Music News
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An unexpected musical supergroup will appear on the soundtrack to the upcoming F1 movie, with Ed Sheeran confirming his appearance alongside some notable names.
Sheeran announced that his upcoming song, “Drive,” is more than just a solo venture, with Dave Grohl joining the track on drums and John Mayer contributing guitars. “A lot of fun making this, coming out next month with the movie,” he wrote on his Instagram Stories on Thursday (May 15).
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The full lineup of artists on F1: The Album was announced earlier in May, with Tate McRae, RAYE, Burna Boy, Roddy Rich, Dom Dolla, Chris Stapleton, Tiësto, Sexyy Red, Myke Towers, Madison Beer, Peggy Gou and more confirmed to soundtrack the Brad Pitt-led film.
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The album was led by the Ryan Tedder-produced single “Lose My Mind” by Don Toliver featuring Doja Cat, and was swiftly followed by “Messy” by ROSÉ of BLACKPINK.
Directed by Top Gun: Maverick‘s Joseph Kosinski, F1 finds the Fight Club actor portraying retired racer Sonny Hayes — whose career was cut short decades prior due to an injury — as he returns to the track to help former teammate Ruben Cervantes (Javier Bardem) save his struggling Formula 1 team, Apex Grand Prix. The film will also star Damson Idris as Joshua Pearce, the team’s “hotshot rookie intent on setting his own pace,” according to a description.
Sheeran’s announcement of the star-studded collaborators on the track follows on from a busy few weeks for all the artists involved.
While Sheeran himself recently announced the release of his forthcoming album Play, Grohl’s Foo Fighters this week announced their first show of 2025, marking their first live date since Grohl announced in September that he’d fathered a daughter outside of his marriage to wife of 22 years Jordyn Blum.
Mayer, meanwhile, has been performing with Dead & Company as part of their Las Vegas Sphere residency, which wraps on Saturday (May 17).
F1 will hit theaters June 27, with the soundtrack dropping the same day.
The Weeknd says Tom Cruise did him a solid with the actor’s lip-sync performance of “Can’t Feel My Face,” the singer says during his first-ever interview on The Tonight Show Thursday (May 15) in an exclusive Billboard preview clip. Host Jimmy Fallon told The Weeknd (real name Abel Tesfaye) one of the first times his […]
Bad Bunny is ready to take summer by storm, but first, he’s performing as the musical guest during the season finale of Saturday Night Live this weekend. In promos for the May 17 finale of season 50 shared on Thursday (May 15), the superstar appears alongside host Scarlett Johansson and SNL mainstay Kenan Thompson, with […]
The New York Knicks are riding hot as a rocket blast in the 2025 NBA Playoffs, and Nick Jonas has an inkling that his role in Broadway‘s The Last Five Years might have something to do with the team’s success.
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“OK, so real quick: The Knicks are in the playoffs, and they could advance to the next round if they win their game against the Celtics tonight,” the superstar explained in an Instagram video posted Wednesday (May 14). “During rehearsals for The Last Five Years, I said to our director, ‘I really think Jamie,’ my character, ‘should be a New York basketball fan.’ And she was like, ‘Great. What team?’
“And I was like, ‘Well, hmm…good question, what team.’ And eventually we decided to make Jamie a Knicks fan,” the pop singer-turned-Broadway star continued.
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From his dressing room, Jonas then showed off a vintage Knicks crewneck found by The Last Five Years costume designer Dede Ayite, explaining that he wears the shirt during every performance of “Moving Too Fast,” one of Jamie’s first big musical numbers in the show.
“So I’m not saying that the Knicks are in the playoffs and could potentially go to the next round because of The Last Five Years and because of this,” he then concluded, gesturing to his costume. “But coincidence? I think not.”
While the Knicks ultimately lost Wednesday night’s game, they’re still currently leading the Celtics 3-2 in the Eastern Conference semifinals, and will have home court advantage going into Game 6 on Saturday night (May 16) at Madison Square Garden.
Meanwhile, Jonas has six more weeks of his run on Broadway before The Last Five Years closes its limited engagement at the Hudson Theatre on June 22. After that, he’ll segue full force into album mode, with the Jonas Brothers’ seventh LP, Greetings from Your Hometown, set for release Aug. 8 — two days before the kickoff of JONAS20: Living the Dream Tour, the North American trek celebrating their 20th anniversary as a band.
Check out Jonas’ witty theory before it expires on his Instagram Stories here.
Free music streaming service AccuRadio has filed for bankruptcy, citing $10 million in debts to SoundExchange and failed settlement talks in the organization’s lawsuit against the streamer over unpaid artist royalties.
