harassment and/or assault.

In the ’90s, Trevi was one of the biggest Latin pop stars in the world, but her successful career came to a halt in 1999 when criminal complaints were filed against her and Andrade. The complaints accused them of corrupting minors, kidnapping and rape. Trevi fled to Brazil, where she was captured and arrested, and the singer was held behind bars for nearly five years. In 2004, a Mexican court acquitted the pop star and found her not guilty on the charges of rape, kidnapping and corruption of minors.

She has maintained her innocence since, which she addressed in her Jan. 6 statement. “A trial court carefully examined all the evidence during a judicial process which lasted almost 5 years, and they ruled in my favor,” Trevi wrote. “The verdict was upheld on appeal. That is why I filed a lawsuit in the United States to expose and hold all those who are trying to defame me accountable.”

The singer concluded: “I will continue to move forward and work to get justice in this case — and I will do so knowing that the truth is on my side.”

Trevi previously discussed the impact the 1999 allegations had on her livelihood in a September 2022 interview with Billboard. “I felt that I lost my career,”she said at the time. “But I kept a positive attitude and believed in myself. You can lose a battle but not the war, and that mindset was very constant in me.”

The same year she released from prison, Trevi put out Cómo Nace el Universo, which was written while she was incarcerated, and addressed her time behind bars. The album peaked No. 2 on the Latin Pop Albums chart and No. 4 on Top Latin Albums.

Read Trevi’s full statement — which she shared in both Spanish and English — below.

10 People Shot in Miami During French Montana Video Shoot

Ten people were injured when gunfire erupted outside a restaurant in Miami Gardens, Florida on Thursday night (Jan. 5) during what witnesses said was a video shoot for French Montana. According to WSVN 7, Miami Gardens Police and Miami-Dade Fire Rescue units responded to reports of shots fired at The Licking Gardens during an incident that reportedly involved three different crime scenes; the other two scenes were not identified at press time.

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7News reported that MGPD detective Diana Gorgue said Thursday night that police were still working the scene, which involved “multiple shots… multiple cases,” with four victims reportedly airlifted to a local trauma center and four others transporting themselves to a hospital. Witnesses told police that the gunfire erupted while Montana was shooting a music video outside The Licking.

One witness said they came to watch Montana’s video production, during which a fellow bystander was allegedly robbed of his watch, keys and wallet. “[He asked to] call his mother and see if we can get spare car keys and make sure, you know, he’s OK, and then the gunshots went off,” said witness Ced Mogul, a local rapper. “At least 13, 14, 15 gunshots. It was very rapid, it sounded like an assault rifle.”

It was unclear at press time whether someone shot into the crowd or if there was an exchange of gunfire, according to 7News. “I took off running, and I was looking back, but I was like, ‘You know what? Let me just duck first, and then people started asking me, you know, ‘Can you help me?’” Mogul said. “When I realized people were asking for help, there was nothing you could do about it when you got shot.”

NBC6 reported that police said an altercation that started at a different location eventually ended at the restaurant, where New Orleans rapper Rob49 was reportedly among the victims.

At press time it was unclear where Montana was during the shooting, though it appears that he was not injured in the incident; a spokesperson for Montana could not be reached for comment at press time and a public information officer for the Miami-Dade PD had not returned a request for an update on the investigation at press time. TMZ reported that a witness said Montana’s security team hustled the MC out of the area safely and without incident after the gunfire erupted.

Mogul also shared a video with a local NBC affiliate that he said showed Montana, wearing a red shirt, sitting in the back seat of a car and looking at some wardrobe options reportedly filmed just prior to the shooting.

Montana dropped the latest edition of his long-running Coke Boys series, Coke Boys 6, on Friday morning (Jan. 6), featuring guest spots from A$AP Rocky, Benny the Butcher, Kodak Black, Max B, King Combs, Est Gee, Jeremih and more. The rapper promoted the mixtape on Thursday morning in Instagram and Twitter posts, but did not appear to have commented on the shooting incident on his socials at press time.

