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Ben Platt Condemns Antisemitic Protesters at ‘Parade’ on Broadway for ‘Spreading Evil’

While it’s said that art imitates life, Ben Platt learned all too well recently that life also tends to imitate art.

In an Instagram Reel posted late Tuesday night (Feb. 21), Platt spoke out about a group of neo-Nazi, antisemitic protesters who appeared outside the Jacobs Theater for opening night of previews for Parade on Broadway.

After taking a moment to congratulate the cast and crew on an “amazing” opening night, Platt addressed the protests outside the show. “There were a few neo-Nazi protestors from a really disgusting group outside of the theater … saying antisemitic things about Leo Frank, who the show is about, and spreading the antisemitic rhetoric that led to this whole story in the first place,” he said.

Parade centers around the true story of Frank, a Jewish factory worker who was wrongly convicted of murder in 1913. After his sentence was later commuted, Frank was lynched by an antisemitic mob in 1915. Frank’s trial and eventual murder gave rise to the Anti-Defamation League (ADL), now one of the largest Jewish civil rights organizations in America.

Video clips posted to Twitter by The Forward editor Jake Wasserman show protestors from the National Socialist Movement (an antisemitic hate group, according to the Southern Poverty Law Center) standing outside the theater on Tuesday with banners referring to Frank as a “pedophile.” Claims like these are part of a continued effort by antisemitic hate groups to implicate Frank in the murder of Mary Phagan, despite historical consensus that he was innocent.

Platt said that the protests were “definitely very ugly and scary,” but focused instead on the importance of Frank’s story. “It was a wonderful reminder of why we’re telling this particular story, and how special and powerful art and especially theater can be,” he said. “I wanted the button on this evening, at least for me personally, to be to celebrate what a beautiful experience [the show] is and what gorgeous work all of my wonderful colleagues did tonight, not the really ugly actions of a few people who are spreading evil.”

The producers of Parade also chimed in online, saying, “If there is any remaining doubt out there about the urgency of telling this story in this moment in history, the vileness on display last night should put it to rest. We stand by the valiant Broadway cast that brings this vital story to life each night.”

Jonathan Greenblatt, CEO of ADL, called the protests an example of “vile antisemitism” that highlights “the importance of telling Leo Frank’s story” in a statement to Billboard. “The irony should not be lost on anyone that these antisemitic extremists decided to protest a play that details the true story of the lynching of an innocent Jewish man by an antisemitic mob, and used it as an opportunity to spread conspiracy theories and hate,” he wrote. “ADL locks arms in solidarity with the entire cast and wants to especially thank the producers of the play and Ben Platt for their poignant statements speaking out in the face of hate. Despite the presence of a half-dozen neo-Nazis, New York City will continue to remain no place for hate.”

See Platt’s full video below:

Pink Reveals Madonna Invited Her & Gwen Stefani to Be Part of That Iconic VMAs Kiss With Britney Spears

Apparently, Pink was originally supposed to be part of Madonna‘s iconic VMAs performance with Britney Spears and Christina Aguilera. Who knew?

In a Wednesday (Feb. 22) radio appearance on KTU 103.5, the “Just Give Me a Reason” singer revealed that the Queen of Pop had actually asked her — and Gwen Stefani, she thinks — to be part of the infamous 2003 spectacle, during which Madonna individually kissed Aguilera and the “Toxic” singer as Justin Timberlake, who had recently split from Spears, looked on from the audience.

“I think we all were [invited],” Pink recalled. “I think Madonna wanted to kiss all of us. I was in Costa Rica at the time, having all kinds of fun with my boyfriend Carey Hart. Gwen Stefani was also invited, I remember. It was a bunch of us.”

“It was going to be a party,” added the pop star, who’s been married to Hart since 2006, grinning slyly. “It would’ve been a really weird party.”

The revelation comes about a month after Jennifer Lopez said that she, too, had originally been approached for Madge’s steamy performance. The Shotgun Wedding actress had actually gotten as far as meeting with Spears and Madonna at the legendary artist’s home to discuss possibilities, but ultimately, Lopez was unable to get away from the movie she was filming at the time.

