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On the latest episode of Therapuss, Lizzo joined host Jake Shane for a deeply personal and often hilarious conversation about her upcoming album Love in Real Life, her complex relationship with fame, and the viral moment that launched her 2017 single “Truth Hurts” to No. 1 on the Billboard Hot 100.
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“The sync changed my f—ing life,” Lizzo recalled of the track’s inclusion in the 2019 Netflix rom-com Someone Great. “I dropped ‘Truth Hurts’ in 2017. I think they put it in Someone Great in 2018 or 2019. I was like, ‘Okay, cool.’ That s— went so crazy — it launched ‘Truth Hurts’ to the No. 1 song. A song that had been out for three years. From that one sync.”
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The hit marked her first Billboard Hot 100 entry and eventually became the longest-running solo No. 1 by a female rapper.
Elsewhere in the episode, Lizzo spoke about writing music from pain, particularly her song “Soulmate.” “I was crying in the studio when I wrote it,” she said. “When I sing this song in a year, this will be me. I will believe these words, but b—-, I did not believe these words when I was writing it.”
As for her new project Love in Real Life, Lizzo described it as “a diary of October 2023 to November 2024.” She added, “There’s not one album that wasn’t directly impacting my personal life… This time I wrote a song that doesn’t have a happy ending.”
She also addressed the emotional toll of viral fame. “All viral aint good viral. The internet don’t know that they think all viral is good viral. It’s not.” Jake added, “It’s like all press is good press, it’s like no.”
Lizzo added, “Sometimes when my videos going viral, I have an anxiety attack… And I’ll be like ‘oh f—, what did I do wrong. I did something wrong, because I don’t read comments anymore.”
Noting it had been “two years” since she had read social media comments, she continued, “I never scrolled through my comments because that’s hell, but I saw TikTok comments got so mean. You know when I really stopped after the very backhanded compliments trend.”
The Therapuss interview also touched on Lizzo’s decision to stop using dating apps (“I got kicked off Hinge for impersonating a celebrity — it was me”) and the heartbreak of disappointing a fan during a meet-and-greet while exhausted on tour. “That was my first time realizing: Oh wow, there can be misconceptions and you’re not in control of it.”
Lizzo’s Love in Real Life is expected later this year.
As the questions surrounding Oasis‘ fast-approaching reunion tour continue to swirl, longtime bassist Andy Bell has confirmed his presence within the lineup.
Bell’s presence was confirmed in a recent conversation with Austrian outlet OE24, who spoke to Bell following a performance in the country by his band Ride. “Yes, I’m in and I’m really looking forward to it,” Bell noted. “We’ll see each other on tour. Or rather, you’ll see me, because I’ll hardly be able to spot you in the audience!”
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News of Bell’s involvement gained traction in March after NME reported that “sources working closely with the band and tour” had outlined who would be performing with the Gallaghers onstage this year.
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At the time of their split in 2009, Oasis officially featured Gem Archer on guitar, with Bell taking on bass, guitar, and keyboards. A series of touring drummers had sat behind the kit since the 2004 departure of Alan “Whitey” White, with Chris Sharrock holding the beat at their final shows.
According to the March report, the forthcoming version of the band would see the Gallaghers joined by Archer and Bell, along with Oasis co-founder Paul “Bonehead” Arthurs, and Joey Waronker, who has previously performed with R.E.M., Beck, Roger Waters, and more.
“NME tell me who your source pots are that keep giving you info about OASIS and I’ll give you an exclusive interview about up n coming OASIS tour,” Liam Gallagher wrote in response to the report. “You can have it all but how much do you want it.”
Bell – who had performed in Oasis since 1999 and later joined Liam Gallagher, Archer and Sharrock as a member of Beady Eye – previously sparked speculation of a reunion from the group in April 2024 when he was asked by Virgin Radio U.K.’s Andy Goldstein whether the band could ever perform together again.
“I’m going to say a qualified yeah, I think they will at the end of the day,” Bell said. “I don’t think it looks likely right now, but I think life is long, isn’t it?”
Liam Gallagher responded to Bell’s comments on social media, writing, “Andy bell from ride the shoe gazing phenomenon should really not be getting people’s hopes up it’s not big and and it’s not clever.”