Terri Lyne Carrington & Judith Sherman to Be Honored at Producers & Engineers Wing Grammy Week Event

On Wednesday, Feb. 1, the Recording Academy Producers & Engineers Wing will kick off Grammy Week by honoring jazz drummer and producer Terri Lyne Carrington and classical producer Judith Sherman at its annual Grammy Week celebration at The Village Studios in Los Angeles.

“We’re thrilled to return live to The Village Studios for the first time in three years to celebrate two groundbreaking music creators who are dedicated to innovating both creatively and technically in the recording field,” Harvey Mason jr., CEO of the Recording Academy, said in a statement. “Both Terri Lyne and Judith have made indelible contributions to music, and we look forward to bringing together producers, engineers and artistic professionals to honor these incredible artists and kick off our Grammy Week celebrations.”

Carrington and Sherman are both multi-Grammy winners. Both are nominated again this year. Carrington, a three-time Grammy winner, has two of the five albums nominated for best jazz instrumental album – New Standards Vol. 1 (a collab with Kris Davis, Linda May, Han Oh, Nicholas Payton and Matthew Stevens) and Live at the Detroit Jazz Festival (a collab with Wayne Shorter, Leo Genovese and Esperanza Spalding). Carrington won in that category nine years ago. Impressively, she has also won twice for best jazz vocal album.

Sherman, a 13-time Grammy winner, is nominated for producer of the year, classical. Sherman has won in that category six times. If she wins again this year, she’ll tie David Frost, Steven Epstein and Robert Woods for the most wins in the history of the category, which was first presented in 1980.

“The Producers & Engineers Wing is privileged to pay tribute to two women who have pushed boundaries both in and outside of the studio,” Maureen Droney, vice president of the Producers & Engineers Wing added. “Terri Lyne and Judith are awe-inspiring honorees who represent the best of the recording industry and whose contributions to their respective genres continue to resonate with our music community.”

Along with saluting Carrington and Sherman, the event will also celebrate the year-round work of the Producers & Engineers Wing and its members, who advocate for excellence and best practices in sound recording, audio technologies and education in the recording arts, along with proper crediting, recognition and rights for music creators.

Grammy Week culminates with the 65th annual Grammy Awards at Los Angeles’ Crypto.com Arena on Sun, Feb. 5, 2023. The show will broadcast live on CBS and stream live and on-demand on Paramount+ at 8-11:30 p.m. ET/5-8:30 p.m. PT.

Mark Capps, Grammy-Winning Recording Engineer Shot and Killed By Nashville SWAT Team

Editor’s note: the following story contains descriptions of gun violence.

Grammy-winning Nashville recording engineer Mark Capps was shot and killed by police on Thursday (Jan. 5) at his home just hours after his wife and stepdaughter fled the residence and told police that Capps had been holding them hostage at gunpoint.

In a critical incident briefing from the Metro Nashville Police Department’s Don Aaron, officials said that a SWAT team had been called in to assist in an incident involving Capps, 54, who was wanted on two counts of aggravated kidnapping and two counts of aggravated assault for allegedly holding his 60-year-old wife and 23-year-old stepdaughter at gunpoint in the home the previous night.

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Police said Capps allegedly awakened the women around 3 a.m. and gathered them at gunpoint in the home’s living room and would not let them go, repeatedly pointing his pistol at them and threatening that if they tried to call for help he would kill them, as well as any police that showed up at the house.

After Capps fell asleep, the women fled the home with their pets and drove to a local police precinct, where they told authorities what Capps had done and said they were afraid of him. Aaron said arrest warrants were issued around 2 p.m. on Thursday, after which SWAT officers were alerted. As three SWAT team members were attempting to set up positions outside the home, Aaron said Capps opened the front door “with pistol in hand.”

A veteran officer then asked Capps to show his hands, and, in a bodycam video, can be seen opening fire and shattering the glass storm door with three shots as he repeatedly shouted for Capps to show his hands, believing that the engineer’s movements posed an immediate threat; Capps noted that a mandatory use of force investigation has been initiated following Capps’ killing.

At press time no additional information was available about the incident.

Capps — who worked with artists including The Chicks, Big & Rich, Neil Diamond, Barry Manilow and Olivia Newton-John, among others — was the son of late Grand Old Opry lead house band guitarist Jimmy Capps. Mark Capps shared Grammy Awards for best polka album with Jimmy Sturr & His Orchestra in 2006, 2007 and 2008 and 2009.

