Music News

P!nk Scores Her First Top 10 on Hot Dance/Electronic Songs Chart With ‘Trustfall’

P!nk lands safely on Billboard’s multimetric Hot Dance/Electronic Songs chart (dated Feb. 11) with “Trustfall” at No. 8. The track, from her forthcoming album of same name, due Feb. 17, debuts as her first top 10 on the survey.

“Trustfall,” which P!nk co-wrote with Fred Again.. and John McDaid, the latter two of whom also produced it, earned 3 million U.S. streams and sold 6,000 downloads Jan. 27-Feb. 2, according to Luminate.

Concurrently, “Trustfall” bows at No. 1 on the Dance/Electronic Digital Song Sales chart, giving P!nk her first leader in her initial appearance. Plus, the track starts at No. 12 on Dance/Electronic Streaming Songs, P!nk’s first entry there, as well.

However, P!nk is no stranger to the Billboard dance charts, having logged seven No. 1s on Dance Club Songs, dating to 2002, and four No. 1s, among seven top 10s, on Dance/Mix Show Airplay since 2003. P!nk has topped Dance/Mix Show Airplay with “U + Ur Hand” (for two weeks in 2007), “So What” (one, 2008), “Raise Your Glass” (two, 2010) and “Blow Me (One Last Kiss)” (one, 2012). (The Dance/Mix Show Airplay chart measures radio airplay on a select group of full-time dance stations, along with plays during mix shows on around 70 top 40-formatted reporters.)

On the Top Dance/Electronic Albums chart, Ava Max debuts at No. 2 with Diamonds & Dancefloors. The pop/dance-leaning set, Max’s inaugural entry on the chart, opens with 15,000 equivalent album units, which also bring it in at No. 34 on the all-genre Billboard 200.

The set yields eight entries on Hot Dance/Electronic Songs, with “Million Dollar Baby,” “Ghost” and “One of Us” leading the way at Nos. 11-13, respectively. “Baby” logged 1.7 million streams (up 33%) and sold 700 downloads (up 71%), the latter sum earning Max a No. 9 beginning on Dance/Electronic Digital Song Sales, where it’s her third top 10.

Max now has 11 Hot Dance/Electronic Songs chart hits, including her track with Tiësto, “The Motto,” which peaked at No. 2 for 10 weeks (behind Elton John and Dua Lipa’s “Cold Heart [PNAU Remix]”) last March-May.

Elsewhere on the Top Dance/Electronic Albums chart, SG Lewis logs his third appearance with AudioLust & HigherLove (No. 13, 2,800 units). The set contains two Hot Dance/Electronic Songs hits that each peaked in October: “Call on Me,” with Tove Lo (No. 27 high), and “Vibe Like This,” with Ty Dolla $ign and Lucky Daye (No. 31).

Next up on Top Dance/Electronic Albums come Cheat Codes with country crossover set One Night in Nashville (No. 14, 2,700 units). It’s the act’s first appearance on the chart, although it follows 27 entries, including three top 10s, on Hot Dance/Electronic Songs, since 2015. Collabs from the new album “Something’s Coming,” with Lady A, and “What’s It Gonna Take,” with Mitchell Tenpenny, start on that tally, at Nos. 24 and 33, respectively.

Returning to the Dance/Mix Show Airplay chart, Imanbek earns his second top 10 as a billed recording artist and Jay Sean scores his first with “Gone (Da Da Da)” (11-9). Previously, Imanbek lifted to No. 4 with “Goodbye,” with Goodboys (March 2021). Plus, his remix of SAINt JHN’s “Roses” spent three frames at No. 2 in April 2020. “Gone” is getting core-dance airplay at Music Choice’s Dance/EDM channel, KMVQ-HD2 San Francisco and WZFL (Revolution 93.5, All Things Dance) Miami, among other outlets.

Additionally on Dance/Mix Show Airplay, Miley Cyrus vaults to her third top 10 with “Flowers” (25-10). The pop track, also in its third week at No. 1 on the all-genre Billboard Hot 100, utilizes remixes from Addal, Dark Intensity and others in attaining core-dance airplay on SiriusXM’s Diplo’s Revolution, SiriusXM’s BPM and more.

