Music News

Here Are the Lyrics to Metro Boomin, The Weeknd & 21 Savage’s ‘Creepin’’

Metro Boomin, The Weeknd and 21 Savage’s “Creepin’” leapt 22-6 on the Billboard Hot 100 dated January 14, after it debuted at its No. 5 high in December.

The track, a slick re-creation of Mario Winans’ 2004 hit, “I Don’t Wanna Know,” seamlessly blends the talents of all three artists, allowing for a TikTok viral track.

If you need a guide to follow along with Metro Boomin, The Weeknd and 21 Savage’s “Creepin’,” find the lyrics below:

Ooh, ooh-ooh
Ooh-ooh-ooh, ooh, ooh-ooh (just can’t believe this, man)
(Metro Boomin want some more, nigga)

Somebody said they saw you
The person you were kissin’ wasn’t me
And I would never ask you
I just kept it to myself

I don’t wanna know
If you’re playin’ me, keep it on the low
‘Cause my heart can’t take it anymore
And if you’re creepin’, please, don’t let it show
Oh, baby, I don’t wanna know
Oh-oh, oh-oh, ooh-whoa
Oh-oh, oh-oh, oh-oh

Oh, yeah
I think about it when I hold you
When lookin’ in your eyes, I can’t believe
And I don’t need to know the truth
Baby, keep it to yourself

I don’t wanna know
If you’re playin’ me, keep it on the low
‘Cause my heart can’t take it anymore
And if you’re creepin’, please, don’t let it show
Oh, baby, I don’t wanna know

Did he touch you better than me? (Touch you better than me)
Did he watch you fall asleep? (Watch you fall asleep)
Did you show him all those things, that you used to do to me?
If you’re better off that way (better off that way)
There ain’t more that I can say (all that I can say)
Just go on and do your thing and don’t come back to me
Ooh, ooh-ooh
Ooh-ooh-ooh, ooh-ooh, ooh-ooh

Whoa, whoa, whoa, 21
Had me crushin’, I was cuffin’ like the precinct
How you go from housewife to a sneaky link?
Got you ridin’ ’round in all type of Benzes and Rovers
Girl, you used to ride in the rinky dink
I’m the one put you in Eliantte (on God)
Fashion Nova model, I put you on the runway (on God)
You was rockin’ Coach bags, got you Chane’-ne’
Side bi— in Frisco, I call her my baby (21)
I got a girl, but I still feel alone (on God)
If you playin’ me that mean my home ain’t home (on God)
Havin’ nightmares of goin’ through your phone (21)
Can’t even record, you got me out my zone

I don’t wanna know
If you’re playin’ me, keep it on the low
‘Cause my heart can’t take it anymore
And if you’re creepin’, please, don’t let it show
Oh, baby, I don’t wanna know
If you’re playin’ me, keep it on the low
‘Cause my heart can’t take it anymore
And if you’re creepin’, please, don’t let it show
Oh, baby, I don’t wanna know

If you creepin’, just don’t let me find out (on God)
Get a hotel, never bring ’em to the house (on God)
If you’re better off that way
Baby, all that I can say
If you’re gonna do your thing then don’t come back to me

Lyrics licensed & provided by LyricFind

Lyrics © Spirit Music Group

Written by: Chauncey Lamont Hawkins, Eithne Patricia Brennan, Erick S. Sermon, Mario Winans, Michael Carlos Jones, Nicholas Domini Ryan, Parrish Joseph Smith, Roma Shane Ryan

Gordy Harmon, The Whispers Founding Member, Dies at 79

Gordy Harmon, a founding member of the beloved R&B group The Whispers, died on Thursday (Jan. 5). He was 79 years old.

The news of his death was initially reported by ABC7, who noted that the soul musician died peacefully in his sleep, and that his family believes he died of natural causes and had no serious illnesses.

Harmon founded The Whispers in the Watts neighborhood of Los Angeles with twin brothers Wallace and Walter Scott, Marcus Hutson and Nicholas Caldwell in 1964. 