“I didn’t wind up doing it, but yeah, we had talked about it,” Lopez said in a January interview. “I love Madonna. I’m a huge fan, I always have been.”

Watch Pink talk about the Madonna kiss that never came to be below:

Rihanna Tops Artist 100 Chart for First Time Thanks to Super Bowl Performance Gains

Rihanna vaults from No. 22 to No. 1 on the Billboard Artist 100 (dated Feb. 25), becoming the top musical act for the first time since the chart began in 2014, thanks to catalog gains following her performance at the Super Bowl LVII Halftime Show on Feb. 12.

Rihanna performed 13 songs during her set, and in turn, generated her largest streaming week ever, according to Luminate. Her song catalog earned 166.1 million U.S. on-demand official streams in the week ending Feb. 16. That’s up 156% compared to the previous week’s sum of 65 million. (She logged her previous best streaming week in the week ending Feb. 25, 2016, when her collected songs rung up 101.5 million clicks in the U.S., shortly after the release of her most recent studio album, Anti.)

Five of Rihanna’s albums chart the latest Billboard 200: Anti (No. 8), Good Girl Gone Bad (No. 15), Unapologetic (No. 18), Loud (No. 26) and Talk That Talk (No. 49). She becomes just the seventh act in the last 50 years to chart at least five albums in the top 50, joining Taylor Swift (who has claimed at least five titles in the region 18 times, including on the latest chart), Mac Miller (once following his death in 2018), Prince (three times, following his death in 2016), Whitney Houston (three times, following her death in 2012), the Glee cast (once in 2010) and Garth Brooks (four times in 1992).

On the Billboard Hot 100, Rihanna tallies four songs, three of which are former No. 1s that re-enter: “Umbrella,” featuring Jay-Z (No. 37), “Diamonds” (No. 44) and “We Found Love,” featuring Calvin Harris (No. 48). Her latest single, “Lift Me Up,” which debuted at No. 2 in November, rises 52-41.

Among other Artist 100 chart moves, Paramore re-enters at No. 5, marking the trio’s first top 10 appearance, thanks to its new studio album, This Is Why. The set opens at No. 1 on Top Rock & Alternative Albums and No. 2 on the Billboard 200 with 64,000 equivalent album units earned. It earned the act its first No. 1 on the Alternative Airplay chart, among six top 10s, with the title cut earlier this month.

The Artist 100 measures artist activity across key metrics of music consumption, blending album and track sales, radio airplay and streaming to provide a weekly multi-dimensional ranking of artist popularity.

Morgan Wallen’s ‘Last’ Helps Him Be First on All Five Billboard Country Charts

Morgan Wallen leads all five of Billboard’s country charts (dated Feb. 25), becoming the first artist to achieve the quintuple domination since Luke Combs nearly four years ago.

Wallen’s “Last Night” tops the streaming-, airplay- and sales-based Hot Country Songs list for a second week, with 28.3 million U.S. streams, 1.3 million in radio airplay audience and 10,000 sold in the Feb. 10-16 tracking week, according to Luminate.

“Last Night” also leads Country Digital Song Sales for a third week and Country Streaming Songs for a second week.

Concurrently, Wallen banks his eighth Country Airplay No. 1 with “Thought You Should Know” (33.2 million, up 4%). Both songs preview his 36-track album One Night at a Time, due March 3.

On Top Country Albums, Wallen’s prior LP, Dangerous: The Double Album, spends its record-extending 95th week in the penthouse (44,000 equivalent album units).

Wallen is the first act to rule all five country surveys since Combs dominated the charts dated March 9, March 30 and April 6, 2019.

One other artist has led all five charts simultaneously: Kane Brown, on Oct. 28, 2017.

‘Anyway,’ Here’s More

Luke Combs scores his 18th Hot Country Songs top 10 as “Love You Anyway,” which he co-penned, blasts in at No. 3. It drew 17.7 million streams and sold 9,000 downloads in its first week.

The song introduces his third LP, the 18-track Gettin’ Old, due March 24.

“Anyway” marks Combs’ fifth top 10 Hot Country Songs debut, a haul that includes a No. 1 launch in November 2020 for “Forever After All,” which went on to reign for 10 weeks.