Rihanna Says She Had ‘39 Versions’ of Super Bowl LVII Halftime Show Setlist: ‘It’s Gonna Be a Celebration of My Catalog’

Rihanna unpacked the “jam-packed show” she’ll be giving on Sunday during the Apple Music Super Bowl LVII Halftime Show press conference Thursday (Feb. 9).

In Phoenix just days ahead of the big game and even bigger performance, RiRi sat down with Apple Music’s Nadeska Alexis in front of a live studio audience to discuss all of the hard work she’s put into her first live performance in seven years.

“It feels like it could have only been now,” she said about the timing of her Super Bowl Halftime Show performance at this point in her career. With 14 Billboard Hot 100 No. 1 hits, nine Grammy Awards, eight studio albums and $1.4 billion net worth under her belt, Rihanna (born Robyn Rihanna Fenty) only accumulates more achievements in need of celebration, and this weekend’s performance is no exception.

“When I first got the call to do it again this year, I was like, [hisses] ‘You sure?’ I’m three months postpartum. Should I be making major decisions like this right now? I might regret this,” she said. “But when you become a mom, there’s something that just happens where you feel like you can take on the world. The Super Bowl is one of the biggest stages in the world, so as scary as that was because I haven’t been on stage in seven years, there’s something exhilarating about the challenge of it all … It’s important for my son to see that.”

The 34-year-old singer later opened up about the “immense” physical challenges of performing again after she welcomed her first child with A$AP Rocky in May. “You’re just running around for 13 minutes, trying to put like a two-hour set for 13 minutes,” Rihanna explained. “And you’re gonna see on Sunday, from the time it starts, it just never ends until the very last second. I know I’m saying too much, but it’s a jam-packed show.”

Even filling the show with all of her jams has been challenging, having to curate a setlist that represents her discography and sticks to that 13-minute runtime. We at Billboard have even tried coming up with our ideal setlist for RiRi — and even thought about more songs she should still consider performing — but Rihanna has us beat, because she said she came up with 39 versions of the setlist, which she called the “biggest challenge” of all.

“That was the hardest, hardest part — deciding how to maximize 13 minutes but also celebrate. That’s what this show’s gonna be. It’s gonna be a celebration of my catalog in the best way that we could have put it together. You’re trying to cram 17 years of work into 13 minutes … but I think we did a pretty good job of narrowing it down,” she explained with a chuckle during the press conference. “There were probably about 39 version of the setlist right now. We’re on our 39th. Every little change counts, whether I want a guitar cut out, something muted, something added or just put in a whole new song, or take out a whole song.”

While Alexis reflected what Rihanna means to her as a fellow Caribbean woman, the superstar mused about how her halftime show special will certainly be about “representing for immigrants, representing for my country, Barbados, representing for Black women everywhere … I’m really excited to have Barbados on the Super Bowl stage.”

The Apple Music host also questioned the direction of her new music — yes, what her fans have all been waiting for — especially in regards to RiRi’s claim from her 2019 Vogue cover story that her ninth studio album, called R9 in the meantime, would be “reggae-inspired or reggae-infused.”

“Musically, I’m feeling open. I’m feeling open to exploring, discovering, creating things that are new, things that are different, things that are off, weird, might not ever make sense to my fans, the people that know the music that I put out. But I just wanna play it,” she responded. “I want to have fun. I want to have fun with music.”

The Fenty mogul later had fun answering questions from young fans, one of whom asked what her favorite album or song to record was. After much deliberation, she answered, “ANTI, for sure, top favorite album I’ve ever made,” and joked that her last studio album “was the first time that I took my time making an album while not being on tour, and that frustrated my fans a bit and here I am doing it again to them.”

Rihanna also shared some advice about staying humble to another young girl in the audience.

“My humility came from my childhood, growing up in the Caribbean, growing up in my household with my mom. She’s a very humble woman, her mom was a very humble woman. And I’ve never lost sight of that,” she said. “I often fear the pedestal that the world can put you on, and I always want to feel my feet on the ground. That makes me feel safe.”