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During Harmon’s time in the group, The Whispers took over the R&B world with albums like Life and Breath, as well as 1972’s The Whispers’ Love Story, which climbed up to No. 34 on Billboard’s Top R&B/Hip-Hop Albums chart and featured Hot R&B/Hip-Hop Songs charting singles “Can’t Help But Love You” (No. 35), “I Only Meant to Wet My Feet” (No. 27), “Your Love Is So Doggone Good” (No. 19) and “There’s a Love for Everyone” (No. 31).

Unfortunately, Harmon’s time in The Whispers was cut short in 1973, when he suffered a larynx injury after a driving accident, according to the Los Angeles Sentinel. He was replace by Leaveil Degree.

The Weeknd Feels ‘Honored’ to Be Shortlisted in Oscars Best Original Song Race

The Weeknd opened up about “Nothing Is Lost (You Give Me Strength),” his theme song from Avatar: The Way of Water, being shortlisted for the 2022 Oscars race in a new interview on Monday (Jan. 9).

“I feel honored to be part of that list. Any kind of recognition for it feels like a blessing,” the R&B crooner told The Hollywood Reporter. Should his Na’vi-inspired ballad make the leap from the best original song shortlist to official nominee, it would mark the second time the artist otherwise known as Abel Tesfaye has earned a nod from the Academy following his nomination for “Earned It” from 2015’s Fifty Shades of Grey. “It’d be great,” he added of clinching another nomination. “But I’m just happy that I got to be part of such a historic film.”

However, The Weeknd clarified during the chat that the process behind crafting “Nothing Is Lost” was markedly different from writing the slow jam for the story of Anastasia Steele and Christian Grey. “The song in the film for Fifty Shades of Grey is just so sexy and sexual,” he said. “Working on this song was fun as well, but that felt a little bit more fun and loose, while this one felt a little bit more scientific. I couldn’t veer away from what [director James Cameron wanted]. Because the song is so connected with the film, I had to make sure that it didn’t feel like we just plopped in a pop song at the end of the credits. I couldn’t be as vague as ‘Earned It.’”

Even with a more rigorous set of guidelines, the singer had nothing but good things to say about being enlisted by the Oscar-winning filmmaker for the soundtrack to the long-awaited sequel. “He is a genius, and I just felt honored that I got to collaborate with him,” he said. “The best part about writing the song was getting notes from James and making sure that all the lyrics and the tones fit the themes of the film. I think I rewrote the song maybe six times to make sure it was perfect.”

The Weeknd also notched his 16th career top 10 hit this week as his 2016 Starboy-era single “Die For You” surged to No. 8 on the Hot 100 (chart dated Jan. 14) and released the music video for “Is There Someone Else?” on the one-year anniversary of 2022’s Dawn FM.

Read The Weeknd’s complete chat with THR here.

Meek Mill Apologizes for Filming Music Video in Ghanaian Presidential Palace

Following backlash against his music video filmed at the Jubilee House government building in Ghana, Meek Mill issued a heartfelt apology on Twitter.

“To the people of Ghana no video I drop is ever meant to disrespect the people of Ghana …. The fastest way to make connection is thru music and I wanted to do that with displaying art,” his initial tweet reads.

He went on to “take responsibility for [his] mistake” and expressed his desire to “make the connection between black people in America and Africa.”

The criticisms arrived full-steam Monday morning (Jan. 9) when Ghana’s former deputy education minister Sam Okudzeto Ablakwa tweeted screenshots of the music video, expressing his outrage.

“All those responsible for this despicable desecration of the Jubilee House by Meek Mill must be fired immediately,” wrote Ablakwa. “How do those explicit lyrics from the president’s lectern project Ghana positively? Is Ghana’s seat of government no longer a high security installation?”

