Music News

Ed Sheeran Returns to Social Media After ‘Turbulent’ Time in His Life

He’s back! Ed Sheeran returned to social media with a candid Instagram video on Tuesday (Jan. 31).

“Hi guys, so I realize I haven’t been that engaged in my social media or my fan base online over the last couple of years,” Sheeran confessed in the selfie video directly to camera before breaking into a charming whisper. “And the things that have been posted on this account might have got a bit boring. And I’m sorry, it’s my fault.

He continued back at full volume: “Umm, the reason I’m making this video is, just being totally honest, I’ve had some turbulent things been happening in my personal life, so I just didn’t really feel like being online and pretending to be something I’m not when I wasn’t feeling like that.”

After revealing that “things are looking up,” the British pop sensation promised his fans that he’s now “back online” and that “weird sh– is gonna start being posted” on his Instagram feed. “I’ve made this video like 50 f—in’ times, I’m not making another one,” he then quipped before signing off.

Indeed, Sheeran has been one of several high-profile artists who’ve opted not to use Twitter either, instead leaving his account on that app — which is branded “Ed Sheeran HQ” — in the hands of his management team

Late last year, the singer hopped briefly back on Instagram to commemorate his hit “Shivers” reaching the billion-stream mark on Spotify, and in the process revealed he was on the windy, outdoor set of a yet-unnamed music video for his follow-up to 2021’s = (Equals) that’s set to be released sometime this year.

Watch Sheeran’s social media confession below.

Muni Long Is Still Wrapping Her Head Around 3 Grammy Nominations: ‘Everything That’s Happening Right Now Is Surreal’

Following her three Grammy nominations, Muni Long is feeling… well, she’s not so sure yet.

“I think everything that’s happening right now is surreal,” she shared with Billboard R&B/hip-hop reporter Neena Rouhani in a new Billboard News video interview. “I definitely have a delayed reaction.”

The “Hrs & Hrs” singer is up for three Grammys, including best new artist, best R&B song and best R&B performance for her breakout hit. “Watching the Grammys nominations on YouTube, I was like ‘yes!’” she exclaimed. “I was like, ‘I wonder when it’s gonna hit me?’ And then I just burst out crying for like five minutes.”

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The 34-year-old artist saw great success with her 2021 viral hit “Hrs & Hrs,” following an already robust career as a songwriter for massive singers including Rihanna, Ariana Grande and Chris Brown. “Hrs & Hrs” spent three weeks atop Billboard‘s Hot R&B Songs chart, while her latest album Public Displays of Affection: The Album peaked at No. 5 on the Billboard 200.

Long also set the record straight regarding the common mispronunciation of her moniker, which Olivia Rodrigo pronounced as “mooney” during the Grammys nominee announcement stream. “I tend not to correct people when they get it wrong because once they find out how you actually pronounce it, they’ll never do it again,” she told Billboard. “They mispronounced Beyoncé at first and now everyone knows who she is.”

Long expressed special excitement for her “coveted four” best new artist nomination, noting it was the one she really wanted. She says she was a little nervous, considering that everyone doesn’t consider the longtime songwriter to be new. “In this iteration of myself as Muni Long — it is a character, a persona that I’ve created, but it’s also the real me,” she said. “As a songwriter, you have to be a certain way in order to be invited back. You can’t take up too much space. I spent the first 15 years of my career trying to be liked and not really being myself.

“To be acknowledged by my peers as one of the best new presences,” she went on, “It was just like, ‘Wow.’”

Watch the full video interview with Long above.

Chuck D Talks PBS & BBC Music Premiere of ‘Fight the Power: How Hip Hop Changed the World’

One of the first salutes honoring the yearlong celebration of hip-hop’s 50th anniversary takes place Tuesday night (Jan. 31) with the PBS premiere of Fight the Power: How Hip Hop Changed the World. The four-part docuseries, produced in partnership with BBC Music, was developed and executive-produced by Public Enemy co-founder/activist/rap icon Chuck D and his production partner Lorrie Boula.

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“The most important word in the series’ title is the last word,” Chuck D tells Billboard during a recent phone interview as he explains how far the genre has traveled.  “I’ve always been at the gate of hip-hop and wanted to see us compete alongside rock [and other genres]. A little genre that could play in the same arenas; be loud, boisterous and get our point of view across. But rap had no structural belief core then [in the industry]. It was treated like a novelty with no caretaking.

“Long before any corporations realized it was time to wake up, hip-hop had been speaking out and telling truths,” Chuck D continues. “Working with PBS and BBC was an opportunity to deliver these messages through new ways and help explain hip-hop’s place in history.”