Anuel AA Asks Fans to Respect Yailin La Mas Viral Amid Breakup: ‘She’s Still the Mother of my Daughter’

Anuel AA and Dominican rapper Yailin La Mas Viral have called it quits. The Puerto Rican artist (real name: Emmanuel Gazmey Santiago) confirmed the news in an Instagram Live he made during the wee hours of Thursday (Feb. 9).

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“When I fall in love, I fall in love for real,” he said in the since-deleted video. “Yailin is the mother of my daughter. I’m not with her but she’s the mother of my daughter.” He later vented about all the negative things that were said about their relationship on social media. 

“They said about seventy thousand things since the first moment, trying to damage her name, but I didn’t care. I met her and my relationship was direct with her. She’s 20 years old, and that affected her,” he continued. “But really, people should support her. She’s hard-working, she’s going to be a mother, and she’s fought alone for her family. I’m not with her but she’s still the mother of my daughter.”

The former couple announced that they were expecting a baby together in November last year, just five months after getting married. The intimate gender reveal party was shared on social media, where they found out they will be having a baby girl, whom they later said would be called Cattleya after orchids found in Latin America. 

During the Instagram Live, Anuel also assured the over 30,000 fans connected that no matter what, he was going to be responsible for his baby. “I’m going to take care of her, and she’s going to be mine,” he added. “She’s going to live like a queen because her dad is a king.” 

The Latin trap artist and Yailin (real name: Jorgina Lulú Guillermo Díaz) became husband and wife on June 10, 2022, just five months after making their relationship Instagram official. In March of 2022, they dropped their first-ever collaboration, titled “Si Tu Me Busca,” which peaked at No. 12 on Billboard‘s Latin Digital Song Sales chart (dated April 16).

Sam Smith Drops Illustrated Lyric Video For ‘Lose You’ That Was Made on an iPad: Watch

Sam Smith is not ready to “Lose You” just yet — so they’re giving you another video to make sure you stick around.

On Wednesday (Feb. 9), Smith dropped the official lyric video for their track “Lose You,” off of their fourth studio album Gloria. Made on iPad, the video opens with a vibrantly-colored, illustrated Smith sitting back and relaxing to the tune of their song, before they begin to constantly shift and morph into various different shapes, as the song picks up.

The new clip was brought to life by illustrator Loreta Isac. Using the Procreate app for the iPad Pro, the creator says that she was inspired by Smith’s evocative lyrics, immediately coming up with the concept. “I was really in love with the imagination part of creating the lyric video, as it allowed me to feel the poetry of the song and then translate it into unexpected visual emotions and animation,” she said in a statement.

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Gloria earned Smith their fourth consecutive top 10 debut on the Billboard 200 where the album clocked in at No. 7 — meanwhile, over in the UK, the album hit No. 1 on the Official Charts. Speaking in a statement about the album, Smith called Gloria “a celebration, of all the genres and all the female divas, vocalists and pop writers that I love. I harnessed all those memories and put them into one album. And I wanted to be defiant.”

Check out the official lyric video for Sam Smith’s “Lose You” above.

Kelly Clarkson Parties Like It’s ‘1999’ in New Prince Cover: Watch

All aboard the time machine. With her newest Kellyoke cover, Kelly Clarkson is taking us from 2023 back to 1982 with a song about 1999 — or should we say, the song about 1999, Prince‘s apocalyptic synth smash from his fifth studio album of the same name.

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With purple lights (because, of course) raining down on her and her two backup singers, Clarkson honored Prince’s original hit while still making it her own, effortlessly adding riffs and high notes to the track’s chugging melody. “The sky was all purple there were people running everywhere,” she belted Thursday (Feb. 9), warped synths filling in the gaps between lyrics. “Tryin’ to run from the destruction, you know I didn’t even care.”

“Say, say, 2000-00, party over, oops, out of time/ So tonight I’m gonna party like it’s 1999/ War is all around us, my mind says prepare to fight/ So if I gotta die/ I’m gonna listen to my body tonight.”