Many Ghanaians chimed in, with some assigning blame to the country’s government rather than Meek. The 35-year-old rapper rushed to Ghana President Nana Akufo-Addo’s defense, adding, “I don’t think they knew it was video footage when we asked to shoot. Its a small camera and one kid … in America we didn’t know this existed and [I] was excited to show [it] because they don’t show Ghana on our media much.”

Meek expressed that he had no ill intention and continues to support positive community efforts both within his hometown of Philadelphia and in Ghana, where the rapper recently found out he has heritage.

John Mayer Honors Bob Saget One Year After His Death: ‘I Loved That Guy & I Always Will’

It’s been one year since comedian and Full House star Bob Saget died at age 65, and John Mayer took to Instagram on Monday (Jan. 9) to honor his late friend.

“One year ago today, we lost Bob Saget. I loved that guy. I love saying ‘I loved that guy,’” the “New Light” singer captioned a sweet photo of Saget, smiling at the camera as the duo seemingly are about to board a plane. “Soon after he left us, I couldn’t finish those three words without falling apart, but now I say it with all the simplicity and complexity that love itself entails.”

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Mayer continued, “I knew he was otherworldly while he was here. Every moment we spent together was the stuff of Old Hollywood Magic, of dinners and drinks and stories and laughs and memories you knew were cutting deep grooves into your soul as the lathe was turning. Grief is a journey, and it’s a profound trip that someone you lose takes as well; they leave the space around you and slowly climb a staircase to find a space within you. I miss him all the time, but those memories? They’re solid objects. And today we’ll take them out and hold them and trade them and remember how much Bob Saget meant to us.”

The star concluded by noting, “I loved that guy, and I always will.”

Saget’s wife, Kelly Rizzo, took to the comments section to write in response, “Man, did he love you. And he always will. I mean look at his face… that sheer happiness is the look of ‘yay I get to fly home with John!’ – so happy you captured that.”

Following his death, the late Full House star’s relatives confirmed that authorities have determined the cause of death to be head trauma. The message added that drugs and alcohol were not involved. “They have concluded that he accidentally hit the back of his head on something, thought nothing of it and went to sleep,” the family stated of the investigation into Saget’s death. The comedian was found dead in his Orlando hotel room on Jan. 9, 2022.

See Mayer’s full tribute below.

Lady Gaga’s 2011 Deep Cut ‘Bloody Mary’ Debuts on Hot 100, Thanks to ‘Wednesday’ Hype

Lady Gaga’s 2011 Born This Way track “Bloody Mary” enters at No. 68 on the latest Billboard Hot 100 (dated Jan. 14).

The song debuts over a decade after its release thanks, initially, to hype on TikTok sparked by the new Netflix Addams Family spin-off series Wednesday, despite the fact that the song isn’t actually featured in the show. (TikTok does not presently contribute directly to Billboard‘s charts.)

In the series, the titular character appears in a dance sequence soundtracked by The Cramps’ 1981 single “Goo Goo Muck.” Fans took the clip to TikTok but replaced “Goo Goo Muck” with a sped-up version of “Bloody Mary,” which then went viral. The song has been used in nearly 4 million videos on the platform to date. Lady Gaga herself participated in the trend, in which she re-created the dance, garnering more than 12 million views.

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The song’s renewed attention has helped it steadily gain in recent weeks, leading to its Hot 100 arrival (also aided by the post-Christmas drop-off of holiday songs) with 6.1 million U.S. streams (up 13%), 4.3 million radio airplay audience impressions (up 28%) and 2,000 downloads sold in the Dec. 30-Jan. 5 tracking week, according to Luminate.

The track is now also being promoted by Interscope Records to pop radio. As such, it rises 36-32 on the Pop Airplay chart, becoming Lady Gaga’s 23rd entry at the format upon its debut two weeks earlier. Born This Way generated five Pop Airplay hits during its original run: “Born This Way” (No. 1 for a week in April 2011), “Judas” (No. 15), “The Edge of Glory” (No. 3), “You and I” (No. 7) and then “Marry the Night” (No. 14).