Adds Boula, “There’s a deeper level to hip-hop that we felt kept getting missed. Yes, it’s become this commercial industry … pop music to some people. But we didn’t want to make something that was one-dimensional. We wanted to show hip-hop’s real and various layers. We also knew the BBC had very extensive news archives and that they were willing to roll up their sleeves in a different way as our partner along with PBS. They understood the vision.”

That vision began crystalizing three years ago as the project got underway. Pandemic-induced delays led last year to 18-hour days of simultaneous fact-checking and editing up until this past Thanksgiving so the docuseries could be quickly turned around in time for its January premiere. The result is an insightful and provocative look at how and why hip-hop became a cultural phenomenon.

Contextualized against the backdrop of pivotal moments in American history, the docuseries tracks hip-hop’s revolutionary journey across four decades in four chapters: “The Foundation,” “Under Siege,” “Culture Wars” and “Still Fighting.” Setting the tone for each episode’s introduction is Public Enemy’s searing “Fight the Power,” the group’s groundbreaking 1989 unity- and social consciousness-raising anthem that also figures prominently in the docuseries’ title. 

However, it’s the frank and illuminating first-hand accounts from various rap pioneers that really hit home. In addition to Chuck D, those front-line players include Grandmaster Caz, Ice-T, The Last Poets’ Abiodun Oyewole, Roxanne Shanté, Run- D.M.C., John Forté, will.i.am, MC Lyte, Cypress Hill’s B-Real, Melle Mel, Fat Joe and Lupe Fiasco, among others. 

“I think people will be surprised by some of things the artists say,” notes Boula. “But they speak to the real issues in a way that none of us visitors to the space can. That’s the substance we wanted … to be of service to the culture, telling stories that maybe people aren’t telling that are equally as important as who’s dating who or losing their mind on Instagram.”

livin loud chuck d

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“And that’s one of the strong reasons why we felt confident that the BBC could help us narrate, navigate and direct the story with Lorrie building on top of that,” says Chuck D. “We needed to be able to be told how we, the U.S., looks to someone from the outside looking in. Speaking up and holding myself individually accountable; that’s the one thing I’ve always tried to do.”

Overall, Fight the Power: How Hip Hop Changed the World, is a vital living history lesson that can’t be found in any school history books. In fact, according to Boula, several colleges have already reached out to her about how to add the docuseries to their curriculums.

Beyond additional television and film projects currently on their drawing board, Chuck D and Boula are also prepping for the release of the former’s first fine art book, Livin Loud. Arriving Feb. 7 from Genesis Publications, the book features more than 250 of the icon’s paintings, sketches and drawings accompanied by a 13,000+-word commentary about his life and work.

“That’s my life,” says Chuck D, who attended art school and designed Public Enemy’s iconic logo — now on display at the Smithsonian — when the group was founded in 1986. “This book is a true expression of myself.”

PBS premieres the first episode of Fight the Power: How Hip Hop Changed the World on Jan. 31 (9pm/10pm ET/PT). The series will also able be available to stream on PBS.org, YouTube and the PBS video app. For the next three episodes, check local listings for PBS air dates/times or visit PBS.org. For more information about Chuck D’s forthcoming book Livin’ Loud, visit ChuckDBook.com.

Donald Glover Shares First Look at His New Beyoncé-Inspired TV Series ‘Swarm’: See the Photos

While Donald Glover has closed the chapter on his beloved FX series Atlanta, he’s starting another with his forthcoming TV series Swarm.

The show follows a young woman named Dre (played by Dominique Fishback) who is obsessed with a fictional pop star who is reportedly similar to Beyoncé, according to Vanity Fair.

Glover — whose has witnessed fans’ parasocial relationship with artists first-hand through his rap alter ego Childish Gambino — worked on the upcoming Amazon Prime Video series with Atlanta writer and producer Janine Nabers, who is Swarm‘s showrunner.

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“We were really interested in creating an antihero story,” Nabers told Vanity Fair in an interview, citing Mad Men’s Don Draper and The Sopranos’ Tony Soprano as inspirations for their re-envisioning of the archetype “through the lens of a Black, modern-day woman.” Swarm will dig deeper into Dre’s fandom and will take a dark direction.

Chlöe Bailey will play Marissa, Dre’s sister, while Damson Idris plays her boyfriend. “She’s an incredible person and she can really tap into the humanity of sisterhood,” said Nabers, who commended the star’s understanding of the music industry and relationship with her own sister, singer and actress Halle Bailey. Chlöe Bailey is one-half of the Grammy-nominated R&B sister duo Chloe x Halle and has also embarked on her own solo career, with her debut project due in March.

“A lot of people did it out of the kindness of their hearts and they did a really great job,” Glover added. “Dom, Damson, Chloe. I was really blown away at how hard they worked on the tone, ’cause it’s a strange one.”