YoungBoy Never Broke Again Drops New Album ‘I Rest My Case’: Stream It Now

YoungBoy Never Broke Again released his new album I Rest My Case on Friday (Jan. 6) via Motown Records.

One day after the album’s announcement on Monday, the rapper released four tracks early: “Black,” “Groovy,” “I Love YB Skit” and “Top Girls.”

This marks Youngboy’s first release since he signed to Motown Records in October. The Baton Rouge, La., native broke out in 2015 and signed to Atlantic two years later, going on to become one of music’s top acts. Since then, he’s charted 24 albums on the Billboard 200 — 12 that were top 10, four of which hit No. 1.

Just last year, Youngboy (real name Kentrell DeSean Gaulden) debuted six projects on the chart — five solo endeavors and one collaborative set with DaBaby (Better Than You). He’s charted four solo top 10 albums on the Billboard 200 in 2022 — more top 10s than any other act this year — and has released four albums in the past two months: The Last SlimetoRealer 23800 Degrees and Ma I Got a Family.

His most recent studio effort, The Last Slimeto, topped Billboard‘s Top R&B/Hip-Hop Albums chart and reached No. 2 on the Billboard 200.

Stream I Rest My Case below.

Here Are the Lyrics to Lil Uzi Vert’s ‘Just Wanna Rock’

Lil Uzi Vert notched his first top 10 on Billboard’s Hot R&B/Hip-Hop Songs in two years as “Just Wanna Rock” rallied 19-8 on the list dated Dec. 3. 

He first visited the tier as a featured act on Migos’ “Bad and Boujee,” and last appeared in the area nearly two years ago, in November 2020, on “Drankin n Smokin,” with Future.

If you need a guide to follow along with Lil Uzi Vert’s “Just Wanna Rock,” find the lyrics below:

Ah, ah, ah, ah
Ah, ah, ah
I just wanna rock
Body-ody, yeah (shake it down)

Damn
Damn
(MC, make another hit) whoa
This ain’t what you want (Project, Project X)
This ain’t what you want
This ain’t what you want

Ha, 1600 block, I just wanna rock (shake it down)
I just wanna, ah, ah, ah, ah, ah, ah, ah
I just wanna rock, body-ody, yeah (shake it down)
Shawty got that body-ody, ah, ah, ah (shake it down)
Hit it once, no ties (shake it, shake it)
How the f— you gon’ kill my vibe? (shake it down)
Stand on my money, don’t know my size (shake it, shake it)
Pick them sides (shake it down)
And you better choose wisely (shake it, shake it down-down)
That’s my high, one, two, three, four, throw up the five (shake it, shake it)

That’s my high
Damn
Damn (one, two, three, four, throw up the five)

(MC, make another hit) whoa
This ain’t what you want (Project, Project X)
This ain’t what you want
This ain’t what you want

Buh, buh, buh, buh (down, down)
Buh, buh, buh, buh (down, down)
Buh, buh, buh, buh (down, down)
Buh, buh, buh, buh (shake it down)
Buh, buh, buh, buh (down, down)
Buh, buh, buh, buh (down, down)
Buh, buh, buh, buh (down, down)
Buh, buh, buh, damn (shake it down)
(Shake it down-down)
(Shake it, shake it down-down)
(Shake it down-down)
(Shake it, shake it down-down)
(Shake it down-down)
(Shake it, shake it down-down)
(Shake it down-down)
(Shake it, shake it, shake it)

Lyrics licensed & provided by LyricFind

Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.

Written by: Javier Mercado, Mohamed Camara, Symere Woods

Here Are the Lyrics to JVKE’s ‘Golden Hour’

Singer-songwriter JVKE got his first hit on the Billboard Hot 100 chart (dated Sept. 10) thanks to his latest single, “Golden Hour.”

“Golden Hour” has popped off on TikTok since its release, and JVKE himself has over 10 million followers on the platform.