Combs’ current single being promoted to country radio, “Going, Going, Gone,” from his 2022 album Growin’ Up, ranks at No. 8 on Hot Country Songs after reaching No. 5 in January. It drew 9.7 million streams and sold 2,000 in the latest tracking week. On Country Airplay, it pushes 4-3 for a new best (29 million, up 6%).

Karol G & Shakira Announce the Collaboration ‘You’ve All Been Waiting For’

“We know what you’ve all been waiting for and here we are,” Karol G and Shakira jointly posted on social media on Tuesday (Feb. 21) announcing their highly anticipated collaboration.

The pair will join forces for “TQG,” which will be part of Karol’s upcoming new album, Mañana Será Bonito, set to drop Feb. 24. It’s the first time the Colombian superstars unite for a track. The photo of them side-by-side kneeling on a dirt-like surface doesn’t reveal much about the actual song, but fans are already predicting it will be a hit. Fellow artists such as Anitta and Becky G reacted by writing “wow” or commenting two crown emojis.

Shakira is just one of a handful of collaborations featured on Karol’s album. Mañana Será Bonito will also include collabs with  QuevedoCarla MorrisonSean PaulSechBad GyalJustin Quiles and Angel Dior. It also includes previously released hit singles “Provenza,” “Cairo” with Ovy on the Drums, “Gatubela” featuring Maldy, and the Romeo Santos-assisted “X Si Volvemos.”

Mañana Será Bonito will be her fourth studio album. It will follow her 2021 Grammy-nominated KG0516, which scored Karol her first No. 1 on Billboard‘s Top Latin Albums. The set earned the biggest week for a Latin album by a woman since Shakira‘s 2017 El Dorado.

Meanwhile, Shakira is currently making the rounds with her Bizarrap Music Session, “Bzrp Music Sessions, Vol. 53.” The diss track, released in January, peaked at No. 1 on Billboard‘s Hot Latin Songs chart. With her music session, Shakira ties with Bad Bunny for the fourth-most No. 1s overall, both with 12.

See the collaboration announcement below:

What to Expect From Billboard’s 2023 Women In Music Awards Pre-Show

Billboard is kicking off its 2023 Women in Music Awards with a special pre-show that will further celebrate the successes of some of the most influential women in the industry. 

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The pre-show will explore some of the most notable accomplishments ever made by star-studded women and will feature interviews from some of the award recipients, whom know how invaluable it is to have support on your side.

The pre-show will also see Billboard staff come together for a roundtable segment, where women editors and executives –– including executive director of R&B/Hip-Hop Gail Mitchell, music publishing reporter Kristin Robinson, executive editor for West Coast and Nasvhille Melinda Newman, director of Billboard dance Katie Bain, and senior editor Lyndsey Havens –– discuss their own experiences in the music industry. The Nationwide-sponsored event will see the editors go into detail about their proudest accomplishments as industry professionals, as well as the unique challenges they face in the field as women and who has been on their side through the best and the worst of it all.

Nationwide has long championed musicians with their On Your Side Soundtracks campaign. As part of the campaign, each featured artist puts their own spin on the brand’s famous jingle with an original song that perfectly encapsulates Nationwide’s commitment to protection and care. 

Viewers can tune in via livestream to Billboard’s Women in Music Awards pre-show on March 1 at 6 p.m. PT/3 p.m. PT on Billboard’s Twitter and YouTube channel.

The 2023 Billboard Women in Music Awards will then stream live from Los Angeles’s YouTube Theater at 7 p.m. ET/4 p.m. PT. Hosted by Emmy-winner Quinta Brunson, the awards show will highlight the impact made by women, specifically honoring SZA with the Woman of the Year Award, Becky G with the Impact Award, Rosalía with the inaugural Producer of the Year Award, Kim Petras with the Chartbreaker Award, Lana Del Rey with the Visionary Award, Doechii with the Rising Star Award, TWICE with the Breakthrough Award, Lainey Wilson with the Rulebreaker Award, Latto with the Powerhouse Award, and Ivy Queen with the Icon Award. 