It’s not the first time the three-time Grammy winner has covered Prince on The Kelly Clarkson Show. In 2021, she and her band Y’all channeled the High Priest of Pop with a performance of his iconic 1986 hit “Kiss,” which topped the Billboard Hot 100 for two weeks the year it was released.

“1999” was released back when the year felt like centuries away, on the fifth of more than 40 studio albums released by Prince, 1982’s 1999. The track reached No. 12 on the Hot 100, meanwhile the album hit No. 7 on the Billboard 200.

Watch Kelly Clarkson perform Prince’s “1999” on The Kelly Clarkson Show in the above video.

Whitney Houston ‘I Go to the Rock’ Album to Feature 6 Unreleased Gospel Songs

A new documentary and posthumous album will explore Whitney Houston‘s lifelong connection to gospel music. Good Morning America reported on Thursday (Feb. 9) that the album, I Go to the Rock, will feature six previously unreleased tracks, including the upcoming, upbeat first taste, “Testimony.”

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GMA said the full album is slated to drop later this year, with host Lara Spencer describing the collection as an example of the late R&B pop superstar “singing her first love: gospel songs.” A short preview snippet of “Testimony” finds Houston singing over a driving, spare beat, her voice as clear and strong as ever, but stripped of the lush pop production that marked her secular hits.

There will also reportedly be an accompanying documentary that will chronicle Houston’s longtime dedication to gospel, from her first performance at a local church through the release of the soundtrack to 1996’s The Preacher’s Wife, which topped the Billboard top gospel albums chart and remains the best-selling gospel album of all time.

Houston, who died in 2012 at age 48, released seven albums and two soundtracks over the course of her career, including 1992’s multi-platinum soundtrack to her starring vehicle The Bodyguard. Since her death the singer’s label has issued the 2012 greatest hits collection I Will Always Love You: The Best of Whitney Houston, as well as 2014 live collection, Her Greatest Performances, as well as a reissue of the Bodyguard soundtrack with remixes and live takes on the album’s songs.

In December of last year RCA issued the soundtrack to the Houston biopic I Wanna Dance With Somebody, with remixes of some of the singer’s biggest hits and a previously unheard cover of CeCe Winans’ “Don’t Cry” (titled “Don’t Cry For Me.”) In 2019, Kygo scored a global smash with his dance-ready remix of “Higher Love,” which laid remixed Houston vocals on a cover of the 1986 Steve Winwood hit over pounding EDM beats.

Listen to the preview of “Testimony” below.

Depeche Mode Finally Drops New Single ‘Ghosts Again,’ Reveals Album Release Date

Depeche Mode unveiled their new single “Ghosts Again” on Thursday (Feb. 9) along with the track’s accompanying music video and new album Memento Mori‘s release date.

In the stark visual directed by Anton Corbijn, Dave Gahan and Martin Gore wield matching walking sticks topped with chrome-plated skulls before sitting down on an urban rooftop to face off in a game of chess.

“Wasted feelings, broken meanings/ Time is fleeting, see what it brings/ Hellos, goodbyes, a thousand midnights/ Lost in sleepless lullabies/ Heaven’s dreaming/ Thoughtless thoughts, my friends,” Gahan sings before his bandmate swoops in to deliver the final lyric of the chorus: “We know we’ll be ghosts again.”

“To me, ‘Ghosts Again’ just captures this perfect balance of melancholy and joy,” Gahan said in a statement. Added Gore, “It’s not often that we record a song that I just don’t get sick of listening to – I’m excited to be able to share it.”

The reflective, mid-tempo jam precedes the duo’s upcoming 15th studio album, Memento Mori, which is set to be released March 24 via Columbia Records. The LP will be the band’s first full-length since 2017’s Spirit, as well as the first since the passing of keyboardist and co-founder Andy Fletcher in May 2022.

The rollout for “Ghosts Again” was fraught with controversy among Depeche Mode’s fanbase. It all started with a countdown clock on the band’s social media accounts and website, seemingly pointing to the track’s release last Friday (Feb. 3), but instead was revealed that eager listeners would have to wait nearly another full week for the song’s grand unveiling.

