Music News

Selenators Are Absolutely Loving Selena Gomez’s Barefaced Selfies

Selena Gomez used social media to bare her face without a stitch of makeup, glam or filtering in a new post on Thursday (Feb. 2).

“Me,” she captioned the trio of selfies simply and confidently. In the first two, she wears a blue crewneck sweater, the semicolon tattoo on her wrist peeking out as she’s cozied up on a white couch. By the third, the pop star has changed into a black Champion sweater and leans out of a rain-strewn window as she rests her chin on her hand.

Thousands of followers latched onto Gomez’s simple statement, with the official account for Hulu’s Only Murders in the Building account mirroring back, “You” in the comments. For her part, Nicola Peltz Beckham declared her pal, “Most beautiful ever.”

Other non-famous fans appreciated Gomez’s choice to post the photos barefaced, even including a red blemish between her nose and lip. “Finally a celebrity who shows herself without filters or masks of make up and she is truly beautiful, in a way than could help people ([especially] girls) on understanding that we don’t need so many tricks to appear at our best,” one wrote. “The most important thing is just being yourself and be proud on presenting you as you are.”

Late last month, the “Calm Down” singer shared a separate, cryptic post on her Instagram feed that left plenty of Selenators wondering if she was finally teasing a follow-up to her 2020 album Rare, which debuted at No. 1 on the Billboard 200 and contained hits like “Lose You to Love Me,” “Look At Her Now” and “Boyfriend.”

See Selena in all her fresh-faced glory below.

Tiesto & Tate McRae’s ‘10:35,’ Newly Remixed By Joel Corry, Surges on Hot Dance/Electronic Songs Chart

Tiësto takes top Streaming and Sales Gainer honors on Billboard‘s multimetric Hot Dance/Electronic Songs chart (dated Feb. 4) with “10:35,” featuring Tate McRae. The collab climbs from No. 6 to No. 5, returning to its highest rank, following the Jan. 19 release of its Joel Corry remix. The track earned 5.8 million official U.S. streams, up 23%, and sold 1,400 downloads, up 15%, while also drawing 3 million radio airplay audience impressions, up 53%, in the Jan. 20-26 tracking week, according to Luminate.

“10:35,” which debuted at No. 8 on the Nov. 19 tally and has remained in the top 10 since, is Tiësto’s eighth top 10, among 36 career entries (dating to the chart’s 2013 inception). It’s McRae’s second, after “You,” with Regard and Troye Sivan, reigned for eight weeks in June-August 2021.

Concurrently, “10:35” improves on Dance/Electronic Streaming Songs (5-3) and Dance/Electronic Digital Song Sales (5-4). Additionally, “10:35” clocks in at No. 72 on the all-genre Billboard Hot 100, debuting as Tiësto’s seventh song to make the survey and McRae’s sixth.

Continuing with Hot Dance/Electronic Songs, ILLENIUM and Nina Nesbitt notch the list’s highest entrance with “Luv Me a Little,” at No. 11. Now with 46 career entries, ILLENIUM ties Calvin Harris for the sixth-most; David Guetta leads with 73, followed by Kygo (61), Marshmello (54), The Chainsmokers (52) and Martin Garrix (51).

“Luv,” Nesbitt’s first showing on the chart, starts with 1.8 million streams. It’s from ILLENIUM’s self-titled album, due April 28.

Shifting to the Dance/Mix Show Airplay chart, Anabel Englund cruises to her eighth top 10, in as many tries, with “Need Me Right” (11-5). Since she first advanced to the top 10 with “So Hot” (12-7, May 2, 2020; the track ultimately peaked at No. 2), Englund matches Corry and Guetta for the most among all acts. Englund has two No. 1s, “Picture Us” (October 2020) and “Underwater,” with MK (April 2021).

“Need” is scoring core-dance airplay on Music Choice’s Dance/EDM channel, KMVQ-HD2 San Francisco and WZFL (Revolution 93.5, All Things Dance) Miami, among other signals. (The Dance/Mix Show Airplay chart measures radio airplay on a select group of full-time dance stations, along with plays during mix shows on around 70 top 40-formatted reporters.)

Meanwhile, Corry collects his ninth top 10 on Dance/Mix Show Airplay and Tom Grennan grabs his second with “Lionheart (Fearless)” (14-8). The song soars with notable core-dance airplay on SiriusXM’s BPM, Music Choice’s Dance/EDM and KNHC (C89.5) Seattle.

Bad Bunny Presents ‘Big Brother’ Noah Assad Billboard’s Executive of the Year Award

Bad Bunny was all smiles and nerves while presenting his longtime manager, Noah Assad, with the Executive of the Year award at Billboard‘s 2023 Power 100 event on Wednesday (Feb. 2) at Goya Studios.