Graham Nash Releasing First Studio Album in 7 Years, Drops Reflective ‘Right Now’ Single

Graham Nash is gearing up to release his first studio album in seven years. The collection, Now, is due out on May 19 through BMG and will serve as the follow-up to his 2016 album, This Path Tonight.

“I believe that my new album, Now, is the most personal one I have ever made,” Nash, 81, said in a statement announcing the project. “At this point in my life, that’s something to say.” The record was produced by Nash and his touring keyboardist Todd Caldwell and serves as the long-awaited follow-up to 2016’s This Path Tonight.

“I used to think that I would never love again/ I used to think that I would be all on my own/ I really thought that it was coming to an end/ And just the thought of it chilled me to the bone/ But not now… Right now, here I am/ Still living my life/ Right now, right now,” Nash sings urgently on the first single over a swarm of keening electric guitars. The singer will embark on his Sixty Years of Songs and Stories tour in April with a two-night stand at the Colonial Theatre in Phoenixville, PA and will play multiple nights in most cities, including a five-night run at Chicago’s legendary Old Town School of Folk Music and three nights at the New York City Winery before winding down with two gigs at the Lobero Theatre in Santa Barbara, CA.

Listen to “Right Now” below and see the album track list and Nash’s upcoming tour dates.

Now track list:

“Right Now”

“A Better Life”

“Golden Idols”

“Stars & Stripes”

“Love of Mine”

“Theme From Pastoral”

“In a Dream”

“Stand Up”

“It Feels Like Home”

“Buddy’s Back”

“Follow Your Heart”

“I Watched It All Come Down”

“When It Comes to You”

2023 tour dates:

April 12 — Phoenixville, PA @ Colonial Theatre
April 13 — Phoenixville, PA @ Colonial Theatre
April 15 — Annapolis, MD @ Ram’s Head on Stage
April 16 — Annapolis, MD @ Ram’s Head on Stage
April 18 — Alexandria, VA @ The Birchmere
April 19 — Alexandria, VA @ The Birchmere
April 21 — Pittsburgh, PA @ Carnegie of Homestead Music Hall
April 22 — Pittsburgh, PA @ Carnegie of Homestead Music Hall
April 23 — Carmel, IN @ The Palladium
April 25 — Chicago, IL @ Old Town School of Folk Music
April 26 — Chicago, IL @ Old Town School of Folk Music
April 28 — Chicago, IL @ Old Town School of Folk Music
April 29 — Chicago, IL @ Old Town School of Folk Music
April 30 — Chicago, IL @ Old Town School of Folk Music
May 2 — Minneapolis, MN @ The Dakota
May 4 — Minneapolis, MN @ The Dakota
May 5 — Minneapolis, MN @ The Dakota
May 7 — Columbus, OH @ Southern Theatre
May 8 — Buffalo, NY @ Asbury Hall
May 10 — Bethel Woods, NY @ Bethel Woods Event Gallery
May 11 — Beverly, MA @ Cabot Theater
May 13 — Portsmouth, NH @ The Music Hall
May 14 — New York, NY @ City Winery
May 16 — New York, NY @ City Winery
May 17 — New York, NY @ City Winery
June 17 — Malibu, CA @ Smothers Theatre
June 18 — San Diego, CA @ Humphrey’s
June 20 — Tucson, AZ @ Fox Theatre
June 21 — Phoenix, AZ @ Celebrity Theatre
June 24 — Boulder, CO @ Boulder Theater
June 25 — Fort Collins, CO @ Washington’s
June 27 — Steamboat Springs, CO @ Strings Music Pavilion
June 29 — Breckenridge, CO @ Riverwalk Center
July 1 — Park City, UT @ The Egyptian Theatre
July 2 — Park City, UT @ The Egyptian Theatre
July 3 — Park City, UT @ The Egyptian Theatre
July 7 — Sandpoint, ID @ The Panida
July 8 — Tacoma, WA @ Pantages Theater
July 11 — Berkeley, CA @ Freight & Salvage
July 13 — Berkeley, CA @ Freight & Salvage
July 15 — Santa Barbara, CA @ The Lobero Theatre
July 16 — Santa Barbara, CA @ The Lobero Theatre

Nipsey Hussle’s Convicted Killer to be Sentenced

A man convicted of gunning down rapper Nipsey Hussle in 2019 is likely to get life in prison when he is sentenced Wednesday (Feb. 22) in a Los Angeles courtroom.