Malia Obama is also involved in Swarm in the writer’s room, which Glover confirmed last spring in an another VF interview where he described her as “an amazingly talented person” and “really focused” when it comes to her work.

See the first photos from Swarm below.

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SWARM

Quantrell D. Colbert/Amazon

SWARM

SWARM

Quantrell D. Colbert/Amazon

SWARM

SWARM

Quantrell D. Colbert/Amazon

SWARM

SWARM

Quantrell D. Colbert/Amazon

Adam Blackstone Says We’ll Be ‘In for a Surprise’ During Rihanna’s Halftime Show

We’re less than two weeks away until Rihanna makes her highly anticipated return to the stage for the the Super Bowl Halftime Show on Feb. 12, and leading up to the fun, the show’s musical director Adam Blackstone teased a bit of what’s in story.

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“The story that she wants to tell is, ‘Let’s be epic.’ Let’s let this be a moment in time that people will have never seen or heard before,” Blackstone, who previously worked with Rihanna on her Savage x Fenty fashion shows, told Good Morning America on Tuesday (Jan. 31). “We’re forcing the concert in the middle of the biggest sporting event in the world.”

As for potential onstage collaborations, Blackstone kept his lips sealed, but assured, “I think you’ll be in for a surprise.”

While chatting with Billboard back in November, Blackstone shared details about the experience of working with RiRi, for Savage x Fenty and beyond. “There are no boundaries when it comes to her and her creativity,” he shared. “The team that she has assembled, it sounds cliché and churchy, but we know all things are possible when it comes to her. If she has an idea, it pushes us to execute it without limits. I don’t know if we can pinpoint and say ‘This is where it can go’ because it has the ability and the power to go anywhere.”

The newly rebranded Apple Music Super Bowl Halftime Show, which is being produced by DPS with Roc Nation, will take place on Feb. 12 in Glendale, Arizona.

Camilo & Camila Cabello’s ‘Ambulancia’ Music Video Drives Song to No. 1 on Hot Trending Songs Chart

After the release of Camilo and Camila Cabello‘s music video for “Ambulancia,” the collaboration returns to Billboard’s Feb. 4-dated Hot Trending Songs chart at No. 1.

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Billboard’s Hot Trending charts, powered by Twitter, track global music-related trends and conversations in real-time across Twitter, viewable over either the last 24 hours or past seven days. A weekly, 20-position version of the chart, covering activity from Friday through Thursday of each week, posts alongside Billboard’s other weekly charts on Billboard.com each Tuesday, with the latest tracking period running Jan. 20-26.

“Ambulancia” was released Sept. 6, 2022, alongside Camilo’s full-length album De Adentro Pa Afuera. The album peaked at No. 28 on the Top Latin Albums chart dated Sept. 24, 2022.

Now the album’s latest radio single (it concurrently debuts at No. 17 on Tropical Airplay), the video for “Ambulancia” premiered Jan. 24 and features starring roles from both performers.

“Ambulancia” bows ahead a slew of new releases, led by Chloe’s “Pray It Away,” which starts at No. 2. Released Jan. 27 but teased beginning on Jan. 25, “Pray” is the first taste of Chloe’s debut studio album, In Pieces, due in March.

Zara Larsson’s new single, “Can’t Tame Her,” follows at No. 3, while songs from new LPs and EPs by Trippie Redd, Quevedo and Ice Spice round out the top 10.

Keep visiting Billboard.com for the constantly evolving Hot Trending Songs rankings, and check in each Tuesday for the latest weekly chart.

HARD Summer Is Returning to Downtown Los Angeles

HARD Summer is returning to downtown Los Angeles. The longstanding electronic music festival will happen Aug. 5-6 at a site spread across the Los Angeles Memorial Coliseum, Exposition Park and BMO Stadium in Downtown Los Angeles.

The event will mark HARD Summer’s return to downtown after a 10-year absence. HARD has strong roots in downtown L.A., launching there in 2008 as an underground warehouse party from longstanding electronic events producer Gary Richards, then growing into downtown’s L.A. State Historic Park amidst the height of the EDM explosion, drawing huge crowds and headliners including Skrillex, deadmau5, Justice and many more.

As electronic music gained a bad reputation in Los Angeles and beyond amidst a flurry of drug-related deaths at electronic festivals including HARD, political red tape pushed events out of the city, with HARD relocating first to Whittier Narrows, then the Pomona Fairplex, then further into the Inland Empire at sites in Fontana and Bakersfield.

By this time, Richards had left HARD, ceding control of the company to Insomniac Events, which currently operates the festival in conjunction with its parent company, Live Nation.