Born This Way debuted at No. 1 on the June 11, 2011-dated Billboard 200 and spent two weeks on top, marking Lady Gaga’s first of six No. 1 albums. It went on to receive Grammy nominations for album of the year and best pop vocal album.

“Bloody Mary” earns Lady Gaga her 36th career entry on the Hot 100, and first since last year’s Top Gun: Maverick anthem “Hold My Hand,” which reached No. 49. She has banked five No. 1s: “Just Dance,” featuring Colby O’Donis (2009), “Poker Face” (2009), “Born This Way” (2011), “Shallow, with Bradley Cooper (2019), and “Rain on Me,” with Ariana Grande (2020).

Wednesday premiered on Netflix on Nov. 23, and its effect on “Bloody Mary” was almost immediate. In the Nov. 25-Dec. 1 tracking week, the song surged 424% in official on-demand U.S. streams, from 526,000 to 2.7 million, and 955% in digital song sales.

Further, “Bloody Mary” hits new highs on the Jan. 14-dated Billboard Global Excl. U.S. (No. 28) and Billboard Global 200 (No. 31) charts, after it first reached the former tally’s top 40 in December.

What Should Win Best Original Song at the 2023 Golden Globes? Vote!

The 2023 Golden Globes are upon us, with the awards show set to take over the Beverly Hilton in Los Angeles, Calif., on Tuesday (Jan. 10).

Three of music’s hottest female stars – RihannaLady Gaga and Taylor Swift – are among the nominees for best original song at the 2023 Golden Globes, with RiRi up for “Lift Me Up” from Black Panther: Wakanda Forever, which she co-wrote with Ryan Coogler, Ludwig Göransson and Tems. Gaga is nominated for co-writing “Hold My Hand” from Top Gun: Maverick. Bloodpop was her co-writer on the song. Swift, meanwhile, was nominated for “Carolina” from Where the Crawdads Sing.

Additionally, Guillermo del Toro and Roeban Katz’s “Ciao Papa” from Pinocchio and  Kala Bhairava, M. M. Keeravani and Rahul Sipligunj’s “Naatu Naatu” from RRR are also nominated in the category.

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Let us know which song should take home the trophy for best original song at the 2023 Golden Globes by voting in our poll below.

Miley Cyrus Teases New Single ‘Flowers’ From the Shower

Miley Cyrus took to social media on Monday (Jan. 9) to tease the chorus of her upcoming single “Flowers,” fully in the buff.

“I can buy myself flowers, write my name in the sand/ Talk to myself for hours, yeah, some things you don’t understand/ But I can take myself dancing, yeah/ I can hold my own hand/ Yeah, I can love me better than you can,” the superstar belted a cappella from privacy of her shower, her back turned to the camera as she ran her hands through her wet hair.

The sultry video isn’t the first time the Hannah Montana star has given fans a taste of the track, which she announced in the final days of 2022 and is due out Friday via new label home Columbia Records. (The release date also just so happens to be her ex-husband Liam Hemsworth’s 33rd birthday.) When “Flowers” does arrive, the independent-minded ballad will serve as the lead single from Cyrus’ eighth studio album Endless Summer Vacation, dropping March 10.

On the last day of the year, Cyrus celebrated her second stint co-hosting her eponymous New Year’s Eve special live from Miami on NBC — this time with godmother Dolly Parton. Over the course of the evening, the two performed everything from “Jolene” and “I Love Rock ‘N’ Roll” to a medley of “Wrecking Ball” and “I Will Always Love You.” Cyrus also trotted out special guest stars like Paris Hilton and Sia, David Byrne and Fletcher to join her, respectively, on the former’s “Stars Are Blind,” David Bowie’s “Let’s Dance” and her own “Midnight Sky.”

Watch Cyrus sing “Flowers” in her shower below.

Matty Healy Sucks on a Fan’s Thumb During The 1975 Concert

Another day, another concert in which The 1975‘s Matty Healy makes headlines for his performance antics.