Jurors in July found Eric R. Holder Jr., 32, guilty of the first-degree murder of the 33-year-old Grammy-nominated hip-hop artist outside the clothing store Hussle founded, the Marathon, in the South Los Angeles neighborhood where both men grew up.

Holder was also convicted of two counts of attempted voluntary manslaughter and two counts of assault with a firearm for gunfire that hit two other men at the scene who survived.

The sentencing has been delayed in part so defense attorney Aaron Jansen could move for Superior Court Judge H. Clay Jacke to reduce Holder’s conviction to manslaughter or second-degree murder, which the judge rejected in December.

Jacke will have a broad range of possibilities when he sentences Holder at the Thursday morning hearing, but the murder conviction alone carries a term of 25 years to life. The other convictions, and special sentencing circumstances that jurors found true, make it almost certain Holder will spend the rest of his life in prison. Holder was not eligible for the death penalty.

“We hope that there is some resounding peace in the fact that his killer will be in prison likely for the rest of his life,” the lead prosecutor, Deputy District Attorney John McKinney, said after the verdict.

Actor Lauren London, who was Hussle’s partner and the mother of his two young children, did not attend any part of the trial, nor did any of his relatives, and none are expected to give victim impact statements, as often happens at such hearings.

The evidence against Holder was so overwhelming — from eyewitnesses to surveillance cameras from local businesses that captured his arrival, the shooting and his departure — that his attorney conceded during trial that he had shot Hussle.

But Jansen argued to jurors that the heated circumstances of the shooting meant a lesser verdict of voluntary manslaughter was merited. The jury returned with the first-degree murder verdict after about six hours of deliberations. Jansen said afterward that he was “deeply disappointed” in the verdict, which they planned to appeal.

He did manage a minor victory for Holder by securing the attempted voluntary manslaughter convictions where prosecutors had sought attempted murder verdicts. The sentencing, originally scheduled for September but postponed at the request of the defense, brings an end to a legal saga that lasted more than three years and a trial that was often delayed because of the pandemic.

Hussle, whose legal name is Ermias Asghedom, and Holder had known each other for years growing up as members of the Rollin’ 60s in South LA. Both were aspiring rappers. But Holder never found the same success as Hussle, who would become a local hero and a national celebrity.

A chance meeting outside the Marathon, in a shopping center Hussle owned, led to a conversation the two men had about rumors that Holder had been acting as an informant for authorities. Jansen argued that being publicly accused of being a “snitch” by a person as prominent as Hussle brought on a “heat of passion” in Holder that prompted the shooting.

A woman who was with Holder that day took a photo with Hussle before becoming Holder’s unwitting getaway driver, was a key witness for the prosecution.

After years of devoted work that won him underground acclaim — his nickname was both a play on the name of comedian Nipsey Russell and a nod to the hustle the future hip-hop star showed in making music and selling CDs — Hussle had just released his major-label debut album and earned his first Grammy nomination when he was killed.

A year after his death, he was mourned at a memorial at the arena then known as Staples Center, and celebrated in a performance at the Grammy Awards that included DJ Khaled and John Legend.

Stray Kids Release New Japanese Album ‘The Sound’: Stream It Now

After two No. 1 albums on the Billboard 200 in the last 10 months, Stray Kids have delivered another new project focused on the Japanese market.

Released the morning of Feb. 21 (Feb. 22 local time in Japan), The Sound marks Stray Kids’ first original Japanese full-length album. The 10-track record follows up two previous EPs that the boy band packaged for Japan with Circus from 2022 and All In from 2020. While those earlier EPs consisted of half or more remakes of their K-pop material, The Sound is a majority of original music.

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Ahead of the full album today, several singles previewed the LP including “Scars” and “Thunderous (Japanese Version),” which were both originally released in 2021, “Case 143 (Japanese Version)” from 2022, and the rip-roaring title track “The Sound” from January, and rhythmic ballad “There” from Feb. 15, ahead of the full album today.