AccuRadio, an ad-supported platform that describes itself as “the only online music streaming service curated by human beings, not algorithms,” sought bankruptcy protection in a Wednesday (May 14) petition to the federal court in its home city of Chicago.
The bankruptcy petition says AccuRadio owes $10 million to SoundExchange, the nonprofit that collects and distributes royalties to record labels and artists. SoundExchange sued AccuRadio last summer, alleging the streamer had an undisclosed amount of unpaid royalties dating back to 2018.
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AccuRadio contests those claims, saying it’s been a “consistently reliable SoundExchange licensee for the vast majority of the past two decades.” The company put out a press release Wednesday, blaming its bankruptcy on failed settlement talks in the litigation.
“We were led to believe that our latest proposal would be accepted by SoundExchange with only minor modifications,” wrote AccuRadio’s founder/CEO, Kurt Hanson. “However, eventually SoundExchange altered its position and rejected that proposal. We were extremely disappointed that we couldn’t reach a negotiated settlement.”AccuRadio’s bankruptcy petition says the company has less than $1 million in assets, while its liabilities total $10.5 million. In addition to the $10 million SoundExchange debt, AccuRadio says it owes more than $400,000 to royalty collectors BMI and ASCAP.
The streaming service has filed for Chapter 11 bankruptcy. This means that rather than fold completely, AccuRadio hopes to restructure, pay off its debts and continue operations in the future.
“Filing for bankruptcy protection wasn’t an easy decision, especially since our revenues have been consistently improving and we have returned to profitability,” says Hanson in the AccuRadio press release. “But we are confident that AccuRadio will emerge from it healthier and more resilient and will continue to be an outlet for human-curated music that our listeners desire and cherish.”
AccuRadio has been around since 2000. According to the company, it offers more than 1,400 ad-supported, curated music channels free of charge.
W Sound, Beéle and Ovy on the Drums celebrate a new milestone on the Billboard Argentina Hot 100 chart, as “La Plena (W Sound 05)” jumps 2-1 for its first week atop the ranking dated May 17. To date, Beéle has earned a total of three top 10s, while Ovy on the Drums has placed two. Meanwhile, W Sound — also known as Westcol — secured his first top 10 entry when the song climbed 14-8 in April.
“La Plena (W Sound 05)” dethrones Cazzu’s “Con Otra,” which dips 1-2, while Emilia, TINI and Nicki Nicole’s “Blackout” holds at No. 3 for a third week following its two-week coronation in April. Bad Bunny rebounds to No. 6 after sitting in the runner-up slot for two weeks in March.Elsewhere, Puerto Rican singer Mattei earns his first top 10 with “Pa’ Las Girlas,” which surges from No. 26 to No. 9 in its third week on the tally.
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The week’s Hot Shot Debut goes to Lali’s “Plástico,” with Duki, which starts at No. 25. The argentinian singer also debuts a second song from her album, No Vayas A Atender Cuando El Demonio Llama, as “Lokura” arrives at No. 81. Four other cuts from the album chart this week, starting with “Mejor Que Vos,” with Miranda!, at No. 14, “33,” with Dillom, which pushes 29-38, and “No Me Importa” and “Fanátco,” which re-enter at Nos. 75 and 90, respectively. Plus, “Loco Un Poco,” with Turf, ascends 88-77, for Lali’s seventh concurrent songs on the chart, the most this week.
Yan Block & Panda Black’s “444” takes the Greatest Gainer honor, awarded weekly to the song with the largest ascent among the 100 titles on the chart. The single climbs 21 spots, from No.100 to No.79, for its new peak.
Two other songs debut on the Billboard Argentina Hot 100: Salastkabron’s “Tengo Una Cadena” at No. 26, while Young Miko’s “WASSUP” bows at No. 70.
As Korea’s most popular virtual idol group, PLAVE is sometimes misunderstood as an AI-generated illusion. But the artists behind the animated band members are real, as are the videographers, engineers, graphic designers, animators and retouchers who bring their imagery to life.For the latest edition of Billboard Artist, Billboard Korea spoke to the characters who power PLAVE. Here are highlights from the conversation.
This edition is built around five key elements—earth, fire, water, air and a fifth: the “digital universe,” which represents PLAVE’s origin story. If you had to define one final element that completes the world, what would it be?
Yejun: For me, it’s truth—and being real, always. When you put your real feelings out there, people can feel that. Doesn’t matter where you are or who’s watching—genuine energy just hits different.