While playing “Robbers,” one of The 1975’s fan-favorite tracks, Healy made waves after sucking a girl’s thumb toward the end of song. Footage from the moment shows the rock star getting a caress to the face from a fan at the barricade; then Healy leans into her hand to suck her thumb by the time the song is over.

The owner of the thumb — a fan named Kayleigh — took to Twitter to share her excitement at sharing such an intimate moment with The 1975 singer, and wrote on Sunday “EVERYONE IS CALLING ME THUMB GIRL BYE.” She followed up the tweet Monday (Jan. 9) and shared, “I’d like to publicly apologise to denise welch and tim healy for making them watch their son suck my thumb last night.”

It is now common knowledge that The 1975’s fans expect memorable moments from Healy onstage. In November, the vocalist kissed a fan during “Robbers,” later extending his affections and kissing fellow bandmate Ross MacDonald. The following month, Healy got a tattoo that read “I’m a Man” during a break in the band’s set. In previous stops during the North American trek, Healy made waves for eating raw meat onstage.

The 1975 returned to touring for the new year on Jan. 8 and will make several stops across the United Kingdom before heading to South America, Australia, New Zealand and Asia later in the year.

Watch Healy’s intimate moment with the fan below.

Kevin Hart Says Fame Is ‘Biggest Drug’ Over Cocaine or Heroin: ‘That’s a Monster You’re Feeding’

Kevin Hart is getting real about the dangers of fame.

The A-list comedian sat opposite mindfulness and lifestyle guru Jay Shetty for the newest episode of his podcast, On Purpose With Jay Shetty, and the two talked about an array of subjects including Hart’s relationship with his late father, building generational wealth and how Dave Chappelle’s example often inspired him and Chris Rock to step up their stand-up game.

Hart also spent a chunk of time sharing his perspective on the cult of celebrity. “The biggest drug. It’s not cocaine, it’s not heroin, it’s fame. Anything you want, everything you want, it’s a thing,” explained Hart. “And if you can’t handle this thing, the consequences attached are severe. Do you know you? And are you OK with you? If you are not, it’ll break you.”

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It’s like a monster, he continued.

“My monsters have been masked in disguise in various different ways but I’ve been able to pinpoint them throughout the years because some of those monsters got stronger … developed. You’re talking about the world of an ego. The idea of who you think you are versus what you are or the idea of expectations and needs as to what you feel you need and what you have to have,” Hart told Shetty, who will soon release his new book, 8 Rules of Love — How to Find it, Keep it, and Let it Go, from Simon & Schuster on Jan. 31. “That’s a monster that’s feeding that engine of, well, now that I’m making money, this is what I should have, this is how I should look, this is how I’m supposed to be. That’s a monster that you’re feeding because ultimately you’re buying in.”

The conversation also saw Hart open up about his relationship to Chappelle and Rock, specifically how the former would set a standard on the stand-up stage that would force the others to rethink their sets.

“Dave Chappelle has made me and Chris Rock feel stupid at times when it comes to our choice and material. We have watched Dave in our earlier stages of just working on our set. We would spend time at The Cellar and one would come and we would all go and Dave would go up and me and Chris had just went up and we were happy about our material,” he explained. “There’s been times where we have looked at each other and we balled our papers up and said, ‘We gotta start over, we gotta start over.’ Not because of jealousy or envy. Because we challenge each other. We want the best for not only each other, but for ourselves.”

All three have achieved massive success and Hart said he’s now focused on leaving a piece of the pie for his children. “We just got a shot at something different. We got a shot at generational wealth. We got a shot at changing the ‘trajectory’ within our culture of opportunity. We got a shot to make this normal. Once again, I’m looking past me. I’m looking at the bigger piece to the plan.”

To hear Hart’s full comments on complacency, the best memory from his childhood and why being a multi-hyphenate is the way to go, see the full episode below.

This article was originally published by The Hollywood Reporter.