When pressed by a fan who claimed Bell was simply noting what Gallagher himself had claimed in the past, the vocalist claimed, “I’ve never mentioned oasis reunion it’s over we must all really move in for our own mental health.”
To date, Oasis have lined up more than 40 dates for their Live ’25 outing, which will hit stadiums in the U.K., North America, Asia, Australia and South America from July through November. So far, the only participants confirmed by the Gallaghers to appear are the brothers themselves — who have not shared a stage since August 2009.
News of Bell’s self-confirmation comes soon after Alec McKinlay, who heads the band’s Ignition Management and Big Brother Recordings, Oasis’ U.K. label, disputed claims from Liam Gallagher that the band had a new album in the works.
“This is very much the last time around, as Noel’s made clear in the press,” McKinlay said in an interview with Music Week published Tuesday (May 13). “It’s a chance for fans who haven’t seen the band to see them, or at least for some of them to. But no, there’s no plan for any new music.”
Snoop Dogg’s longevity, work ethic and versatility can’t be matched by many — if any — in the hip-hop realm. The Death Row legend returned on Thursday (May 14) with his 21st studio album, Iz It a Crime? Explore See latest videos, charts and news See latest videos, charts and news The project boasts 21 […]
Fresh from teasing the release of new album Love Chant last month, The Lemonheads have previewed the upcoming LP with latest single “Deep End.”
Co-written by Evan Dando alongside longtime collaborator Tom Morgan (of Australian outfit Smudge), “Deep End” features Juliana Hatfield on backing vocals with additional guitar from Dinosaur Jr.’s J Mascis. Both Hatfield and Mascis make brief cameos in the accompanying video, which was filmed in by São Paulo, Brazil by Surreal Hotel Arts.
The black-and-white clip sees Dando walking down an endless sidewalk as he’s passed by a series of objects, people, and landscapes, with his bandmates occasionally joining. “It’s never been so painless making a video,” Dando said of the clip. “Everyone working was really great. The endless sidewalk goes really well with the song.”
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“Deep End” is also backed by a cover of Townes Van Zandt’s “Sad Cinderella,” which features backing vocals from Nashville artist Erin Rae. Both tracks will appear on a limited edition 12″ vinyl single that arrives on June 13 via Fire Records.
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The A-side is set to appear on Love Chant, which will arrive as the band’s first album of new material since 2006. The record will reportedly release in fall, though specific details are expected to arrive in the coming months.
The Lemonheads first formed in Boston in 1986, with a series of independent albums arriving via Taang! before the group signed to Atlantic for 1990’s Lovey.
Working with Morgan while in Australia, The Lemonheads found their commercial breakthrough with 1992’s It’s a Shame About Ray, which reached No. 68 on the Billboard 200. Its success was bolstered by a cover of Simon & Garfunkel’s “Mrs. Robinson,” and helped the group achieve their commercial peak with 1993’s Come on Feel the Lemonheads, which peaked at No. 56.
The Lemonheads initially dissolved in 1997, though Dando reactivated the group in 2005, with a self-titled record arriving the following year. Since then, two cover albums have been released, with Varshons and Varshons 2 being issued in 2009 and 2019, respectively.
Pink Floyd’s archival live album Pink Floyd at Pompeii: MCMLXXII debuts in the top 10 across multiple Billboard charts (dated May 17), following its release on May 2, including a No. 3 arrival on Top Album Sales with the band’s biggest sales week in over a decade.
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The digitally remastered and remixed set is the audio companion the concert film of the same name, which was originally recorded in 1971, and garnered a limited theatrical release in April 2025 after it was digitally remastered. A version of the film was first briefly released in 1972, and has been issued a number of times since then. However, the audio from the film has never been issued as a stand-alone album until now.
In total, it sold just over 20,000 copies in the United States in the week ending May 8, according to Luminate. The album contains the eight performances from the film and was available to purchase as a two-CD set and a double-vinyl package or as a digital download. The CD and vinyl editions have two bonus tracks, while the digital edition has a third bonus cut. (The film itself, separate from the album, was also sold as stand-alone Blu-ray, DVD and digital download.)