If you need to follow along with JVKE’s “Golden Hour,” find the lyrics below:

It was just two lovers
Sittin’ in the car, listening to Blonde
Fallin’ for each other
Pink and orange skies, feelin’ super childish
No Donald Glover
Missed call from my mother
Like, “Where you at tonight?” Got no alibi

I was all alone with the love of my life
She’s got glitter for skin
My radiant beam in the night
I don’t need no light to see you

Shine
It’s your golden hour (oh)
You slow down time
In your golden hour (oh)

We were just two lovers
Feet up on the dash, drivin’ nowhere fast
Burnin’ through the summer
Radio on blast, make the moment last
She got solar power
Minutes feel like hours
She knew she was the baddest, can you even imagine
Fallin’ like I did?

For the love of my life
She’s got glow on her face
A glorious look in her eyes
My angel of light

I was all alone with the love of my life
She’s got glitter for skin
My radiant beam in the night
I don’t need no light to see you

Shine
It’s your golden hour (oh)
You slow down time
In your golden hour (oh)

Lyrics licensed & provided by LyricFind

Lyrics © Kobalt Music Publishing Ltd.

Written by: Jake Lawson, Zac Lawson

Here Are the Lyrics to HARDY’s ‘Wait in the Truck’ Feat. Lainey Wilson

HARDY and Lainey Wilson teamed up for a rare murder ballad in country’s modern era. 

“You rarely hear songs like this that bring light to heavy situations that people are really scared to talk about,” Wilson told Billboard of the track. “I feel, in my heart, that our job is to sing about the things that people are afraid to talk about. It’s a song that definitely starts a conversation.”

If you need a guide to follow along with the lyrics to HARDY and Lainey Wilson’s “Wait in the Track,” find the lyrics below:

I got turned around in some little town
I’d never been to before
Working my way through a middle of June
Midnight thunderstorm
There was something in the headlights
It stopped me on a dime
Well, she was scared to death
So I said “Climb in” and in she climbed
Oh, yeah

Well, she was bruised and broke from head to toe
With a tear in her blood stained shirt
She didn’t tell the whole truth but she didn’t have to
I knew what had happened to her
I didn’t load her down with questions
That girl had been through enough
I just threw it in drive, looked in those eyes
And I asked her where he was

I don’t know if he’s an angel
‘Cause angels don’t do what he did
He was hellbent to find the man behind
All the whiskey scars I hid
I never thought my day of justice
Would come from a judge under a seat
But I knew right then I’d never get hit again
When he said to me

“Wait in the truck”
“Just wait in the truck”

Well, I knocked and knocked and no one came
So I kicked in his double wide door
I let the hammer drop before he got
To that 12 he was reaching for
I didn’t try to hide my pistol
I didn’t even try to run
I just sat on the porch, smoking one of his cigarettes
And waited for the cops to come

I don’t know if he’s an angel
‘Cause angels don’t do what he did
He was hellbent to find the man behind
All the whiskey scars I hid
I never thought my day of justice
Would come from a judge under a seat
But I knew right then I’d never get hit again
When he said to me

“Wait in the truck”
“Just wait in the truck”
Whoa (oh)
Have mercy on me, Lord
Have mercy on me
Have mercy on me (oh), Lord

It’s been sixty months and she still comes
To see me from time to time
It was worth the price, to see a brighter side
Of the girl I picked up that night
And I might be here forever
It ain’t paradise that’s true
But it’s a whole hell of a lot better
Than the place I sent him to, yeah

(Have mercy, have mercy, have mercy on me)
Wait in the truck (have mercy on me)
Just wait in the truck
(Have mercy, have mercy, have mercy on me)
Wait in the truck (Lord, have mercy)
Just wait in the truck
(Have mercy, have mercy, have mercy on me)
Have mercy on me, Lord
Have mercy on me
(Have mercy, have mercy, have mercy on me)
Have mercy on me, Lord
(Have mercy on me)
(Have mercy, have mercy, have mercy on me)
Wait in the truck
Just wait in the truck
(Have mercy, have mercy, have mercy on me)
Wait in the truck (please, have mercy)
Just wait in the truck (please, have mercy)

Lyrics licensed & provided by LyricFind

Lyrics © Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.

Written by: Hunter Phelps, Jordan Mark Schmidt, Michael Hardy, Renee Blair