Demonstrating fan anticipation for the LP, the Kids took over the top 5 of Billboard’s Hot Trending Songs chart, powered by Twitter, dated Jan. 28, with the title track at No. 1, and the cuts “DLMLU,” “Novel,” “Battle Ground” and “Lost Me” at Nos. 2-5, respectively.

Two tracks from The Sound are on the Japan Hot 100 chart dated Feb. 18, 2023. After peaking at No. 14 last year, “Case 143” is at No. 78 for its 19th week on the chart. Meanwhile, “The Sound” is at No. 96 after debuting at No. 34 last week. So far, SKZ peaked at No. 2 on the Japan Hot 100 with “Scars” in 2021.

While Stray Kids’ most recent Korean albums have been able to top the Billboard 200 thanks to their wide availability in retail stores after signing with Republic Records, there’s no current indication that The Sound or any of the band’s other J-pop material will be made available in retail stores or via physical albums like other Korean bands (such as BTS and TOMORROW X TOGETHER) have previously done.

Looking ahead, Stray Kids will return stateside next month to make up the previously-postponed dates in Atlanta and Fort Worth as part of their Maniac World Tour, and hold their first-ever arena concerts in the U.S. for a pair of shows at Los Angeles’ BMO Stadium on March 31 and April 2.

Stream Stray Kids’ The Sound here.

KCON Sets 2023 Dates for U.S., Japan & Thailand: See Which Cities the K-Pop Festival Visits

After 2022 marked KCON’s in-person return following two years online, the world’s biggest K-pop festival has set 2023 dates for events in the U.S., Japan and Thailand in the coming months.

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Once again, KCON will hold its flagship event in California with KCON 2023 Los Angeles between Aug. 18-20 at the Crypto.com Arena and LA Convention Center. Barring 2020 and 2021 due to COVID-19, the West Coast iteration of the festival has been held throughout the Crypto.com Arena (formerly known as the Staples Center) and LA Convention Center since 2015, with 2023 marking its 10th time in the city’s famous L.A. Live campus.

Last year, KCON LA reported 90,000 fans attending across its three days of convention, panels, workshops meet-and-greets and concert activities headlined by artists like Stray Kids, ATEEZ, ITZY, The Boyz, Kep1er, TO1 and more.

After visiting Tokyo in October, KCON also revealed that it will return with its KCON 2023 Japan between May 18-20 at the Makuhari Messe convention center in Chiba. The fest last visited the city for its two-day KCON Premiere Chiba event last year where K-pop boy band TO1 performed alongside J-pop acts like JO1 and INI. KCON 2022 Japan was held at Tokyo’s Ariake Arena with TO1, ATEEZ, TOMORROW X TOGETHER, fromis_9, LE SSERAFIM, NewJeans, Monsta X‘s Kihyun and more K-pop and J-pop acts performing.

KCON Los Angeles and Japan join the preciously announced KCON Thailand, taking place next month at the IMPACT Arena and IMPACT Exhibition Center throughout March 18-19 in Bangkok’s northern suburb of Muang Thong Thani. The festival has TO1, ATEEZ, Kep1er, JO1, BamBam, iKON,(G)I-DLE and more K-pop and J-pop acts scheduled to visit.

KCON followed up in a press release that each location would have “signature programming as well as content tailored for each region” and that KCON will be live streamed globally without regional limitations.

Despite increasing competition from new K-pop festival startups like last year’s KAMP and the upcoming We Bridge Music Festival & Expo, as well as more Korean artists appearing on long-running U.S. music fests like Coachella, Lollapalooza and Governor’s Ball, KCON has managed to keep its attendance and audience engagement strong for more than a decade now.

“KCON, which started out with an audience of 10,000 in 2012, has now grown into the world’s biggest K-culture festival,” said Kim Hyun-soo, Head of Live Entertainment Business at CJ ENM, in a statement. “This year, KCON will meet global fans in Thailand, Japan and the U.S., advancing the spread of K-pop and K-culture around the world.”