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The Pink Floyd at Pompeii: MCMLXXII album also debuts at No. 1 on Indie Store Album Sales, No. 2 on Vinyl Albums (with 12,500 copies sold in its first week), No. 2 on Top Rock Albums, No. 3 on Top Rock & Alternative Albums and No. 28 on the overall all-genre Billboard 200. On the latter, Pompeii marks the 15th top 40-charting set for the band and 30th charting album overall.
With the No. 3 debut on Top Album Sales with 20,000 copies, Pink Floyd captures its largest sales week for an album in over 10 years. The act last sold more copies of a single album on the Jan. 10, 2015-dated chart, when the band’s final studio album, The Endless River, sold 29,000 copies in its seventh week of release.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album (TEA) units and streaming equivalent album (SEA) units.
It’s a busy week in the top 10 on Top Album Sales, as the Pompeii project is one of six debuts in the region. At the top of the list, Bad Bunny’s Debí Tirar Más Fotos reenters at No. 1, for its first week in the lead, following its vinyl release. Fuerza Regida’s 111XPANTIA bows at No. 2, while Eric Church’s Evangeline Vs. The Machine motors in at No. 4. Ghost’s Skeletá falls to No. 5 after its debut at No. 1 a week ago, while Josh Groban’s first U.S.-released hits retrospective Gems jumps in at No. 6. Kendrick Lamar’s chart-topping GNX descends 5-7, Car Seat Headrest’s The Scholars starts at No. 8 and Key Glock’s Glockaveli bows at No. 9. Sabrina Carpenter’s former leader Short n’ Sweet rounds out the top 10, falling 9-10.
With more than 2,000 attendees converging on Atlanta for the annual Music Biz conference at the Renaissance Atlanta Waverly Hotel and Convention Center Galleria, Music Business Association president Portia Sabin opened day 2 by reminding everyone of the “guiding belief” behind the Music Business Association and its conference — while revealing the conference will return to Atlanta next year.
“We’re all better together,” Sabin proclaimed. “We know we can achieve success and overcome any challenge in our way when we come to the table with open minds, foster collaboration, and develop solutions that truly support one another.”
Sabin pointed out that the music industry has become truly global in the past several years and, corresponding to that, international music companies now comprise one-fifth of Music Biz’s membership. What’s more, she said 15% of the attendees at this year’s conference (which runs from May 12-15) are from outside the U.S: “That’s 250 individuals, representing 168 companies and over 30 countries, ranging from Vietnam and Australia, to Japan and Egypt,” she said.
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In order to better represent its membership and the global music industry, “we’ve embraced this shift by hosting our virtual Passport series — free webinars that dissect issues in music markets across the globe — as well as expanding our traveling Roadshow series with our first international event in Toronto this past March,” Sabin added.
Finally, Sabin pointed out that in preparing to hold the conference in Atlanta over the last year, Music Biz hosted a number of mixers and meetups to “build relationships with Atlanta’s vibrant music business community. Most recently, we partnered with the Mayor’s Office of Film, Entertainment and Nightlife for an event at City Hall, to connect local & global music professionals and preview some of the programming we offer at our conference.”
After holding the convention for the last 10 years in Nashville, the Music Biz conference is going on the road again, just like its antecedent organization, the National Assn. of Recording Merchandisers, did for decades by moving the annual convention to various cities. However, Sabin revealed that Atlanta will host the convention again next year, too, while thanking the city and the hotel for supporting it.
“Thank you to the team here at the Renaissance for making this year’s event possible, and to the city of Atlanta for being such gracious hosts ever since we announced plans to bring our conference here in 2025 and 2026,” Sabin said at the beginning of her remarks to attendees.
Styles P doesn’t think he and Jim Jones are in the same category. When co-host and Harlem native KP suggested that Jim Jones had better songs than Styles P when it came to a Verzuz, the Yonkers rappers respectfully disagreed and laid out the differences between the two artists. “You’re entitled to that feeling,” Styles […]
Gerardo Coronel ‘El Jerry’ celebrates a new milestone on the Billboard charts with his first No. 1 on the overall Latin Airplay ranking, as “No Se Dice” lands at No. 1 on the May 17-dated list. The corridos singer-songwriter also adds his fifth champ on the Regional Mexican Airplay chart.