Noah: Happiness, 100%. I feel like almost everything we do in life—whether it’s grabbing food, texting a friend, even just taking a nap—is basically us chasing happiness in some form. That’s honestly why I do PLAVE, too. It makes me happy, and I get to run after this wild, exciting dream with the members.
Bamby: Emotion—for real, it’s everything. Like, I don’t think we even start doing anything without some kind of feeling behind it. Even when I’m like, “Okay, time to sing,” there’s always a reason—someone I’m thinking of, some mood I’m in. It’s all driven by emotion. No spark, no move. That’s just how I run.
Eunho: Analog. If PLAVE started in a digital universe, I think the heart of our story still has to feel human. The more high-tech the world gets, the more I feel like people crave something soft, something real. There’s this quiet nostalgia for the imperfect stuff—the human side of things. Maybe that’s why what we do connects. It’s not just the tech. It’s the feeling behind it. So yeah, if I had to name the final element, I’d call it analog warmth.
Hamin: Faith. I feel like everything starts from that. It’s because we believed that PLAVE could exist, and it’s that same belief that lets us love each other—and be loved back.
Like the idea of a flower pushing through tough soil, what’s something meaningful you’ve grown from a hard time?
Bamby: I’m really into growing plants. There’s just something magical about watching life sprout from plain old dirt—seeing it grow, bear fruit, and then return to the soil. That whole cycle is so beautiful to me. It made me realize nature is all about giving and receiving, in this constant loop. And I’m part of that too, right? I think I’m growing a little every day—like a tree, like a flower. I don’t think we’re meant to bloom just one flower or grow one fruit in our whole life. It’s more like—we keep blooming whatever fits that moment. One season, one vibe, one version of ourselves at a time. Performing as PLAVE? That’s one of my flowers. Doing this interview? Another one. It’s not about having a single perfect blossom—it’s about living in a way where you’re always trying to bloom something real. That’s the part I care about most.
Water seems soft, but it’s one of the strongest forces in nature. It cuts through diamonds with speed, shapes stone with patience, and sometimes, all it takes is one tear to move a heart. What’s a quiet strength you carry that people might not see at first—but feel over time?
Yejun: I think I’m like the ocean—quiet, steady, but ready to hold whatever comes my way. I want to be that kind of space for the members, and for PLLIs too. Like a winter sea—calm and still, the kind you can sit beside when you just need to breathe. And like a summer sea—cool, open, and full of light when you’re in a good place. That’s the kind of strength I believe in. Not loud, not flashy—just… always there. If I can be someone you lean on without saying a word, someone who gives you peace just by being around—that, to me, is real power.
Silver hair, red eyes and fire all feel timeless—almost immortal. But they also carry a certain quiet, a sense of solitude, like midnight. Do you see yourself as someone who stands apart? And when you feel that distance, do you lean into it—or try to break through it?
Eunho: I think I do find comfort in solitude. When I’m alone, I get to slow down and think—about where I’m going, how I want to grow. If I’m in a good mood, I’ll quietly celebrate by myself. And if I’m not, I’ll sit with that too, try to unpack it. But I’ve also learned that staying in that space too long isn’t always healthy. It’s easy to sink into it without noticing. That’s why I try to face those feelings—and then step out of them. I think that’s where growth really happens. So yeah, I like being alone. But I never want to get stuck there.
In ancient alchemy, gold wasn’t just treasure—it was the fifth element, the last piece of a perfect world. These days, it’s still the ultimate symbol of excellence. So tell us: are you quietly working your way toward being PLAVE’s golden member? (And no, we’re not just talking about the hair, lol.)
Noah: Wait—are you calling me the golden member? That’s wild. Thank you, seriously. Honestly, I think all of us in PLAVE are kind of wired to chase perfection in our own way. But yeah, since I’m one of the older ones along with Yejun, I do feel that extra layer of responsibility. I’m always thinking like, “How can we level up as a team?” “What’s the next version of PLAVE the world hasn’t seen yet?” If we were a car, I’d probably be the one with both hands on the wheel, eyes on the road. Just trying to steer us forward—safe, strong, and headed somewhere amazing.
In today’s digital world, there’s a growing craving for something real—for that human touch. More and more people feel the need to know what’s real. How do you handle that kind of pressure, and how do you stay grounded in your own truth?
Hamin: Honestly, I don’t really see the point in drawing a hard line between what’s “real” and what’s “virtual.” I think everyone’s just living in the version of reality that feels real to them. And for me? Virtual is real. People are free to see it however they want—I don’t feel the need to push back or prove anything. What actually matters is: can we still connect? Can we understand each other, share something real, even in a digital space? That’s the kind of reality I believe in.