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After being introduced by Leila Cobo, Billboard‘s Chief Content Officer Latin/Español, the global sensation, who typically opts to publicly speak in Spanish, decided to give English a try, lightheartedly joking with the crowd, “Tonight is a special night not because my friend is winning this award, it’s more because I’m making my first English speech ever.” He was met with supportive applause and cheers, with a handful of attendees encouraging him to speak in Spanish anyway. Nevertheless, El Conejo Malo found middle ground, sharing a heartfelt speech in a mix of both languages.

“I know my man doesn’t like this kind of thing — this attention, the speech, this corny s–t,” he said amidst laughter from the crowd. “This award means a lot to me, the same way that my own awards mean a lot for him. It’s because this award is the proof that I’m not working alone, that dreams come true, but it’s never only by yourself. It’s always about team work.”

Together, the dynamic Puerto Rican pair have achieved unprecedented heights in Spanish and English markets, including Bad Bunny’s first of two tours in 2022, El Último Tour del Mundo, boasting the top sales day for any tour on Ticketmaster (since Beyoncé and Jay-Z’s On the Run II tour went on sale in 2018), selling out nearly half a million tickets in less than a week. Four months after the tour closed, Bad Bunny commenced his World’s Hottest Tour stadium run, which made him the first artist to ever achieve separate $100 million-plus tours in the same calendar year. The global pop star’s 81 concerts in 2022 grossed $434.9 million, which marked the highest calendar-year total for any artist since the launching of Billboard Boxscore in the 1980s, posing it to become the biggest Latin tour ever.

“I came from a family of three brothers, I’m the oldest one,” Bad Bunny continued. “I never felt what it was like to have a big brother. So I want to thank Noah for being a friend, a partner and being like a big brother to me. I know that it’s tough, no soy facil, but I want to thank him for believing in me from the first day. Not just believing, but making those dreams and that vision real.”

Toward the end of his speech, the Puerto Rican phenomenon appeared to choke up under his sunshine-yellow New York Yankees fitted cap. “I want to thank him for inspiring me to dream bigger, to be a better person. To be more like you,” he directed to Assad. “There’s no big Bad Bunny superstar without Noah Assad. So if you ask me what it feels like to be the number one artist in the world, I have to say, I’m not. Noah is. We are the best. Lo mas hijo de p–a from Puerto Rico.”

As Bad Bunny foreshadowed in his sweet speech, Assad was a man of few words, more comfortable in the “big brother” role as Benito described it: in the wings cheering on his superstar friend. The pair shared a warm embrace before Bad Bunny playfully took the mic with him off stage to spare Assad the public speaking. “He had me crying in the corner,” Assad began. In the end, the mega exec offered a few profound words, shouting out his and Benito’s hometown of Carolina, Puerto Rico, and showering the rapper with praise, as the artist had just done for Assad.

“Everything we do, we do it to Puerto Rico, to the world. I’m honored to be the first Latin [to win this award] even though I don’t look like it,” he joked. “I want to thank Billboard. Billboard has always covered Latin. They never undervalue us in any way. They treat us as equal as the global American market. We have to be very grateful for that. At the end of the day, me and Bunny are products of thousands of people who work very hard on our island. All those walls they had to break down. There are a lot more stories to be told. This is only chapter one.”

Thanking his team back in Puerto Rico who couldn’t be at the event, Assad was brought to tears. “No one wins championships alone,” he says. “It kills me that [my team] isn’t here today. They’re everything.”

Halsey Celebrates ‘Without Me’ Earning RIAA Diamond Status: ‘Here’s to More Tears & More Songs’

Halsey just earned her second Diamond Certified solo record with “Without Me,” but it’s not just a big moment for the pop star. It’s also a big milestone for the Recording Industry Association of America (RIAA), the organization known for awarding artists with Gold, Platinum and Diamond statuses based on song sales and streams, as “Without Me” marks the 100th song to ever reach the coveted Diamond benchmark.

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The RIAA presented Halsey with their Diamond Certification during a special ceremony Wednesday (Feb. 1), after which the “Eastside” singer shared photos on Instagram and thanked her fans, record label and more. “Yesterday was just a littleeee out-of-body,” they wrote. “Without Me is my second diamond record, Closer was my first, but my very first one solo!”

It probably goes without saying, but achieving Diamond Certification is no easy feat — that’s why only 100 songs have received the award since its introduction in the late ’90s, after all. A Diamond Certification signifies that a track has gone 10x Platinum, meaning it’s garnered 10 million certified units or more.