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“No Se Dice” surges 12-1 on Latin Airplay after a 31% gain in audience impressions, to 7 million, earned in the U.S. during the May 2-8 tracking week, according to Luminate. The song takes the Greatest Gainer honor of the week, an award recognizing the track with the largest audience growth within the 50-position chart. The track has gained significant support from three Univision stations: KSCA (Los Angeles), WOJO (Chicago), and KLNO (Dallas).
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“No Se Dice” marks Coronel’s first No. 1 on the Latin Airplay chart, following a No. 2 high through “Tutorial Para Olvidar” in late 2024. In sum, he’s placed five career top 10s, dating to “Que Onda Perdida” in 2023.
Elsewhere, “No Se Dice” climbs 3-1 on Regional Mexican Airplay, becoming Coronel’s fifth ruler overall and second in 2025. Here’s the recap of his collections of No. 1s on Regional Mexican Airplay since the chart launched in 1994:
Peak, Title, Artist, Weeks at No. 1July 1, 2023, “Que Onda Perdida,” with Grupo Firme, threeDec. 2, 2023, “Se Buscan Borrachos,” twoAugust 24, 2024, “Tutorial Para Olvidar,” oneFeb. 15, 2025, “Chsm El Hígado,” oneMay 17, 2025, “No Se Dice,” one
“No Se Dice,” released on January 17 through Union Music, marks also a major milestone for the indie label as it celebrates its first No. 1 on the overall Latin Airplay chart.
Bruce Springsteen is proud to have been born in the U.S.A., but he’s not particularly happy with its leadership right now.
At the first show of his Land of Hopes and Dreams Tour in Manchester, England, the rock star slammed President Donald Trump’s administration from the Co-Op Live stage Wednesday (May 14). “The mighty E Street Band is here tonight to call upon the righteous power of art, of music, of rock and roll, in dangerous times,” he told his cheering crowd moments after he walked on.
“In my home, the America I love, the America I’ve written about, and has been a beacon of hope and liberty for 250 years, is currently in the hands of a corrupt, incompetent and treasonous administration,” he continued, as captured in a clip filmed by a concertgoer and posted to X. “Tonight, we ask all who believe in democracy and the best of our American experience to rise with us, raise your voices against the authoritarianism, and let freedom ring.”
Springsteen went on to sing the trek’s namesake song, 2001’s “Land of Hopes and Dreams,” which includes the lyrics: “Dreams will not be thwarted/ Faith will be rewarded/ Hear the steel wheels singing/ Bells of freedom ringing.”
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The Boss has long been vocal about his opposition to the sitting president. In the 2024 election, Springsteen endorsed Trump’s opponent, Kamala Harris, and four years prior, he opened up about his fears surrounding the twice-impeached POTUS’ first bid for a second White House term back in the 2020 race.
“I believe that our current president is a threat to our democracy,” he told The Atlantic of Trump at the time. “He simply makes any kind of reform that much harder. I don’t know if our democracy could stand another four years of his custodianship. These are all existential threats to our democracy and our American way of life.”
At Wednesday’s show, Springsteen echoed these sentiments during a mid-show speech. “In America, the richest men are taking satisfaction in abandoning the world’s poorest children to sickness and death,” he told fans before singing “My City of Ruins.”
“And in my country, they are taking sadistic pleasure in the pain that they inflict on loyal American workers, they are rolling back historic civil rights legislation that led to a more just and moral society,” he continued. “They are abandoning our great allies and siding with dictators against those struggling for their freedom.”
The performance marks the first of several tour dates Springsteen and the E Street Band have scheduled this summer. After two more dates in Manchester, he’ll perform at venues in France, Spain, Germany and Italy through the beginning of July.
Eazy-E‘s son wants to see his late father make a comeback with the help of artificial intelligence. TMZ spoke with the late rap legend’s son Lil Eazy-E, who spoke about some plans he has in store for his father’s legacy. “I have something special that I’m doing,” he said. “I actually just got a sample […]