The theme of this edition, QUINTESSENCE, is all about the five elements coming together to represent purity, essence, and ultimate quality. If you had to define the “essence” of each of your fellow members in one word or phrase, what would it be?
Yejun:
Hamin – Maturity. He may be the youngest, but he’s often the most grown-up of us all.
Eunho – Purity. When he’s working on music, you can feel how purely he loves what he does.
Bamby – Nature. He’s probably the most effortlessly natural person I’ve ever met.
Noah – Charm. There’s just something about him—you can’t dislike him. It’s a superpower.
Noah:
Yejun – The blueprint. Total husband material. No notes.
Bamby – Wild card. He’s our 4D king—you never know what’s coming next.
Eunho – Puppy. It just fits, okay?
Hamin – Black cat. And yep, I mean that exactly how it sounds.
Bamby:
Yejun – Soft blue. He’s solid as a leader and sees every little detail in the team.
Noah – Honesty. He’s always showing his true self, to everyone.
Eunho – Fiery red. He brings that bold, energetic passion to PLAVE.
Hamin – Leafy green. Like a strong tree, he quietly keeps the team balanced.
Eunho:
Yejun – The Center. To me, Yejun hyung is the gravitational core of PLAVE. He holds us all together, not just as a leader but as a person. What makes him special is the way he balances warmth with sharp clarity. I’d say he’s 60% cool-headed, 40% soft-hearted.
Noah – The Seasoning. He’s like that one pinch of spice that takes everything from “okay” to “oh dang.” His voice? Total flavor boost. We’ll be working on a track, and the second he hops in—boom, it all makes sense. And on air? He’s the one dropping those chaotic one-liners that make us lose it. What gets me is how he flips between genius-level precision and total goofball energy. You never really know which version you’re getting—and that’s exactly what makes him fun.
Bamby – The Sour Peach. Bamby’s like a tangy peach—sweet, zingy, full of character, and always keeping you guessing. I’ve known him for a while now, and just when I think I’ve got him figured out, he shows me a new side. He lives like he’s the main character in a movie. “Sour peach” might sound funny, but it fits him perfectly.
Hamin – The Bassline. And I mean that literally and emotionally. He plays bass, sure—but more than that, he is the base of PLAVE. He holds us together, gives the group shape. He’s the youngest, but he’s the one checking in on everyone, keeping the vibe grounded whether we’re on or off stage. Quiet, steady, solid—that’s Hamin.
Hamin:
Yejun – Selflessness. He leads by example and always puts others first.
Noah – Sensitivity & humanity. He’s observant, thoughtful, and always there with the right words.
Bamby – Approachability. He vibes with everyone and makes people feel seen. He knows when to lean in and when to lean on.
Eunho – Warmth & light. He lifts me up with compliments and always knows how to make me laugh.
Image Credit: Billboard Korea + VLAST
Yejun: I think I’m like the ocean—quiet, steady, but ready to hold whatever comes my way. If I can be someone you lean on without saying a word, someone who gives you peace just by being around—that, to me, is real power.
Image Credit: Billboard Korea + VLAST
Noah: Since I’m one of the older ones along with Yejun, I feel that extra layer of responsibility. I’m always thinking like, “How can we level up as a team? What’s the next version of PLAVE the world hasn’t seen yet?” If we were a car, I’d probably be the one with both hands on the wheel, eyes on the road. Just trying to steer us forward—safe, strong, and headed somewhere amazing.
Image Credit: Billboard Korea + VLAST
Bamby: I’m really into growing plants. There’s just something magical about watching life sprout from plain old dirt—seeing it grow, bear fruit, and then return to the soil. That whole cycle is so beautiful to me. It made me realize nature is all about giving and receiving, in this constant loop. And I’m part of that too, right? I think I’m growing a little every day—like a tree, like a flower. I don’t think we’re meant to bloom just one flower or grow one fruit in our whole life. It’s more like—we keep blooming whatever fits that moment.
Image Credit: Billboard Korea + VLAST
Hamin: Honestly, I don’t really see the point in drawing a hard line between what’s “real” and what’s “virtual.” I think everyone’s just living in the version of reality that feels real to them. And for me? Virtual is real. People are free to see it however they want—I don’t feel the need to push back or prove anything. What actually matters is: can we still connect? Can we understand each other, share something real, even in a digital space? That’s the kind of reality I believe in.