“There were a few other really special stats I learned as well including that I have 75x platinum certifications across my catalog,” Halsey continued in their Instagram post. “This whole thing is so surreal. Huge thank you to @riaa_awards for coming out to present this incredible award… [and] all of the fans n friends for making this type of thing possible.”

“Here’s to more years and more tears and more songs,” she concluded.

In honor of 100 Diamond Certified songs, the RIAA released a video recapping every song to ever reach 10x Platinum status, starting with Elton John’s “Something About the Way You Look Tonight / Candle In The Wind 1997,” for which the inaugural Diamond award was created. See which songs from Taylor Swift, Katy Perry, Bruno Mars, Cardi B, Lady Gaga, The Weeknd and more have gone Diamond by watching it on the RIAA’s website.

Reba McEntire Originally Turned Down Seat on ‘The Voice’ and Said Filling Blake Shelton’s Shoes Is ‘Gonna Be Tough’

The Voice could have had a very different vibe if producers had gotten their first choice of judges to fill one of the iconic red spinning chairs. In an interview with ET Online country legend Reba McEntire was asked who she thought would make a good replacement for soon-to-depart OG coach Blake Shelton, revealing that it could have been her they were looking to re-cast.

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McEntire reminded ET that she was originally offered a role on the reality singing series before it debuted in 2011, with producers then offering the gig to Shelton, who will end his 12-year-run with the show after Season 23, which premieres on NBC on March 6. “Who could fill Blake’s shoes?” McEntire asked with a smile according to ET.

“I got [a look at] the Holland version of The Voice. They sent it to me and I said, ‘I can’t see me doing that,’” she said of her feelings after seeing the original version of the show that has spawned a global franchise. “Because, you know, I’m a gypsy at heart,” McEntire, 67, said, noting that she’s not sure she could be committed to one project for so long and stay in one place.

Whoever does permanently fill Blake’s shoes has their work cut out for them, McEntire said. “To fill Blake’s chair? Wow. That’s gonna be tough,” she predicted. “He did a great job and kudos to him.” McEntire didn’t totally blow producers off, though, agreeing to serve as a mentor to Team Blake during the show’s premiere 2011 season and returning again in 2015.

The upcoming season of The Voice will feature new coaches Niall Horan and Chance the Rapper joining Shelton and returning cast member Kelly Clarkson.

For now,

SEVENTEEN’s BSS Unveils ‘Second Wind’ Tracklist With Sporty Highlight Medley: Listen

SEVENTEEN‘s subunit BSS — which consists of members Seungkwan, DK and Hoshi — unveiled the tracklist for its forthcoming album, Second Wind, on Wednesday (Feb. 1) through a sporty highlight medley that details the track themes and provided snippets of the songs to come.

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The medley video was designed like a fitness app with goal trackers, measurement of energy and a community that consisted of the SEVENTEEN singers, who also serve as voice and fitness coaches for CARATs.

DK launched into his guiding messages, and explained in detail what fans may gain from the project’s lead single. “‘Fighting’ is the first and title track of BSS’ first single album, Second Wind,” he says in the video, as snaps of him running on a track and wearing sportswear appear onscreen.

“The song is like a positive energy. Your own cheerleaders BSS offer you to help you start a refreshing day thinking, ‘I can do this!’ You can start your day with brimming energy if you start with this song,” DK adds before an upbeat preview of the track starts to play.

Seungkwan was up next for the second track from Second Wind. “‘LUNCH’ is a song that will wash away the drowsiness of the afternoon and fill you with subtle but invigorating energy. ‘LUNCH’ is a song with a distinctive and cheerful melody that makes you want to keep listening! Should we have lunch together with this song?” he says, leading into a synth-heavy preview of the song.

Hoshi closes out the voice coaching with details about the final tune on the album. “The third track, ‘7PM’ is a good song to wrap up your tough and tiring day. I hope you can get pleasant comfort from this song on a day that feels especially longer than the others. Everyone, great job today as always. BSS is always by your side to support your day,” he says as he signs off, before a preview of the mellow song closes out the video.

Second Wind serves as the first single album for BSS since the release of the group’s debut single, “Just Do It,” in 2018. The album will arrive on Monday, Feb. 6.

Watch the Second Wind highlight medley in the video above.

Trippie Redd’s ‘Mansion’ Sits Atop Rap Albums Chart With No. 1 Debut

Trippie Redd banks his fourth consecutive No. 1 album on Billboard’s Top Rap Albums chart as Mansion Musik debuts in the top slot of the list dated Feb. 4. The set, released on Jan. 20 via 1400/Ten Thousand Projects/Capitol Records, opens with 56,000 equivalent album units earned in the U.S. in the week ending Jan. 26, according to Luminate.