Watch the stark music video for Depeche Mode’s “Ghosts Again” below.

John Legend Opens Up About the ‘Challenges’ He & Chrissy Teigen Faced to Have Baby Esti

John Legend and Chrissy Teigen have been very open about the difficulties and heartbreaks they’ve had to endure to have more children, including fertility treatments and the nightmare of losing a pregnancy at 20 weeks. And in an appearance on The Jennifer Hudson Show, the “All Of Me” singer — who welcomed a daughter named Esti with the model in January — spoke about why he and his wife feel it’s so important to be candid about their highs and lows when it comes to such a sensitive topic.

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“We’ve been open about it because we’ve had challenges, we’ve had to use IVF to conceive our children,” Legend told Hudson in the Thursday (Feb. 9) episode. “We’ve had the pregnancy loss. I think a lot of families go through that, but a lot of people were happy we talked about it because they didn’t feel so alone.”

“A lot of people go through this, and they go through it in silence,” he added. “I think Chrissy and I talking about it made people feel better about that journey.”

Legend and Teigen welcomed baby Esti Maxine — named after the Voice coach’s grandmother and great-grandmother, he told Hudson — on Jan. 13, giving 6-year-old daughter Luna and 4-year-old son Miles a little sister. “They’re being so good with her,” the 12-time Grammy winner told the host of his two older children.

“We were worried ’cause they seemed a little jealous when Chrissy was pregnant, and I was worried that they wouldn’t be excited to welcome her home,” he continued. “But they’ve exceeded our expectations of how loving and excited they are. They’re truly thrilled to be older siblings now.”

Esti’s arrival came a little over two years after Legend and the cookbook author had to say goodbye in 2020 to baby Jack, whom they lost when Teigen was 20 weeks pregnant. At the time, the couple explained to the public that they’d experienced a miscarriage. In September, however, Teigen shared that she’d actually had an abortion, something she didn’t fully realize until nearly two years later.

“When I was pregnant with Jack — John and my third child — I had to make a lot of difficult and heartbreaking decisions,” she said at Propper Daley’s “A Day of Unreasonable Conversation” summit. “It became very clear around halfway through that he would not survive, and that I wouldn’t either without any medical intervention.”

“Let’s just call it what it was: It was an abortion,” she continued at the time. “An abortion to save my life for a baby that had absolutely no chance. And to be honest, I never, ever put that together until, actually, a few months ago.”

Watch John Legend open up about his and Chrissy Teigen’s journey as parents above.

Brian Wilson, Liam Gallagher & More React to Burt Bacharach’s Death: ‘His Songs Will Live Forever’

The music industry has lost one of its best — and brightest — pop composers. Burt Bacharach died on Wednesday (Feb. 8) at his Los Angeles home from natural causes, the Associated Press reported. Many of Bacharach’s peers have flocked to social media to give their condolences to the composer and recognize his talents and career, which extends across several decades.

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Beach Boys co-founder Brian Wilson tweeted to share his feelings. “I’m so sad to hear about Burt Bacharach. Burt was a hero of mine and very influential on my work,” he captioned a tweet that features a photo of the late composer. “He was a giant in the music business. His songs will live forever. Love & Mercy to Burt’s family.”

Charlatans lead singer Tim Burgess also highlighted Bacharach’s legacy, sharing a video of Aretha Franklin singing the composer’s hit “I Say a Little Prayer.” “One of the greatest songwriting legacies in the history of ever. Farewell Burt Bacharach, you were a king,” Burgess shared.

Susanna Hoffs of The Bangles, Liam Gallagher and Shaun Cassidy were among the artists who also paid tribute to the composer.

Bacharach’s storied catalogue includes a whopping 52 top 40 hits, including “Alfie,” “Walk on By,” “Promises, Promises,” “Raindrops Keep Fallin’ on My Head,” “What the World Needs Now is Love” and “Do You Know the Way to San Jose?” He worked closely alongside Hal David in the 1960s and together made songs that would be covered by the aforementioned Franklin and Dionne Warwrick, while Bacharach’s solo material would later be sung by Dusty SpringfieldGene PitneyTom Jones, the Carpenters and B.J. Thomas and more.