Image Credit: Billboard Korea + VLAST
Eunho: I think I do find comfort in solitude. When I’m alone, I get to slow down and think—about where I’m going, how I want to grow. If I’m in a good mood, I’ll quietly celebrate by myself. And if I’m not, I’ll sit with that too, try to unpack it. But I’ve also learned that staying in that space too long isn’t always healthy. It’s easy to sink into it without noticing. That’s why I try to face those feelings—and then step out of them. I think that’s where growth really happens. So yeah, I like being alone. But I never want to get stuck there.
Image Credit: Billboard Korea + VLAST
From left: Eunho, Yejun, Noah, Bamby and Hamin of PLAVE.
Selena Gomez and Benny Blanco opened up about why the title of their new album I Said I Love You First felt so right, in a new short film released Thursday (May 15).
“We were just, like, trying to figure out what to even call this thing. It’s such a scary thing, ’cause it’s like, ‘Oh, we worked so long on this! How are we even gonna figure out…’” Blanco recalls before trailing off, with Gomez quick to respond, “But I feel like that became something really easy: I Said I Love You First is just a fact.”
“Technically, you probably would’ve said it first,” she then admits, laughing over her cup of tea before triumphantly adding, “I just beat you to it!”
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During the 12-minute film for Vevo Extended Play, the newly engaged couple perform intimate renditions of a number of cuts off I Said I Love You First, including second single “Sunset Blvd,” “How Does It Feel to Be Forgotten” and “Scared of Loving You.”
In between numbers, the lovebirds spill plenty of other tidbits about the songs on their romantic, collaborative project — from “Sunset Blvd” being inspired by the location of their first date (well, “the second half” of it, anyway, according to Blanco) to why “Scared of Loving You” is the “easiest” song for Gomez to perform.
“It’s so easy for us to do a thing together, like a project, because we speak the same language — both in music and, you know, personally,” the producer says of the way their romance translated to musical chemistry in the studio while crafting their joint album. “Whenever either one of us has an idea, we’re always gonna listen to each other, and that, to me, goes both romantically and in our working relationship.”
I Said I Love You First bowed at No. 2 on the Billboard 200 upon its March 25 release. Since then, Gomez and Blanco have already unveiled a deluxe version of the LP titled I Said I Love You First… And You Said It Back, which features additional collaborations with GloRilla, DJ Sliink and Cigarettes After Sex and other bonus tracks.
Watch Gomez and Blanco’s I Said I Love You First short film in full below.
Lil Tjay’s rise from the gritty Fordham neighborhood of The Bronx to the Billboard Hot 100 and performing at the O2 Arena across the pond is being turned into a documentary.
Per Variety, Hangtime and Standard Projects are collaborating to bring the doc to life while detailing Tjay’s turbulent upbringing and career.
Producers on the project include Hangtime co-CEOs Frank Murray and Frida Torresblanco as well as Clayton Barmore, Deon Douglas and Heather L. Boucher.
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Before the fame, Tjay’s life was never the same following the fatal stabbing of his childhood friend, Smelly. As a teenager, Tjay went all-in on a rap career while spending a year in a detention center after being arrested for robbery.
Two years later, Tjay (born Tione Jayden Merritt) broke through with his multiplatinum hit “Brothers” in 2018, which led to him inking a lucrative deal with Columbia Records.
He cracked the Hot 100 top 15 when teaming up with Polo G for their “Pop Out” anthem, which peaked at No. 11 on the chart in 2019. Later that year, Tjay was stamped as one of the leaders of the new school in NYC’s rap scene with the release of his True 2 Myself album, featuring hits like “F.N.”
“Witnessing a young man transform pain into purpose is what moved me to begin the journey to tell Lil Tjay’s story,” Torresblanco said in a statement. “He is a wounded poet whose resilience speaks to an entire generation.”
She continued: “This documentary is about more than music; it’s about strength, growth and the quiet wisdom that can only come from living through what most of us will never have to experience. His voice shows young people that beauty can arise from hardship, and his legacy reminds us that even the most difficult struggles can inspire hope.”
Lil Tjay nearly lost his life in 2022 when the rapper was shot seven times in a botched armed robbery attempt in New Jersey.
The 24-year-old returned to release his 222 album in 2023 and then followed up with the arrival of Farewell in 2024 featuring NLE Choppa, Polo G and G Herbo. Earlier in May, Tjay returned to unite with Detroit rapper 42 Dugg for his “Different” single.
The untitled documentary will be introduced later this month at the Cannes Film Festival, while a director is set to reportedly be announced at a later date.
Joe Jonas is going back to his acting career with his new, bittersweet music video for his latest single, “Heart By Heart.” Directed by Anthony Mandler and released on Thursday (May 15), the clip opens with the superstar having an awkward-but-friendly run-in with an ex on the streets of New York City. After saying goodbye, […]
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