Of the 56,000 unit start, 50,000 units derive from streaming-equivalent album units, representing 68.1 million official on-demand U.S. streams of the album’s songs. 5,000 of the remaining units are from traditional album sales, and the residual balance of 1,000 units comes from track-equivalent album units. (One unit equals the following levels of consumption: one album sale, 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams for a song on the album.)

Mansion Musik gives Trippie Redd his fifth total champ on the Top Rap Albums chart, and, as mentioned above, marks his fourth leader in a row. Here’s a full recap of all seven of his No. 1s on the chart – all of which have ruled for one week:

  • A Love Letter to You 3, Nov. 24, 2018
  • A Love Letter to You 4, Dec. 7, 2019
  • Pegasus, Nov. 14, 2020
  • Trip at Knight, Nov. 4, 2021
  • Mansion Musik, Feb. 4, 2023

In addition to the five chart-toppers, the 23-year-old rapper has three more albums that have made the list: A Love Letter to You 2 reached at No. 14 in October 2017, Life’s a Trip achieved a No. 4 best in August 2018 and ! debuted and peaked in the runner-up spot in August 2019.

Elsewhere, Mansion Musik starts at No. 2 on the Top R&B/Hip-Hop Albums chart, behind only SZA’s blockbuster SOS, and at No. 3 on the all-genre Billboard 200, trailing SOS and Taylor Swift’s Midnights.

As Mansion Musik arrives, four of its songs land on the Hot R&B/Hip-Hop Songs chart. “Knight Crawler,” with Juice WRLD, leads the pack at No. 19 and was the project’s most streamed song of the week. “Crawler” registered 10 million official U.S. streams in the week and launched at No. 4 on the Rap Streaming Songs chart.

After “Crawler,” the next highest placement on Hot R&B/Hip-Hop Songs belongs to “Fully Loaded,” with Future and Lil Baby, which starts at No. 33. The Travis Scott collab “Krzy Train” starts at No. 35, while a second teamup with Lil Baby, “Dark Brotherhood,” enters at No. 46.

Taylor Lautner Wishes He’d Handled That Taylor Swift, Kanye West VMAs Moment Differently

Taylor Swift once wrote the lyrics, “This me swallowing my pride, standing in front of you, saying I’m sorry for that night,” allegedly about Taylor Lautner, and now, the Twilight actor is returning the favor. In a recent podcast appearance, Lautner opened up about regretting how he handled that fateful night in September 2009 when, seconds after he presented a VMA award to the pop star, Kanye West rushed the stage and took the microphone.

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The recollection comes during a Wednesday (Feb. 1) episode of The Squeeze, a podcast hosted by Lautner’s wife, health influencer Taylor Lautner (that’s not a typo, they share the same first and last name!). When Mrs. Lautner asked Mr. Lautner which moment in his life to which he’d like to travel back in time and change, he said, “Probably the 2009 VMAs when I presented the award to Taylor and was unaware that the Kanye thing was not a skit.”

You might recall that this was also around the time Swift and the Home Team star dated, as confirmed during the podcast by Lautner’s wife. “You and Taylor [Swift] had just gone public,” the podcast host prompted.

“I presented the award to her,” the actor continued. “I took five steps back and was standing five feet behind her. Kanye jumps up on to the stage. I could barely hear it, I can’t see them, I’m just assuming this whole thing was a practiced and rehearsed skit. Because why else would Kanye West be jumping up on the stage interrupting Taylor Swift? It just didn’t make sense.”

The Tracers star went on to say he regrets his onstage reaction to the moment, even though he couldn’t hear what was happening at the time. “If you look back at it, I’m actually caught laughing and giggling at them,” he recalled. “The second she turned back around and I saw her face for the first time, I was like, ‘Oh, that wasn’t good.’”

It was a pop-culture moment that immediately went down in history: Swift winning best video, female artist for “You Belong With Me,” Kanye West grabbing the microphone and shouting the now infamous line, “I’mma let you finish, but …,” and Beyoncé’s horrified expression as he declared her the rightful winner of the award. It was the very beginning of a decade-long, on-off feud between the “All Too Well” singer and Ye, who, 13 years later, has been in and out of the news for making infinitely more shocking statements about antisemitism.

After that chaotic VMAs ceremony, Swift went on to release her 2010 third studio album, Speak Now, with songs seemingly dedicated to both Ye (“Innocent”) and Lautner (“Back to December”). In the latter track, she even appeared to reference the award-show incident, singing about how a love “held me in your arms that September night/ The first time you ever saw me cry.”