See the artists paying tribute to Burt Bacharach below.

‘South Park’ Season 26 Premiere Parodies Kanye West Antisemitism Controversy

South Park hopped back on the Ye train on Wednesday night (Feb. 8) in the season 26 opening episode, “Cupid Ye,” in which Kyle, Stan and the gang sent up Kanye West‘s recent string of antisemitic rants. The Valentine’s Day-themed episode found Cartman’s Cupid Me character twisted into Cupid Ye, a naughty cherub who shoots hearts filled with antisemitism instead of love at his targets.

The plot ostensibly focused on Stan’s jealously over the budding friendship between Kyle — who is Jewish — and Tolkien, prompting “good Christian” Cartman to do something about it. His plan, such as it was, includes confronting Tolkien in the band room during practice and praising the show’s only Black character for being “OK” with hanging out with “someone like [Kyle] … given all the new information lately.”

As Tolkien continues honking on his horn unconcerned, Cartman adds, “You know, the stuff that’s come out about how the Jews stole the Black race’s identity? That the lost tribes of Judah were actually all Africans? You didn’t hear about this? Black people are actually the Jews and people like Kyle have taken that from them?”

After Tolkien begs him to stop talking, Cartman doubles down and goes on a 100% historically dubious rant about how when Jews came to America to escape persecution during World War II, they arrived to find that Black people were already the “underclass” in the nation, “so they had to invent a story for themselves which they could make everyone believe because Kyle runs Hollywood!”

The bit was an obvious nod to the string of hateful, antisemitic comments Kanye (who now goes by Ye) made in late 2022, which included a series of talk-show and podcast appearances in which the former billionaire musician and clothing designer repeated conspiracy theories about the Jewish people. The hate speech spurred widespread condemnation and resulted in Ye being dropped by his record label, publicists, lawyers, fashion collaborators and brand partners in one of the swiftest, most thorough downfalls of a major pop culture figure in recent memory.

The South Park crew — who’ve made Ye a repeated source of ridicule on the long-running series — had their usual irreverent way with the controversy, with Cartman promising Stan that Kyle would be back by his side soon enough. Cue Cupid Ye flying in to remind Cartman of all the lies he told him and promising to “get the word out.”

As Kyle and Tolkien continue cranking out TikToks together, fellow students begin to ask Kyle if its true that he runs Hollywood as they pitch him a guy-with-guns-for-hands movie. “I’m not even going to justify that with a response,” an incensed Kyle shoots back. “Because repeating a derogatory slur, even for the purpose of refuting it can make stupid people think it’s valid!”

And there was the point.

Cupid Ye, with a mic in one hand and a crucifix in the other, later returns to assure Cartman that he would help him spread the word, even as the conflicted 10-year-old worries that ever since Cupid changed his name and found Jesus he’s been acting a bit “bats–t crazy.” Which, of course, led to Cupid Ye visiting Tolkien in his sleep and whisper antisemitic tropes in his ear, suggesting that Kyle is the one really profiting off their TikToks.

There was also a takedown of woke culture, a hard diss at Avatar 2 and a parody of one of West’s masked media interviews spreading anti-Jewish hate in which even Cartman has to slow Cupid Ye’s Kanye-like claim that “Hitler actually wasn’t a bad guy.”

You can watch the full episode on South Park’s website.

*Editor’s Note: After an Oct. 8, 2022, tweet in which he announced he was going “death con [sic] 3 on Jewish people,” Kanye West (Ye) has repeatedly doubled down on antisemitic hate speech, even going so far as to praise Hitler, a man responsible for the systematic murder of six million Jews during the Holocaust. This arrives at a troubling time when antisemitism is on the rise, with the Anti-Defamation League noting a 34% year-over-year increase in antisemitic incidents (assault, harassment and vandalism) in America in 2021. Many companies have cut business ties with the rapper/fashion designer, while numerous musicians, friends and politicians have condemned his comments.