Insomniac Events is also the producer of Electric Daisy Carnival, which itself has roots in downtown Los Angeles, with the first major iterations of EDC happening at the L.A. Memorial Coliseum. This location changed following the death of a 15-year-old girl at Electric Daisy Carnival at the Los Angeles Coliseum in 2010, and the indictment of founder-promoter Pasquale Rotella on felony charges in connection to the venue, sparking EDC’s move to Las Vegas, which has become its spiritual home over the last 12 years. (Rotella was cleared of all felony charges in 2016.)

“We are thrilled to host HARD Summer’s return to Los Angeles as part of our centennial anniversary celebration,” Joe Furin, general manager of the LA Coliseum, says in a statement. “As home to the most iconic events in the world, this festival is an exciting addition to our 100-year history.” 

The news indicates a thawing in the relationship between Insomniac and the Coliseum, with Insomniac also promoting the headlining show from Kx5 (Kaskade and deadmau5) that happened there Dec. 10. The show drew 46,000 attendees, making it the biggest ticketed global headliner dance event of 2022.

FLO Announces First North American Headlining Tour: Here Are the Dates

U.K. girl group FLO will be heading Stateside for their first-ever North American headlining tour in April, the group announced Tuesday (Jan. 31).

“Cat’s out the bloodclart bag!” FLO wrote on Instagram with the American and Canadian flag emojis. “We’re heading out on our first NORTH AMERICAN HEADLINE TOUR and we couldn’t be more excited to share it with you!”

The seven-date trek will start in Atlanta on April 13 and wrap in Los Angeles on April 27, with one date reserved for Toronto. Fans can sign up for pre-sale access here, and then will receive a pre-sale ticket link by 9:30 a.m. local time on Thursday, Feb. 2. Pre-sale will officially begin at 10 a.m. local time that day.

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The buzzy R&B trio, consisting of Jorja Douglas, Stella Quaresma and Renée Downer, has been experiencing a streak of success in the last year, following the release of their hit single “Cardboard Box.” In October 2022, FLO made television appearances on Jimmy Kimmel Live and the BBC’s Later… With Jools Holland and went on to win the Brit Awards’ Rising Star award in December, and then one month later, won BBC’s Sound of 2023 poll.

The girl group, which recently collaborated with Stormzy on the remix of his “Hide & Seek” track, is also slated to perform at their first U.S. music festival, Sol Blume, in the Bay Area on April 30, just days after their own tour wraps.

See FLO’s tour dates below.

What Should Win Song of the Year at the 2023 Grammy Awards? Vote!

The Grammy Awards are taking over Los Angeles’ Crypto.com Arena on Sunday (Feb. 5), and some of the biggest names in music are going head-to-head for the song of the year award.

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GAYLE’s “abcdefu,” Lizzo’s “About Damn Time,” Taylor Swift’s “All Too Well (10 Minute Version) (The Short Film),” Harry Styles’ “As It Was,” Steve Lacy’s “Bad Habit,” Beyoncé’s “Break My Soul,” Adele’s “Easy on Me,” Kendrick Lamar’s “The Heart Part 5,” Bonnie Raitt’s “Just Like That” and DJ Khaled’s “God Did” featuring Rick Ross, Lil Wayne, Jay-Z, John Legend and Fridayy are all up for the Big Four category win.

Despite the outcome, we at Billboard want to know who you’d like to see take home the award. Let us know by voting below.

Pamela Anderson Says ‘Pam & Tommy‘ Series Gives Her ’Nightmares‘: ’I Have No Desire to Watch It’

Netflix’s newest documentary, Pamela, a Love Story, gives its viewers a deep dive into Pamela Anderson’s life and a chance to hear her side of the story regarding the infamous sex tape that she and then husband, Tommy Lee, made days into their marriage. But according to the star, she and the Mötley Crüe drummer’s sex tape wasn’t really a sex tape at all.

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“What they did is they found all the nudity they could from different Hi8 tapes, and they spliced it together,” Anderson revealed in the documentary, which was released on Monday (Jan. 31).

Elsewhere in the documentary, the Baywatch star’s sons with the rocker — Dylan and Brandon Lee — talk about the existence of Hulu’s Pam & Tommy series. The series — based on a 2014 Rolling Stone article titled “Pam and Tommy: The Untold Story of the World’s Most Infamous Sex Tape” — premiered on the streaming platform in February 2022 and detailed the events surrounding the sex tape and how it went impacted Anderson and Lee’s relationship.

The actress noted in the Netflix program that the existence of Pam & Tommy “really gives me nightmares.” She added, “I have no desire to watch it. I never watched the tape, I’m never going to watch this.”

“Why bring something up from 20 years ago that you know f–ked someone up?” Dylan said in the documentary. “The worst part of her life and making a semi-comedy out of it didn’t make sense.”

Pamela, a Love Story is available to stream on Netflix. Revisit the trailer for the documentary below.