Watch Taylor Lautner reflect on the infamous Kanye West/Taylor Swift VMAs moment below:

Rita Ora Finally Shows Off Her Giant Wedding Ring on ‘Tonight Show’: ‘I Really Knew I Wanted to be With This Person’

Rita Ora proudly showed off her wedding ring on The Tonight Show on Wednesday night (Feb. 1), finally sharing her joy, and the honking green stone, with the world and returning to perform her new single, “You Only Love Me.” Wearing a shimmery silver half shirt and matching miniskirt, the excitable singer exploded with joy when host Jimmy Fallon mentioned her recent nuptials to director/actor Taika Waititi.

“And because I love you so much, I’ve actually never shown anyone my ring,” she said. “It’s my first time showing my ring, because I love you and I feel like you’re part of our relationship, weirdly, because we watch you every night… is that creepy?” she asked as Fallon assured her that he was happy to be a distant third wheel in their love story.

The singer then flashed the stunning square-cut emerald ring to the camera, praising Waititi for doing a good job picking it out before revealing that the Jojo Rabbit director may have had just a little bit of help. “Well, I may have… hinted in the right direction,” she admitted. “You know, because I just think, like, when you know what you want, and I felt like I really knew that I wanted to be with this person. I just wanted it to feel really right, and so I may have taken him to the shop and I may have pointed out exactly what ring I wanted.”

The singer also stuck around for a performance of her new single “You Only Love Me,” which, appropriately, opened with her sitting at a long, flower-bedecked table, wearing a pale red wedding babydoll dress and matching veil and lacy fingerless gloves. Surrounded by six dancers in matching bodysuits, the performance was a kind of mini wedding ceremony, complete with bouquets getting tossed, rose petals on the ground and a scene-ending recorded message from her hubby saying, “This is how I am, this is how you are.”

Ora said her new album is due out later this year and hinted that it was inspired by the whirlwind past two years. “My life has changed so drastically,” she said. “And making a decision to really spend the rest of your life with someone is a kind of big decision. And so it got me writing again and I just really got inspired by love.”

Watch the interview and the performance below.

Demi Lovato, Sabrina Carpenter & Jimmie Allen Honor Songwriters at NMPA & Billboard Grammy Week Showcase

Demi Lovato, Sabrina Carpenter and Jimmie Allen each performed intimate sets while celebrating their fellow songwriters at the National Music Publishers’ Association (NMPA) and Billboard Grammy Week Showcase, held at Nightingale Plaza in Los Angeles on Wednesday night (Feb. 1).

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Lovato and Carpenter used the showcase to highlight the work of some of their closest collaborators, with Lovato capping off the evening by performing a pair of Holy Fvck songs — “Feed” and “4 Ever 4 Me” — that Laura Veltz, a key contributor to the album, helped create. Veltz, also a veteran pop and country songwriter, smiled from the front row as Lovato delivered both vocal showcases.

Meanwhile, Carpenter highlighted longtime studio powerhouse Amy Allen, who joined the pop star onstage for a charming duet of their shared song, “Vicious,” from last year’s Emails I Can’t Send. Carpenter then performed an acoustic version of “Nonsense,” her current fast-rising Billboard Hot 100 hit.

And before performing two of his songs — including a rousing new track titled “Small Town Anthem” as well as his hit “Down Home” — Jimmie Allen took the microphone to reflect on his career trajectory and the importance of songwriting in the country music world as a means of sharing different perspectives. “Just being part of the overall music community, it’s been great,” he told the audience. “Thanks to everyone who’s given me a shot.”

In addition to Veltz, Amy Allen and Jimmie Allen receiving songwriting honors at the showcase, Nija Charles earned the Hitmaker trophy for her wide variety of pop, hip-hop and R&B credits, including on smashes by Lady Gaga, Ariana Grande and Cardi B. Charles thanked the NMPA and Billboard for “shedding light on songwriters” as they continue to fight for artistic expression. “I never thought I would win something like this,” Charles added.

And Liz Rose, the veteran country songwriter, was also honored on Wednesday night, as a celebration of her co-write on Taylor Swift’s “All Too Well” roaring back in late 2021 when the 10-minute version of the song topped the Hot 100. Rose thanked the fans for making “All Too Well” such an enduring favorite, as well as Swift for revitalizing the song for Red (Taylor’s Version). As Rose succinctly put it, “She didn’t forget this song.”

In addition to being recognized at the event, Veltz, Amy Allen and Charles are all nominated for the songwriter of the year, non-classical Grammy, along with The-Dream and Tobias Jesso Jr. The inaugural award in the new Grammy category will be presented on Sunday night (Feb. 5).